The style is hyperrealistic and moody FLUX prompts

8 months ago

Hyperrealistic art concept art cinematic film still comic Renaissance style (angelarium:1.1). god of luck and despair. ultrawide angle, extreme photo angle. psychotic and sad. evil aura surrounds. highly detailed, fine details. concept art. massive crown. insanity in the world. (bloodborne:1.1) eldritch god. malformed crown. . perspective, light and shadow, religious or mythological themes, highly detailed. (angelarium:1.2). vibrant, highly detailed . shallow depth of field, vignette, highly detailed, high budget, cinemascope, moody, epic, gorgeous, film grain, grainy. megalophobia. anxiety inducing. chained up. . digital artwork, illustrative, painterly, matte painting, highly detailed . Extremely high-resolution details, photographic, realism pushed to extreme, fine texture, incredibly lifelike

16 days ago

A woman sits confidently on a chair in a bustling restaurant, her long blonde hair with soft bangs and subtle auburn highlights styled in loose waves that frame her face and flow over her shoulders. She has a gently curvy figure and wears a short, loose, long-sleeve dress with a plunging neckline, detailed fabric texture, and subtle shimmer that accentuates her shape. Her light eyes meet the viewer with a warm smile. The restaurant around her is crowded and lively, filled with blurred silhouettes and motion. Dark, moody tones contrast with natural light streaming through tall windows, creating dramatic chiaroscuro effects and sharp, expressive shadows. The scene blends hyperrealistic photography with influences from Caravaggio and contemporary realist painters, emphasizing intricate textures, enhanced contrast, and cinematic atmosphere. Soft bokeh and a shallow f/2.8 depth of field make her the clear focal point, highlighting highly detailed skin and lifelike expression.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

9 months ago

"A black cat sitting on a graffiti-covered wall at night, illuminated by a round street lamp. The scene has a dark, moody atmosphere with a greenish hue. The cat's eyes glow subtly in the dim light, and its fur appears soft and well-defined. The background features an urban alleyway with soft shadows, giving a cinematic and mysterious feel. The composition is slightly off-center, with the cat positioned near the light source. The style is hyperrealistic with intricate details in the textures of the cat’s fur, the wall, and the graffiti. The lighting is dramatic, emphasizing contrast between light and shadow."

7 months ago

Hyperrealistic portrait of a woman with reptilian skin texture on her face and neck, cinematic 85mm lens, aperture f/1.4 for ultra-shallow depth of field, soft-focus background, captured in a cold ambient lighting setup with icy blue, steel grey, and muted lavender tones. Her eyes reflect a mysterious shimmer, subtle catchlight enhances emotion.Smooth studio light on one side, harsh back rim light on the other. High detail, surreal reptile-human hybrid texture, moody expression –ar 3:4 –v 6 –style raw –s 750 –no warm tones, no sepia

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

concept art Gothic style Hyperrealistic art concept art cinematic film still comic Renaissance style (angelarium:1.1). god of luck and despair. ultrawide angle, extreme photo angle. psychotic and sad. evil aura surrounds. highly detailed, fine details. concept art. massive crown. insanity in the world. (dark souls:1.1) eldritch god. malformed crown. . perspective, light and shadow, religious or mythological themes, highly detailed. (angelarium:1.2). vibrant, highly detailed . shallow depth of field, vignette, highly detailed, high budget, cinemascope, moody, epic, gorgeous, film grain, grainy. megalophobia. anxiety inducing. chained up. . digital artwork, illustrative, painterly, matte painting, highly detailed. non-human. . Extremely high-resolution details, photographic, realism pushed to extreme, fine texture, incredibly lifelike . Dark, mysterious, haunting, dramatic, ornate, detailed . digital artwork, illustrative, painterly, matte painting, highly detailed

2 months ago

A lone guardian stands beside an ancient, moss-covered stone fountain at dusk. In the center of the fountain rises a weather-worn stone Pegasus, wings partially broken yet majestic, its form illuminated by the last silver rays of twilight filtering through the Nordic forest. The air is heavy with rainfall, drops cascading from the trees and splashing into the water’s dark surface. The character, soaked by the rain, keeps silent vigil near the fountain — armor glistening under the dim, cold light. Mist curls between the trees, and distant thunder rolls through the valley. Hyperrealistic cinematic lighting, Nordic atmosphere, 8K resolution, DSLR depth of field, National Geographic style, moody blue-gray palette, camera Canon 5D Mark IV, wide shot, soft rain motion blur, ambient realism, film grain.

9 months ago

Cinematic cyberpunk portrait of a mysterious female figure in a glossy black latex bodysuit with translucent, vein-like biomechanical arms. She wears a sleek black visor helmet reflecting ambient light, partially obscuring her face. Wet, stringy hair clings to her shoulders. The dimly lit industrial room is filled with flickering CRT monitors displaying static, tangled cables running across the ceiling. The scene has a moody, high-contrast atmosphere, with neon reflections shimmering on the wet floor. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

9 months ago

Cinematic cyberpunk portrait of a mysterious female figure in a glossy black latex bodysuit with translucent, vein-like biomechanical arms. She wears a sleek black visor helmet reflecting ambient light, partially obscuring her face. Wet, stringy hair clings to her shoulders. The dimly lit industrial room is filled with flickering CRT monitors displaying static, tangled cables running across the ceiling. The scene has a moody, high-contrast atmosphere, with neon reflections shimmering on the wet floor. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.