A sample prompt of what you can find in this page
Prompt by ElectricL

liquid hand prompts

hundreds of results

6 months ago

A woman stands still in the dim light, her head tilted slightly as a small, ornate vial of poison is pressed to her lips (1.5). Her eyes are closed tightly, her expression steeped in sorrow and regret, as though haunted by memories of lost love. A single tear rolls down her cheek, catching the faint green glow of the poison as it trails across her face. Her lips part slightly, trembling as she drinks the bitter, cold liquid, her body tense with the weight of her decision. The vial is delicate, crafted from glass that glows faintly with an ominous greenish light. Its liquid swirls unnaturally, casting faint reflections on her pale skin and trembling fingers. She wears a flowing, sheer white robe (1.4), its translucent fabric clinging softly to her body, revealing faint outlines of her figure beneath. The robe ripples gently around her arms and waist, as though stirred by an invisible breeze, and the poison’s green glow reflects faintly off its delicate folds. Beneath her skin, a smoky, luminous green line is visible, beginning at her throat and trailing downward in a diffused, ethereal path (1.5). The line pulses softly, its edges hazy and shifting like luminous smoke, yet remaining unified as it flows through her body. The glowing trail brightens subtly as it descends, coiling delicately around her heart in a soft, radiant glow. The eerie green light from the poison interacts with the translucent robe, casting faint shadows and glowing highlights across her chest, amplifying the surreal beauty of the scene. Her free hand rests lightly against her chest, as though feeling the poison’s icy presence as it travels through her. The other hand holds the delicate vial, her fingers gripping it tightly, the tension in her body underscoring her resolve and the bitter pain of the moment. She stands upright, her figure illuminated by the glowing green line and the faint light of the vial. The dark, minimal background fades into shadows, ensuring the glowing poison and her tear-streaked face remain the focal points. The atmosphere is suffused with emotional tension, the glowing green line serving as both a visual and symbolic representation of the poison’s cold, invasive power. Her sheer robe, trembling posture, and closed eyes convey a haunting mix of regret, sorrow, and the inevitability of her choice.

6 months ago

A woman stands still in the dim light, her head tilted slightly as a small, ornate vial of poison is pressed to her lips (1.5). Her eyes are closed tightly, her expression steeped in sorrow and regret, as though haunted by memories of lost love. A single tear rolls down her cheek, catching the faint green glow of the poison as it trails across her face. Her lips part slightly, trembling as she drinks the bitter, cold liquid, her body tense with the weight of her decision. The vial is delicate, crafted from glass that glows faintly with an ominous greenish light. Its liquid swirls unnaturally, casting faint reflections on her pale skin and trembling fingers. She wears a flowing, sheer white robe (1.4), its translucent fabric clinging softly to her body, revealing faint outlines of her figure beneath. The robe ripples gently around her arms and waist, as though stirred by an invisible breeze, and the poison’s green glow reflects faintly off its delicate folds. Beneath her skin, a smoky, luminous green line is visible, beginning at her throat and trailing downward in a diffused, ethereal path (1.5). The line pulses softly, its edges hazy and shifting like luminous smoke, yet remaining unified as it flows through her body. The glowing trail brightens subtly as it descends, coiling delicately around her heart in a soft, radiant glow. The eerie green light from the poison interacts with the translucent robe, casting faint shadows and glowing highlights across her chest, amplifying the surreal beauty of the scene. Her free hand rests lightly against her chest, as though feeling the poison’s icy presence as it travels through her. The other hand holds the delicate vial, her fingers gripping it tightly, the tension in her body underscoring her resolve and the bitter pain of the moment. She stands upright, her figure illuminated by the glowing green line and the faint light of the vial. The dark, minimal background fades into shadows, ensuring the glowing poison and her tear-streaked face remain the focal points. The atmosphere is suffused with emotional tension, the glowing green line serving as both a visual and symbolic representation of the poison’s cold, invasive power. Her sheer robe, trembling posture, and closed eyes convey a haunting mix of regret, sorrow, and the inevitability of her choice.

8 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

5 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

8 months ago

Two ethereal figures entwined in a celestial embrace float above a mirrored cosmic lake, their bodies woven from stardust and iridescent light. Their faces are radiant yet undefined, reflecting the universal duality of love—fated connection and free will, passion and soul recognition. Above them, a monolithic, holographic heart hovers, fracturing and reforming in infinite loops, pulsating with the energy of the cosmos. From its core, golden threads extend outward, binding the lovers together, symbolizing the invisible forces of destiny and divine love. Behind them, a massive, neon-winged angel with a translucent, ever-shifting face looms in the sky, eyes glowing with celestial fire, representing divine guidance and protection. The background melts into surreal, liquid dreamscapes of golden clouds, spiraling DNA strands of light, and endless neon floral gardens blooming into infinity. On either side, two cosmic trees stand—one ablaze with molten gold and opal blossoms, the other coated in silver ice and shifting astral symbols, embodying the eternal balance between creation and destruction, love and transformation. A staircase made of fractured starlight ascends from the lake, disappearing into a vortex of swirling dimensions, a reminder that love is both a path and a choice. Salvador Dalí surrealism, hyper-detailed, divine energy, radiant, 4K cinematic surrealism, neon cosmic textures, dreamlike atmosphere, iridescent lighting, ethereal glow, celestial beauty. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, oversaturated, exaggerated facial expressions, poorly drawn hands, cartoonish, low-poly, unrealistic physics, artificial reflections, noisy, stretched elements, watermark, text artifacts.

8 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

5 months ago

A woman stands as a figure of quiet confidence and elegance, enveloped in a warm, intimate glow that pervades the entire scene. Her dark hair styled in a sleek bob complements the rich, earthy tones of the background, creating a sense of sophistication and mystery that surrounds her. She wears a form-fitting black top that accentuates her silhouette, adding an understated allure to her overall appearance. Her posture is poised yet relaxed, one hand resting lightly on her hip while the other hangs gracefully by her side - this subtle balance conveys a sense of confidence without appearing too assertive. A delicate bracelet adorns her wrist, catching the light subtly and adding a touch of refinement to her elegant demeanor. Her white-painted nails contrast beautifully with the darker tones of her outfit and the warm backdrop. The soft shadows cast by the lighting highlight the contours of her face and shoulders, creating a sense of depth and dimension that enhances the overall mood of the image - the interplay of light and shadow is masterfully executed, drawing the viewer's eye to her subtle yet striking features. In the foreground, a glass filled with golden liquid sits on a surface, its presence suggesting a moment of leisure or contemplation that captures the essence of the scene. The atmosphere is one of quiet sophistication, capturing a fleeting instant where the subject embodies both strength and grace amidst the warmth of the surroundings - the entire image exudes an air of serenity, inviting the viewer to step into this intimate world.