A sample prompt of what you can find in this page
Prompt by bads

while the ground is cracked and scattered prompts

very few results

7 months ago

A powerful fully topless with, her breasts painted with blood, (witch:1.5) with (jet-black hair:1.4), her hair whipping violently in the chaotic winds, stands at the center of a (vertical spiraling vortex of fire:1.5), rising from the ground like a colossal (upright Twister ice cream:1.4). The unholy flames are (blue:1.3) and (purple:1.3), twisting and crackling as they encircle her in dense, spiraling coils, their glow casting intense, flickering shadows across her form and the scorched ground beneath her feet. Her eyes glow faintly white, rolled subtly back in her head, adding a terrifying and otherworldly aura to her appearance. The glow is faint, almost as if the light emanates from deep within her, intensifying her connection to the destructive forces she wields. Her expression is one of intense focus, her furrowed brows and parted lips showing the strain of channeling such immense power. She wears a (sheer black dress:1.6) with (oversized, flowing sleeves:1.5) that billow dramatically in the vortex’s winds. One side of her dress has come undone, sliding down her shoulder in the frenzy, revealing a subtle hint of one breast, as though the raw energy of her power has caused her appearance to become as chaotic as the firestorm she commands. The fabric clings lightly to her body in places, accentuating her curves while maintaining a sense of mystery and elegance. The dress flows dynamically in the swirling wind, twisting and fluttering as if alive, amplifying the sense of motion and intensity. She grips a (wand carved from a human femur:1.6), the handle adorned with (skeleton fingers:1.4) gripping the bone tightly, as though channeling her unholy power. Around her waist, a (rope belt:1.4) hangs loosely, adorned with (shrunken heads:1.7), their leathery faces twisted in agony, their grotesque forms reminiscent of the ceremonial work of Jivaroan tribes. The heads sway slightly in the vortex, their eerie stillness contrasting with the wild motion of the flames. The ground beneath her feet is scorched and cracked, glowing faintly with embers. Scattered (withered skulls and incomplete bones:1.3) lie among the charred earth, blending seamlessly into the apocalyptic scene. The (vertical vortex of fire:1.5) rises around her, twisting upward in a dense, hypnotic spiral. The flames pulse with chaotic energy, their intertwined hues of purple and blue casting (volumetric light:1.4) through the smoky, ash-filled air. The atmosphere is alive with glowing embers, drifting ash, and the faint echoes of crackling flames, creating a scene of raw, unrelenting power and destruction.

8 months ago

A powerful, fully topless witch with jet-black hair, her hair whipping violently in the chaotic winds, stands at the center of a vertical spiraling vortex of fire, rising from the ground like a colossal upright Twister ice cream. Her breasts, slightly larger than average, are fully visible and marked with roughly painted pentagrams in blood, the crimson lines appearing smeared and ritualistic, as though painted by her own hand. The unholy flames twist and crackle as they encircle her in dense, spiraling coils, beginning with orange and red fire near the ground and transitioning to deep blue and electric purple as they climb higher, their glow casting flickering shadows across her form. Her expression is serious and strained, her head slightly turned to the side, her furrowed brow and parted lips conveying the immense effort required to channel such destructive power. She wears a sheer black dress with oversized, flowing sleeves that billow dramatically in the vortex’s winds. One side of the dress has slipped down her shoulder in the chaos, accentuating her curves while revealing the curve of her breast and adding a sense of raw energy and intimacy. The dress twists and flutters dynamically, amplifying the scene’s sense of motion. She grips a wand carved from a human femur, the handle adorned with skeleton fingers gripping tightly as though alive with unholy energy. Around her waist, a rope belt adorned with shrunken heads sways lightly in the vortex’s wind, their grotesque, leathery faces twisted in eternal agony. The ground beneath her feet is scorched and cracked, glowing faintly with embers. Scattered withered skulls and incomplete bones lie among the charred earth, blending seamlessly into the apocalyptic scene. In the distance behind her, partially obscured by the flickering flames, hanged bodies dangle upside down from their feet, their silhouettes faint and distorted by the heat of the vortex. The eerie sight adds a macabre depth to the atmosphere, their forms barely visible through the haze and unholy fire. The vortex rises upward, dense and hypnotic, its chaotic motion pulsing with energy, casting volumetric light through the smoky, ash-filled air. The atmosphere is alive with glowing embers, drifting ash, and the faint echoes of crackling flames. The entire scene exudes raw, unrelenting power and destruction, with the witch at its center as the embodiment of chaos and terror.

1 month ago

Ultra-realistic cinematic concept art, full-body wide shot of a Moroccan man in his late 20s seated on a massive throne of ruins. He has warm light brown skin, no beard, a clean-shaven face with a medium taper fade and a buzz cut. His expression is powerful, cold, direct — eyes locked on the viewer with intensity and pain. His body language is grounded and dominant: feet spread, elbows resting hard on carved throne arms, posture that blends street realism with royal command. The throne is not traditional — it is a hybrid of ancient Moroccan imperial ruins and post-apocalyptic urban wreckage. Formed from fractured marble blocks, scorched books, rusted rebar, shattered minaret tiles, broken TV monitors, and gold-inlaid ruins, with cracks and vines growing through it. Behind the throne, arches partially collapsed, lined with torn drapery and melted metal. The structure screams both legacy and collapse — a king forged from chaos. The artist wears a reinvented Moroccan royal war outfit: A long, tailored black trench coat, shaped like a regal robe but made from military-grade ballistic fabric, Embroidered in faded gold zellige patterns along the sleeves, shoulders, and hem. Underneath: a cracked body armor chestplate engraved with Amazigh symbols and Islamic geometric lines. On his shoulders: a torn deep red velvet cape, flowing like a fallen banner, frayed and dirtied. His legs wear matte dark trousers with subtle armored plating, tucked into weathered black leather boots, heavy and scratched from survival. His fingers wear steel rings with tribal and ruined motifs, chipped, not decorative — symbols of survival. Around his head: a fractured iron-gold crown, forged from scrap metal and twisted antique gold — sharp, asymmetrical, glowing subtly. It’s dented, weighted, and war-torn — not for glory, but legacy. Background / Environment: The backdrop shows the ruins of a Moroccan city — think Casablanca or Rabat in collapse. Cracked high-rises leaning, burnt-out satellite dishes, graffiti-covered walls, warped domes and arches barely standing. In the sky: a golden-orange sunset bleeds through massive storm clouds, with shafts of cinematic light piercing across the dust. Ash particles drift in the air. A half-burned Moroccan flag is faintly visible fluttering from a collapsed radio tower far behind the throne. Ground textures include broken tiles, scattered cassette tapes, spilled tea glasses, cracked pavement with Arabic writing faded beneath dust. Typography: The album title “Trône sur les Ruines” appears in large serif cracked gold metallic text, clean, minimal, and powerful. Placement: top left or bottom right corner of the composition. Optional effect: subtle emboss or cracked texture across the lettering. Color Palette: Ash Grey Coal Black Moroccan Red Bronze Gold Dusk Orange Storm Blue Desert Sand Mood Tags: Royal rage, fallen empire, poetic survival, legacy from pain, king of nothing turned king of everything, cinematic Moroccan realism. Style Tags (for PromptHero / Leonardo): Ultra-realistic, hyper-detailed, full-body cinematic portrait, Moroccan man, brutalist throne, post-apocalyptic ruins, storm light, dramatic shadows, royal streetwear, warrior king aesthetic, poster quality, wide-angle. Inspiration: Yeezus by Kanye West, Live.Love.A$AP, French war photography, dystopian film concept art, Moroccan imperial architecture, 7liwa & Booba attitude.

7 months ago

A powerful, fully topless witch with jet-black hair, her hair whipping violently in the chaotic winds, stands at the center of a vertical spiraling vortex of fire, rising from the ground like a colossal upright Twister ice cream. Her breasts, slightly larger than average, are fully visible and marked with roughly painted pentagrams in blood, the crimson lines appearing smeared and ritualistic, as though painted by her own hand. The unholy flames twist and crackle as they encircle her in dense, spiraling coils, beginning with orange and red fire near the ground and transitioning to deep blue and electric purple as they climb higher, their glow casting flickering shadows across her form. Her expression is serious and strained, her head slightly turned to the side, her furrowed brow and parted lips conveying the immense effort required to channel such destructive power. She wears a sheer black dress with oversized, flowing sleeves that billow dramatically in the vortex’s winds. One side of the dress has slipped down her shoulder in the chaos, accentuating her curves while revealing the curve of her breast and adding a sense of raw energy and intimacy. The dress twists and flutters dynamically, amplifying the scene’s sense of motion. She grips a wand carved from a human femur, the handle adorned with skeleton fingers gripping tightly as though alive with unholy energy. Around her waist, a rope belt adorned with shrunken heads sways lightly in the vortex’s wind, their grotesque, leathery faces twisted in eternal agony. The ground beneath her feet is scorched and cracked, glowing faintly with embers. Scattered withered skulls and incomplete bones lie among the charred earth, blending seamlessly into the apocalyptic scene. In the distance behind her, partially obscured by the flickering flames, hanged bodies dangle upside down from their feet, their silhouettes faint and distorted by the heat of the vortex. The eerie sight adds a macabre depth to the atmosphere, their forms barely visible through the haze and unholy fire. The vortex rises upward, dense and hypnotic, its chaotic motion pulsing with energy, casting volumetric light through the smoky, ash-filled air. The atmosphere is alive with glowing embers, drifting ash, and the faint echoes of crackling flames. The entire scene exudes raw, unrelenting power and destruction, with the witch at its center as the embodiment of chaos and terror.

2 months ago

⚜️ Prompt — “Dominion of the Lion: Roman Conqueror’s Triumph” (Ultra-Realistic Cinematic Scene) A hyper-realistic cinematic scene of a Roman gladiator-king overpowering a massive lion in a moment of divine dominance. The gladiator kneels upon cracked marble ground within the ruins of an ancient imperial arena — dust, ash, and golden light swirling through the air. With both hands, his veined forearms strain as he forces open the lion’s jaws, teeth bared, muscles flexed in perfect tension. The beast’s mane flares wildly in the wind, saliva and dust scattering under the strain, eyes blazing with primal fury. The gladiator’s physique is massive, sculpted, and scarred — every pore, vein, and cut rendered in photoreal clarity. His bronze-and-steel armor bears scratches, dried blood, and soot from countless battles; the chestplate gleams in the sunlight, engraved with eagles, laurels, and mythic beasts. A torn crimson cloak billows behind him, torn and singed, symbolizing both conquest and endurance. Upon his head rests a forged imperial crown, seamlessly fused with his dented helmet — gothic arches, rubies, and laurel engravings glowing faintly in divine light. The lion’s muscles ripple beneath its golden fur, every strand visible. Its claws dig deep into the shattered marble as it resists. Tiny particles of dust and ember float in the air, catching shafts of warm golden sunlight breaking through stormy clouds. Lighting setup: – Primary: golden sunlight from upper left, highlighting sweat, armor reflections, and fur detail. – Secondary: cold blue ambient light from below right, enhancing contrast and shadowed tones. – Backlight: subtle flare from the smoldering ruins, creating halo-like rim light around both figures. Composition: vertical 4:5 (1080×1350), centered full-body focus. The lion dominates the lower frame; the gladiator’s upper body and helmeted face align with divine rays of light. Mood: divine power, control over chaos, the triumph of man over beast. Cinematic elements: volumetric lighting, motion blur from cloak movement, dust bloom, shallow depth of field, HDR realism, atmospheric haze, and 8 K-level texture fidelity. Color palette: gold, bronze, crimson, ash gray, black steel. References: Gladiator (2000), 300, God of War, Kingdom of Heaven, Dune (2021).

2 months ago

⚜️ Prompt — “Dominion of the Lion: Roman Conqueror’s Triumph” (Ultra-Realistic Cinematic Scene) A hyper-realistic cinematic scene of a Roman gladiator-king overpowering a massive lion in a moment of divine dominance. The gladiator kneels upon cracked marble ground within the ruins of an ancient imperial arena — dust, ash, and golden light swirling through the air. With both hands, his veined forearms strain as he forces open the lion’s jaws, teeth bared, muscles flexed in perfect tension. The beast’s mane flares wildly in the wind, saliva and dust scattering under the strain, eyes blazing with primal fury. The gladiator’s physique is massive, sculpted, and scarred — every pore, vein, and cut rendered in photoreal clarity. His bronze-and-steel armor bears scratches, dried blood, and soot from countless battles; the chestplate gleams in the sunlight, engraved with eagles, laurels, and mythic beasts. A torn crimson cloak billows behind him, torn and singed, symbolizing both conquest and endurance. Upon his head rests a forged imperial crown, seamlessly fused with his dented helmet — gothic arches, rubies, and laurel engravings glowing faintly in divine light. The lion’s muscles ripple beneath its golden fur, every strand visible. Its claws dig deep into the shattered marble as it resists. Tiny particles of dust and ember float in the air, catching shafts of warm golden sunlight breaking through stormy clouds. Lighting setup: – Primary: golden sunlight from upper left, highlighting sweat, armor reflections, and fur detail. – Secondary: cold blue ambient light from below right, enhancing contrast and shadowed tones. – Backlight: subtle flare from the smoldering ruins, creating halo-like rim light around both figures. Composition: vertical 4:5 (1080×1350), centered full-body focus. The lion dominates the lower frame; the gladiator’s upper body and helmeted face align with divine rays of light. Mood: divine power, control over chaos, the triumph of man over beast. Cinematic elements: volumetric lighting, motion blur from cloak movement, dust bloom, shallow depth of field, HDR realism, atmospheric haze, and 8 K-level texture fidelity. Color palette: gold, bronze, crimson, ash gray, black steel. References: Gladiator (2000), 300, God of War, Kingdom of Heaven, Dune (2021).