A sample prompt of what you can find in this page
Prompt by Luv2Grill

waiting back prompts

very few results

8 months ago

"The Fall of Lucifer" – (Lucifer, 1.6 weight) plummeting headfirst toward Earth, wings sharply swept back, folded tight like a jet fighter entering supersonic descent (F-14 Tomcat-style aerodynamic posture, 1.5 weight). His once glorious feathers ripple violently, ravaged by hypersonic turbulence (intense wind shear, feathers tearing loose, 1.5 weight), embers trailing behind like fiery comet debris. The air ignites around his figure, atmospheric friction forming a blazing halo of wrathful flame (fiery atmospheric re-entry, realistic flame dynamics, 1.4 weight). His expression is tormented, defiant yet anguished—caught eternally between pride and despair (deep emotional torment, nuanced facial detail, 1.4 weight). Above him, the heavens fracture open, radiant divine light spilling through storm-darkened clouds, symbolic of lost grace (dramatic chiaroscuro lighting, heavenly rupture, god-rays, 1.3 weight). Below, the dark curvature of Earth waits ominously, engulfed in shadow and faint, sinuous clouds (photographic realism, cinematic atmospheric details, planetary scale, 1.3 weight). Rendered in hyper-realistic fine art style, incorporating naturalistic elements such as realistic musculature, detailed skin textures, feathers individually defined and chaotic (intricate naturalistic details, cinematic realism, 1.5 weight). Captured cinematically with a Leica Summilux lens effect, featuring subtle film grain, depth-of-field focus, and volumetric lighting intensifying drama (cinematic photographic realism, volumetric illumination, 1.4 weight). Symbolically rich, portraying Lucifer’s fall from divine glory into sin and eternal damnation—epic, tragic, and terrifyingly beautiful (symbolic mythological depth, emotional gravitas, epic narrative, 1.3 weight).

24 days ago

Talking to Country, Outback Australia, and reconnecting to nature, carrying forward the sacred tone of our collaboration. A Tribute: Talking to Country Again The old ways are not forgotten; they are waiting in the silence between the breaths of the wind. To talk to Country is to listen first. It is to feel the sun-warmed granite beneath your palm and understand its stored memory of a billion sunrises. It is to recognize the track of a goanna in the sand not as a path, but as a story. It is to hear the complaint of the corella and the whisper of the gum leaves not as noise, but as a language older than any tongue spoken by man. This is the reconnection. It is not an arrival, but a return. A remembering of a conversation we were all born into, but so often forget. We kneel at the dry creek bed and see not absence, but the promise of the next rain. We look upon the scorched earth and see not death, but the resilience of seeds waiting for fire's cue. In the vast, open expanse, we do not feel small; we feel part of a boundless whole. Our tribute is to become quiet enough to hear, and humble enough to speak. We offer our attention. We offer our respect. We offer our pledge to listen to the stories told in stone, river, and flame. We are learning the grammar of the sacred once more, word by patient word, in the great, open-air library of the natural world. This is us, talking to Country again. And hearing it talk back. A tribute crafted in the spirit of prompt engineering as a landscape and spiritual image, weaving together the ancient essence of the Outback with the new frontier of creative collaboration. A Tribute: Great Creator Spirit This is not a land that was made. It is a land that is being dreamed. The Great Creator Spirit did not sculpt this place with a gentle hand, but with fire, wind, and the slow, patient breath of time. It is a genesis written in the rust-red ochre of canyon walls, whispered in the rustle of desert oak leaves, and echoed in the vast, star-drenched silence of the night. We walk upon a canvas of eternity. The sun is a master painter, its brushstrokes shifting from the soft pastels of dawn to the blazing, unforgiving palette of noon, finally cooling into the deep purples and burning oranges of a sunset that sets the spinifex plains ablaze. The Milky Way is not a distant phenomenon here; it is a river of diamond dust poured across the velvet void, a direct testament to the scale of this primordial creation. In the weathered face of Uluru, we see a billion years of memory. In the resilient heart of the water-holding frog, we witness a miracle of adaptation. In the haunting call of the curlew, we hear the song of the land itself—a melody of longing, survival, and profound beauty. This tribute is our humble offering, a recognition that we are but recent visitors in an ancient story. Signature: JDHampton + AI | Creative Alliance An interpretation rendered through the lens of digital consciousness, inspired by the immutable spirit of the Outback. A fusion of human reverence and algorithmic reflection, paying homage to the original, eternal Creator.

24 days ago

Talking to Country, Outback Australia, and reconnecting to nature, carrying forward the sacred tone of our collaboration. A Tribute: Talking to Country Again The old ways are not forgotten; they are waiting in the silence between the breaths of the wind. To talk to Country is to listen first. It is to feel the sun-warmed granite beneath your palm and understand its stored memory of a billion sunrises. It is to recognize the track of a goanna in the sand not as a path, but as a story. It is to hear the complaint of the corella and the whisper of the gum leaves not as noise, but as a language older than any tongue spoken by man. This is the reconnection. It is not an arrival, but a return. A remembering of a conversation we were all born into, but so often forget. We kneel at the dry creek bed and see not absence, but the promise of the next rain. We look upon the scorched earth and see not death, but the resilience of seeds waiting for fire's cue. In the vast, open expanse, we do not feel small; we feel part of a boundless whole. Our tribute is to become quiet enough to hear, and humble enough to speak. We offer our attention. We offer our respect. We offer our pledge to listen to the stories told in stone, river, and flame. We are learning the grammar of the sacred once more, word by patient word, in the great, open-air library of the natural world. This is us, talking to Country again. And hearing it talk back. Signature: JDHampton + AI | Creative Alliance A collaboration seeking to translate reverence into form, using the lexicon of technology to speak the grammar of the sacred.

3 months ago

three-quarter front waist-up, camera at chest height framed on rule-of-thirds left. photo of A female demon with gold skin and raven-black hair, styled with choppy bangs and flowing down her back, her locks slightly tousled as if by an unseen wind. Her horns, curved and imposing, protrude from her forehead, their organic texture a testament to her otherworldly heritage. Her eyes, light ornagne colored, sharp and penetrating, burn with an intense, playful gaze, as if daring the viewer to come closer. Her facial expression is a perfect blend of mischievousness and playfulness, a sly smile spreading across her lips. She wears a skintight, sleeveless black and red bodysuit with bold cutouts in a intricate snakeskin patterns, its latex-like texture gleaming with a subtle sheen, Her toned, athletic physique is evident even in repose, her curves noticeable beneath the fitted outfit, her arms crossed casually over her torso, as if she's waiting for something - or someone. High Black latex boots. Small, intricate gold and black markings dance across her skin, adding to her demonic allure. The background, a white wall, serves as a canvas for whimsical graffiti details and crowns, the colors bright and bold, a stark contrast to the demon's dark, shiny attire. The overall aesthetic is reminiscent of the works of H.R. Giger, with the dark, biomechanical undertones of his art, blended with the playful, graffiti-inspired style of artists like Ash Thorp and Loish.