Wes Anderson prompts

2 days ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

2 days ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

1 month ago

Batman in a pink suit, gothic, gold, neoclassical, elegant, cinematic, shot photography by Wes Anderson, masterpiece, realistic, Leica 50 mm, dramatic lighting, staring at camera, highly detailed, detailed facial features, unreal engine, Octane Render, very detailed eyes, very detailed suite

3 days ago

"A perfectly symmetrical view of an abandoned water slide structure with five colorful, pastel-toned slides—mint green, soft peach, pale yellow, light aqua, and faded coral—curving in parallel lines into a dry, cracked splash pool. The slides are worn, with flaking paint and rusted joints. The empty space is framed in Wes Anderson's style: central perspective, soft lighting, retro signage, and film grain texture. Overgrown plants creep into the scene, enhancing the surreal stillness."

3 days ago

"A forgotten water slide tower in the style of a Wes Anderson film. The tall structure has multiple pastel-colored slides — peach, pale blue, and mint — spiraling down into a dry, cracked catch pool. The metal stairs are rusted, handrails faded. Symmetrical framing emphasizes the eerie stillness. The overcast sky is soft and cinematic. Weeds grow around the base. Film grain texture and Futura-style faded signage complete the vintage feel."

3 days ago

"A deserted lifeguard tower overlooking an empty water park. Shot with perfect symmetry in Wes Anderson’s visual language. The tower is painted in pale coral and white, slightly peeling, and surrounded by faded warning signs. Old binoculars hang loosely on a hook. Below, dry walkways with cracked tiles stretch out, flanked by pastel-colored fences and overgrown plants. The whole image glows with soft lighting and melancholic stillness."

3 days ago

"A deserted refreshment stand in an abandoned water park, styled like a Wes Anderson movie. The small kiosk is painted pastel pink and sky blue, with a faded ‘ICEE’ or ‘SODA’ sign in vintage typography. Old plastic chairs are stacked crookedly, a tipped-over trash can nearby. The windows are dusty, the fridge doors left ajar. Shot with perfect symmetry under soft cloudy light, and framed by encroaching weeds and cracked concrete."

3 days ago

A deserted central plaza in an abandoned water park, composed in the symmetrical, pastel-toned style of a Wes Anderson film. In the middle of the square stand four Funktion-One speakers arranged in a perfect cross formation — tall, slightly rusted but still striking, in faded lavender and gray tones. The tiled ground is cracked, with weeds growing between the patterns. Surrounding the plaza are closed concession stands and empty benches, all painted in muted pastel hues like mint green, dusty rose, and pale yellow. The entire scene is bathed in soft golden light, with precise symmetry, subtle film grain, and a surreal, nostalgic atmosphere."

3 days ago

"A symmetrical view of the entrance gate of an abandoned water park, Wes Anderson-style. The gate has faded retro signage in stylized Futura font, flanked by color-blocked walls in pastel pink and blue. Old ticket booths sit empty, windows cracked, with cobwebs and faded maps still visible. The ground is littered with dry leaves and weeds. Framed with perfect perspective and soft golden-hour light, evoking quiet nostalgia."