A sample prompt of what you can find in this page
Prompt by deepbx

rising moon FLUX prompts

very few results

21 days ago

A photorealistic, ultra-detailed mid-length portrait (head and torso) of a breathtaking female half-elf warlock, captured within a vivid Dungeons & Dragons high fantasy world. She stands in a windswept, ancient mountaintop ruin under a darkening sky, with jagged stone arches rising behind her, glowing with faded runes. Her violet eyes glow faintly with eldritch light, locked in an unflinching gaze. Her flawless, porcelain-toned skin is kissed with a silvery sheen, and glowing rune-like tattoos trace up from her collarbone to her cheekbone in intricate magical patterns. Her long, flowing obsidian-black hair tumbles past her shoulders, interwoven with fine strands of silver thread that glimmer like starlight. She wears a richly detailed warlock’s robe and armor — deep amethyst and black fabric adorned with metallic embroidery, spell-forged leather armor over her shoulders and chest, and an arcane sigil pulsing above her heart. Her fingers are decorated with ornate rings, and enchanted charms hang from a leather strap across her chest. The background reveals a sweeping fantasy landscape behind her — twilight skies heavy with magical auroras, distant mountain peaks, and a massive moon half-shrouded in clouds. Floating motes of arcane light drift through the scene. A shattered portal ring rises behind her, its stones cracked and hovering, suspended by unseen forces. Ethereal light casts realistic shadows across her armor and face, blending perfectly with the environment. The scene feels alive, cinematic, and grounded in the physical world. Photorealistic rendering, high fantasy cinematic scene, ultra-sharp textures (skin, fabric, armor, stone), magical atmosphere. Mid-length framing (head and torso), natural pose. Inspired by the visual styles of Karla Ortiz, Magali Villeneuve, Anna Podedworna, Weta Workshop, and the epic realism of Wizards of the Coast concept art. Tone: powerful, mysterious, immersed in a grand magical world.

21 days ago

A photorealistic, ultra-detailed mid-length portrait (head and torso) of a breathtaking female half-elf warlock, captured within a vivid Dungeons & Dragons high fantasy world. She stands in a windswept, ancient mountaintop ruin under a darkening sky, with jagged stone arches rising behind her, glowing with faded runes. Her violet eyes glow faintly with eldritch light, locked in an unflinching gaze. Her flawless, porcelain-toned skin is kissed with a silvery sheen, and glowing rune-like tattoos trace up from her collarbone to her cheekbone in intricate magical patterns. Her long, flowing obsidian-black hair tumbles past her shoulders, interwoven with fine strands of silver thread that glimmer like starlight. She wears a richly detailed warlock’s robe and armor — deep amethyst and black fabric adorned with metallic embroidery, spell-forged leather armor over her shoulders and chest, and an arcane sigil pulsing above her heart. Her fingers are decorated with ornate rings, and enchanted charms hang from a leather strap across her chest. The background reveals a sweeping fantasy landscape behind her — twilight skies heavy with magical auroras, distant mountain peaks, and a massive moon half-shrouded in clouds. Floating motes of arcane light drift through the scene. A shattered portal ring rises behind her, its stones cracked and hovering, suspended by unseen forces. Ethereal light casts realistic shadows across her armor and face, blending perfectly with the environment. The scene feels alive, cinematic, and grounded in the physical world. Photorealistic rendering, high fantasy cinematic scene, ultra-sharp textures (skin, fabric, armor, stone), magical atmosphere. Mid-length framing (head and torso), natural pose. Inspired by the visual styles of Karla Ortiz, Magali Villeneuve, Anna Podedworna, Weta Workshop, and the epic realism of Wizards of the Coast concept art. Tone: powerful, mysterious, immersed in a grand magical world.

28 days ago

You need to draw a mille-fleurs tapestry of The Lady and the Unicorn woven after 1515 in the same style as this image. You must adhere to the following description: "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So, we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the style and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide with a backrest that stops at the lady's shoulders. The drooping fabric tips of the canopy must not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her Turkish turban must not be too large. The lion must be the same size as the unicorn. It should be on the left. It is standing upright, proud. It has a plumed tail. It is looking to its left (not looking at us). It is sitting on its haunches. It is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind its head. The unicorn is white. It proudly holds its head high. Its four paws are on the ground. It is sitting on its haunches. It is looking at the lady. A Maltese dog is sitting in front of the lady and looking at her. Thank you.

28 days ago

Using the attached image, regenerate an image in the same style as this one. But with the following description: You need to draw a mille-fleurs tapestry of The Lady and the Unicorn, woven after 1515 but destroyed in Boussac in 1845. George Sand gives a rather brief description. "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the setting and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide, with a backrest that stops at the lady's shoulders. The figurines of a small lion and a small unicorn are carved on the top of the throne's uprights. The drooping tips of the canopy should not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her turban should not be too large. The lion should be the same size as the unicorn. He should be on the left, with all four paws on the ground, standing upright and proud. He has a plumed tail. He is looking to his left (not looking at us). He is sitting on his haunches. He is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind his head. The unicorn is white. He is proudly raising his head. His four paws are on the ground. He is sitting on his haunches. He is looking at the lady. Thank you.

29 days ago

Create a masterpiece oil painting in a realistic, atmospheric style, inspired by the chilling events in the suburbs of southern Sydney. The scene is set at twilight under an ominous blood-red sky, with a rising full moon partially obscured by swirling clouds. In the foreground, a large, shadow-drenched shed looms ominously on a secluded property near Barton Park, lit only by flickering torchlight. Cult members, cloaked in crimson and black robes, are arranged in a semicircle, performing a sinister ritual. Their faces are partly masked, their hands raised in supplication or soaked in dark fluids—devotion or madness indistinguishable. At the center of the ritual space, a symbolic altar of stone and rusted iron holds the carved remains of ancient demonic sigils from a forgotten grimoire. Faint outlines of chained female figures can be seen in the shadowed distance—ghostly silhouettes of captivity, not detailed graphically, but clearly tragic in tone. In the background, barely visible through the trees, sits a house of torment—its windows barred, a dim light glowing within. A religious building looms even farther away, its steeple outlined under the cursed moon, bearing silent witness to the desecration. Above, the night sky swirls with unnatural energy, as if a gateway is opening between worlds. The painting should evoke a palpable tension: horror without gratuity, symbolism without sensationalism. The tone is eerie, cinematic, and investigative, with subtle nods to the task force closing in—perhaps a pair of headlights breaking the treeline, or the faint silhouette of Detective Tank Dodge watching from a ridge, jaw tight, gun ready, truth dawning. This is a composition of duality—sacrifice and salvation, evil and justice—locked in a battle beneath a cursed sky.