full body view from behind FLUX prompts

4 days ago

A hyperrealistic 1980s-style cinematic scene showing the Terminator from The Terminator movie, viewed from behind, as he runs toward a classic 80s-style gym. The scene captures him mid-stride in a dynamic, action-filled motion, wearing iconic 80s-style athletic wear: a retro, tight-fitting, neon-colored windbreaker jacket with matching shorts and classic high-top sneakers. His body is muscular and powerful, reflecting his combat-ready physique, and his posture exudes strength and determination as he runs. The 80s sport aesthetic is vivid, with bright neon colors like teal, magenta, and electric blue reflecting off his outfit as he moves. His iconic robotic features are subtly visible under the athletic outfit—metallic parts of his endoskeleton glint under the ambient light of the setting. The surrounding New York streets are atmospheric and foggy, with old-school streetlights and atmospheric neon glows casting colored reflections on rain-soaked pavement. The gym looms in the distance—classic 80s-style with retro neon signs advertising "Bodybuilding & Fitness," surrounded by classic brick facades and atmospheric mist. The air is filled with subtle smoke and dust, reflecting the dramatic volumetric lighting. The Terminator's hands are clenched with determination, veins and muscle detail visible through his jacket, perfectly rendered with hyperreal anatomy, as he pushes himself forward toward his goal. The atmosphere is gritty yet vibrant, capturing the spirit of the 80s with its urban gym vibes, retro fitness culture, and iconic neon visuals. Volumetric lighting breaks through the misty air, casting sharp light beams across the street and emphasizing his athletic form and movement. Every detail—his clothing, the reflections, the neon haze, the gym in the distance—is rendered with photorealistic precision, creating a cinematic masterpiece full of retro-futuristic energy.

4 days ago

A hyperrealistic 1980s-style cinematic scene showing the Terminator from The Terminator movie, viewed from behind, as he runs toward a classic 80s-style gym. The scene captures him mid-stride in a dynamic, action-filled motion, wearing iconic 80s-style athletic wear: a retro, tight-fitting, neon-colored windbreaker jacket with matching shorts and classic high-top sneakers. His body is muscular and powerful, reflecting his combat-ready physique, and his posture exudes strength and determination as he runs. The 80s sport aesthetic is vivid, with bright neon colors like teal, magenta, and electric blue reflecting off his outfit as he moves. His iconic robotic features are subtly visible under the athletic outfit—metallic parts of his endoskeleton glint under the ambient light of the setting. The surrounding New York streets are atmospheric and foggy, with old-school streetlights and atmospheric neon glows casting colored reflections on rain-soaked pavement. The gym looms in the distance—classic 80s-style with retro neon signs advertising "Bodybuilding & Fitness," surrounded by classic brick facades and atmospheric mist. The air is filled with subtle smoke and dust, reflecting the dramatic volumetric lighting. The Terminator's hands are clenched with determination, veins and muscle detail visible through his jacket, perfectly rendered with hyperreal anatomy, as he pushes himself forward toward his goal. The atmosphere is gritty yet vibrant, capturing the spirit of the 80s with its urban gym vibes, retro fitness culture, and iconic neon visuals. Volumetric lighting breaks through the misty air, casting sharp light beams across the street and emphasizing his athletic form and movement. Every detail—his clothing, the reflections, the neon haze, the gym in the distance—is rendered with photorealistic precision, creating a cinematic masterpiece full of retro-futuristic energy.

6 days ago

a Japanese women,full body, Angled photo of a young lady in seiza pose, short seafoam green hair, golden eyes, smiling, hands behind head, tank top, looking upward, view from the top, library background, dramatic lighting, concept art, unreal engine 5, RTX, ray tracing, photorealistic

2 months ago

((masterpiece)), ((best quality)), 8k, ultra-detailed, cinematic full-body photograph of a (beautiful:1.2) (female:1.2) cyborg, suspended gracefully in a retrofuturistic science lab. Her entire form is visible, with her human-like skin peeled back from the chest down, revealing intricate metallic structures, circuitry, and mechanical components beneath. Her damaged breasts and serene, beautiful face remain intact, contrasting with her exposed robotic body, adding a tasteful, subtle eroticism. She is held up by thick, glowing suspension tethers attached to her back and upper body, radiating a soft, pulsating blue light. These tethers are thicker and emit a consistent glow, indicating their purpose for suspension and data transfer, casting a gentle light on her form. Her legs are missing, with smaller wires and cables hanging from where her knees would be, adding a sense of mechanical incompleteness. ((masterpiece)), ((best quality)), 8k, ultra-detailed, cinematic full-body view of a (beautiful:1.2) (female:1.2) cyborg, suspended inside an octagonal, water-filled tank. The tank is illuminated from behind and below, casting an ethereal glow that highlights her entire form and fills the water with a soft, bluish light. The cyborg’s human-like skin is torn away from her chest down to her legs, revealing intricate metal structures, wiring, and detailed mechanical components beneath. Her damaged breasts and serene, beautiful face remain intact, adding a subtle, tasteful eroticism as she floats in a calm, lifelike state within the tank. The glowing water creates a sense of weightlessness, with bubbles and particles floating around her, enhancing the immersive and surreal atmosphere. Thick, glowing tether cables are attached to her back and upper body, radiating a soft, pulsating blue light, indicating they are actively exchanging data. Her legs are missing, and from where her knees would be, thin wires and cables drift with the water, giving a sense of mechanical incompletion and vulnerability. The tank is surrounded by various futuristic lab equipment, spare robotic parts, and retro-futuristic control panels, each casting a faint, ambient glow that complements the tank’s illumination. Small indicator lights blink sporadically around the tank and lab, adding depth and a subtle sci-fi ambiance. Soft, volumetric lighting fills the room, with (godrays:1.3) streaming through the water and highlighting floating particles in the tank, casting complex shadows and enhancing the tank’s three-dimensional effect. The cool blue lighting from the tank contrasts with the warm, retrofuturistic lights of the lab, blending the futuristic with a nostalgic tone. The cyborg’s internal circuits pulse faintly, blending with the tank’s light as though the system is alive but dormant. This scene captures the delicate balance between human beauty and mechanical form in a hauntingly beautiful, cinematic atmosphere, where retrofuturistic aesthetics meet a sensual, ethereal futurism. The lab is softly illuminated by a clean, cool haze, creating a volumetric glow with a hint of blue that gives a sterile, futuristic atmosphere, without any harsh green undertones. Small lights are scattered throughout the scene, with a few on her exposed circuits and others on nearby equipment, adding subtle points of interest and emphasizing the retrofuturistic ambiance. The laboratory itself is filled with sleek, retro-futuristic technology—control panels, switches, and scattered spare robotic parts, each faintly illuminated by warm indicator lights. Rays of light filter through a high window, casting (godrays:1.3) that softly illuminate the floating particles in the air, enhancing the scene’s depth and otherworldly feel.