A sample prompt of what you can find in this page
Prompt by Sxylla

volumetric light and shadow intricate FLUX prompts

hundreds of results

8 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

4 months ago

(A hyper-realistic, masterpiece-level color photograph:1.3) of a woman in a Soviet-style retrofuturistic spacesuit (Soviet retrofuturism:1.5) standing in the icy expanse of the Arctic during a fierce blizzard (blizzard in the Arctic:1.4). The woman’s suit, weathered and bulky, bears the clear red insignia of CCCP across the chest (CCCP insignia:1.5), adding to the harsh, militaristic aesthetic of the scene. The spacesuit has a Cold War-era design, with bold red accents and a heavy, utilitarian build, blending the futuristic with the gritty, industrial style of the Soviet Union. Surrounding her, several small, glowing stars float tethered by thick industrial chains (tethered glowing stars in a blizzard:1.4). These stars cut through the blizzard, casting yellow light that glows eerily against the swirling snow. The stars, connected to the icy ground by chains, sway violently in the wind, their light creating dynamic volumetric beams as they fight against the storm. The woman’s helmet visor reflects the glowing stars and the chaos of the blizzard around her, casting intricate patterns of light across her suit, which is half-covered in snow and ice. The volumetric lighting from the stars pierces the thick snowstorm, illuminating the drifting snowflakes and casting long, dramatic shadows across the snowy landscape. The environment is harsh and unforgiving—her spacesuit is covered in frost, and the cold, biting wind whips at her, while snow drifts build up around her legs. The blizzard creates an intense sense of motion, with the snow swirling around in unpredictable patterns, making it feel as though the woman is standing in the heart of a Soviet Arctic research mission gone wrong. Amidst the storm, the CCCP insignia glows faintly under the light of the stars, a symbol of the lost Soviet expedition. The glowing stars and industrial chains are tethered to the icy ground, creating a surreal, otherworldly scene in the middle of this brutal landscape. The scene is a combination of retrofuturistic design and gritty realism, with the harshness of the blizzard contrasting against the surreal glow of the stars. The intense lighting from the stars and the complex shadows they cast against the swirling snow create a dramatic, cinematic atmosphere. The overall mood is cold, brutal, and haunting, capturing a moment of isolation and survival in the Soviet retrofuturistic Arctic wasteland

7 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

4 months ago

a professional photo of the most beautiful girl in the world second-grader, Lockheed F-117 Nighthawk, in a highly detailed, futuristic, masterpiece), (realistic, perfect by age anatomy, Full body, with long hint of platinum brown hair in a tight neat ponytail, beautifully flawless olive skin, thick black eye liner, exceptionally long eyelashes eye lashes, light pink blush, extremely beautifully shaped lips with light pink lipstick, blue eye shadow, perfectly flawless olive skin, beautiful perfect high cheekbones beautiful perfect high cheekbones extremely detailed perfectly shaped beautiful brilliant Forest Tea blue-grey-purple bedroom eyes, beautifully manicured fingernail with pink polish, she is standing next fighter jet to her facing the viewer, in a hanger bay, created with Unreal Engine 5 and Octane Render, high resolution photography, intricate details, ultra-sharp focus. --v 6.1 best quality, 8k,high res, masterpiece:1.2, ultra-detailed, realistic, photo realistic, photo-realistic:1.37, high res, ultra-detailed, photo-realistic, front view, highly detailed, volumetric, dramatic light Perfect graphics, ultra-detailed, photo-realistic, full image view, full body view, front view. Negative prompt: Asian-Less-Neg bad-artist bad-artist-anime bad-hands-5 bad pictures bad_prompt_version2 badhandv4 By bad artist -neg Cyber-Realistic Negative-neg Easy Negative hand-neg ng_deepnegative_v1_75t verybadimagenegative_v1. 3, lowres, text, error, cropped, worst quality, low quality, jpeg artifacts, ugly, duplicate, morbid, mutilated, out of frame, extra fingers, mutated hands, poorly drawn hands, poorly drawn face, mutation, deformed, blurry, dehydrated, bad anatomy, bad proportions, extra limbs, cloned face, disfigured, gross proportions, malformed limbs, missing arms, missing legs, extra arms, extra legs, fused fingers, too many fingers, long neck, username, watermark, signature

4 months ago

a professional photo of the most beautiful girl in the world tween, Lockheed F-117 Nighthawk, in a highly detailed, Galactic, masterpiece, realistic, perfect by age anatomy, Full body, with long hint of platinum brown hair in a tight neat ponytail, beautifully flawless olive skin, thick black eye liner, exceptionally long eyelashes eye lashes, light pink blush, extremely beautifully shaped lips with light pink lipstick, blue eye shadow, perfectly flawless olive skin, beautiful perfect high cheekbones beautiful perfect high cheekbones extremely detailed perfectly shaped beautiful brilliant Forest Tea blue-grey-purple bedroom eyes, beautifully manicured fingernail with pink polish, she is standing next fighter jet to her facing the viewer, in a hanger bay, created with Unreal Engine 5 and Octane Render, high resolution photography, intricate details, ultra-sharp focus. --v 6.1 best quality, 8k,high res, masterpiece:1.2, ultra-detailed, realistic, photo realistic, photo-realistic:1.37, high res, ultra-detailed, photo-realistic, front view, highly detailed, volumetric, dramatic light Perfect graphics, ultra-detailed, photo-realistic, full image view, full body view, front view. Negative prompt: Asian-Less-Neg bad-artist bad-artist-anime bad-hands-5 bad pictures bad_prompt_version2 badhandv4 By bad artist -neg Cyber-Realistic Negative-neg Easy Negative hand-neg ng_deepnegative_v1_75t verybadimagenegative_v1. 3, lowres, text, error, cropped, worst quality, low quality, jpeg artifacts, ugly, duplicate, morbid, mutilated, out of frame, extra fingers, mutated hands, poorly drawn hands, poorly drawn face, mutation, deformed, blurry, dehydrated, bad anatomy, bad proportions, extra limbs, cloned face, disfigured, gross proportions, malformed limbs, missing arms, missing legs, extra arms, extra legs, fused fingers, too many fingers, long neck, username, watermark, signature

8 months ago

"The Fall of Lucifer" – (Lucifer, 1.6 weight) plummeting headfirst toward Earth, wings sharply swept back, folded tight like a jet fighter entering supersonic descent (F-14 Tomcat-style aerodynamic posture, 1.5 weight). His once glorious feathers ripple violently, ravaged by hypersonic turbulence (intense wind shear, feathers tearing loose, 1.5 weight), embers trailing behind like fiery comet debris. The air ignites around his figure, atmospheric friction forming a blazing halo of wrathful flame (fiery atmospheric re-entry, realistic flame dynamics, 1.4 weight). His expression is tormented, defiant yet anguished—caught eternally between pride and despair (deep emotional torment, nuanced facial detail, 1.4 weight). Above him, the heavens fracture open, radiant divine light spilling through storm-darkened clouds, symbolic of lost grace (dramatic chiaroscuro lighting, heavenly rupture, god-rays, 1.3 weight). Below, the dark curvature of Earth waits ominously, engulfed in shadow and faint, sinuous clouds (photographic realism, cinematic atmospheric details, planetary scale, 1.3 weight). Rendered in hyper-realistic fine art style, incorporating naturalistic elements such as realistic musculature, detailed skin textures, feathers individually defined and chaotic (intricate naturalistic details, cinematic realism, 1.5 weight). Captured cinematically with a Leica Summilux lens effect, featuring subtle film grain, depth-of-field focus, and volumetric lighting intensifying drama (cinematic photographic realism, volumetric illumination, 1.4 weight). Symbolically rich, portraying Lucifer’s fall from divine glory into sin and eternal damnation—epic, tragic, and terrifyingly beautiful (symbolic mythological depth, emotional gravitas, epic narrative, 1.3 weight).

8 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

4 months ago

(A hyper-realistic, masterpiece-level color photograph:1.3) of a woman in a Soviet-style retrofuturistic spacesuit (Soviet retrofuturism:1.5) standing in the icy expanse of the Arctic during a fierce blizzard (blizzard in the Arctic:1.4). The woman’s suit, weathered and bulky, bears the clear red insignia of CCCP across the chest (CCCP insignia:1.5), adding to the harsh, militaristic aesthetic of the scene. The spacesuit has a Cold War-era design, with bold red accents and a heavy, utilitarian build, blending the futuristic with the gritty, industrial style of the Soviet Union. Surrounding her, several small, glowing stars float tethered by thick industrial chains (tethered glowing stars in a blizzard:1.4). These stars cut through the blizzard, casting yellow light that glows eerily against the swirling snow. The stars, connected to the icy ground by chains, sway violently in the wind, their light creating dynamic volumetric beams as they fight against the storm. The woman’s helmet visor reflects the glowing stars and the chaos of the blizzard around her, casting intricate patterns of light across her suit, which is half-covered in snow and ice. The volumetric lighting from the stars pierces the thick snowstorm, illuminating the drifting snowflakes and casting long, dramatic shadows across the snowy landscape. The environment is harsh and unforgiving—her spacesuit is covered in frost, and the cold, biting wind whips at her, while snow drifts build up around her legs. The blizzard creates an intense sense of motion, with the snow swirling around in unpredictable patterns, making it feel as though the woman is standing in the heart of a Soviet Arctic research mission gone wrong. Amidst the storm, the CCCP insignia glows faintly under the light of the stars, a symbol of the lost Soviet expedition. The glowing stars and industrial chains are tethered to the icy ground, creating a surreal, otherworldly scene in the middle of this brutal landscape. The scene is a combination of retrofuturistic design and gritty realism, with the harshness of the blizzard contrasting against the surreal glow of the stars. The intense lighting from the stars and the complex shadows they cast against the swirling snow create a dramatic, cinematic atmosphere. The overall mood is cold, brutal, and haunting, capturing a moment of isolation and survival in the Soviet retrofuturistic Arctic wasteland