rubble FLUX prompts

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring the top half of the painting is of roiling storm tossed crashing waves the crests of the waves point down towards the devastated landscape and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring in the top half of the painting is water and roiling crashing waves. the waves are pointing down towards the bottom of the artwork the crests of the waves point down towards the devastated landscape. and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

9 months ago

a fierce and confident female firefighter standing amidst a dramatic urban scene of smoldering rubble and glowing embers. She does not wear a top, she's sweaty and gritty, she wears firefighter pants gear, designed with bold red and black tones accented by reflective yellow stripes. The outfit includes heavy fire boots, blending rugged functionality with an alluring aesthetic. Her firefighter helmet is tilted slightly back, revealing her soot-smudged cheeks and piercing, determined eyes that convey both strength and resilience. The background is filled with dynamic elements of a firefighting scene: a firetruck parked nearby, its lights flashing faintly through the haze; a broken fire hydrant spraying water into the air; and thick smoke rising into the sky, creating a moody and atmospheric setting. Flames flicker and glow around the scene, casting warm light across her figure and highlighting the contrast between the delicate details of her attire and the rugged, chaotic environment. Her posture is bold and commanding, standing tall amidst the destruction as embers float around her like fiery stars. The lighting is dramatic, with the flames creating dynamic shadows and warm highlights, accentuating the textures of her outfit and the grit of her surroundings. The overall composition captures her strength, determination, and elegance, blending hyperrealistic details with a cinematic, visually striking atmosphere.

8 months ago

An award-winning double exposure oil painting inspired by Richard Laymon’s Earthquake, capturing the raw chaos of a natural disaster intertwined with the primal darkness of human nature. The central figure is a woman, her body partially silhouetted against a collapsing suburban backdrop, her face marked by fear, resolve, and something deeper—survival at any cost. Within her form, the double exposure reveals scenes of shattered streets, crumbling buildings, and desperate human encounters. Tension coils through the imagery: shadowy figures moving in the rubble, a bloodstained hand reaching from beneath cracked pavement, and the flicker of fire against a fractured skyline. Elements of violence, vulnerability, and escape unfold within the chaos. The outer scene is a dust-choked twilight—sepia and ash, cut by veins of red and orange—while the interior imagery blazes with sharp contrasts: soft skin against jagged debris, silent tears beside echoing screams. Cracks run through both the landscape and the figure, suggesting that the earthquake did more than rupture the earth—it broke the boundaries of civility, safety, and self.

4 months ago

A warrior surveying the rubble after a battle. A firm and resolute disposition. Safe for now but ever vigilant.

6 months ago

In the rugged and untamed landscapes of the Stone Age, Wilma Flintstone and Betty Rubble stand as formidable warriors amidst the prehistoric battlefields. Wilma, with her iconic fiery red hair styled in a high, voluminous bouffant that cascades down her shoulders, is instantly recognizable. Her hair, vibrant and untamed, mirrors the wild environment around them. She is adorned in an outfit crafted from animal skins, meticulously fashioned to provide both protection and agility. The attire consists of a fitted top and a short skirt, both intricately detailed with patterns that reflect the artistry of their era. Complementing her fierce look, she wields an enchanted club, a weapon that seems to hum with ancient power, ready to strike down any foe. Beside her, Betty Rubble, with her sleek black hair tied back in a practical yet stylish ponytail, stands poised and ready for combat. Her outfit, similar in its animal-skin construction, features a tunic paired with leggings, offering her the flexibility needed for swift movements. In her hands, she holds a slingshot, a weapon that speaks to her precision and skill. The terrain around them is rugged and wild, with jagged rocks and sparse vegetation painting a picture of a land untouched by modern civilization. The backdrop is a vast expanse of prehistoric wilderness, where the raw beauty of nature is on full display, setting the stage for their epic battles. The scene captures the essence of their strength and unity, as they stand together, ready to face whatever challenges come their way in this ancient world.

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring in the top half of the painting is water and roiling crashing waves. the waves are pointing down towards the bottom of the artwork the crests of the waves point down towards the devastated landscape. and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

2 months ago

Barbarian - Wallbreaker’s Roar Standing amid rubble and smoke, a barbarian heroine grips her axe with both hands, her chest heaving and mouth open in a primal roar. Her fur-lined corset is torn, revealing streaks of rain and ash across her bronzed torso. One foot is planted atop a shattered column, muscles taut, hair wild and soaked. The camera captures her from a low front angle, with sparks and debris frozen mid-air around her. Shot in high-frame-rate realism with gritty textures and dramatic shadows, the image channels Frazetta’s raw power and the brutal elegance of ‘The Northman’. A single moment of unleashed fury, immortalized in stone and flame.

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring in the top half of the painting is water and roiling crashing waves. the waves are pointing down towards the bottom of the artwork the crests of the waves point down towards the devastated landscape. and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

5 months ago

An (8K) (photorealistic) (masterpiece) image of a thin, triangle, black UFO shooting purple lasers at the great Pyramids of Egypt exploding the top into millions of Dusty pieces. One of the other Pyramids already had its top blown off. There is smoke rising up out of the pyramid. Big rocks of rubble and dust are rolling down the sides. Egyptian people are running from the attack.

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring in the top half of the painting is water and roiling crashing waves. the waves are pointing down towards the bottom of the artwork the crests of the waves point down towards the devastated landscape. and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

5 months ago

An (8K) (photorealistic) image of a thin, triangle, black UFO shooting green laser beams at the highest point of the great Pyramids of Egypt exploding the triangle top into crumbling pieces. The tip of the pyramid is gone. One of the other Pyramids already had its top blown off. There is smoke rising up out of the pyramid. Big rocks of rubble and dust are rolling down the sides.

5 months ago

An (8K) (photorealistic) (masterpiece) image of a thin, triangle, black UFO shooting purple lasers at the highest point of the great Pyramids of Egypt exploding the triangle top into crumbling pieces. The tip of the pyramid is gone. One of the other Pyramids already had its top blown off. There is smoke rising up out of the pyramid. Big rocks of rubble and dust are rolling down the sides. Egyptian people are running from the attack.

5 months ago

An (8K) (photorealistic) (masterpiece) image of a thin, triangle, black UFO shooting purple lasers at the great Pyramids of Egypt exploding the triangle top into dusty pieces. One of the other Pyramids already had its top blown off. There is smoke rising up out of the pyramid. Big rocks of rubble and dust are rolling down the sides. Egyptian people are running from the attack.

5 months ago

An (8K) (photorealistic) (masterpiece) image of a thin, triangle, black UFO shooting green laser beams at the highest point of the great Pyramids of Egypt exploding the triangle top into crumbling pieces. The tip of the pyramid is gone. One of the other Pyramids already had its top blown off. There is smoke rising up out of the pyramid. Big rocks of rubble and dust are rolling down the sides. Egyptian people are running from the pyramid.

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring the top half of the painting is of roiling storm tossed crashing waves the crests of the waves point down towards the devastated landscape and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring in the top half of the painting is water and roiling crashing waves. the waves are pointing down towards the bottom of the artwork the crests of the waves point down towards the devastated landscape. and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring in the top half of the painting is water and roiling crashing waves. the waves are pointing down towards the bottom of the artwork the crests of the waves point down towards the devastated landscape. and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

8 months ago

Amidst the rubble and ruins of Gaza, show Pope Francis crying and carrying a dead Palestinian baby in his arms, there is smoke, darkness and sadness.

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring in the top half of the painting is water and roiling crashing waves. the waves are pointing down towards the bottom of the artwork the crests of the waves point down towards the devastated landscape. and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

8 months ago

surreal epic abstract double exposure fantasy rough hand-painted sketch featuring the top half of the painting is of roiling storm tossed crashing waves the crests of the waves point down towards the devastated landscape and below that is a stark arid dystopian devastated rubble strewn ruins of a city. the ruined city is reflected in the waves and water above it. subtle but clear delineation between the two elements. no sky just waves, mirrored inversion

8 months ago

In the ashes of humanity, the machines didn’t rise—they evolved beside us. Welcome to the last rush for survival." Set in a sprawling futuristic megacity forged from the ruins of civilization, this cinematic scene captures the final moments of a world in collapse. The skyline is jagged with half-destroyed towers wrapped in neon and steel, flickering with broken holograms and propaganda. Below, chaos reigns as cyber-enhanced humans in patchwork armor race through smoke-filled streets and shattered flyovers, battling both time and enemies. Beside them move sentient machines—not overlords, but evolved companions and rivals. Hyper-realistic humanoid robots with expressive synthetic faces and intelligent eyes move with unsettling precision. Their exteriors show signs of life in war: scorched plating, exposed wiring, and adaptive mechanical limbs. Towering war mechs stride through burning rubble, scanning for threats with glowing optic sensors. Every robot is built to be strikingly believable to the human eye, with muscle-like hydraulics, subtle facial cues, and worn textures that reflect years of coexistence and combat. Blazing beam lights cut through dense urban smog as distant explosions ripple in the background. Vehicles—futuristic hybrids of armored trucks and drones—speed through elevated lanes, leaving trails of fire and dust. The air is thick with motion, urgency, and rebellion. This is the last great rush to survive in a world shared, not conquered, by machines. Ultra-detailed, photorealistic rendering, 4K realism, cinematic lighting, wide-angle perspective. Crafted for fans of dystopian futures, evolved AI, and humanity’s final stand.

2 months ago

A professional photograph captures an extraordinarily beautiful girl in the second grade of a post-apocalyptic world, rendered with exceptional detail and a futuristic touch. This masterpiece showcases realistic features and perfect anatomy, presenting her full body from head to knees as she faces the viewer. She has long, curly strawberry blonde hair tied in a messy ponytail, radiant olive skin, thick black eyeliner, extra-long eyelashes, and a light pink blush. Her lips are exquisitely shaped with soft pink lipstick, complemented by dark blue eye shadow and flawlessly smooth skin. Her high cheekbones are strikingly defined, and her large, uniquely colored eyes blend shades of blue, brown, red, gold, grey, and purple with a subtle glowing effect. Her fingernails are beautifully dirty and chipped, adding character. She wears a style from the 2630s: a ripped and torn tank top altered into an uneven short crop, patched skinny jeans that are too small, and mismatched shoes. She stands amidst heat-scorched rubble of destroyed buildings, a century after a nuclear holocaust. The image is ultra-detailed, high resolution (8K), photo-realistic, and features dramatic volumetric lighting, offering a full front view of her entire body.

9 days ago

An award-winning double exposure oil painting inspired by Richard Laymon’s Earthquake, capturing the raw chaos of a natural disaster intertwined with the primal darkness of human nature. The central figure is a woman, her body partially silhouetted against a collapsing suburban backdrop, her face marked by fear, resolve, and something deeper—survival at any cost. Within her form, the double exposure reveals scenes of shattered streets, crumbling buildings, and desperate human encounters. Tension coils through the imagery: shadowy figures moving in the rubble, a bloodstained hand reaching from beneath cracked pavement, and the flicker of fire against a fractured skyline. Elements of violence, vulnerability, and escape unfold within the chaos. The outer scene is a dust-choked twilight—sepia and ash, cut by veins of red and orange—while the interior imagery blazes with sharp contrasts: soft skin against jagged debris, silent tears beside echoing screams. Cracks run through both the landscape and the figure, suggesting that the earthquake did more than rupture the earth—it broke the boundaries of civility, safety, and self.