A sample prompt of what you can find in this page
Prompt by Selfishreasons

Tangled prompts

hundreds of results

8 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

4 months ago

Highly stylized fashion photo from Annie Leibovitz. The image is a thin Hawaiian woman with long, curly, dark brown to black hair that cascades down her back and shoulders. The background is a desolate, grey, cityscape. She stands at the edge of a destroyed bridge. Massive chunks of concrete hang over the river below, cables snapped and tangled. She's clutching a frayed map, her brow furrowed in frustration. The distant skyline is barely visible through thick smoke and rain. She is wearing a traditional outfit. The top is a red, strapless bandeau style with intricate patterns in darker red and white, resembling tribal or woven designs. Around her neck, she wears a beaded necklace with small white beads and a prominent blue-turquoise pendant with a unique, textured design. Her lower garment appears to be a skirt made of natural fibers, possibly straw or woven leaves, featuring a light beige or cream color. The skirt has layered sections, with decorative elements such as woven patterns, cutouts, and some yellow or gold floral designs. A red sash or piece of fabric is tied around her waist over the skirt. The skirt extends roughly to her knees and has a natural, fringe-like hem. She is barefoot, and her body posture shows her with hands on her hips, conveying a sense of confidence and readiness. The overall impression is that of a strong, resourceful, and culturally distinct individual. 1. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. This would involve increasing specular highlights and potentially adding small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. This could be achieved through dodge and burn techniques (selectively lightening highlights), adding a subtle glint or sparkle effect, or enhancing existing reflections. 2. **Contrast Boost (Selective):** There's a strong, perhaps localized, contrast applied that makes the highlights pop significantly, especially on the wet skin, while maintaining deep shadows that hint at form and muscle definition. This isn't a global contrast applied to the whole image, as the background remains relatively soft. 3. **Color Saturation (Warm Tones):** The skin tones appear richly saturated and warm, enhancing the natural warmth of the subject's complexion. This might involve a slight increase in overall saturation, particularly in reds and yellows, or a selective saturation boost to the skin tones. 4. **Shadow Deepening:** The shadows, particularly on the body and the background, are quite deep and consistent, creating a dramatic and somewhat intimate mood. This would involve lowering shadow levels and possibly adding a subtle crush to the blacks to make them darker without losing too much detail. 5. **Reflective Catchlight Enhancement (Eyes):** The catchlights in the subject's eyes are very bright and distinct, making the eyes stand out. This could be achieved by selectively dodging or brightening the existing reflections in the pupils. 6. **Subtle Vignetting (Implied):** While not overtly obvious, there might be a very subtle darkening around the edges of the image, helping to draw attention to the central subject. This would be a soft vignetting effect. 7. **Clarity/Texture Enhancement (Skin, Subtle):** While the skin appears smooth due to the wetness, there's a subtle enhancement of texture in areas that aren't fully blown out by highlights, which could be achieved through a slight increase in clarity or micro-contrast. 8. **Overall Warm Color Grade:** Beyond simple saturation, there might be a subtle warm color grade applied to the entire image, leaning towards warmer greens in the background and warm browns in the skin.

7 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

8 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

4 months ago

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

26 days ago

A hyper-realistic cinematic horror scene of a terrified female archaeologist running for her life through a dense, rain-drenched jungle at night. She wears a soaked explorer’s outfit — tan shirt ripped and muddy, utility belt with small excavation tools, boots splattered with dirt — her expression full of fear and desperation. She is clutching a small ancient artifact that glows faintly with eerie golden light, contrasting the cold, blue-gray tones of the night. Behind her, an enormous horde of hundreds of rotting zombies surges forward through the mud and vegetation, their decayed bodies illuminated by flashes of lightning and faint moonlight filtering through the treetops. Their eyes glow faintly, their mouths open in silent screams, dripping with blood and rainwater. The jungle is dense, wet, and chaotic — towering tropical trees, tangled vines, thick fog, and puddles reflecting the stormy sky. The air is filled with mist and the pounding of rain, giving everything a heavy, suffocating atmosphere. In the distance, half-hidden by vines and shadows, the outline of an ancient stone temple ruin looms ominously, its carvings eroded and glowing faintly under the lightning. The scene is cinematic, dark, and full of motion — rain splashing, mud flying, the woman’s hair whipping in the wind as she runs in terror. Lighting & Style: dramatic, high-contrast lighting with cold blue and green tones, accented by warm flashes from lightning; cinematic composition, ultra-detailed textures, wet surfaces, realistic skin reflections, and atmospheric depth of field. Mood & Theme: terrifying, hopeless, adrenaline-filled horror; a sense of ancient evil awakening, survival against impossible odds. Rendering Style: ultra-realistic, photorealism, 8K resolution, volumetric lighting, motion blur, shallow depth of field, realistic rain simulation, cinematic realism. Keywords: horror, cinematic, dark realism, jungle ruins, night storm, undead horde, female archaeologist, terror, blood, fog, rain, decay, apocalypse, survival, ultra detail, terrifying mood, atmospheric horror, realistic lighting, dramatic scene, movie still.