A sample prompt of what you can find in this page
Prompt by Selfishreasons

falling water prompts

hundreds of results

4 months ago

Bustling Ancient Roman city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

7 months ago

A cinematic fantasy scene of a colossal sea serpent emerging from the stormy ocean, designed with **hyper-detailed, over-processed textures** for maximum clarity and definition. The serpent's massive body, covered in **intricately scaled, glistening textures**, rises above crashing waves, its **glowing yellow eyes piercing through the mist with enhanced sharpness**. The creature’s open jaws reveal **razor-sharp teeth, each finely detailed**, while ocean spray and mist swirl around it, emphasizing its overwhelming presence. In the foreground, a wooden sailing ship is caught in the storm, its **hyper-detailed hull showing visible planks and ropes**, while the crew reacts in awe and determination. The perspective is from the deck of the ship, looking up at the towering beast. The ocean is dark and turbulent, with **individually refined waves and foam**, intensifying the realism. The sky is filled with heavy storm clouds, and streaks of rain fall in a cinematic composition, enhancing the dramatic tension. **Lightning strikes illuminate the serpent's detailed, textured body**, highlighting the interplay of water, scales, and storm. The scene is rendered with **extreme photorealism, high dynamic range (HDR) lighting, and enhanced clarity**, ensuring that every **scale, wave, and weather effect is sharply defined**. The color palette includes **deep blues, stormy grays, and muted browns**, contrasting against the **ultra-sharp glowing eyes of the serpent**. The composition is **breathtakingly immersive, intensely detailed, and visually striking**, making it one of the most realistic fantasy depictions of a sea serpent encounter ever created.

4 months ago

Bustling Ancient Roman city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

In the heart of a mystical desert, there lies a magical oasis where the sands of time swirl with enchantment. At the center of this captivating scene stands Jasmine, a powerful desert sorceress whose presence commands the very elements around her. Her long, flowing black hair cascades down her back, adorned with delicate braids that shimmer with golden threads, making her instantly recognizable amidst the dunes. Her eyes, a striking shade of emerald green, glow with an otherworldly light as she channels her arcane powers. Jasmine is dressed in elegant, flowing robes that dance with the desert winds, their fabric a rich tapestry of deep blues and purples, embroidered with intricate patterns that tell ancient tales of magic and mystery. Beneath her robes, she wears a form-fitting bodysuit, revealing glimpses of her journey through the sands, adorned with protective runes that pulse softly with her every movement. Her hands, adorned with ornate, golden bracelets, weave intricate patterns in the air as she casts her spells, summoning swirls of sand and gusts of wind that shape the very landscape around her. The oasis itself is a sight to behold, with crystalline waters that reflect the golden hues of the setting sun. Palm trees sway gently, their fronds rustling secrets of the desert, while vibrant flowers bloom in impossible colors, their petals infused with the magic that Jasmine wields. The sands around her form mesmerizing patterns, rising and falling like waves in an ocean of gold. In the distance, ancient ruins peek through the dunes, their stones etched with forgotten spells and symbols of a time long past. This is a place where magic and nature intertwine, and Jasmine, the desert sorceress, stands as its guardian and master.

6 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

6 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

6 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.