A sample prompt of what you can find in this page
Prompt by ElectricL

with another figure in the background prompts

very few results

8 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

8 months ago

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

8 months ago

Create a breathtaking and evocative double-exposure oil painting that beautifully captures the profound bond between humanity and nature, using the iconic imagery of Gorillas in the Mist. The painting should focus on the rich emotional depth of the gorillas and the lush, mist-covered landscape of the Congo, blending these elements in a way that symbolizes both the mystery of the jungle and the majesty of these endangered creatures. The central figure of the painting should be a majestic gorilla—painted with intricate detail to reflect the animal’s strength, intelligence, and vulnerability. Its face should be filled with quiet intensity, wisdom, and an almost human-like quality, conveying its deep emotional resonance. The gorilla’s eyes should be the focal point, expressive and full of emotion, perhaps suggesting the struggle for survival, a call for preservation, or an understanding of the delicate balance between nature and human interference. The double-exposure effect should allow the environment to emerge within its form, creating a stunning fusion of the animal and its misty, green habitat. The mist itself should flow through the gorilla’s body and face, creating an ethereal atmosphere that invokes the deep, mysterious quality of the jungle. Soft, translucent layers of paint should be used to capture the wisps of fog, blending into the contours of the gorilla’s powerful form. The mist should not only symbolize the natural environment but also reflect the presence of the unseen—the unseen dangers, the spiritual connection between the gorilla and the jungle, and the ongoing battle to protect these creatures from extinction. Surrounding the gorilla, the dense, vibrant foliage of the rainforest should be depicted in rich, lush greens, with hints of deep browns and subtle touches of vibrant wildflowers. Vines, leaves, and branches can emerge from the mist, merging with the gorilla’s figure, creating the sensation that it is a part of the jungle, and vice versa. The interplay of light and shadow within the leaves and the mist should evoke a sense of both serenity and mystery, with rays of sunlight filtering through the trees, casting soft, glowing highlights on the gorilla’s fur and the surrounding vegetation. The background should suggest both the wildness and fragility of the gorilla’s environment. Darker shades of green and brown can illustrate the dense canopy, while lighter, misty shades should evoke the sense of isolation and vulnerability. In the double-exposure technique, glimpses of the jungle’s wildlife—perhaps a subtle hint of a bird or a distant silhouette of another gorilla—can appear within the mist, symbolizing the delicate interconnectedness of life within the forest ecosystem. The color palette should shift between dark and light—rich earth tones that evoke the depth and complexity of the jungle, paired with the light, airy mist that suggests hope, fragility, and the need for preservation. The mist itself should be painted with fluid brushstrokes that contrast with the more textured rendering of the gorilla, creating a sense of life and motion in both the animal and its environment. This painting should not only represent the beauty and majesty of the gorillas but also serve as a powerful call for conservation. Through the double-exposure technique, it should blur the lines between the animal and its habitat, illustrating the inseparable bond between the two and the urgent need to protect these magnificent creatures from the encroaching threats of human activity. The result should be a masterpiece that blends realism with abstraction, capturing the raw, emotional beauty of the gorillas, the mystique of their environment, and the call for preservation. The viewer should feel immersed in this tranquil yet fragile world, experiencing the emotional weight of the subject matter while marveling at the intricacy and beauty of the painting itself

7 months ago

Create a masterpiece oil painting inspired by the haunting and timeless lyrics of "Highwayman." The central image should depict four figures, each representing one of the characters from the song’s lyrics — a highwayman, a ship captain, a railroad man, and a starship pilot — each standing or positioned against the vast, open landscapes of their time. These figures should be arranged in a way that symbolizes their connection across eras, with each man standing proudly in his own environment. The highwayman should be portrayed in a dramatic, windswept desert or nighttime landscape, with his dark cloak billowing in the wind, a mysterious and defiant figure. He holds a rifle or pistol, and his horse is tethered nearby, ready to ride into the night. The ship captain should be shown on the deck of a grand sailing ship, the vast ocean stretching endlessly behind him, wind in his sails, his gaze focused on the horizon. His attire should be classic, with a captain’s coat and telescope in hand. The railroad man stands beside an old train, with the iron rails stretching off into the distance, symbolizing the progress and expansion of the world. He wears a workman’s cap and holds a wrench or railroad signal. The starship pilot stands in the dark void of space, with the distant stars and planets surrounding him. His suit is futuristic, but his expression mirrors the same stoic determination as the other figures. The background should blend the four different settings — rolling hills, stormy seas, endless rails, and the vastness of space — as though the boundaries of time and place are interwoven, suggesting the continuity of these men through eternity. The landscape transitions seamlessly from one era to another, symbolizing the cycle of life, death, and rebirth. The color palette should feature deep, bold colors like midnight blues, earthy browns, and fiery oranges, with touches of silvery grays to represent time passing. Each figure should be bathed in the golden light of their respective times, drawing the viewer's eye to their expression and purpose. The brushstrokes should be strong and dynamic, capturing the power of these men’s spirits across time. The overall mood should evoke a sense of legend, fate, and the eternal journey of these highwaymen as they travel through the ages, bound by destiny.

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

2 months ago

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

7 months ago

Create a masterpiece oil painting inspired by the haunting and timeless lyrics of "Highwayman." The central image should depict four figures, each representing one of the characters from the song’s lyrics — a highwayman, a ship captain, a railroad man, and a starship pilot — each standing or positioned against the vast, open landscapes of their time. These figures should be arranged in a way that symbolizes their connection across eras, with each man standing proudly in his own environment. The highwayman should be portrayed in a dramatic, windswept desert or nighttime landscape, with his dark cloak billowing in the wind, a mysterious and defiant figure. He holds a rifle or pistol, and his horse is tethered nearby, ready to ride into the night. The ship captain should be shown on the deck of a grand sailing ship, the vast ocean stretching endlessly behind him, wind in his sails, his gaze focused on the horizon. His attire should be classic, with a captain’s coat and telescope in hand. The railroad man stands beside an old train, with the iron rails stretching off into the distance, symbolizing the progress and expansion of the world. He wears a workman’s cap and holds a wrench or railroad signal. The starship pilot stands in the dark void of space, with the distant stars and planets surrounding him. His suit is futuristic, but his expression mirrors the same stoic determination as the other figures. The background should blend the four different settings — rolling hills, stormy seas, endless rails, and the vastness of space — as though the boundaries of time and place are interwoven, suggesting the continuity of these men through eternity. The landscape transitions seamlessly from one era to another, symbolizing the cycle of life, death, and rebirth. The color palette should feature deep, bold colors like midnight blues, earthy browns, and fiery oranges, with touches of silvery grays to represent time passing. Each figure should be bathed in the golden light of their respective times, drawing the viewer's eye to their expression and purpose. The brushstrokes should be strong and dynamic, capturing the power of these men’s spirits across time. The overall mood should evoke a sense of legend, fate, and the eternal journey of these highwaymen as they travel through the ages, bound by destiny.

9 months ago

*A highly detailed pencil sketch of two equally tall and confident men standing on a rooftop at night. The first man leans casually against a weathered brick wall, a half-smoked Havana cigar clenched between his lips, exhaling a thick cloud of smoke. He wears a black baseball cap, matte black sunglasses, and a heavy urban jacket, exuding effortless coolness. The fine pencil strokes capture the textures of the rough bricks, the swirling smoke, and the deep folds in his clothing. Beside him, another man with short, slightly reddish hair, just as tall and confident, leans on top of the rooftop wall, resting his arms on it as he gazes down into the city below. His back is partially turned to the viewer, his posture relaxed yet powerful, as if lost in deep thought. The background features an urban skyline with rooftops, antennas, and neon lights stretching into the distance. In the far background, barely visible, a faintly sketched chimpanzee lounges in a sun chair on a neighboring rooftop, a cigar between his fingers, blowing smoke into the night air while casually watching the two figures. His presence is surreal, almost ghostlike, adding a mysterious and playful touch to the scene. The entire composition is drawn with dramatic shading, high contrast, and expressive lines, giving it a cinematic noir aesthetic with a surreal twist.* Style Tags: Pencil Sketch, Realistic Drawing, Highly Detailed, Fine Shading, Black and White, Dramatic Contrast, Cinematic Composition, Urban Rooftop, Smoky Atmosphere, Textured Surfaces, Expressive Lines, Stylish, Noir Aesthetic, Rooftop Edge, Correct Positioning, Leaning on the Wall, Looking Down at the City, Chimpanzee in Background, Surreal, Mysterious Presence

9 months ago

*A highly detailed pencil sketch of two equally tall and confident men standing on a rooftop at night. The first man leans casually against a weathered brick wall, a half-smoked Havana cigar clenched between his lips, exhaling a slow, heavy cloud of smoke. The cigar is already burned down, leaving behind a long trail of ash at the tip. He wears a black baseball cap, matte black sunglasses, and a heavy urban jacket, exuding effortless coolness. The fine pencil strokes capture the textures of the rough bricks, the swirling smoke, and the deep folds in his clothing. Beside him, another man with short, slightly reddish hair, just as tall and confident, leans on top of the rooftop wall, resting his arms on it as he gazes down into the city below. He also has a half-burned cigar, its embers faintly glowing as the smoke drifts upward. His back is partially turned to the viewer, his posture relaxed yet powerful, as if lost in deep thought. The background features an urban skyline with rooftops, antennas, and neon lights stretching into the distance. In the far background, barely visible, a faintly sketched chimpanzee lounges in a sun chair on a neighboring rooftop, holding a nearly finished cigar between his fingers, blowing a thick cloud of smoke into the night air while casually watching the two figures. His presence is surreal, almost ghostlike, adding a mysterious and playful touch to the scene. The entire composition is drawn with dramatic shading, high contrast, and expressive lines, giving it a cinematic noir aesthetic with a surreal twist.* Style Tags: Pencil Sketch, Realistic Drawing, Highly Detailed, Fine Shading, Black and White, Dramatic Contrast, Cinematic Composition, Urban Rooftop, Smoky Atmosphere, Textured Surfaces, Expressive Lines, Stylish, Noir Aesthetic, Rooftop Edge, Correct Positioning, Leaning on the Wall, Looking Down at the City, Chimpanzee in Background, Surreal, Mysterious Presence, Half-Smoked Cigars, Ash and Smoke Details