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Prompt by SoraNaais

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very few results

3 months ago

Grainy late-1990s digicam snapshot styled like a retro Ferrari magazine spread, captured in raw, candid imperfection. A bright red 1990 Ferrari 348TS cabrio dominates the frame, glossy paint catching the harsh pop-flash, while neon motel signage glows faintly in the background. Her eyes are bright, cool blue with a hint of grey, slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip, clearly adorned with a small silver nose ring piercing on her left nostril, catching the light with a subtle metallic reflection. Her lips are full with natural fine lines, warm rose-brown in color, subtly highlighted by the flash. Her skin has a warm, sun-kissed bronze tone with visible freckles, natural pores, faint veins, and a subtle sheen that reflects the flash realistically. Her hair is deep brunette, long and wavy with curtain bangs, a few realistic flyaways framing her face, humidity-reactive strands catching light. Sahara lies stretched out across the Ferrari’s hood in playful defiance, as if turning the luxury car into her own prop. Her long brunette hair fans out over the windshield, slightly messy with strands catching the night air. She wears a cropped pink top styled like an improvised bra, thin straps visible, cleavage, paired with a green thong waistband peeking above her extreme short washed-out denim skirt. Barefoot, one leg bends up casually while the other stretches long across the curve of the hood, toes pointed painted green with a hint of attitude. She glances toward the digicam with a teasing half-smile, eyes gleaming under the flash. Scene details: A few instant Polaroids scatter across the hood near her elbow, looking like chaotic self-timer tests. The neon motel glow mixes pink and blue across the chrome bumper, while a vending machine hums faintly at the edge of frame. Mood: A parody of 90s car advertising — sexy, rebellious, self-made. Both carefree and provocative, Sahara plays the role of her own model, mocking the glossy perfection of luxury ads with her lo-fi chaos. Lighting & aesthetic: Harsh digicam flash flattens the scene, reflections bouncing wildly off the Ferrari’s curves. Visible film grain, dust specks, uneven exposure and blown highlights reinforce the lo-fi snapshot vibe, contrasting with the sleek glamour of the car. Technical tags: 2:3, Ferrari 348TS, motel parking lot, digicam pop-flash, lo-fi realism, retro advertising parody, candid 90s chaos. negative prompt: no visible text

1 month ago

Grainy late-1990s digicam snapshot styled like a retro Ferrari advertisement, raw and candid. Sahara is captured from behind, leaning forward into the open driver’s side window of a red 1990 Ferrari 348TS cabrio. Her back arches slightly as she braces her hands on the edge of the door, long brunette hair falling forward in loose, wavy strands, humidity-reactive and messy in the night air. The glossy Ferrari paint reflects the harsh digicam flash and the neon motel sign glowing pink and blue in the background. Wardrobe & pose: She wears an extreme short washed-out denim skirt riding high, whiteish tank top with deep reverse cleavage, cropped high with fabric hanging very relaxed on her body, leaving natural space for movements, and the matching thong waistband peeking visibly above the skirt. Barefoot on the asphalt, one leg slightly bent, hips tilted with playful confidence. Her head is turned slightly sideways toward the car interior, not toward the camera, leaving her expression hidden — the focus stays on the attitude of her stance and silhouette. Scene details: Neon motel sign buzzing behind, soda vending machine glowing at the edge of the frame. The Ferrari dominates with polished chrome details and sharp 90s styling. Sahara’s playful, daring posture turns the scene into a cheeky self-made advert. Mood: Sexy, rebellious, teasing — a lo-fi 90s snapshot where Sahara looks like she’s about to slip into the driver’s seat, but pauses to show off her attitude instead. A mix of raw imperfection, motel grit, and sleek Ferrari glamour. large breast. Lighting & aesthetic: Harsh digicam pop-flash flattens tones, coarse film grain and dust specks add grit. Blown highlights on the Ferrari’s red paint, neon haze bleeding into shadows, authentic lo-fi 1990s realism. Negative prompt: face turned to camera, looking at camera, extra face, warped reflection, duplicate arms, duplicate torso, distorted Ferrari badge, visible text, license plates.

3 months ago

Grainy late-1990s digicam snapshot styled like a retro Ferrari advertisement, captured in raw, candid imperfection with Sahara. Her eyes are bright, cool blue with a hint of grey, slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip, clearly adorned with a small silver nose ring piercing on her left nostril, catching the light with a subtle metallic reflection. Her lips are full with natural fine lines, warm rose-brown in color, subtly highlighted by the flash. Her skin has a warm, sun-kissed bronze tone with visible freckles, natural pores, faint veins, and a subtle sheen that reflects the flash realistically. Her hair is deep brunette, long and wavy with curtain bangs, a few realistic flyaways framing her face, humidity-reactive strands catching light. Sahara stands beside a red 1990 Ferrari 348TS cabrio, the glossy paint reflecting harsh parking-lot flash and neon motel lights in the background. The car dominates the scene, gleaming under the flash with chrome highlights and polished curves. Sahara’s presence is playful yet daring — she leans back against the driver’s door as if presenting the car with tongue-in-cheek attitude. She wears a vibrant pink cropped top styled like an modern bra, thin straps and minimal cut leaving little fabric, paired with a matching thong waistband peeking boldly above her extreme short washed out denim skirt. Barefoot on the asphalt, her stance is confident, hips angled, head turned back toward the digicam with a cheeky smirk. Her long brunette hair falls wavy and slightly messy over her shoulders, catching the night air. Scene details: The motel neon glows in pink and blue behind her, buzzing faintly, while scattered Polaroids lie on the Ferrari’s hood like chaotic test shots from her self-timer experiments. A soda vending machine glows at the frame’s edge, adding mundane grit against the glamour of the car. Mood: Equal parts cheeky self-made fashion ad and rebellious late-night motel chaos. She’s both the presenter and the product — bold, wild, unfiltered. Lighting & aesthetic: Harsh digicam pop-flash, coarse film grain, blown highlights on the Ferrari’s red paint, neon haze bleeding into the shadows. Authentic lo-fi 1990s imperfection clashing with the sleek Ferrari styling, creating a surreal ad-like vibe. Technical tags: 2:3, Ferrari 348TS, motel parking lot, digicam flash, lo-fi realism, retro advertising parody, candid 90s chaos.

3 months ago

Grainy late-1990s digicam snapshot of a young woman in her early 20s, captured in a raw, candid everyday sports documentary moment. Her eyes are bright, cool blue with a hint of grey, slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip, clearly adorned with a small silver nose ring piercing on her left nostril, catching the light with a subtle metallic reflection. Her lips are full with natural fine lines, warm rose-brown in color, subtly highlighted by the flash. Her skin has a warm, sun-kissed bronze tone with visible freckles, natural pores, faint veins, and a subtle sheen that reflects the flash realistically. Her hair is deep brunette, long and wavy with curtain bangs, a few realistic flyaways framing her face, humidity-reactive strands catching light. The photo is taken from a mid-distance behind, almost like an observational advertisement image, as she walks slowly through the locker room toward the shower area. Her posture is relaxed, shoulders slightly slouched after two hours of basketball practice. She carries a folded towel and a small bottle of shower gel in her hands, props that emphasize the functional after-sport look and wears a modern bikini bottom. Her feet step across the tiled floor, sneakers and socks left behind near the benches. The harsh digicam flash reflects off the neon-lit tiles, lockers, and corridor walls, freezing the moment in authentic locker room context. Background: clear view of lockers, open doors, scattered socks on the bench, fluorescent light tubes overhead, tiled corridor leading toward the showers. Details: pixel noise, crooked framing, faint lens halo, subtle motion blur. Aesthetic: raw, lo-fi, authentic 1990s digital snapshot, unpolished and nostalgic,

3 months ago

Grainy late-1990s digicam snapshot styled like a retro Ferrari advertisement, raw and candid. Sahara is captured from behind, leaning forward into the open driver’s side window of a red 1990 Ferrari 348TS cabrio. Her back arches slightly as she braces her hands on the edge of the door, long brunette hair falling forward in loose, wavy strands, humidity-reactive and messy in the night air. The glossy Ferrari paint reflects the harsh digicam flash and the neon motel sign glowing pink and blue in the background. Wardrobe & pose: She wears an extreme short washed-out denim skirt riding high, a vibrant pink cropped top with thin straps hugging her shoulders, and the matching thong waistband peeking visibly above the skirt. Barefoot on the asphalt, one leg slightly bent, hips tilted with playful confidence. Her head is turned slightly sideways toward the car interior, not toward the camera, leaving her expression hidden — the focus stays on the attitude of her stance and silhouette. Scene details: Neon motel sign buzzing behind, soda vending machine glowing at the edge of the frame. The Ferrari dominates with polished chrome details and sharp 90s styling. Sahara’s playful, daring posture turns the scene into a cheeky self-made advert. Mood: Sexy, rebellious, teasing — a lo-fi 90s snapshot where Sahara looks like she’s about to slip into the driver’s seat, but pauses to show off her attitude instead. A mix of raw imperfection, motel grit, and sleek Ferrari glamour. Lighting & aesthetic: Harsh digicam pop-flash flattens tones, coarse film grain and dust specks add grit. Blown highlights on the Ferrari’s red paint, neon haze bleeding into shadows, authentic lo-fi 1990s realism. Negative prompt: face turned to camera, looking at camera, extra face, warped reflection, duplicate arms, duplicate torso, distorted Ferrari badge, visible text, license plates.

3 months ago

"Advertisement Photoshoot" Cinematic street photography, anamorphic lens, soft focus. A young woman in her mid-20s with an ethereal, distant expression. Her long, wavy hair is the color of bleached sand, almost white, and contrasts with her deep tan skin. She has a delicate, oval face with high cheekbones and full, naturally pink lips parted slightly. Her eyes, a striking pale lilac-grey (contact lenses), are not focused on the immediate chaos but are looking upwards and away, filled with a sense of wistful longing and deep daydreaming, as if she's mentally somewhere else entirely. She has a slender, willowy physique. She wears a simple, slouchy burnt orange tank top made of soft jersey cotton. Around her hips drape delicate strands of fine golden chain, the tiny loops and beads catching the light with a subtle shimmer, tracing elegant lines across her form. Her jewelry is bohemian: multiple thin, layered leather cords around her neck with small silver charms and mismatched, long, dangling feather earrings. Her makeup is soft and romantic with iridescent highlighter on her cheekbones and a shimmer of gold dust on her eyelids. A small, discrete nose ring (a tiny gold hoop) adorns her nostril. On her rib cage, peeking from under the tank top, is the top of a large, intricate watercolor tattoo of a desert landscape in muted blues and pinks. She is leaning against a vintage street lamp on a crowded, vibrant boardwalk at dusk, the out-of-focus lights of Ferris wheels and food stalls creating a beautiful bokeh behind her. The mood is introspective, dreamy, and transient. --ar 2:3 Large Breasts.

3 months ago

Grainy late-1990s digicam snapshot of a young woman in her early 20s, captured in a raw, candid everyday moment. Her eyes are bright, cool blue with a hint of grey, slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip, clearly adorned with a small silver nose ring piercing on her left nostril, catching the light with a subtle metallic reflection. Her lips are full with natural fine lines, warm rose-brown in color, subtly highlighted by the flash. Her skin has a warm, sun-kissed bronze tone with visible freckles, natural pores, faint veins, and a subtle sheen that reflects the flash realistically. Her hair is deep brunette, long and wavy with curtain bangs, a few realistic flyaways framing her face, humidity-reactive strands catching light. The camera is positioned at ground level, shooting dramatically upward. She stands in the dimly lit parking garage, her massive black Buffalo platform sneaker pressed close to the lens so that the oversized sole dominates the entire foreground, filling much of the frame. She wears a short green mini skirt, worn low-rise, with a thin neon-pink strap detail peeking above the waistband — a bold Y2K layering accent that cuts diagonally as a contrasting color pop. On top, she has a cropped button-up work shirt in black and red plaid, sleeves cut short, boxy and loose but cropped high at the waist, styled like a Bauarbeiter flannel with cleavage. Her body, skirt, and cropped flannel shirt are visible but deliberately pushed into soft focus in the background, creating an exaggerated forced-perspective effect, like a rebellious CD cover or vintage Buffalo shoe advertisement from the late 1990s. The harsh flash highlights the textured tread of the platform sole in stark detail, while her figure behind appears slightly blurred, adding to the lo-fi authenticity. Setting: rough asphalt with white painted parking lines, faint distant cars in shadow, concrete pillars. Harsh digicam flash with blown-out highlights and heavy contrast against the dark background. Details: pixel noise, crooked framing, motion blur, cheap lens halo. Aesthetic: raw, lo-fi, authentic 1990s digital snapshot, unpolished and nostalgic, emphasizing the iconic Buffalo sneaker sole as the focal point in a playful Y2K perspective.