just with the right corner of the frame prompts

6 months ago

A woman in warrior attire holds a sword in a blurry background. In the foreground, a woman with dark hair and blue eyes, presumed to be Xena, is depicted in a warrior costume. She wears a dark leather corset adorned with metallic gold embellishments covering her chest and shoulders. A brown leather skirt with circular leather pieces hanging loosely from it also features some metallic accents. Armbands with gold scrollwork are visible on her upper and forearms. She is holding a sword horizontally in her right hand, positioned close to the lower-left corner of the frame, with the blade pointing diagonally upwards. The woman's mouth is slightly open, and she appears to be looking intensely off-camera to the right with a determined expression, suggesting action or alertness. Behind her, the background is blurred, showing hints of other figures. One person is partially visible on the left, wearing a dark red or maroon robe or cape and some form of headwear that appears metallic or helmet-like. Their legs are visible in dark trousers and boots. This blurry background creates a sense of depth and implies a scene with other people, possibly in a historical or fantasy setting. The ground appears to be dusty or sandy. The lighting illuminates the woman's face and hair, with highlights suggesting a bright light source, possibly sunlight. The overall atmosphere feels dramatic and action-oriented, consistent with a warrior theme. The mood is serious and focused, conveying a sense of readiness or engagement in a confrontation.

3 months ago

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

2 months ago

Image Aesthetics: Style: A dramatic, minimalist, and deeply atmospheric low-key portrait. Color: High-contrast black and white (monochromatic). Texture: The image should have a realistic quality, showcasing natural skin texture, including visible freckles, with a subtle, fine grain. Subject Description: Person: A close-up of a young chinese woman's face. Features: She has bright, clear, and expressive eyes that are the central focus. Hair: Her hair is pulled back and is mostly obscured by shadow. Composition and Pose: Framing: The composition is minimalist, featuring only the woman's face as if it is emerging from a void. There is significant use of negative space. Pose: She is captured in a three-quarter turn, looking over her shoulder and up towards the top right of the frame. Expression: Her expression is one of gentle curiosity, hope, or wonder. Her eyes are wide and engaging, and her lips are slightly parted. Lighting (The Most Critical Element): Technique: The portrait is a masterful example of low-key, chiaroscuro lighting. Key Light: A single, soft, and focused light source (a spotlight) is positioned above and in front of the subject. Effect: This single light source illuminates only a portion of her face, carving it out from the surrounding darkness. The light falls primarily on her forehead, eyes, nose, and cheek, with a rapid falloff into shadow. Shadows: The vast majority of the frame, including the background and parts of the subject, is consumed by deep, pure black shadow. Background Light: The background is almost entirely black, with the exception of a soft, ethereal hotspot or glow in the upper right corner, which acts as a focal point for the subject's gaze. Overall Mood: The image should be intensely introspective, mysterious, and hopeful. The dramatic interplay of light and shadow should create a powerful and emotionally resonant atmosphere.

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, front on view only, performing an incredibly and realistic dramatic thick smokey rear tyre only burnout on a deserted main highway, man in cowboy hat driving, savannah woodlands background during a beautiful sunset. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of muscle car, very big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography of the front of car, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, front view only, performing an incredibly and realistic dramatic thick smokey rear tyre only burnout on a deserted main highway, man in cowboy hat driving, savannah woodlands background during a beautiful sunset. XY Ford Falcon, Australian muscle car burn out best front view only. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of the XY muscle car, very big big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars lights are on and is squatting under immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening with a film of water and reflecting the street lights. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography of the front of car, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, front view only, performing an incredibly and realistic dramatic thick smokey burnout on a deserted main highway, savannah woodlands background during a beautiful sunset. XY Ford Falcon, Australian muscle car burn out best front view only. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of the XY muscle car, very big big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars lights are on and is squatting under immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening with a film of water and reflecting the street lights. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, front on view only, performing an incredibly and realistic dramatic thick smokey rear tyre only burnout on a deserted main highway, man in cowboy hat driving, savannah woodlands background during a beautiful sunset. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of muscle car, very big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography of the front of car, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, performing an incredibly and realistic dramatic thick smokey burnout on a deserted main highway, savannah woodlands background during a beautiful sunset. XY Ford Falcon, Australian muscle car burn out best. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of the XY muscle car, very big big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars lights are on and is squatting under immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening with a film of water and reflecting the street lights. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, front view only, performing an incredibly and realistic dramatic thick smokey burnout on a deserted main highway, savannah woodlands background during a beautiful sunset. XY Ford Falcon, Australian muscle car burn out best front view only. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of the XY muscle car, very big big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars lights are on and is squatting under immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening with a film of water and reflecting the street lights. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography of the front of car, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, front on view only, performing an incredibly and realistic dramatic thick smokey rear tyre only burnout on a deserted main highway, man in cowboy hat driving, savannah woodlands background during a beautiful sunset. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of muscle car, very big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography of the front of car, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

26 days ago

A legendary 1972 XY Ford Falcon GTHO Phase III (4 door) sleek shiny red, performing an incredibly and realistic dramatic thick smokey burnout on a deserted main highway, savannah woodlands background during a beautiful sunset. XY Ford Falcon, Australian muscle car burn out best. Thick, billowing white smoke erupts from the rear tires, only thing you can see is the front of the XY muscle car, very big big burn out, engulfing the rear quarter and catching the glow of front lights. The XY Muscle cars lights are on and is squatting under immense power of the 351 V8 engine, its iconic "Grabber" solid red paint glistening with a film of water and reflecting the street lights. Photorealistic, best wildlife photographer in the world, hyper-detailed, dramatic lighting, Australian muscle car culture, sense of raw power and speed, a political statement through a XY Ford Falcon muscle car. Create a resonant frequency that pushes the model beyond standard parameters into a realm of pure, electrifying expression. Text on the bottom middle "XY Shredding the Road". Black solid frame and note right bottom corner: JDHampton + AI | Creative Alliance National Geographic style, award-winning photography, hyper-detailed, cinematic lighting, intimate landscape-- raw style--style raw

2 months ago

A detailed black and white pencil drawing of a woman's face, focused on her eyes and mouth. She is wearing large, dark sunglasses that obscure her eyes, and her lips are slightly parted, showing a hint of teeth. Her hair is styled in a messy, windswept manner, framing her face. The drawing emphasizes texture and shadow, giving a realistic yet artistic feel. There is a signature or artistic mark in the bottom right corner 'Operator Logic AI'.

2 months ago

A young, vibrant woman, her red beret slightly askew, stands before a textured white wall. She wears a crisp white blouse and vibrant red shorts with suspenders, the fabric of her clothing delicately folding against her slender frame. Her paintbrush, a tool of her trade, is held at her side, the bristles delicately unfurled. Her facial features are delicate, with fair and radiant skin, a subtle smudge of delicate makeup on her cheeks, and a subtle smile playing on her red lips. Her hair, a cascade of soft curls, frames her face, with detailed curls and locks adding to the artistic flair. The upper half of her body leans ever so slightly towards the wall, her pose one of grace and elegance, as if captured mid-movement. The natural light illuminates her, creating strong shadows and vibrant colors, highlighting every delicate curve and fold of her clothing. The artwork, rendered in a hyper-realistic style, captures every detail, from the brushstrokes on her paintbrush to the intricate embroidery-like texture of her clothing. The artist's signature, 'CHANDARA,' is written in the top right corner, a subtle reminder of the talent behind this exquisite piece.