subtle flame effects around hands prompts

8 months ago

A highly realistic, photorealistic image of a dense forest at dusk, illuminated by the soft glow of twilight. A wise sage with long white hair tied in a traditional topknot sits cross-legged on a rocky ground, dressed in a flowing orange robe with intricate folds. His back is to the viewer, and his hands are pressed together in a prayer gesture (Anjali Mudra) at chest level, head slightly lowered in deep meditation. In front of him, a large, blazing bonfire with vivid orange and yellow flames casts a warm, flickering glow on his back and the surroundings, creating a mystical atmosphere. Above the bonfire, a radiant, ethereal figure of Maa Durga emerges, glowing with golden light, her form partially translucent and surrounded by a fiery aura with subtle lightning sparks. Her face is obscured by the intense golden light, exuding divine power and fierce grace. Maa Durga is depicted with eight arms, each holding a different weapon: a shimmering golden trident (Trishul) with intricate engravings in one hand, a sword in another, a conch, a discus, a bow, an arrow, a lotus, and a mace, each weapon glowing faintly with divine energy. She is adorned with flowing red and gold garments that blend into the fiery aura, with a golden crown on her head and a garland of flowers around her neck. At her feet, a majestic lion stands, its mane glowing softly, symbolizing her divine mount. The forest is filled with tall, ancient trees with detailed bark textures, and weathered stone structures are positioned on either side of the fire, adding to the sacred, ancient atmosphere. Soft mist hugs the ground, enhancing the mystical ambiance. The scene features cinematic lens flare effects and soft bokeh circles, with dramatic lighting that contrasts the golden light from the fire and Maa Durga with the darker forest tones. The image is ultra-detailed, with 8K resolution, rich colors, and sharp focus on both the sage and Maa Durga, ensuring a natural and culturally authentic depiction of this divine encounter.

2 months ago

Turn the female 180 degreese around Extreme closeup portrait of a female demon, bathed in a warm, lightHer physique, honed from the fires of the underworld has a ample bosom, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. She is clad in a black and red Latex bodysuit with a snakeskin pattern and bold cutouts that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires. She has a black and gold microphone in her hand. she's floating away on a Catwalk that reach out from the rock music stage background (demone female music players in the back, aduience on left and right side) - glowing ruby overhead strips and black mirror floor, red and blue lights, always camera-right. strides onto the catwalk in a wide full-body frontal shot, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp,