And then there's God looking down on them from the sky prompts

11 days ago

Enormous orange-and-white retro-futuristic spacecraft dominating the vertical frame with gigantic fixed wings spanning impossibly wide, six massive turbofan/rocket hybrid engines mounted under the wings glowing red-hot, intense heat distortion and rising steam melting the ice below, thick frost and heavy snow piled on the upper wing surfaces, snow violently blowing off the trailing edges, intricate rivets, warning stripes, weathered metal panels, hyper-detailed industrial textures, dramatic rim lighting from low polar sun Extreme low worm’s-eye camera angle looking straight up at the colossal snow-laden wings towering overhead like cathedral arches, single battle-worn astronaut in bulky matte-white and orange spacesuit standing tiny beneath one massive wing for scale, heavy scuffs, frozen dirt, ice crystals, cracked visor reflecting faint green auroras Endless empty windswept Antarctic ice plateau, pale blue sky with subtle auroras, blowing snow, cold blue-white color grade, orange engine glow accents, god rays piercing the blizzard, hyperrealistic, ultra-detailed, shot on 70mm IMAX film, epic cinematic solitude --ar 2:3 --v 6 --stylize 32 --q 2

2 months ago

Lone mage on a runed platform facing a majestic sky leviathan above floating islands and a cloud sea at astral twilight; indigo/violet/teal/silver palette. Embroidered arcane robes, billowing cloak, crystal amulet; calm, determined. Leviathan with translucent bioluminescent runes, ribbon fins; benevolent, ancient. Low-angle 3/4 hero shot, wide-lens look, sharp subject, soft background. Moonlight key, nebula fill, rim light; god rays, spell glow, sparkling motes. Cinematic, painterly realism, high fantasy, editorial cover. --no text --no watermark --no logo --no signature

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

11 days ago

Vast empty Antarctic ice plateau under pale blue sky with faint green auroras, violent blowing snow, extreme cold color grade Single battle-worn astronaut in bulky matte-white and orange retro-futuristic spacesuit standing in the foreground, heavy scuffs, frozen dirt, ice crystals, cracked visor reflecting auroras, looking toward horizon Far distant background: enormous orange-and-white retro-futuristic spacecraft landed on the ice, gigantic fixed wings fully visible and stretching edge-to-edge even at extreme distance, six massive turbofan/rocket hybrid engines under the wings still glowing red-hot with heat distortion and steam plumes, thick frost and snow covering the entire airframe, snow blowing off the wings, intricate rivets and warning markings barely visible but hyper-detailed, low polar sun creating long shadows and rim lighting across the colossal craft Epic scale contrast between tiny astronaut and distant monolithic winged ship, cinematic solitude, god rays through blizzard, hyperrealistic, ultra-detailed, shot on 70mm IMAX film, National Geographic expedition style --ar 2:3 --v 6 --stylize 32 --q 2

11 days ago

Vast empty Antarctic ice plateau under pale blue sky with faint green auroras, violent blowing snow, extreme cold color grade Single battle-worn astronaut in bulky matte-white and orange retro-futuristic spacesuit standing in the foreground, heavy scuffs, frozen dirt, ice crystals, cracked visor reflecting auroras, looking toward horizon Far distant background: enormous orange-and-white retro-futuristic spacecraft landed on the ice, gigantic fixed wings fully visible and stretching edge-to-edge even at extreme distance, six massive turbofan/rocket hybrid engines under the wings still glowing red-hot with heat distortion and steam plumes, thick frost and snow covering the entire airframe, snow blowing off the wings, intricate rivets and warning markings barely visible but hyper-detailed, low polar sun creating long shadows and rim lighting across the colossal craft Epic scale contrast between tiny astronaut and distant monolithic winged ship, cinematic solitude, god rays through blizzard, hyperrealistic, ultra-detailed, shot on 70mm IMAX film, National Geographic expedition style --ar 2:3 --v 6 --stylize 32 --q 2

11 days ago

Vast empty Antarctic ice plateau under pale blue sky with faint green auroras, violent blowing snow, extreme cold color grade Single battle-worn astronaut in bulky matte-white and orange retro-futuristic spacesuit standing in the foreground, heavy scuffs, frozen dirt, ice crystals, cracked visor reflecting auroras, looking toward horizon Far distant background: enormous orange-and-white retro-futuristic spacecraft landed on the ice, gigantic fixed wings fully visible and stretching edge-to-edge even at extreme distance, six massive turbofan/rocket hybrid engines under the wings still glowing red-hot with heat distortion and steam plumes, thick frost and snow covering the entire airframe, snow blowing off the wings, intricate rivets and warning markings barely visible but hyper-detailed, low polar sun creating long shadows and rim lighting across the colossal craft Epic scale contrast between tiny astronaut and distant monolithic winged ship, cinematic solitude, god rays through blizzard, hyperrealistic, ultra-detailed, shot on 70mm IMAX film, National Geographic expedition style --ar 2:3 --v 6 --stylize 32 --q 2