still image Veo prompts

very few results

7 months ago

An ethereal, cinematic portrait of an impossibly beautiful woman seen fleetingly at an airport—a face that lingers in your memory like a ghost of a dream, never to be seen again. She stands frozen in time at the heart of the image, delicate and soft, with porcelain skin and flowing hair gently caught by an unseen breeze. Her expression is distant, introspective, as if she’s not fully part of the world around her. Around her, the airport pulses with blurred motion—travelers rushing by in streaks of abstract colors and bokeh lights, emphasizing the stillness of her presence. The chaos of human movement becomes an impressionistic whirlpool of life, but she remains untouched, a fragile island of serenity in the storm. The atmosphere is dreamlike, whispy, and soft focus, with cinematic depth of field that isolates her figure in the center—sharp yet veiled in a gentle haze, as if remembered through fogged glass. The colors are muted pastels with hints of teal, beige, and soft golden highlights, evoking the bittersweet feeling of something beautiful slipping away. Composition captures her from slightly below eye level, adding a sense of reverence and loss. Use subtle film grain, motion blur for the surroundings, and a delicate lens flare cutting through from overhead fluorescent lights. The scene is crafted to feel like a memory you can't quite place—fragile, aching, eternal. Shot with a Leica M11 paired with a vintage 50mm f/0.95 Noctilux lens, aperture wide open at f/0.95 to create an impossibly shallow depth of field, ISO 320, shutter speed 1/125 sec—designed to capture the surreal interplay of stillness and movement, focus and blur, presence and absence.

2 months ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

2 months ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

4 months ago

FOCUSING ON NICE CLEAR STABLE FOOTAGE of the following: "Futuristic epic adventure scene, a massive **Tartaria-inspired megalithic building** in the background with **two ancient mythological flying spaceships** hovering, powered by **mercury rotational engines**. The setting is a **thick, lush jungle at sunrise**, with **bioluminescent flora** casting an ethereal glow. THE CAMERA ANGLE WIDE STEADY PACE FROM CLOSE UP AND MOVING AWAY AND CAN STILL SEE SPACESHIP AND ALL THE LANDSCAPE. An **the incredibly advanced which is a highly detailed spaceship,** arrives for inspection at the **Transolar Line’s Arrival Depot**, stationed near the Tartaria structure. The **spaceship** features: - A **sleek, ultra-strong front pilot window** with a **geometric sleek armoured design** - **Large, intricately designed wings** with **ochre-orange markings** along the hull - **Complex futuristic engines** glowing with **neon reflections** - **Symmetrical, hyper-detailed** hard-surface design with **triadic color accents** In the background, a **massive hyperspace-capable mothership** looms, emitting a **soft radiant glow**. Nearby, **cybernetically enhanced humans and robots** watch the arrival—some with **polished metallic limbs, synthetic musculature, and advanced AI-enhanced optics**, blending organic and robotic traits seamlessly. **Art Style & Technical Details:** - **Cinematic hyper-realism** with **Unreal Engine 5 RTX shaders** - **Octane render, ultra-HD textures**, and **golden ratio composition** - **Wide-angle shot**, balanced symmetry, **dynamic lighting** (sunrise + bioluminescence) - **Metallic silver, ochre-orange, and vibrant neon** color scheme - **Professional digital artwork**, resembling a **sci-fi movie poster** - **Mysterious, immersive atmosphere** with **highly detailed mechanical elements** --ar **9:16** --style **raw** --v **6.1** Clear, precise, accurate movement, steady pace on the image, get it correct one time. easy work JDHampton + AI | Creative Alliance