A sample prompt of what you can find in this page
Prompt by reborn777

analog style FLUX prompts

hundreds of results

7 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

6 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

7 months ago

The Bureaucracy of the Afterlife" – (Primary Subject: Faceless Clerk Processing a Soul in an Afterlife Bureaucracy, 1.7 weight) — inside an impossibly vast brutalist marble hall, illuminated by soft shafts of gray ambient light and flickering fluorescent tubes, a lone soul stands in a queue that stretches far into vanishing point. The silence is immense. The walls are cold and unmarked. The floor glows faintly underfoot, inscribed with looping scripts in forgotten divine languages. At the end of the queue is a polished obsidian desk, minimalist and imposing. Behind it sits a faceless bureaucrat, their form static, draped in slate-gray robes. In front of them: a glowing typewriter that types without sound, a massive ledger filled with names and karmic equations, and a small brass stamp marked VOID, REDEEMED, or REPROCESS. Floating overhead are rotating file cabinets suspended in mid-air, each one labeled with vague existential terms: INTENTION, UNSPOKEN REGRET, MIRRORED VERSIONS. Pneumatic tubes hiss gently as they deliver paperwork from unknown origins. Occasionally, one bursts open and spills glowing red or golden documents onto the polished floor, which janitors in silence quickly retrieve. The architecture is surreal: escalators that lead nowhere, elevators with no doors, rows of waiting souls seated on concrete benches that pulse with low-frequency light. A clock with no hands ticks anyway. There is no signage—only understanding. The atmosphere is subdued and dreamlike: hazy, gray-toned air, volumetric light rays filtering from clerestory windows high above, and a dull mechanical hum as background music. The entire space feels endless, and yet incredibly personal—like a divine DMV designed by Tarkovsky and Escher. Rendered in moody cinematic realism with vintage textures—muted color palette of ashen gray, faded gold, bureaucratic beige, and deep obsidian black. Fine film grain, soft lens flare, and subtle vignetting give the image a faded, spiritual authority. Captured in the style of a Leica Summilux lens on decaying 35mm stock (emotional analog realism, 1.3 weight).

4 months ago

A stunning and intricate illustration of a lone figure standing before a massive, futuristic central computer core in a dimly lit, cavernous control room. The core is the heart of an ancient, decaying system that governs an entire solar system, its towering structure covered in glowing panels, flickering CRT monitors, and spinning reels of magnetic tape. The design reflects a blend of cassette futurism and retrofuturism: exposed wires snake across the floor like veins, enormous vacuum tubes pulsate faintly with energy, and analog dials twist and click as the system struggles to maintain its colossal operations. The figure, dressed in a tattered yet advanced jumpsuit of metallic fabrics, stands with a posture that conveys awe and hesitation. Their face, partially illuminated by the glowing panels, shows a mix of determination and exhaustion. They are dwarfed by the sheer scale of the computer core, which stretches endlessly upward, disappearing into a haze of smoke and low-hanging cables. The room is filled with atmospheric lighting: dim oranges and greens reflect off the polished yet grimy metal surfaces, while holographic projections of planetary orbits and system schematics flicker erratically in mid-air. The computer core itself is worn and weathered, with signs of neglect—broken panels exposing its intricate inner workings, patches of rust, and vines of alien growth encroaching from the corners of the room. Yet, it exudes power, its central sphere—a rotating gyroscope of light and machinery—glowing with an intense energy, hinting at its still-functioning capacity to control and sustain the planets and stars of the system. The air is dense with particles of dust, illuminated by beams of soft light cutting through the smoke, while faint sparks fly from malfunctioning components. The soundscape is almost tangible: the hum of the core, the rhythmic clatter of mechanical parts, and the faint crackle of ancient speakers. Rendered in a hyper-detailed retrofuturistic style, with an emphasis on the texture of worn-down technology, dynamic lighting, and the overwhelming sense of scale and history.

4 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

4 months ago

This is a high-resolution, full-length portrait of a young East Asian woman in a brightly lit bedroom setting. The Woman: The woman is the central subject, positioned in the lower half of the frame. She is sitting on a light-colored wood laminate floor, leaning against the side of a bed. Her pose is relaxed and alluring; she's looking directly at the camera with a soft, gentle smile. Her head is slightly tilted, and her right hand is casually running through her long, wavy, light brown hair. Her left elbow rests on the edge of the bed, while her left hand gently rests on her knee. She is wearing a short, black V-neck slip dress or nightgown with thin spaghetti straps. The fabric is adorned with a delicate, dense pattern of small white flowers. She is also wearing a simple gold necklace and a small, white beaded bracelet on her left wrist. Her skin is fair and appears smooth, and her makeup is natural, accentuating her large, dark eyes and soft pink lips. The Setting: The scene is a cozy and modern bedroom. To the woman's left is a bed with crisp, white sheets and bedding. The floor is made of light-colored wooden planks. In the background, behind the woman, is a white bedside table. On it sits a stylish table lamp with a pleated white lampshade and a light wood base, along with a classic black analog alarm clock. To the far right, a prominent feature is a retro-style, mint-green or light-blue refrigerator with a silver handle. A few small, colorful magnets are stuck to its door. Lighting and Atmosphere: The image is bathed in soft, bright light, likely from a large window covered by sheer white curtains, which are visible in the background. This lighting creates a warm, serene, and intimate atmosphere, with minimal harsh shadows. The overall color palette is a pleasant mix of neutral tones (white, wood) with the soft mint-green of the fridge and the contrasting black of the woman's dress.