with her hands up front of her to protect her face prompts

3 months ago

Side angle composition, photo (fantasy art) of a female demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a red velvet top and a red sheer velvet short skirt. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. with her hands up front of her to protect her face, she walks her way through a world within a energy storm, slightly forward leaning, The Storm is made of a big a loudspeakers in the background seems to create the storm, The storm plays with her hair and skirt Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H. R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.

3 months ago

Side angle composition, photo (fantasy art) of a female demon, bathed in a warm, golden glow reminiscent of a sunset over a mystical realm. Her physique, honed from the fires of the underworld, is clad in a red velvet top and a red sheer velvet short skirt. Black latex boots rise up her legs like dark, glossy spires, while her raven tresses cascade down her back like a waterfall of night, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. with her hands up front of her to protect her face, she walks her way through a world within a energy storm, slightly forward leaning, The Storm is made of a big a loudspeakers in the background seems to create the storm, The storm plays with her hair and skirt Inspired by the dark mysticism of Zdzisław Beksiński, the biomechanical nightmares of H. R. Giger, and the stark, gothic elegance of Ashley Wood, with a dash of Syd Mead's 8K hyper-realistic 3D rendering, Roger Dean's atmospheric lighting, and Ash Thorp's cinematic composition, all distilled through the warm, golden tones of a Kodak Ektar lens, complete with subtle lens flare and a hint of film grain.