but it is muted and slightly distorted prompts

6 months ago

A cinematic, realistic fashion portrait of a woman wearing a surrealist outfit inspired by René Magritte and Dadaism. She stands in a quiet, dreamlike city space — old stone walls, soft evening shadows, and a cloudy sky overhead. Her tailored blazer is mid-length and structured, made of muted grey wool. The interior lining subtly shows through at the cuffs: printed with a blue sky and white clouds. On the back of the blazer, a clean green apple print sits above the phrase “Ceci n’est pas un fruit.” The breast pocket is oversized and slightly distorted, shaped like a pipe. Underneath, she wears a pale cream blouse with surreal details: a printed necktie slightly misaligned across her chest, and a faint bowler hat image near the collarbone. One sleeve has a circular cut-out showing cloud fabric underneath. Her high-waisted trousers are charcoal grey, straight-cut, and feature a trompe-l'œil painted mannequin shadow on the leg. Belt loops hover slightly above the waistband, not touching it, creating an optical illusion. One pocket is painted shut, labeled “Form Follows Folly.” She wears minimalist shoes and carries a clutch shaped like a miniature canvas. Her hair is slicked back, and her eyeliner mimics vintage engraving lines. The lighting is soft and moody, highlighting surreal textures and calm tension. 2048x2048.

7 months ago

Create a highly detailed, unprocessed, and realistic photograph of a grotesque, alien-like creature standing in a dimly lit, misty forest at dusk. The creature should have an elongated, distorted face with deep wrinkles and sagging skin, a wide gaping mouth revealing jagged, uneven teeth and a dark, cavernous throat. Its eyes should be large, bulging, and unnaturally pale with a glassy, lifeless stare, set deep into its skull. The skin should appear rough, mottled, and slightly translucent, with visible veins and a sickly grayish-green hue, suggesting decay or otherworldliness. The creature’s body should be emaciated, with protruding bones and sinewy muscles visible beneath the taut skin, covered in sparse, wiry hair. The background should feature blurred trees and a foggy atmosphere, illuminated by a faint, cold blue light, enhancing the eerie and surreal mood. Use natural lighting and textures to maintain a raw, unprocessed photographic quality, avoiding digital artifacts or over-saturation. Focus on hyper-realistic details such as skin pores, dirt smudges, and subtle moisture on the creature’s surface.” Additional Settings (if applicable): • Style: Photorealistic • Resolution: High (e.g., 1080p or higher) • Lighting: Natural, low-key with soft shadows • Color Tone: Cool blues and grays with muted tones • No filters or post-processing effects

6 months ago

A highly realistic tabletop photograph of a conceptual sushi arrangement inspired by the work of Kazimir Malevich. The dish honors Suprematism through the composition of geometric, real-world ingredients — minimalist squares, rectangles, circles, and voids, arranged with stark asymmetry and spatial tension. Each sushi piece is handmade and slightly irregular, referencing Malevich’s abstract forms while remaining firmly in the realm of culinary craft. A single red tuna square placed off-center on a rice block mimics his red square on white A blackened nori rectangle floats beside a small cube of white daikon — contrast and negative space become the design A circle of pickled radish intersects a tamago rectangle, breaking the grid A void space is left intentionally blank between elements on the plate — emphasizing absence as much as presence One piece may be a cube of charcoal-grilled eggplant on rice, evoking the black square — textured, dark, earthy Color Palette: Muted, natural tones with a limited palette: ivory white rice, deep matte black nori, dark red tuna, pale yellow tamago, and light grey or beige plate. No artificial dyes or vibrant garnishes. The composition is more about form and proportion than flavor or ornament. Plate & Table Setting: Served on a matte porcelain square plate with ample negative space. The arrangement follows Suprematist principles — asymmetry, visual imbalance, gravity-defying placement. One piece may be positioned at the extreme corner. The table beneath is dark wood or concrete, referencing Malevich’s material seriousness. Camera View: Overhead or slightly angled — shot like a museum documentation photo, clean and quiet. Slight tilt or perspective distortion is allowed to reflect human error and tension. Lighting: Flat, soft ambient light. No dramatic shadows. Even illumination across all surfaces, mimicking natural daylight in a gallery or quiet kitchen. Surfaces should look honest, not stylized. Material Texture: Fish grain visible, slightly moist Nori uneven at the edges Knife cuts evident in egg and daikon Rice slightly loose and irregular Plate surface has minor scratches or glaze imperfections Mood: Silent, abstract, and cerebral. The image is a culinary still life — not about indulgence, but about pure form, balance, and the tension between presence and void. It should feel like a Suprematist painting you could eat, made by hand, with reverence for structure.

9 months ago

A **dimly lit bedroom at night**, shrouded in an **eerie, unsettling glow** as **moonlight filters through the window**, casting **elongated, warped shadows** across the walls. A **small nightlight flickers weakly**, its feeble glow unable to banish the **darkness that seeps into every corner**, thick with an **unnatural, suffocating dread**. From the **half-open closet**, a pair of **glowing, predatory eyes peer out**, their **unblinking stare filled with malice**. **Elongated, clawed fingers**, impossibly thin and grotesque, **curl around the doorframe**, the very fabric of reality seeming to **twist and distort where they touch**. Beneath the bed, **something slithers**—a presence barely visible **except for its impossibly wide, sharp-toothed grin**, stretching far beyond what should be humanly possible. Its form is **fluid yet unnatural**, shifting with **shadowy tendrils that coil and retract** in the gloom. A **young adult lies frozen in terror**, gripping their **blanket like a lifeline**, their **wide, paralyzed eyes locked on the horrors surrounding them**. Their body is bathed in the **cold, blue-tinted moonlight**, which **flickers unnaturally as though the nightmare itself distorts reality**. The **room appears slightly warped**, as if the very air is **bending under the weight of the nightmare**. The furniture tilts at subtle, impossible angles, and the shadows **move with an unsettling sentience**, creeping ever closer. The **monsters are grotesque yet amorphous**, shifting between **skeletal, insectoid, and abyssal forms**, an **amalgamation of fear given shape**. Their **bodies ripple with an eerie, liquid darkness**, their **faces obscured by shifting voids or twisted, elongated grins**. The **color palette is dominated by deep, muted blues, sickly purples, and spectral grays**, punctuated by the **faint, malevolent glow of spectral eyes and unholy grins**. The **cinematic, atmospheric lighting** enhances the **balance between horror and surrealism**, evoking the **primal fear of what lurks unseen in the night**. Rendered in **ultra-high-definition, hyper-detailed dark fantasy realism**, the composition immerses the viewer in a **waking nightmare**, a place where **fear takes physical form, and the boundary between dream and reality is terrifyingly thin**.