A sample prompt of what you can find in this page
Prompt by kumera

facing directly forward FLUX prompts

very few results

9 days ago

A professional, ultra-realistic, and high-resolution photograph of a beautiful and exceptionally fit young Chinese woman. She is in the middle of her workout in a modern, bright, and spacious gym. She is leaning forward slightly, holding weights, and looking directly into the camera with a focused, intense, and confident expression. Her physique is athletic and impressively toned, with clearly defined abdominal muscles, and strong, sculpted shoulders and arms. Her light brown hair is pulled back into a neat, high ponytail, and her face has a natural, healthy glow with a light sheen of perspiration from her exercise. She is wearing a classic, form-fitting black Adidas sports bra and matching black Adidas biker shorts with the signature three white stripes down the sides. The setting is a state-of-the-art gym, filled with rows of pristine, modern weight machines, dumbbell racks, and chrome and white equipment. The gym has a clean, dark grey rubber floor and is brightly illuminated by a combination of natural light streaming through large floor-to-ceiling windows and clean, overhead lighting. The photograph is a compelling medium shot, captured from a straight-on perspective that creates a powerful and engaging portrait. It is shot on a high-end full-frame camera (like a Sony A7R IV) with a 50mm f/1.4 lens, achieving a shallow depth of field that keeps her in tack-sharp focus while softly blurring the gym equipment in the background. The overall mood is one of strength, discipline, motivation, and empowered confidence.

5 months ago

A woman stands alone in a dark background, her confident demeanor radiating through every detail of her appearance. She wears a black top that showcases her toned physique, like a work of art that's been crafted by the finest hands. A black choker rests delicately around her neck, like a whispered promise that's been shared with no one. Tattoos adorn her left arm, adding a touch of edgy sophistication to an already captivating scene. Her long hair cascades down her back in dark waves, with orange highlights that seem to dance across the surface of her locks. A center part frames her face with precision, like a work of art that's been carefully crafted. Freckles dot her cheeks and nose, adding a touch of whimsy to an already breathtaking scene. Her green eyes seem to lock directly onto the camera lens, like a gaze from another world, one where confidence and playfulness reign supreme. A neutral expression adorns her face, with closed lips that seem to hint at secrets that are yet to be shared. She stands relaxed, like a work of art that's been carefully posed for maximum impact. The dark background seems to melt away around her, like a secret that's been shared with just one person. Natural lighting bathes the scene in soft, vibrant colors, like a work of art that's been crafted by the finest hands. Every detail of this image feels alive and tangible, like a headshot that's been captured at its very best. She stands facing forward, side-lit to perfection, with loose hair and a sleeveless top that showcases her toned physique in all its glory. A close-up shot seems to capture every nuance of her features, from the subtle makeup that enhances her natural look to the confident demeanor that radiates through every detail of her appearance. She exudes a youthful energy, like a work of art that's been crafted by the finest hands.

8 months ago

Create a hyper-realistic, ultra-detailed 8K full-body photograph in a 16:9 aspect ratio, featuring a side-by-side arrangement of five distinct full-body shots of a fair-skinned British woman in her mid-twenties. She has an athletic, curvaceous build with perfect curves, sharp cheekbones, and striking emerald green eyes. She is dressed in a sleek, form-fitting black yoga outfit tailored like high-fashion activewear, paired with stylish black sneakers for a modern, sporty edge. Her hair is styled in a sleek, tousled updo, enhancing her natural elegance. Each of the five full-body poses is distinct: 1️⃣ Right profile – She stands naturally, one foot slightly forward, her arms relaxed at her sides. 2️⃣ Front profile – She faces directly forward, one hand on her hip, the other resting by her side. 3️⃣ Back profile – She stands with a straight posture, her back fully facing the camera, head held high, with her hands resting behind her back. 4️⃣ Three-quarter view – She slightly turns her body, looking toward the camera with one hand gently touching her chin. 5️⃣ Arms crossed pose – She stands confidently with both arms crossed over her chest, exuding power and self-assurance. Soft directional lighting enhances her natural contours, casting a sophisticated yet lifelike glow. The pristine white background keeps the focus on her, emphasizing clean, elegant lines and poised, expressive stances inspired by high-fashion editorials.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."