Baroque Style Stable Diffusion prompts

12 days ago

Create a professional historical side-view portrait of a gothic female model in Victorian-baroque style against a mirror. She has pale skin, auburn hair styled in intricate curls and pinned up, hazel eyes, a fine straight nose, and thin rose-colored lips. Her face is detailed, with smooth skin and beautiful, detailed eyes, featuring a symmetrical face. She wears a dark green velvet dress with a lace collar and pearl earrings. The background is a dimly lit Victorian parlor room with a blurred oil painting. The reflection of her face in the side mirror resembles Jurassic skin her. The lighting is soft and warm, emulating candlelight. Apply a vintage portrait filter with light sepia tones, film grain, and soft vignetting.

9 months ago

cinematic film still cinematic film still cinematic film, Renaissance style, highly detailed. oil painting, classical baroque, gloomy . Dark, mysterious, dramatic, ornate, detailed. gloomy, wide angle, alone, isolated, purgatory, Eerie, unsettling, dark, spooky, suspenseful, highly detailed, a beautiful dark valley, sunset, overcast skies, a knight in black obsidian demon armor carrying a massive brutal looking blood thirsty weapon, rainy day, damp, arrows sticking out of his armor, demonic, dark souls armor . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy, dark souls armor, concept art, popular on cgsociety, (female) . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy, 8k, intricate detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

3 months ago

art-by-catrin-welz-black-woman--stein-susan-a-black-woman-with-her-cute-adorable-love-birds-tree-muted-colors-surrealism, baroque pop, symmetrical composition, Mark Ryden and Romare Bearden style

5 months ago

an older African American man, in the style of steampunk, atompunk, aaron jasinski, intense lighting and shadow, baroque maritime, smokey background, d&d

12 days ago

Create a professional historical side-view portrait of a gothic female model in Victorian-baroque style against a mirror. She has pale skin, auburn hair styled in intricate curls and pinned up, hazel eyes, a fine straight nose, and thin rose-colored lips. Her face is detailed, with smooth skin and beautiful, detailed eyes, featuring a symmetrical face. She wears a dark green velvet dress with a lace collar and pearl earrings. The background is a dimly lit Victorian parlor room with a blurred oil painting. The reflection of her face in the side mirror resembles Jurassic skin her. The lighting is soft and warm, emulating candlelight. Apply a vintage portrait filter with light sepia tones, film grain, and soft vignetting.

8 months ago

Baroque furry feathered full body portrait revealing a crimson velvet corseted gown with gold embroidered roses, burgundy silk stockings and ornate heeled shoes, regal sophistication, baroque discodonna, intricate golden filigree, ruby-encrusted ornaments, garnet flowers, canopy bed, oil on mahogany, dramatic chiaroscuro brushstrokes, elaborate damask patterns, flourishing calligraphy, amber-tinted oil painting, powdered complexion with vermilion blush, textured impasto technique creating dimensional candlelight, rich burgundy and gold color palette, ornate gilded wall panels, a breathtaking auburn-haired noblewoman in three-quarter pose adorned in blood-red silk and gold brocade, in the style of Flemish Baroque masters

7 months ago

A dramatic Baroque painting in the style of Caravaggio, depicting a youthful John the Baptist seated alone in a stark, rocky wilderness. He wears a simple, drab brown robe that loosely covers his body, leaving one shoulder and part of his chest exposed. His face is turned slightly toward the viewer, with a solemn, introspective expression, his features partially obscured by deep shadows. He holds a plain, slender wooden staff, devoid of any adornment, resting lightly across his body. The background is dark and minimal, with jagged rocks and sparse, dry vegetation barely emerging from the deep tenebrism. The harsh, directional lighting dramatically highlights his skin, fabric folds, and the texture of the wilderness, creating a powerful contrast of light and shadow. The overall mood is intense, solitary, and sacred, capturing Caravaggio’s raw realism and psychological depth.

3 months ago

art-by-catrin-welz-black-woman--stein-susan-a-black-woman-with-her-cute-adorable-love-birds-tree-muted-colors-surrealism, baroque pop, symmetrical composition, Mark Ryden and Romare Bearden style

3 months ago

art-by-catrin-welz-black-woman--stein-susan-a-black-woman-with-her-cute-adorable-love-birds-tree-muted-colors-surrealism, baroque pop, symmetrical composition, Mark Ryden and Romare Bearden style

2 months ago

ornate rococo baroque line divider, symmetrical horizontal flourish, floral swirls, highly detailed, elegant engraving style, black and white line art, clean vector, needs to be all appearant in the frame without cutting the design or abrupt interruptions -like paths, isolated on white background --ar 3:1 --v 6 --style raw

2 months ago

ornate rococo baroque line divider, symmetrical horizontal flourish, acanthus leaves, curling vines, floral swirls, highly detailed, elegant engraving style, black and white line art, clean vector-like paths, isolated on white background --ar 3:1 --v 6 --style raw

2 months ago

10 luxurious rococo baroque ornamental frame, highly ornate acanthus leaves, curling vines, floral swirls, symmetrical, detailed black and white engraving, clean line art, smooth curves, no shading, no color, isolated on white background --ar 9:16 --v 6 --style raw

6 months ago

A collaborative painting blending the sweeping, atmospheric landscapes of Joos de Momper with the surrealist vision of Max Ernst. A weathered horse-drawn flatbed wagon trundles along a winding dirt road, piled high with timepieces of all kinds—mantel clocks, pocket watches, alarm clocks, and sundials. Some are pristine, others rusted, cracked, or missing hands. Each intact clock displays a different time of day, as if fractured moments from across time are being transported together. The horse, properly harnessed with standard gear appropriate for such a rig, moves steadily and naturally. Surrounding the scene is a vast, moody landscape rendered in de Momper’s signature style: rolling hills, shadowy groves, and a turbulent sky heavy with stormlight. In the foreground, Ernst’s influence emerges in a junkyard of discarded clocks—warped faces, twisted springs, and tangled gears creating an unsettling mechanical graveyard. Time itself appears fragmented and decaying in this haunting fusion of Flemish Baroque majesty and surrealist distortion