A sample prompt of what you can find in this page
Prompt by ElectricL

one in orange prompts

hundreds of results

5 months ago

This is a majestic and highly detailed fantasy portrait that depicts an intimate and powerful bond between a regal japanese woman and a formidable iron-rusted dragon. The scene is set in a cool, wintry landscape, creating a stunning contrast between the cold environment and the warmth of the connection between the two figures. The artwork has a hyper-realistic yet stylized quality, blending elements of high fantasy, royalty, and nature. The Regal Woman: The woman is the central human figure, exuding an aura of grace, power, and serene beauty. Face and Makeup: She has fair, almost porcelain-like skin and delicate East Asian features. Her makeup is immaculate, with sharply defined, winged eyeliner, a subtle smoky eyeshadow in reddish tones, and a soft blush. Her lips are a rich, matte red. Her expression is calm and confident as she gazes directly at the viewer. Headdress: Her most striking feature is an elaborate headdress. It has an intricate, crystalline tiara made of silver or platinum, studded with glittering red gemstones. Gown and Jewelry: She is dressed in an opulent gown of a rich scarlet satin. The dress is exquisitely detailed with a high, ruffled collar, voluminous puffed sleeves, and layers of fabric. It is adorned with delicate, sparkling silver embellishments that resemble crystallized snowflakes, tying her attire to the wintery setting. Her jewelry is equally ornate, including long, dangling chandelier earrings and a matching high-necked necklace, all crafted from the same silver and gemstone materials as her tiara. On her right hand, which gently touches the dragon, she wears a silver ring. The Majestic Dragon: Positioned closely beside the woman is a massive and powerful dragon, likely a Western type in appearance. Appearance: The dragon is rendered in incredible detail, with a hide of deep, iron-rusted scales that have a rugged, armor-like texture. Sharp, formidable horns and spines run along the crest of its head. Eye and Expression: Its visible eye is a focal point, glowing with an inner light. The iris is a fiery orange-yellow with a slitted reptilian pupil, suggesting ancient wisdom and intelligence. Despite its fearsome appearance, the dragon's posture is one of calm and affection, leaning its massive head into the woman's gentle touch. It appears to be her guardian, companion, and confidant. Setting and Atmosphere: The figures are situated in a snowy, mystical forest. Environment: The background is softly blurred, creating a shallow depth of field that keeps the focus entirely on the woman and dragon. The ground is covered in white snow, and the dark, indistinct shapes of trees can be seen behind them. Lighting and Color Palette: The scene is bathed in a cool, blue-toned light, characteristic of twilight or an overcast day in winter. This cool palette is beautifully contrasted by the vibrant purple of the gown, the deep green of the dragon, the warm pink of the lotus, and the fiery glow of the dragon's eye. The overall mood is one of quiet magic, strength, and serene harmony.

kumera
6 140

6 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

ElectricL
6 340

8 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

ElectricL
5 220

8 months ago

"The Colossus Beneath the Desert" – (Primary Subject: Titanic Buried Giant Stirring Beneath Sand Dunes, 1.7 weight) — deep in an endless, wind-scoured desert, a vast ancient colossus lies half-submerged beneath dunes of golden sand, its face cracked and weathered, sculpted from stone and bone. One glowing eye now flickers to life for the first time in ten thousand years, casting a pillar of blue light through the dust-choked sky. It is waking. The scale is impossible—ridges of sand ripple for miles outward with each breath it takes. What appears to be mountains on the horizon are the curved tips of its buried fingers, slowly flexing. Its ribs form deep canyons, home to temples built by forgotten civilizations who once worshipped it as god, jailer, and weapon. Above it, a caravan of nomads has stopped. Their camels rear back in fear. The elders whisper old songs once thought metaphor. A solitary figure in ceremonial robes walks toward the eye, chanting in forgotten tongues, holding a staff that glows faintly in resonance. This is not a confrontation. It is a negotiation. The sky roils with duststorms, lit orange and violet by the setting sun. Shadows stretch long across the sand, wrapping the moment in mythic stillness. Massive stone anklets and rune-bound chains anchor the colossus deep below—their glyphs eroded, weakened. A sandstorm gathers behind it, as if the world resists its rising. Its skin is made of layered strata and fossilized memory, carved with glowing runes that flicker like fault lines. When it exhales, the wind shifts continents. Its breath is heavy with salt, iron, and ancient sound. The desert listens. Rendered in epic cinematic realism, with sweeping scale, warm atmospheric tones, and deep contrast between golden sand, cold stone, and glowing eyes. Shot through a dusty anamorphic lens, grain visible in the low sun, with volumetric light shafts and wide mythic framing. Think Dune x Dark Souls x ancient Mesopotamian apocalypse (monumental visual drama, 1.4 weight).

ElectricL
4 140

7 months ago

Using the attached image, regenerate an image in the same style as this one. But with the following description: You need to draw a mille-fleurs tapestry of The Lady and the Unicorn, woven after 1515 but destroyed in Boussac in 1845. George Sand gives a rather brief description. "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the setting and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide, with a backrest that stops at the lady's shoulders. The figurines of a small lion and a small unicorn are carved on the top of the throne's uprights. The drooping tips of the canopy should not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her turban should not be too large. The lion should be the same size as the unicorn. He should be on the left, with all four paws on the ground, standing upright and proud. He has a plumed tail. He is looking to his left (not looking at us). He is sitting on his haunches. He is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind his head. The unicorn is white. He is proudly raising his head. His four paws are on the ground. He is sitting on his haunches. He is looking at the lady. Thank you.

afdd8854f10
4 83