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Prompt by 105d7366373

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very few results

9 months ago

"Design a photorealistic portrait of a gothic maiden shaman in a dark fantasy concept art style, blending realism with intricate cyberpunk and horror influences. The composition is a cowboy shot (mid-thigh up), capturing a hyper-detailed fantasy character with a commanding presence. She exudes an aura of mystery and power, akin to a female necromancer or druid, inspired by the works of Stefan Gesell. Her appearance combines dramatic, dark makeup with elaborate artistry, emphasizing her intense gaze and angular facial features. Her rich chocolate-brown hair flows elegantly, adorned with subtle cyberpunk-inspired accessories like glowing threads or metallic accents. The lighting highlights her fair skin, creating stark contrasts between light and shadow to enhance her gothic aesthetic. Her attire reflects a fusion of dark fantasy and cyberpunk elements—layered fabrics, ornate patterns, and glowing runes woven into her design. The outfit is both functional and fantastical, featuring intricate details that suggest her role as a mystical figure. Focus on achieving a balanced yet striking silhouette, ensuring the design feels cohesive and immersive. Pay special attention to the interplay of textures and shadows across her form, enhancing depth and dimensionality. The overall mood is dark and atmospheric, with a 4K hyperrealistic finish. Use detailed and evocative language to describe textures, materials, and lighting effects, ensuring every element contributes to the character’s enigmatic and powerful persona."

7 months ago

Grey alien, though small in stature, is anything but simple. It navigates the cosmos with grace, moving through the stars with an otherworldly elegance, a creature shaped by the infinite darkness that surrounds it. Let’s begin by describing the Grey alien’s daily existence, its interactions with the stars, and the somewhat intimate aspects of its biology. Life in Space The Grey alien is a solitary being, with no immediate sense of community. It floats alone through the expanse of space, a creature adapted to survive in the vacuum without any need for conventional sustenance or shelter. The void is both home and playground to it, and it is not bound by the limitations that govern organic life on planets. Its body is perfectly evolved for this environment. The alien breathes in the form of a faint, almost imperceptible exchange of gases that occurs at a molecular level, a form of respiration suited for the low-pressure environment of space. It has no need for food, relying instead on the energies of nearby cosmic phenomena: the radiation of distant stars, the magnetic fields of planets, and the energy flows of cosmic dust. It absorbs these into its body, where they sustain it without requiring ingestion in the traditional sense. Though its existence is quiet, there is a profound intelligence behind its stillness. This alien has a deep understanding of the universe’s rhythms, navigating by the pulses of starlight and the waves of gravity that ripple through the cosmos. It has witnessed the birth and death of stars, the collisions of comets and asteroids, and the slow, steady drift of forgotten worlds. Time, to the Grey alien, is less linear and more like a vast, ongoing cycle—endless, stretching from one horizon to the next.

12 days ago

STYLE: "In style of Rembrandt van Rijn + Claude Monet + John Singer Sargent, where Rembrandt's dramatic chiaroscuro and dignified compositional structure should provide the foundational gravitas and tonal depth, Monet's broken color technique and atmospheric light should dissolve edges into shimmering heat and dust, and Sargent's confident alla prima brushwork should capture spontaneous energy and material textures with fluid strokes. The fusion should manifest as classically composed portraiture rendered with impressionist immediacy, where solid forms emerge from dappled light and loose brushwork, creating tension between timeless dignity and fleeting moment." SUBJECT: "A weathered biker astride a chrome-heavy motorcycle, leather jacket suggested through bold brushstrokes rather than tight rendering, bandana catching fragmented light, hands and handlebars described with confident gestural marks, face emerging from shadow with impressionist color notes defining character, positioned in three-quarter view with machine's chrome surfaces breaking light into violet and orange reflections, overall figure solid yet atmospheric." SETTING: "Scene set in Sturgis rally grounds during golden hour, with dust and heat rendered as visible atmosphere through broken color and soft edges, distant motorcycles suggested as color masses and light patterns rather than detailed forms, Black Hills landscape dissolving into lavender and gold atmospheric perspective, ground described with varied brushstrokes capturing texture through color temperature shifts, warm sunlight filtering through dust creating impressionist envelope of light that unifies the classical composition."modern iron horse and rider."

8 months ago

POV first-person, I’m dancing in my living room, enjoying the rhythm of a traditional Iranian dance. The space is the same small, minimalist home, with a Persian rug on the floor and modern Iranian decor that creates a cozy atmosphere. The room has grown a bit darker, but the soft glow from the overhead lamp brightens the space, casting shadows on the walls and floor. Only my hands are visible in the frame, gracefully moving in sync with the dance. The natural flow of the movements reflects the elegance of Iranian dance, with my hands raised, fingers gently curled, and palms facing outward in a fluid, rhythmic motion. My hands move with purpose and poise, capturing the energy and cultural beauty of the dance. The living room still has its minimalistic feel, but now there’s a sense of energy and warmth brought by the dance and the dim light. The atmosphere is inviting, with the soft, warm light illuminating my hands, while the rest of the room remains in shadow, slightly blurred. Details: My hands are in focus, performing the graceful, rhythmic movements of an Iranian dance. The living room remains the same as described before: minimalist, with a Persian rug and modern Iranian decor. The room is now darker, with a warm overhead lamp casting light on my hands. Only my hands are visible, capturing the fluid and natural motions of the dance. The rest of the room is dimly lit and blurred in the background, maintaining a cozy, intimate atmosphere.

5 months ago

. Spread out before her was a tableau like none she had ever seen. Warm, golden light and sapphire sky presided over a bustling scene on a scale that defied her imagination. They stood in a broad entryway of colored stone. Behind them, the double doors led into a surprisingly small building of green and white. Another statue of an overturned jug, pouring water into a basin, stood to their right, gleaming wetly in gold and hanging over turquoise water. A pathway led down a small hill to what Ariadne could only describe as a boulevard of dreams. A wide street paved in iridescent stone bustled with pedestrians and conveyances of strange and crazy types. They flew, floated, swam and rolled, walking and hopping along, on business of some sort. Buildings of every imaginable architecture lined the streets: squat and low, tall and sinuous, sprawling and ancient, gleaming and modern. The effect dizzied her. From their vantage point, Ariadne could see streets like this extending as far as her eyes could see, becoming indistinct and hazy in the distance. But that’s not what got her. What got her was the sky. The sky was full and empty at the same time. Out of the corner of her eye, she could see nothing but blue sky and emptiness. But when she looked up and focused a bit, suddenly, buildings and islands floated before her, hanging defiantly in the air, daring her to make something of their blithe disregard of gravity. When she looked away, the buildings would fade, and new ones would appear. As she scanned the sky, rows of buildings and islands and castles appeared and disappeared, giving the effect of a giant flip book turning across the sky. The structures appeared everywhere she looked if she squinted just right. If she let her gaze relax a bit, the buildings disappeared again. Where the buildings were visible, she swore she could see people walking in midair in front of them, strolling along as if unaware they hung hundreds of feet in the air. Gentle music tickled her ears, something orchestral, soft enough to be soothing, vague enough to avoid being cloying and annoying.

8 months ago

POV first-person, I’m dancing in my living room, enjoying the rhythm of a traditional Iranian dance. The space is the same small, minimalist home, with a Persian rug on the floor and modern Iranian decor that creates a cozy atmosphere. The room has grown a bit darker, but the soft glow from the overhead lamp brightens the space, casting shadows on the walls and floor. Only my hands are visible in the frame, gracefully moving in sync with the dance. The natural flow of the movements reflects the elegance of Iranian dance, with my hands raised, fingers gently curled, and palms facing outward in a fluid, rhythmic motion. My hands move with purpose and poise, capturing the energy and cultural beauty of the dance. The living room still has its minimalistic feel, but now there’s a sense of energy and warmth brought by the dance and the dim light. The atmosphere is inviting, with the soft, warm light illuminating my hands, while the rest of the room remains in shadow, slightly blurred. Details: My hands are in focus, performing the graceful, rhythmic movements of an Iranian dance. The living room remains the same as described before: minimalist, with a Persian rug and modern Iranian decor. The room is now darker, with a warm overhead lamp casting light on my hands. Only my hands are visible, capturing the fluid and natural motions of the dance. The rest of the room is dimly lit and blurred in the background, maintaining a cozy, intimate atmosphere.

5 months ago

. Spread out before her was a tableau like none she had ever seen. Warm, golden light and sapphire sky presided over a bustling scene on a scale that defied her imagination. They stood in a broad entryway of colored stone. Behind them, the double doors led into a surprisingly small building of green and white. Another statue of an overturned jug, pouring water into a basin, stood to their right, gleaming wetly in gold and hanging over turquoise water. A pathway led down a small hill to what Ariadne could only describe as a boulevard of dreams. A wide street paved in iridescent stone bustled with pedestrians and conveyances of strange and crazy types. They flew, floated, swam and rolled, walking and hopping along, on business of some sort. Buildings of every imaginable architecture lined the streets: squat and low, tall and sinuous, sprawling and ancient, gleaming and modern. The effect dizzied her. From their vantage point, Ariadne could see streets like this extending as far as her eyes could see, becoming indistinct and hazy in the distance. But that’s not what got her. What got her was the sky. The sky was full and empty at the same time. Out of the corner of her eye, she could see nothing but blue sky and emptiness. But when she looked up and focused a bit, suddenly, buildings and islands floated before her, hanging defiantly in the air, daring her to make something of their blithe disregard of gravity. When she looked away, the buildings would fade, and new ones would appear. As she scanned the sky, rows of buildings and islands and castles appeared and disappeared, giving the effect of a giant flip book turning across the sky. The structures appeared everywhere she looked if she squinted just right. If she let her gaze relax a bit, the buildings disappeared again. Where the buildings were visible, she swore she could see people walking in midair in front of them, strolling along as if unaware they hung hundreds of feet in the air. Gentle music tickled her ears, something orchestral, soft enough to be soothing, vague enough to avoid being cloying and annoying.