A sample prompt of what you can find in this page
Prompt by Koimbra888

decaying and warped prompts

very few results

8 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

9 months ago

A **dark and twisted Wonderland** unfurls, transformed into a **haunting nightmare** where every corner pulses with malevolent energy. The once whimsical landscape is now warped, twisted, and drenched in an unsettling, nightmarish atmosphere. The ground beneath your feet is cracked, like the skin of some ancient beast, with dark roots curling through the earth like sinister veins, pulsating with an eerie life force. The air is thick with a palpable tension, a heavy weight that presses against your chest. Above, the sky churns in a swirling maelstrom of deep **purple** and **blood-red** hues, the colors constantly shifting, as though the heavens themselves are in torment. These ominous clouds swirl with an unnatural force, casting shifting shadows and strange, ghostly lights that dance across the land below. The air crackles with the whispers of long-forgotten creatures, their voices an unsettling mix of laughter and cries of anguish. The trees, once delicate and enchanting, now writhe in grotesque forms, their gnarled branches twisted into horrific shapes, reaching like skeletal fingers towards the sky. Their leaves are dark, almost black, with sharp edges, resembling jagged claws. Strange, glowing eyes peer out from the darkness between the trees, watching, waiting. The familiar figures of Wonderland are no longer innocent and playful. The **Mad Hatter's** hat is tattered, his grin more menacing than ever, his eyes glowing with madness. The **White Rabbit** scurries past with a twisted, skeletal form, its fur matted and stained, leaving a trail of blood behind it as it vanishes into the shadows. The **Cheshire Cat** grins wider, its smile stretching unnaturally across its face, revealing sharp, jagged teeth, its body flickering in and out of existence like a ghost in the fog. A crooked, decaying mansion looms in the distance, its windows shattered, leaking an eerie greenish light that pulses with each beat of the land's dark heart. The walls of the mansion seem to breathe, expanding and contracting, as if it is alive with some ancient malevolent force. The sound of dripping water echoes through the air, but it’s not water—it's blood, flowing in a slow, rhythmic stream that stains the cracked ground red. In the distance, the sound of distant bells tolls—deep, mournful chimes that reverberate through the land, signifying the passage of time in this nightmarish realm. The landscape seems to pulse and shift, an ever-changing labyrinth of fear, madness, and decay, drawing you deeper into its twisted heart. The entire scene is bathed in an unnatural light, as if the moon itself has been swallowed by the madness of Wonderland, leaving only an unsettling, shifting glow that amplifies the nightmarish nature of this once-innocent world. This is no longer Wonderland. It is a place of horror, a **haunting nightmare** under the oppressive weight of a **swirling purple and blood-red sky**, where the laws of reality have been bent and broken, and only darkness and fear reign.; 8k, intricate detail, photorealistic, realistic light, wide angle

7 months ago

An award-winning oil painting masterpiece of gothic horror, drenched in dread and decay, depicting a deeply disturbing, broken antique doll abandoned in the rotting attic of a long-forgotten house. The doll sits slumped against a crumbling wooden beam, its body shattered in places—one arm missing, porcelain skull cracked wide open to reveal the hollow black within. Jagged fractures run down its face like veins, and from its single remaining eye, a glassy stare glints with unnatural awareness. Its dress, once delicate lace, hangs in tatters—stained with water damage, soot, and something darker. Mold creeps across the fabric in blotches of sickly green and grey. Strands of coarse hair cling to its scalp, damp and matted. A faint trail of something red and dry streaks down its chin, and its grin—half-formed, half-split—is too wide, too human. The room around it is soaked in dampness and decay. The wallpaper peels in curled sheets, revealing blackened, mold-covered boards beneath. The ceiling sags with rot, and rainwater drips slowly from a rusted pipe in the corner, pooling into a warped floorboard that has split open like a wound. The light is minimal—just a faint, sickly greenish glow leaking through a broken window veiled with grime, casting long shadows that twist unnaturally. The palette is dank and heavy—deep, desaturated hues of mildew green, rotting wood brown, ashen grey, and blood-maroon. The brushwork is thick, expressive, and moody, every stroke enhancing the feeling of moist air, silence, and a presence just beyond the frame. The overall effect is suffocating and magnetic—a visual whisper from the darker corners of memory and imagination. A chilling, unforgettable oil masterpiece—where the doll doesn’t just sit, but lingers

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.