both silenced FLUX prompts

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome grayscale tones with no color grading, no blue skies. Inside the pagoda, include warm interior lighting visible through the windows on just one or two of the middle floors—soft, subtle, and realistic. This lighting should suggest quiet presence and life within, while preserving the tranquil, cinematic mood. Soft pink petals drifting in the air, extremely minimal, serving only as atmospheric accents. Bare branches subtly frame the scene on the sides—no full cherry blossom trees, and no foliage obscuring the pagoda. Moody ink-wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

Cosmopolitan86

7 110

Once more the silence speaks to me, unforgiving and harsh like daggers of truth through what's real. Once I begged to be spared, but heaven lies beyond the gate of lies and through it I must walk. Once love flowed over me and pain could not be felt, when tears kissed away by lips oh so soft comfort gave. Once every breath loves ally until hatred killed her smile and dimmed her eyes. Once, I loved, no more.

ElectricL

4 89

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

Pulsar212121

3 100

Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I've climbed, and joined the tumbling mirth of sun-split clouds,—and done a hundred things You have not dreamed of—wheeled and soared and swung High in the sunlit silence. Hov'ring there, I've chased the shouting wind along, and flung My eager craft through footless halls of air ....

Selfishreasons

3 48

Two faces meet on the threshold, one male and one female—mirrored but not the same. One cast in deep cobalt and shadowed gold, the other lit in amber and crimson heat. Between them, a silence holds—a pause carved in texture and light, where reflection becomes confrontation. Their proximity is not embrace but contrast, held in the tension of dual tones and fractured surfaces. It is not symmetry that unites them, but the space where opposites lean toward each other without resolution.

Morgue PRO

3 55

Imagine a dense Nordic forest in the depths of winter, where tall pines and firs, a Viking warrior woman with braided hair, war paint on her face, feathers in her long blonde braid, staring ahead, and three black wolves following her, are covered in a blanket of fresh snow. The air is cold and still, with only the occasional whisper of the wind rustling the white-coated branches. Rays of sunlight gently filter through the treetops, creating golden sparkles on the pristine snow. Animal tracks, such as those of hares or deer, crisscross the ground, revealing life amidst the winter silence. In the distance, a small, half-frozen stream meanders through the shadows of the trees, shimmering in the dim daylight. The scene conveys an icy, almost magical peace, like something out of a winter fairy tale.

Koimbra888

3 210

"A fierce battle under the moonlight: a pack of glowing-eyed black wolves faces off against a gigantic red bear, with razor-like claws and flaming fur. In the background, on a snow-covered hill, the ruins of an ancient castle watch silently, illuminated by the glow of combat. The blood-spattered snow and roars that break the silence of the night create a dark and visceral fantasy scene. Cinematic in style, with dynamism and hyper-realistic detail, inspired by works such as The Northman or Princess Mononoke. "The red bear emanates warm vapor into the icy air, while the wolves attack in hunting formation." "Flashes of ancient runes are carved into the castle ruins, suggesting a forgotten curse." "Color tones: bloody reds, deep blacks, and icy blues for dramatic contrast."

Koimbra888

3 170

First-person POV: you open your eyes while lying on a thin, hard mattress placed directly on the cracked linoleum floor of a cold, concrete-walled apartment. In front of you, your feet are visible under a faded wool blanket. Pale morning light seeps through a small, barred window covered in frost. The ceiling is low and stained. To the right, hanging above eye level, are two framed portraits of Kim Il-sung and Kim Jong-il, their eyes seemingly watching you even in the silence. The room is sparse—no furniture except a rusted metal cabinet and an old state-issued radio softly murmuring distant propaganda. Your breath fogs in the freezing air as the sound of a patriotic hymn echoes faintly from a loudspeaker outside. The atmosphere is quiet, rigid, and lifeless. The scent of old dust, damp cement, and faint coal smoke fills your lungs. Your body is stiff from the cold, and your fingers instinctively reach for the edge of the blanket, as if to pull reality back over your eyes. Visual specs: • 8K ultra-detailed cinematic realism, HDR, IMAX Laser style, stylize 750 • Camera: Canon R5 • Lens: 16mm • Aperture: f/4 • Lighting: weak dawn light from window, diffused and cold • Composition: perfectly centered first-person view, camera at eye level, feet visible stretched toward the wall

e60a371146a

3 76

Create an emotional dramatic dystopian image featuring a scene from the poem Usheen. That in immortal silence sleeps Dreaming of her own melting hues, Her golds, her ambers, and her blues, Pierced with soft light the shallowing deeps.. Epic cinematic dramatic dystopian futuristic nightmare scenario. Cinematic colours.

ERH PRO

3 57

A hyper-realistic digital painting of the terrifying Tyrannosaurus rex, the king of the prehistoric predators, towering over a misty, ancient jungle. The massive creature’s muscular frame is covered in rough, scaly skin, its enormous tail sweeping the ground with an ominous power. Its large, menacing head is tilted slightly, revealing a row of jagged teeth capable of crushing bone, with dark, fresh blood dripping from its fangs. The eyes glow with an intense, cold, predatory rage, burning through the mist and darkness, as it prowls through the dense foliage. Its jaws are wide open, snarling, as if ready to pounce on any prey that dares cross its path. The jungle around it is eerily quiet, the silence broken only by the distant rustling of leaves, heightening the tension. The atmosphere is tense, primal, and foreboding. The color palette is dominated by deep, shadowy greens, icy blues, and dark grays, with subtle flashes of sickly pale greens accentuating the creature's terrifying form. The lighting is dramatic and cold, with eerie beams of light filtering through the thick canopy, casting stark, dramatic shadows across the T. rex’s form, emphasizing its terrifying presence. The environment is ancient, raw, and haunting, with a sense of danger lurking in every corner. --v 5 --ar 16:9 --style raw

d037425f030

2 88

From the cold void of deep space, Earth hangs in quiet isolation—blue, fragile, unaware of its fate. Far in the distance, a massive alien fleet approaches in eerie, perfect silence, their hulking silhouettes eclipsing starlight as they glide through the cosmic dark. At the forefront is a towering, cathedral-like command vessel, its ancient hull adorned with glowing alien glyphs and alive with undulating tendrils of sentient machinery. Orbiting around it are mechanical drones and organic tech structures that pulse with strange bioluminescent energy.

Pulsar212121

2 79

A Brandon Lee–inspired figure as Eric Draven from The Crow, kneeling in anguished silence before the gravestone of Shelly Webster, in the pouring rain beneath a moonless night sky. His face is painted ghostly white, with blackened lips and signature markings—horizontal scars stretching from the corners of his mouth, and vertical black streaks descending like tears from sorrow-filled, hollow eyes. His soaked, shoulder-length black hair hangs tangled, dripping rain across his face.

Pulsar212121

2 86

A lone red-haired warrior woman with braided hair and facial scars, wearing soft, hand-drawn medieval armor infused with organic, velvety textures. She walks alongside a fully visible camel across dreamlike dunes made of misty, powdery patterns. The entire scene is illustrated in a hand-drawn style with pastel tones — soft lavender, ivory, and pale silver — interwoven with cloudy, ethereal motifs. Gentle light diffuses throughout the image, creating a luminous glow that wraps the characters in a supernatural calm. The camel is adorned with delicate, symbolic trappings that shimmer faintly in the silver haze. The atmosphere is serene and poetic, with soft contrasts, carefully placed highlights and shadows evoking elegance, reverence, and mystery. The setting is timeless — a quiet, endless desert at dawn or dusk, where silence itself seems sacred. Visual language: refined, spiritual, and dreamlike. Signature: “MorganaPictures”

Morgue PRO

2 180

A Brandon Lee–inspired figure as Eric Draven from The Crow, kneeling in anguished silence before the gravestone of Shelly Webster, in the pouring rain beneath a moonless night sky. His face is painted ghostly white, with blackened lips and signature markings—horizontal scars stretching from the corners of his mouth, and vertical black streaks descending like tears from sorrow-filled, hollow eyes. His soaked, shoulder-length black hair hangs tangled, dripping rain across his face.

Pulsar212121

2 85

A hyper-realistic close-up portrait of a captivating young Victorian lady with an otherworldly, dreamlike aura — her porcelain skin softly illuminated as if touched by moonlight. Her large almond-shaped blue eyes gleam with depth and quiet mystery, framed by long dark lashes and arched brows. Subtle chiaroscuro lighting sculpts her face, revealing high cheekbones and full red lips parted in an enigmatic half-smile. Her platinum-blonde hair flows in loose waves that catch golden light, while delicate mist swirls faintly around her. She wears an ornate gold choker with cascading filigree chains, diamond droplets, and a crescent moon pendant glowing faintly at her throat — a symbol of hidden magic. Matching gold hoop earrings shimmer softly in the darkness. Her sheer black lace corset bodice is embroidered with fine floral patterns, high-collared and elegant, revealing the faint outline of her collarbones beneath the translucent fabric. The background dissolves into a deep, velvety black void that accentuates her luminous presence. Subtle volumetric rays of light descend like a blessing, casting ethereal golden reflections on her jewelry and skin. Photorealistic rendering in the style of Tim Walker meets Alphonse Mucha — fashion-meets-myth, beauty sculpted from silence. Ultra-detailed textures, 8K resolution, sharp focus on eyes and lips, cinematic depth. An image born from reverie — where light remembers the soul.

Morgue PRO

1 65

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body HD Photo of beautiful, sultry female Spector of the murdered Sheriff, she walks the old west street in a very thick eerie fog. She walks in perfect silence with a confused expression on her face. She is almost transparent, she still wears her Sheriff's badge. She has colorful Native American tribal body tattoos, long blonde hair with bangs blowing in the wind, dark sapphire blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliments her eyes. She is wearing an ornate gold and onyx belt and choker, She wears a black flat top Stetson, the brim of her Stetson is level with her eyebrows. Clint Eastwood style poncho, and a ragged mini shirt, cowboy boots with silver spurs. The lanterns from the saloon across the street spill very dim light into the very thick fog. It is night time, there are dark clouds moving in on the dim Reddish Orange glow from the half set sun in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

ClintD PRO

1 83

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. leave same same space vertically for the spire to breath. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome charcoal tones with no color gradin, Inside the pagoda, include warm interior lighting visible through the windows on just one or two of the middle floors—soft, subtle, and realistic. This lighting should suggest quiet presence and life within, while preserving the tranquil, cinematic mood. Soft pink petals drifting in the air, extremely minimal, serving only as atmospheric accents. Petals should have around 30–40% saturation, subtle but noticeable against the grayscale charcoal background, with mild size variation and slight foreground presence. two bird flying in the distance near the upper right sky with natural variation in size some closer some farther, slight motion and partial mist integration to enhance realism. Bare branches subtly frame the scene on the sides, full cherry blossom trees very soft pink subtle , and no foliage obscuring the pagoda. Moody ink wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

Cosmopolitan86

1 92

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. leave same same space vertically for the spire to breath. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome charcoal tones with no color gradin, Inside the pagoda, include warm interior lighting visible through the windows on just one or two of the middle floors—soft, subtle, and realistic. This lighting should suggest quiet presence and life within, while preserving the tranquil, cinematic mood. Soft pink petals drifting in the air, extremely minimal, serving only as atmospheric accents. Petals should have around 30–40% saturation, subtle but noticeable against the grayscale charcoal background, with mild size variation and slight foreground presence. two bird flying in the distance near the upper right sky with natural variation in size some closer some farther, slight motion and partial mist integration to enhance realism. Bare branches subtly frame the scene on the sides, full cherry blossom trees very soft pink subtle , and no foliage obscuring the pagoda. Moody ink wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

Cosmopolitan86

1 68

In Innocence and sin When it was air I was breathing I cannot remember, for it was at the beginning of time itself or so it seems. For every feeling there was disgrace, for every thought remorse. So come, come listen to the sound and read the signs before I fade beyond grey into black. Above what's underneath maggots crawl in the half-light of an underground dawn. Scared and with all this dirt staining my skin, going deep within, until I rise again to meet the face of the one that I knelt before. Now in silence I stand for words are dead and nothing but love can be felt as time ends and forever I will remain the same in innocence and sin.

ElectricL

1 74

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome grayscale tones with no color grading, no blue skies. Inside the pagoda, include warm interior lighting visible through the windows on just one or two of the middle floors—soft, subtle, and realistic. This lighting should suggest quiet presence and life within, while preserving the tranquil, cinematic mood. Soft pink petals drifting in the air, extremely minimal, serving only as atmospheric accents. Bare branches subtly frame the scene on the sides—no full cherry blossom trees, and no foliage obscuring the pagoda. Moody ink-wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

Cosmopolitan86

1 73

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

ElectricL

1 64

The Bell family's farmhouse exudes a rustic charm, with its simple yet functional furnishings typical of early 19th-century Tennessee. The wooden floorboards creak softly underfoot, their surface worn smooth by years of use. A large hearth dominates one wall, its embers casting a faint orange glow that dances across the room. A sturdy oak table, scarred with knife marks and stains from countless meals, sits at the center, surrounded by mismatched chairs. A woven rug lies askew near the rocking chair, which now stands eerily still. Pewter dishes and earthenware line the shelves of a tall cupboard, their muted shine catching the flicker of candlelight. The faint scent of beeswax mingles with the earthy aroma of the surrounding farmland, creating an atmosphere both homely and unsettling. In the dim light, the Bell Witch emerges, her form both ethereal and unnervingly vivid. Her face is a haunting visage of pale, almost translucent skin stretched tightly over sharp cheekbones. Hollow eyes, glowing faintly with an unnatural light, seem to pierce through the very fabric of reality, locking onto her observer with an intensity that chills the soul. Her lips are thin and cracked, twisted into a faint, mocking smile that hints at her malevolent intent. Wisps of dark, unkempt hair frame her face, moving as if stirred by an invisible breeze. Her tattered garments, a patchwork of shadow and spectral light, shimmer faintly, as though caught between the physical and the otherworldly. As she steps closer, the air grows colder, and the oppressive silence is broken only by the faint sound of her whispered laughter—a sound that seems to echo from every corner of the room. Her presence transforms the farmhouse, turning its rustic charm into a stage for fear and despair, as the Bell Witch stands as a chilling embodiment of the unknown."

Amon

1 67

photography, monochrome, front view, evoking the starkness of classic noir with an intimate, psychological edge, close-up, profile with strategic lighting to accentuate features and create depth, black and white digital photography, with a high emphasis on texture and contrast, Canon EOS 5D Mark IV, preferred for its full-frame sensor that captures detailed gradations in tone, Canon EF 85mm f/1.2L II USM, offering a shallow depth of field, manual mode, using a single off-camera flash with a snoot to direct a focused beam of light, camera on a tripod for stability, male in his thirties, with a beard and a gaze that holds an introspective stillness, beard is well-groomed, catching highlights where the light grazes, and his eyes are deep-set, underlined by a furrowed brow, indicative of concentration or internal conflict, minimalist, to avoid distracting from the subject's emotive presence, he absence of a background ensures that all narrative weight is carried by the subject's expression and the play of light on skin, void of context, the darkness envelops the subject, focusing attention on the stark contrast of light and shadow across his face, low key, with a singular source that creates a diagonal divide across the face, symbolizing the chiaroscuro technique's thematic play between revelation and concealment, the light catches on the ridges of the subject's facial features; the thoughtful position of his hand, fingers resting gently yet firmly against his chin, adds to the introspective quality, portrait invites the viewer into a moment of private reflection, punctuated by a profound silence that speaks volumes, serving as a canvas for the viewer's own interpretations of light, shadow, and the layers of the human condition, UHD--ar 9:16 --style raw --stylize 600

24a615a09de

1 78

Shot 3 – Descent Through Silence Type: Mid Shot, Underwater Camera: Follows subject from above, slow and weightless Lighting: Faint shafts of blue light filtering from above; surrounding darkness grows deeper Sound Design: Muffled water hum + distant echo of his own heartbeat Visual Description: The man's body descends slowly, limbs weightless, clothes billowing like dead petals. Air bubbles stream from his mouth, rising like forgotten prayers. His eyes are open, blank, unfocused. Above him, the turbulent surface is a distant memory. The deeper he falls, the quieter everything becomes. This is not drowning. This is surrender — to something far older and darker than grief.

6bd1b33f6f9

1 69