Asymmetrical position Prompts

PROMPT: POSE "LYING SIDE-TWIST LOOK-BACK" Positive Prompt: (Camera & Perspective) A medium shot captured from a slightly low rear-side angle, looking towards the subject resting on a piece of furniture. The focus emphasizes the curvature of the lower back and hips. (Pose Orientation) The subject is lying down on their left side (lateral decubitus position) on a soft surface like a sofa. The pose involves a distinct twisting of the spine: the hips are stacked sideways, perpendicular to the surface, while the upper torso is rotated slightly downwards towards the front. (Back & Lower Body Action) There is a noticeable arch in the lower back (lordosis), emphasizing the projection of the gluteal muscles which are prominent from this camera perspective. (Leg Position) The legs are positioned asymmetrically. The bottom (left) leg is bent forward comfortably at the knee, resting on the surface. The top (right) leg is extended straight back behind the hip line, also resting on the surface. (Upper Body & Head Interaction) The right arm is extended backward along the side of the torso, with the right hand resting naturally on the upper hip or glute area. The head is turned back over the right shoulder, with the gaze directed at the camera and a gentle expression. Negative Prompt: lying flat on stomach (prone), lying flat on back (supine), sitting upright, standing, kneeling, straight spine without twist, rigid pose, looking away from camera, legs together, both legs bent tightly, obscuring face.

PROMPT: POSE "LYING SIDE-TWIST LOOK-BACK" Positive Prompt: (Camera & Perspective) A medium shot captured from a slightly low rear-side angle, looking towards the subject resting on a piece of furniture. The focus emphasizes the curvature of the lower back and hips. (Pose Orientation) The subject is lying down on their left side (lateral decubitus position) on a soft surface like a sofa. The pose involves a distinct twisting of the spine: the hips are stacked sideways, perpendicular to the surface, while the upper torso is rotated slightly downwards towards the front. (Back & Lower Body Action) There is a noticeable arch in the lower back (lordosis), emphasizing the projection of the gluteal muscles which are prominent from this camera perspective. (Leg Position) The legs are positioned asymmetrically. The bottom (left) leg is bent forward comfortably at the knee, resting on the surface. The top (right) leg is extended straight back behind the hip line, also resting on the surface. (Upper Body & Head Interaction) The right arm is extended backward along the side of the torso, with the right hand resting naturally on the upper hip or glute area. The head is turned back over the right shoulder, with the gaze directed at the camera and a gentle expression. Negative Prompt: lying flat on stomach (prone), lying flat on back (supine), sitting upright, standing, kneeling, straight spine without twist, rigid pose, looking away from camera, legs together, both legs bent tightly, obscuring face.

PROMPT: POSE "LYING SIDE-TWIST LOOK-BACK" Positive Prompt: (Camera & Perspective) A medium shot captured from a slightly low rear-side angle, looking towards the subject resting on a piece of furniture. The focus emphasizes the curvature of the lower back and hips. (Pose Orientation) The subject is lying down on their left side (lateral decubitus position) on a soft surface like a sofa. The pose involves a distinct twisting of the spine: the hips are stacked sideways, perpendicular to the surface, while the upper torso is rotated slightly downwards towards the front. (Back & Lower Body Action) There is a noticeable arch in the lower back (lordosis), emphasizing the projection of the gluteal muscles which are prominent from this camera perspective. (Leg Position) The legs are positioned asymmetrically. The bottom (left) leg is bent forward comfortably at the knee, resting on the surface. The top (right) leg is extended straight back behind the hip line, also resting on the surface. (Upper Body & Head Interaction) The right arm is extended backward along the side of the torso, with the right hand resting naturally on the upper hip or glute area. The head is turned back over the right shoulder, with the gaze directed at the camera and a gentle expression. Negative Prompt: lying flat on stomach (prone), lying flat on back (supine), sitting upright, standing, kneeling, straight spine without twist, rigid pose, looking away from camera, legs together, both legs bent tightly, obscuring face.

PROMPT: POSE "LYING SIDE-TWIST LOOK-BACK" Positive Prompt: (Camera & Perspective) A medium shot captured from a slightly low rear-side angle, looking towards the subject resting on a piece of furniture. The focus emphasizes the curvature of the lower back and hips. (Pose Orientation) The subject is lying down on their left side (lateral decubitus position) on a soft surface like a sofa. The pose involves a distinct twisting of the spine: the hips are stacked sideways, perpendicular to the surface, while the upper torso is rotated slightly downwards towards the front. (Back & Lower Body Action) There is a noticeable arch in the lower back (lordosis), emphasizing the projection of the gluteal muscles which are prominent from this camera perspective. (Leg Position) The legs are positioned asymmetrically. The bottom (left) leg is bent forward comfortably at the knee, resting on the surface. The top (right) leg is extended straight back behind the hip line, also resting on the surface. (Upper Body & Head Interaction) The right arm is extended backward along the side of the torso, with the right hand resting naturally on the upper hip or glute area. The head is turned back over the right shoulder, with the gaze directed at the camera and a gentle expression. Negative Prompt: lying flat on stomach (prone), lying flat on back (supine), sitting upright, standing, kneeling, straight spine without twist, rigid pose, looking away from camera, legs together, both legs bent tightly, obscuring face.

180 degree pan of a concept car, asymmetrical wheels, asymmetrical sides, both sides match

make a side position

180 degree pan of a concept car, asymmetrical wheels, asymmetrical sides, both sides match

the face of a female ballet dancer, in the style of asymmetrical balance, light black and navy, dynamic pose, pop inspo, stercore, calculated --ar 69:128 --s 750 --v 5.2

i need some pose in the middle of the side and perspective pose.

The image presents a stylized digital illustration of Belle from Disney's "Beauty and the Beast," reimagined as a pole dancer with an exaggeratedly curvaceous physique. Her long brown hair is styled into elegant waves that cascade over her shoulders and down her back, secured by a bright blue bow tied at the nape of her neck—a vibrant accent against the dark backdrop. The texture of her hair appears smooth yet slightly voluminous due to natural curling, catching subtle glimmers under the focused illumination. She wears a form-fitting, glossy royal-blue one-piece bodysuit made of what looks like high-quality latex or vinyl, its tight silhouette emphasizing her curves while reflecting ambient light along the contours of her torso. Her legs are elongated through sheer white tights, which appear almost transparent beneath the translucent heels; these shoes feature thick stiletto platforms and silvered soles, their reflective surfaces mirroring the warm glow emanating from below. A single foot rests on the polished chrome pole—its metallic sheen gleaming brightly—and another hand grips it firmly for balance. One leg extends upward, bent at the knee, showcasing well-defined muscle tone and graceful joint movement typical of dance poses. Light plays across her thighs and lower abdomen, creating luminous gradients where shadows deepen toward her hips. She stands atop a circular platform illuminated from within, casting minimal but distinct shadows around her feet and supporting structure. This glowing base contrasts sharply with the deep black background, drawing all attention directly onto her figure. From above, the viewer sees her face turned partially towards us—their eyes wide open and expressive, gazing forward with quiet confidence. Soft key lighting originates primarily from behind and above, illuminating the top half of her body more intensely than the bottom portion, producing gentle falloff effects throughout her facial features and clothing folds. There’s a sense of cinematic drama created not only by this directional lighting scheme but also enhanced by shallow focus techniques near the foreground elements such as the pole tip and part of her shoe sole. From a low angle looking up, we observe both symmetry and asymmetrical tension between her pose and positioning—one side leaning gently into the frame, giving way to dynamic motion implied rather than literal action. Negative space dominates much of the canvas, allowing abstract shapes to emerge subtly beyond edges—such as faint specks floating just outside the periphery—which suggest either dust particles suspended mid-air or distant stars drifting slowly overhead. Compositionally, verticality defines the entire scene via the pole stretching vertically upwards alongside her spine, leading viewers' gazes naturally along its length until they reach the apex before descending again. Overall, there’s a deliberate blend of classic animation aesthetics combined with modern pop-art sensibilities, resulting in something visually striking despite being rooted deeply in familiar character design conventions.

make left leg be the same as right leg direction. cimetrical

180 degree pan of a concept car, asymmetrical wheels, asymmetrical sides, both sides match

street photography, Constructivist Fashion high angle photo of a 24-year-old Mandinka-Egyptian female classic Southern belle with Impressed raised eyebrows and widened eyes expression. She has Fair skin with a light flush, especially in cold weather or after exercise. The skin pores and texture are clearly visible and in focus. Her Round eyes, Round, blue eyes, framed by long, elegant eyelashes. Her haircut is Modernist buzz cut with bold geometric patterns, haircolor is Propaganda Red. Her eyebrows are Lifting arch shaped, complementing her delicate facial features. Her body is Sleek, athletic upper chest with firm, natural curves, small breast, toned abs. She is dressed with Paneled hoodie with abstract patterns, midriff, Joggers with large, asymmetrical pockets. She is positioned in Cubist-inspired multi-angle view in single pose on the left side in the frame by the rule of thirds. In the background Facade with intersecting rectangular forms. The scene is lighted Overlapping shadows with strong, defined edges. the model is lighted with soft natural lighting in the style of Sophie Taeuber-Arp

Change her position and make it 9:16

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%) with pronounced hourglass figure: full bust (3rd size, approx. 90-95 cm bust with 70-75 cm underbust, creating a full, shapely chest), defined waist, and curvaceous hips and thighs (slim yet juicy, with well‑shaped legs and calves). The overall silhouette is appetizing and attractive, emphasizing natural curves without excess weight.", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "full bust, narrow waist, rounded hips, shapely thighs and calves", "chest": "full 3rd size bust with natural projection, perky and prominent" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle, with an appetizing hourglass figure, full bust (3rd size), shapely legs and thighs, slim waist.", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "relaxed, confident, with a soft inviting smile, eyes looking directly at the camera", "gaze": "directly at the lens from above, warm and engaging", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "lying on her back on the luxurious red bedding, with one leg bent at the knee (foot flat on the bed) and the other leg extended straight. Her right arm is raised above her head, hand relaxed on the pillow; her left arm rests along her side, hand gently touching her hip or the bedding. The camera is positioned directly above, capturing the entire body from head to toes. Her head is turned slightly toward the camera, gaze directed upwards with a calm, confident expression. The white cotton turtleneck (tight‑fitting, slightly sheer, with a soft sheen from the flash) hugs her curves, emphasizing her full bust and narrow waist. The black 'vgeux' text in Kudry font is embroidered on the left chest area (over the heart), of medium‑small size, clearly visible. White cotton leggings (tight‑fitting, also slightly sheer) accentuate her shapely thighs and calves. The asymmetrical leg position adds visual interest and highlights the curves of the hips and thighs. The red bedding provides a rich, passionate background. The photo is taken at night with soft, diffused studio flash that creates gentle highlights on the fabric and skin, no harsh overexposure, preserving natural skin texture. The image is crisp, modern, and hyperrealistic, with subtle grain for a filmic touch, but no retro camera effects.", "posture": "supine, one knee bent, one arm overhead", "anatomy": { "curves": "full bust (3rd size), narrow waist, rounded hips, shapely thighs and calves", "chest": "full bust with natural projection, accentuated by tight turtleneck", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "White tight‑fitting cotton turtleneck (slightly sheer, with a subtle sheen from the flash), and white tight‑fitting cotton leggings. On the left chest (heart area), the text 'vgeux' is embroidered in black Kudry font, medium‑small size, clearly visible. The turtleneck is high‑necked, long‑sleeved, and hugs the body, highlighting the bust and waist. The leggings are high‑waisted, very tight, accentuating the legs and hips." }, "accessories": "none" }, "environment": { "setting": "Bedroom at night, featuring a large bed covered entirely in rich crimson red bedding (sheets, pillows, maybe a duvet). The bed is made but slightly rumpled, creating a sensual, inviting atmosphere. The background is mostly the red fabric, with possibly a glimpse of a headboard or wall, but focus is on the model.", "background": { "description": "Red bedding (pillows, sheets) in various shades of red, creating a warm, passionate backdrop. Soft shadows and highlights from the flash add depth.", "lighting": "Soft, diffused studio flash (modern) positioned to evenly illuminate the subject from above, creating gentle highlights on the white fabric and skin. No harsh shadows, no overexposure. Slight grain for realistic texture." } }, "lighting_and_atmosphere": { "source": "soft diffused studio flash (modern, high‑quality) from above, mimicking a professional night photoshoot", "quality": "even, soft, with gentle specular highlights on the turtleneck and leggings, preserving skin detail, no greasiness", "effects": [ "soft highlights on fabric and skin", "slight sheen on cotton material", "subtle grain for realism", "deep but soft shadows in folds of bedding" ], "color_cast": "neutral white balanced, with warm undertones from the red bedding", "contrast": "moderate, natural" }, "camera_and_technical": { "perspective": "directly above (bird's‑eye view), capturing the entire body from head to toes, model centered", "camera_position": "mounted on a rig or handheld with stabilizer, modern full‑frame mirrorless camera with a 35mm equivalent lens", "framing": "vertical 9:16, full body, subject centered, red bedding filling the frame", "focus": "sharp on the entire body, shallow depth of field not needed; everything in focus", "visual_fidelity": "high‑resolution, modern digital, hyperrealistic, true‑to‑life colors, subtle film grain for texture, no retro or vintage effects" }, "realism_constraints": { "allowed": [ "soft grain", "natural skin texture", "minor asymmetry", "subtle fabric sheen", "realistic body proportions" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "harsh flash", "overexposed highlights", "greasy skin", "visible ears", "messy hair", "CGI", "3d render", "modern digital perfection", "retro camera effects", "1990s compact camera aesthetic", "vintage filter" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark (other than the intended 'vgeux')", "text on clothing (other than the intended)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital", "1990s", "vintage", "compact camera", "grainy 90s", "harsh flash" ] }

Make side position 90 degree angle but make him not full 90 degree show foot on other side a little bit.

street photography, Constructivist Fashion high angle photo of a 24-year-old Mandinka-Egyptian female classic Southern belle with Impressed raised eyebrows and widened eyes expression. She has Fair skin with a light flush, especially in cold weather or after exercise. The skin pores and texture are clearly visible and in focus. Her Round eyes, Round, blue eyes, framed by long, elegant eyelashes. Her haircut is Modernist buzz cut with bold geometric patterns, haircolor is Propaganda Red. Her eyebrows are Lifting arch shaped, complementing her delicate facial features. Her body is Sleek, athletic upper chest with firm, natural curves, small breast, toned abs. She is dressed with Paneled hoodie with abstract patterns, midriff, Joggers with large, asymmetrical pockets. She is positioned in Cubist-inspired multi-angle view in single pose on the left side in the frame by the rule of thirds. In the background Facade with intersecting rectangular forms. The scene is lighted Overlapping shadows with strong, defined edges. the model is lighted with soft natural lighting in the style of Sophie Taeuber-Arp

make 90s degree side position but not fully. But retain alignment with reference image when it comes to proportions.

Create Side position 90 degree. Side position angle.

90 degree position side.

flip the right leg to phase position like left leg.

create a rear position angle one curter side to the right. Make sure every part follows same direction.

make one quarter perspective angle position from the back.

Moving center, moving,