The window frame is clearly visible prompts

9 months ago

polaroid, Brutalist high Fashion close up on face photo of a 24 year old Macedonian-Keralite female exotic beauty with Curious wonder expression. Her body is Chiseled triceps with smooth, firm skin, toned muscles, abs, small breast, flat chest. She has Oily skin with a glossy appearance, especially around the T-zone. The skin pores and texture are clearly visible and in focus. Her Narrow teardrop eyes, Warm, sunset orange eyes, framed by long, elegant eyelashes. Her haircut is Curly bob with face-framing layers. Her haircolor is Blue hair. Her eyebrows are Mini arch shaped, complementing her delicate facial features. Her outfit is Stark angular cut crop top, midriff, Exposed structural support trousers, She poses in She poses with one foot on a low wall, leaning slightly forward with hands on her knees, creating a dynamic and engaging stance.. in the background Concrete rooftops with minimalist designs, lights Sunlight slicing through narrow windows in the style of Steven Meisel

3 months ago

event photography, deconstucivist Fashion waist up photo of a 24 year old Fang-Bodo female boho chic beauty with Feral rage expression. Her body is Sculpted collarbones with visible muscle definition, toned muscles, abs, small breast, flat chest. She has Oily skin with a glossy appearance, especially around the T-zone. The skin pores and texture are clearly visible and in focus. Her Wide teardrop eyes, Gleaming, dark sapphire eyes, framed by long, elegant eyelashes. Her eyebrows are Rounded arch shaped, complementing her delicate facial features. Cropped, asymmetric bomber jackets, midriff, Two-tone joggers with asymmetrical zippers, Foot resting on a bike pedal , rule of thirds, in the background Distorted glass windows in a modern skyscraper, in the style of Gus Van Sant

7 months ago

I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure with an observation deck at the top, and it’s positioned far away from me, beyond the window, creating a sense of depth in the scene. The tower is distant enough to be a subtle part of the overall view, adding to the peaceful, calm atmosphere of the room. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure, with a wide, round observation deck at the top, resembling a saucer. The body of the tower tapers as it rises and has a sleek, modern appearance with a distinctive design. The tower is lit at night, but in the morning light, it’s a darker silhouette against the horizon. The tower is positioned far away from me, beyond the window, creating a sense of depth in the scene. It should appear small and distant, but its unique shape, with the round observation deck, makes it recognizable even from this distance. The tower is not a central focus of the scene, but serves as a distant and peaceful backdrop. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

7 months ago

POV first-person, I am standing in my kitchen, holding a cup of coffee. Only my hands are visible in the frame. My fingers, stronger and more masculine, grip the cup firmly as I take a sip, feeling the warmth of the coffee in my hand. The soft morning light filters through a nearby window, casting a warm glow on the kitchen countertop. In the sink area, five dirty plates are stacked haphazardly on top of each other, clearly visible in the frame. They’re disorganized, leaning slightly, and the remnants of food on them are obvious. Small bits of leftover food cling to the plates — a mix of dried sauce, bits of bread, and crumbs. Some plates show signs of sticky food that hasn’t been cleaned off yet. The sink looks like it’s waiting to be tackled, but for now, the mess remains untouched. The coffee maker sits quietly in the background, and a small piece of chocolate rests on the counter beside the cup. The contrast between the peaceful moment of sipping coffee and the unwashed dishes creates an authentic snapshot of a simple, imperfect morning. Details: Only my hands, more masculine in appearance, visible in the frame, holding the coffee cup. The kitchen has natural wooden cabinets, simple, with soft light from the window. In the sink, five dirty plates stacked on top of each other, disorganized. The plates show clear remnants of food — bits of sauce, crumbs, and sticky leftovers. The coffee maker and a piece of chocolate rest on the counter.

19 days ago

A photorealistic selfie-style image of a stunning 28-year-old woman with glowing skin, long wavy hair, and a curvaceous figure, taken directly through her phone’s camera. She is sitting on the edge of a luxurious bed, wearing a loosely tied silk robe. She holds the phone in one hand, staring confidently, with her face and upper body clearly visible in the frame. The background is softly blurred, showing a plush bed, fur throw blanket, and warm golden lighting, with a realistic reflection of her phone screen glow on her face. Ultra-detailed textures, natural lighting on her face reflected from a window, giving her a soft beautiful glow with reflections in her eyes, and hair highlights, in high-definition realism rendered in 4K resolution.

5 months ago

landscape photography, Lithuanian Fitness girl Fashion close up on face photo of a 24-year female confident CEO with Challenging head tilt expression. Her body is Visible ribcage with smooth skin and defined muscles, muscles, abs, small breast, flat chest. She has skin that has a natural glow, especially after a day in the sun. The skin pores and texture are clearly visible and in focus. Her Large pill-shaped eyes, Clear, honey eyes, framed by long, elegant eyelashes. Her haircut is Dutch braids; hair color is blond. Her eyebrows are Sculpted brows shaped, complementing her delicate facial features. She is dressed in silver tight thin transparent leotard; she is posed on the left side in the frame by the rule of thirds She poses Victory pose. in the background Hogwarts Great Hall, lights Light box the model is lighted with soft natural lighting in the style of Jurgita Jurkute, green/gray eyes, very beautiful face, sweet eyes, full body, tall, very slim waist, little breast, smile. high quality photo. "A image of stunning young adult smiling woman and striking grey eyes. She has a slim yet curvy, sweet smile, and standing in front of the window.

2 months ago

candid, High Fashion close up on face photo of a 24 year old Taiwanese-Tibetan female curvy bombshell with a warm and inviting expression. She has Fair skin with a slight flush on the cheeks, naturally sensitive to sunlight. The skin pores and texture are clearly visible and in focus. Her Arrowhead eyes, Soft, muted brown eyes, framed by long, elegant eyelashes. Her haircut is Layered cut with "stained glass" color effect. Her eyebrows are neatly Groomed and curved shape, complementing her delicate facial features. Her body is Chiseled triceps with a gentle, defined curve, small breast, toned abs. She wears Chaotically mismatched sleeve length jacket, midriff, Abstracted aurora borealis print trousers. She is posed in the image frame on the left side by the rule of thirds. She poses in . The background is Abandoned factory with broken windows and tangled machinery, lights Blue hour lighting with a cool, serene feel. The model is lighted with soft natural lighting in the style of Gus Van Sant

7 months ago

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome grayscale tones with no color grading, no blue skies. Include a clearly visible yet subtle, muted warm light gently illuminating the interior of the pagoda, softly diffused through the windows or openings to bring a quiet sense of life and presence. Soft pink petals drifting in the air, extremely minimal, serving only as soft atmospheric accents. Bare branches subtly frame the scene on the sides—no full cherry blossom trees, and no foliage obscuring the pagoda. Moody ink-wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

7 months ago

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome grayscale tones with no color grading, no blue skies. Include a clearly visible yet subtle, muted warm light gently illuminating the interior of the pagoda, softly diffused through the windows or openings to bring a quiet sense of life and presence. Soft pink petals drifting in the air, extremely minimal, serving only as soft atmospheric accents. Bare branches subtly frame the scene on the sides—no full cherry blossom trees, and no foliage obscuring the pagoda. Moody ink-wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

7 months ago

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome grayscale tones with no color grading, no blue skies. Include a clearly visible yet subtle, muted warm light gently illuminating the interior of the pagoda, softly diffused through the windows or openings to bring a quiet sense of life and presence. Soft pink petals drifting in the air, extremely minimal, serving only as soft atmospheric accents. Bare branches subtly frame the scene on the sides—no full cherry blossom trees, and no foliage obscuring the pagoda. Moody ink-wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

7 months ago

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome grayscale tones with no color grading, no blue skies. Include a clearly visible yet subtle, muted warm light gently illuminating the interior of the pagoda, softly diffused through the windows or openings to bring a quiet sense of life and presence. Soft pink petals drifting in the air, extremely minimal, serving only as soft atmospheric accents. Bare branches subtly frame the scene on the sides—no full cherry blossom trees, and no foliage obscuring the pagoda. Moody ink-wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

7 months ago

Traditional Japanese pagoda standing tall in a foggy mountain valley, centered mid-range view. Dense mist surrounds the base and rolls through the distant layered hills. Entire scene rendered in monochrome grayscale tones with no color grading, no blue skies. Include a clearly visible yet subtle, muted warm light gently illuminating the interior of the pagoda, softly diffused through the windows or openings to bring a quiet sense of life and presence. Soft pink petals drifting in the air, extremely minimal, serving only as soft atmospheric accents. Bare branches subtly frame the scene on the sides—no full cherry blossom trees, and no foliage obscuring the pagoda. Moody ink-wash aesthetic, inspired by Ghost of Tsushima, cinematic yet understated. High detail in pagoda structure, gentle shadows, calm, and mysterious tone. Minimalist, peaceful composition with deep atmosphere and silence.

8 months ago

The image depicts a whimsical scene featuring a small house with an unusual design. The house is covered in bright yellow fur or feathers, giving it a fantastical appearance. It has a round window and a door, both framed by the same yellow material. The roof appears to be made of the same texture, contributing to its cozy yet surreal look. Surrounding the house are tall trees with dense foliage that also exhibit a vibrant yellow hue, enhancing the overall color scheme of the image. In front of the house, there's a wooden fence painted white, which contrasts with the vivid colors of the surroundings. A body of water, likely a pond or lake, is visible at the bottom of the image. The water reflects the yellow tones of the house and trees, creating a mirror-like effect that adds depth to the scene. The sky above is clear and blue, providing a serene backdrop to this imaginative setting. Overall, the image combines elements of nature with a touch of fantasy, resulting in a visually striking and dreamlike composition.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.