20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
272
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
076
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
045
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
039
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
035
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
034
FLUX
We consider the action $S_{\phi q}$ involving only $\phi_{\mu\nu}$ and quark fields $q(x)$ in general frames with Poincar\'e metric tensor $P_{\mu\nu}$: \be S_{\phi q} = \int (L_{\phi q} + L_{gf})d^4 x, \ee %%%%%%%%15%%%%22%%%%%24%%%22%%%19 \be L_{gf}=\frac{1}{2g^2}\e_{\a\b}\left[\p_\mu J^{\mu\a} - \frac{1}{2}\e^{\a\ld}\p_{\ld} J^\mu_\mu\right] \left[\p_\nu J^{\nu\b} - \frac{1}{2}\e^{\b\ld}\p_{\ld} J^\nu_\nu\right], \ee %%%%16%%%%%%%23%%%%%25%%%23%%%%20 where $L_{\phi q}$ is given in (7) with the $T(4)$ gauge curvature $C_{\mu\nu\a}$ given by (5). We have included a gauge-fixing term $L_{gf}$ specified by (20) involving ordinary partial derivative to break the $T(4)$ gauge symmetry so that the solution of gauge field equation is well-defined. The reason for including $L_{gf}$ is that field equations with gauge symmetry are known to be not well defined in general and that it is a nuisance to find explicit solutions of such field equations without having a gauge-fixing term. The quark fields play the source for producing a gravitational potential field $\phi_{\mu\nu}$. The $T(4)$ gravitational field equation for symmetric tensor field, $\phi_{\mu\nu}=\phi_{\nu\mu}$ can be derived from (19), \be H^{\mu\nu} + A^{\mu\nu}= \frac{g^2}{2} Sym \ \left[ \overline{q} i\G^\mu D^\nu q - i(D^\nu \overline{q}) \G^\mu q \right]\equiv g^2 T^{\mu\nu} , \ee %%%%%26%%%17%%%%%%%%%24%%%%%%26%%%24%21 $$ H^{\mu\nu} = Sym \left[D_\ld (J^{\ld}_\rho C^{\rho\mu\nu} - J^\ld_\a C^{\a\b}_{ \ \ \ \b}P^{\mu\nu} + C^{\mu\b}_{ \ \ \ \b} J^{\nu\ld}) \right. $$ %%%%%%%%%%%%%%%%%%%%%%%%20%%% \be \left. - C^{\mu\a\b}D^\nu J_{\a\b} + C^{\mu\b}_{ \ \ \ \b} D^\nu J^\a_\a - C^{\ld \b}_{ \ \ \ \b}D^\nu J^\mu _\ld\right], \ee %%%%%%%27 %%%%%%%%%%18%%%%%%%%%25%%%27%%%%25%%522 \be A^{\mu\nu} =Sym \left[ \p^\mu \left(\p^\ld J_\ld{^\nu} - \frac{1}{2} \p^\nu J \right) - \frac{\e^{\mu\nu}}{2} \left(\p^\a \p^\ld J_{\ld\a} - \frac{1}{2} \p^\a \p_\a J \right)\right], \ee %%%19%%%%%%%%%%26%%%%%%%%28%%%%%26%%%523 where $D_{\mu}q=\p_{\mu}q$ and $J= J^\ld_\ld$. The symbol `Sym' in Eqs. (21)-(23) denotes that $\mu$ and $\nu$ should be made symmetric.
040
Stable Diffusion
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
09
Hero
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
07
Hero
A full-body semi-realistic digital illustration, presented in a 9:16 vertical aspect ratio, depicting Chloe Winters (5’2”, Age 24), maintaining her likeness, standing in a dynamic high-tension 'Power-S' pose within a high-end, minimalist luxury penthouse interior at 'golden hour.' Chloe has a distinct hyper-hourglass silhouette and exact 38” (30H) – 24” – 35” stacked proportions, defined by gravity-defying, heavy-set volume. She wears an ultra-thin, high-gloss latex micro-bikini in a soft, frosted lavender sorbet hue. The bikini top is engineered with narrow, high-tension string straps, providing minimal coverage, and wraps tightly over the spherical upper-pole fullness of her high-set 30H bust, emphasizing its prominent 'shelf' shape and forward projection against her short, compressed torso. The latex offers no support but clings pressurized to her form, showcasing the curated, engineered geometry of her physique with smooth, continuous lines and zero athletic leanness. The low-slung micro-bikini bottoms sit tight on her hips, emphasizing her narrow 24-inch waist and the dramatic curve of her 35-inch rear. Her warm ivory skin has a highly reflective Dewy Glass-Skin finish, ultra-smooth and poreless, with soft peach undertones, appearing almost wet. Her Frosted Honey-Butter hair, with piecey, high-volume beach waves, is styled in a high-tension half-pony pulled sleek at the scalp, with long cascading waves flowing over one shoulder. She maintains her signature permanent weighted pout with hyper-pillowed, heavy-set volume and softened Cupid's bow, finished in a High-Satin Lavender gloss with a pearlescent shimmer. Her deep indigo eyes, framed by long, wet-look black lashes, are clean of dark makeup and look confidently forward. Warm, directional golden hour light streams through floor-to-ceiling windows, creating long, brilliant highlights on the lavender latex and her highly reflective skin, defining the precise contours of her physique. A plush cream area rug and a sleek modern marble table are visible in the background. The art style focuses on 'artificial perfection' in high-key editorial photography, with refined 8k resolution.
06
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
035
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
09
Hero
A full-body semi-realistic digital illustration, presented in a 9:16 vertical aspect ratio, depicting Chloe Winters (5’2”, Age 24), maintaining her likeness, standing in a dynamic high-tension 'Power-S' pose within a high-end, minimalist luxury penthouse interior at 'golden hour.' Chloe has a distinct hyper-hourglass silhouette and exact 38” (30H) – 24” – 35” stacked proportions, defined by gravity-defying, heavy-set volume. She wears an ultra-thin, high-gloss latex micro-bikini in a soft, frosted lavender sorbet hue. The bikini top is engineered with narrow, high-tension string straps, providing minimal coverage, and wraps tightly over the spherical upper-pole fullness of her high-set 30H bust, emphasizing its prominent 'shelf' shape and forward projection against her short, compressed torso. The latex offers no support but clings pressurized to her form, showcasing the curated, engineered geometry of her physique with smooth, continuous lines and zero athletic leanness. The low-slung micro-bikini bottoms sit tight on her hips, emphasizing her narrow 24-inch waist and the dramatic curve of her 35-inch rear. Her warm ivory skin has a highly reflective Dewy Glass-Skin finish, ultra-smooth and poreless, with soft peach undertones, appearing almost wet. Her Frosted Honey-Butter hair, with piecey, high-volume beach waves, is styled in a high-tension half-pony pulled sleek at the scalp, with long cascading waves flowing over one shoulder. She maintains her signature permanent weighted pout with hyper-pillowed, heavy-set volume and softened Cupid's bow, finished in a High-Satin Lavender gloss with a pearlescent shimmer. Her deep indigo eyes, framed by long, wet-look black lashes, are clean of dark makeup and look confidently forward. Warm, directional golden hour light streams through floor-to-ceiling windows, creating long, brilliant highlights on the lavender latex and her highly reflective skin, defining the precise contours of her physique. A plush cream area rug and a sleek modern marble table are visible in the background. The art style focuses on 'artificial perfection' in high-key editorial photography, with refined 8k resolution.
06
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
272
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
076
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
045
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
039
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
034
FLUX
We consider the action $S_{\phi q}$ involving only $\phi_{\mu\nu}$ and quark fields $q(x)$ in general frames with Poincar\'e metric tensor $P_{\mu\nu}$: \be S_{\phi q} = \int (L_{\phi q} + L_{gf})d^4 x, \ee %%%%%%%%15%%%%22%%%%%24%%%22%%%19 \be L_{gf}=\frac{1}{2g^2}\e_{\a\b}\left[\p_\mu J^{\mu\a} - \frac{1}{2}\e^{\a\ld}\p_{\ld} J^\mu_\mu\right] \left[\p_\nu J^{\nu\b} - \frac{1}{2}\e^{\b\ld}\p_{\ld} J^\nu_\nu\right], \ee %%%%16%%%%%%%23%%%%%25%%%23%%%%20 where $L_{\phi q}$ is given in (7) with the $T(4)$ gauge curvature $C_{\mu\nu\a}$ given by (5). We have included a gauge-fixing term $L_{gf}$ specified by (20) involving ordinary partial derivative to break the $T(4)$ gauge symmetry so that the solution of gauge field equation is well-defined. The reason for including $L_{gf}$ is that field equations with gauge symmetry are known to be not well defined in general and that it is a nuisance to find explicit solutions of such field equations without having a gauge-fixing term. The quark fields play the source for producing a gravitational potential field $\phi_{\mu\nu}$. The $T(4)$ gravitational field equation for symmetric tensor field, $\phi_{\mu\nu}=\phi_{\nu\mu}$ can be derived from (19), \be H^{\mu\nu} + A^{\mu\nu}= \frac{g^2}{2} Sym \ \left[ \overline{q} i\G^\mu D^\nu q - i(D^\nu \overline{q}) \G^\mu q \right]\equiv g^2 T^{\mu\nu} , \ee %%%%%26%%%17%%%%%%%%%24%%%%%%26%%%24%21 $$ H^{\mu\nu} = Sym \left[D_\ld (J^{\ld}_\rho C^{\rho\mu\nu} - J^\ld_\a C^{\a\b}_{ \ \ \ \b}P^{\mu\nu} + C^{\mu\b}_{ \ \ \ \b} J^{\nu\ld}) \right. $$ %%%%%%%%%%%%%%%%%%%%%%%%20%%% \be \left. - C^{\mu\a\b}D^\nu J_{\a\b} + C^{\mu\b}_{ \ \ \ \b} D^\nu J^\a_\a - C^{\ld \b}_{ \ \ \ \b}D^\nu J^\mu _\ld\right], \ee %%%%%%%27 %%%%%%%%%%18%%%%%%%%%25%%%27%%%%25%%522 \be A^{\mu\nu} =Sym \left[ \p^\mu \left(\p^\ld J_\ld{^\nu} - \frac{1}{2} \p^\nu J \right) - \frac{\e^{\mu\nu}}{2} \left(\p^\a \p^\ld J_{\ld\a} - \frac{1}{2} \p^\a \p_\a J \right)\right], \ee %%%19%%%%%%%%%%26%%%%%%%%28%%%%%26%%%523 where $D_{\mu}q=\p_{\mu}q$ and $J= J^\ld_\ld$. The symbol `Sym' in Eqs. (21)-(23) denotes that $\mu$ and $\nu$ should be made symmetric.
040
Stable Diffusion
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
07
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
034
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
09
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
272
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
045
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
035
FLUX
We consider the action $S_{\phi q}$ involving only $\phi_{\mu\nu}$ and quark fields $q(x)$ in general frames with Poincar\'e metric tensor $P_{\mu\nu}$: \be S_{\phi q} = \int (L_{\phi q} + L_{gf})d^4 x, \ee %%%%%%%%15%%%%22%%%%%24%%%22%%%19 \be L_{gf}=\frac{1}{2g^2}\e_{\a\b}\left[\p_\mu J^{\mu\a} - \frac{1}{2}\e^{\a\ld}\p_{\ld} J^\mu_\mu\right] \left[\p_\nu J^{\nu\b} - \frac{1}{2}\e^{\b\ld}\p_{\ld} J^\nu_\nu\right], \ee %%%%16%%%%%%%23%%%%%25%%%23%%%%20 where $L_{\phi q}$ is given in (7) with the $T(4)$ gauge curvature $C_{\mu\nu\a}$ given by (5). We have included a gauge-fixing term $L_{gf}$ specified by (20) involving ordinary partial derivative to break the $T(4)$ gauge symmetry so that the solution of gauge field equation is well-defined. The reason for including $L_{gf}$ is that field equations with gauge symmetry are known to be not well defined in general and that it is a nuisance to find explicit solutions of such field equations without having a gauge-fixing term. The quark fields play the source for producing a gravitational potential field $\phi_{\mu\nu}$. The $T(4)$ gravitational field equation for symmetric tensor field, $\phi_{\mu\nu}=\phi_{\nu\mu}$ can be derived from (19), \be H^{\mu\nu} + A^{\mu\nu}= \frac{g^2}{2} Sym \ \left[ \overline{q} i\G^\mu D^\nu q - i(D^\nu \overline{q}) \G^\mu q \right]\equiv g^2 T^{\mu\nu} , \ee %%%%%26%%%17%%%%%%%%%24%%%%%%26%%%24%21 $$ H^{\mu\nu} = Sym \left[D_\ld (J^{\ld}_\rho C^{\rho\mu\nu} - J^\ld_\a C^{\a\b}_{ \ \ \ \b}P^{\mu\nu} + C^{\mu\b}_{ \ \ \ \b} J^{\nu\ld}) \right. $$ %%%%%%%%%%%%%%%%%%%%%%%%20%%% \be \left. - C^{\mu\a\b}D^\nu J_{\a\b} + C^{\mu\b}_{ \ \ \ \b} D^\nu J^\a_\a - C^{\ld \b}_{ \ \ \ \b}D^\nu J^\mu _\ld\right], \ee %%%%%%%27 %%%%%%%%%%18%%%%%%%%%25%%%27%%%%25%%522 \be A^{\mu\nu} =Sym \left[ \p^\mu \left(\p^\ld J_\ld{^\nu} - \frac{1}{2} \p^\nu J \right) - \frac{\e^{\mu\nu}}{2} \left(\p^\a \p^\ld J_{\ld\a} - \frac{1}{2} \p^\a \p_\a J \right)\right], \ee %%%19%%%%%%%%%%26%%%%%%%%28%%%%%26%%%523 where $D_{\mu}q=\p_{\mu}q$ and $J= J^\ld_\ld$. The symbol `Sym' in Eqs. (21)-(23) denotes that $\mu$ and $\nu$ should be made symmetric.
040
Stable Diffusion
A full-body semi-realistic digital illustration, presented in a 9:16 vertical aspect ratio, depicting Chloe Winters (5’2”, Age 24), maintaining her likeness, standing in a dynamic high-tension 'Power-S' pose within a high-end, minimalist luxury penthouse interior at 'golden hour.' Chloe has a distinct hyper-hourglass silhouette and exact 38” (30H) – 24” – 35” stacked proportions, defined by gravity-defying, heavy-set volume. She wears an ultra-thin, high-gloss latex micro-bikini in a soft, frosted lavender sorbet hue. The bikini top is engineered with narrow, high-tension string straps, providing minimal coverage, and wraps tightly over the spherical upper-pole fullness of her high-set 30H bust, emphasizing its prominent 'shelf' shape and forward projection against her short, compressed torso. The latex offers no support but clings pressurized to her form, showcasing the curated, engineered geometry of her physique with smooth, continuous lines and zero athletic leanness. The low-slung micro-bikini bottoms sit tight on her hips, emphasizing her narrow 24-inch waist and the dramatic curve of her 35-inch rear. Her warm ivory skin has a highly reflective Dewy Glass-Skin finish, ultra-smooth and poreless, with soft peach undertones, appearing almost wet. Her Frosted Honey-Butter hair, with piecey, high-volume beach waves, is styled in a high-tension half-pony pulled sleek at the scalp, with long cascading waves flowing over one shoulder. She maintains her signature permanent weighted pout with hyper-pillowed, heavy-set volume and softened Cupid's bow, finished in a High-Satin Lavender gloss with a pearlescent shimmer. Her deep indigo eyes, framed by long, wet-look black lashes, are clean of dark makeup and look confidently forward. Warm, directional golden hour light streams through floor-to-ceiling windows, creating long, brilliant highlights on the lavender latex and her highly reflective skin, defining the precise contours of her physique. A plush cream area rug and a sleek modern marble table are visible in the background. The art style focuses on 'artificial perfection' in high-key editorial photography, with refined 8k resolution.
06
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
076
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
039
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
07
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
045
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
034
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
07
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
272
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
039
FLUX
A full-body semi-realistic digital illustration, presented in a 9:16 vertical aspect ratio, depicting Chloe Winters (5’2”, Age 24), maintaining her likeness, standing in a dynamic high-tension 'Power-S' pose within a high-end, minimalist luxury penthouse interior at 'golden hour.' Chloe has a distinct hyper-hourglass silhouette and exact 38” (30H) – 24” – 35” stacked proportions, defined by gravity-defying, heavy-set volume. She wears an ultra-thin, high-gloss latex micro-bikini in a soft, frosted lavender sorbet hue. The bikini top is engineered with narrow, high-tension string straps, providing minimal coverage, and wraps tightly over the spherical upper-pole fullness of her high-set 30H bust, emphasizing its prominent 'shelf' shape and forward projection against her short, compressed torso. The latex offers no support but clings pressurized to her form, showcasing the curated, engineered geometry of her physique with smooth, continuous lines and zero athletic leanness. The low-slung micro-bikini bottoms sit tight on her hips, emphasizing her narrow 24-inch waist and the dramatic curve of her 35-inch rear. Her warm ivory skin has a highly reflective Dewy Glass-Skin finish, ultra-smooth and poreless, with soft peach undertones, appearing almost wet. Her Frosted Honey-Butter hair, with piecey, high-volume beach waves, is styled in a high-tension half-pony pulled sleek at the scalp, with long cascading waves flowing over one shoulder. She maintains her signature permanent weighted pout with hyper-pillowed, heavy-set volume and softened Cupid's bow, finished in a High-Satin Lavender gloss with a pearlescent shimmer. Her deep indigo eyes, framed by long, wet-look black lashes, are clean of dark makeup and look confidently forward. Warm, directional golden hour light streams through floor-to-ceiling windows, creating long, brilliant highlights on the lavender latex and her highly reflective skin, defining the precise contours of her physique. A plush cream area rug and a sleek modern marble table are visible in the background. The art style focuses on 'artificial perfection' in high-key editorial photography, with refined 8k resolution.
06
Hero
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
09
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
076
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
035
FLUX
We consider the action $S_{\phi q}$ involving only $\phi_{\mu\nu}$ and quark fields $q(x)$ in general frames with Poincar\'e metric tensor $P_{\mu\nu}$: \be S_{\phi q} = \int (L_{\phi q} + L_{gf})d^4 x, \ee %%%%%%%%15%%%%22%%%%%24%%%22%%%19 \be L_{gf}=\frac{1}{2g^2}\e_{\a\b}\left[\p_\mu J^{\mu\a} - \frac{1}{2}\e^{\a\ld}\p_{\ld} J^\mu_\mu\right] \left[\p_\nu J^{\nu\b} - \frac{1}{2}\e^{\b\ld}\p_{\ld} J^\nu_\nu\right], \ee %%%%16%%%%%%%23%%%%%25%%%23%%%%20 where $L_{\phi q}$ is given in (7) with the $T(4)$ gauge curvature $C_{\mu\nu\a}$ given by (5). We have included a gauge-fixing term $L_{gf}$ specified by (20) involving ordinary partial derivative to break the $T(4)$ gauge symmetry so that the solution of gauge field equation is well-defined. The reason for including $L_{gf}$ is that field equations with gauge symmetry are known to be not well defined in general and that it is a nuisance to find explicit solutions of such field equations without having a gauge-fixing term. The quark fields play the source for producing a gravitational potential field $\phi_{\mu\nu}$. The $T(4)$ gravitational field equation for symmetric tensor field, $\phi_{\mu\nu}=\phi_{\nu\mu}$ can be derived from (19), \be H^{\mu\nu} + A^{\mu\nu}= \frac{g^2}{2} Sym \ \left[ \overline{q} i\G^\mu D^\nu q - i(D^\nu \overline{q}) \G^\mu q \right]\equiv g^2 T^{\mu\nu} , \ee %%%%%26%%%17%%%%%%%%%24%%%%%%26%%%24%21 $$ H^{\mu\nu} = Sym \left[D_\ld (J^{\ld}_\rho C^{\rho\mu\nu} - J^\ld_\a C^{\a\b}_{ \ \ \ \b}P^{\mu\nu} + C^{\mu\b}_{ \ \ \ \b} J^{\nu\ld}) \right. $$ %%%%%%%%%%%%%%%%%%%%%%%%20%%% \be \left. - C^{\mu\a\b}D^\nu J_{\a\b} + C^{\mu\b}_{ \ \ \ \b} D^\nu J^\a_\a - C^{\ld \b}_{ \ \ \ \b}D^\nu J^\mu _\ld\right], \ee %%%%%%%27 %%%%%%%%%%18%%%%%%%%%25%%%27%%%%25%%522 \be A^{\mu\nu} =Sym \left[ \p^\mu \left(\p^\ld J_\ld{^\nu} - \frac{1}{2} \p^\nu J \right) - \frac{\e^{\mu\nu}}{2} \left(\p^\a \p^\ld J_{\ld\a} - \frac{1}{2} \p^\a \p_\a J \right)\right], \ee %%%19%%%%%%%%%%26%%%%%%%%28%%%%%26%%%523 where $D_{\mu}q=\p_{\mu}q$ and $J= J^\ld_\ld$. The symbol `Sym' in Eqs. (21)-(23) denotes that $\mu$ and $\nu$ should be made symmetric.
040
Stable Diffusion
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
039
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
09
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
272
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
035
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
07
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
045
FLUX
We consider the action $S_{\phi q}$ involving only $\phi_{\mu\nu}$ and quark fields $q(x)$ in general frames with Poincar\'e metric tensor $P_{\mu\nu}$: \be S_{\phi q} = \int (L_{\phi q} + L_{gf})d^4 x, \ee %%%%%%%%15%%%%22%%%%%24%%%22%%%19 \be L_{gf}=\frac{1}{2g^2}\e_{\a\b}\left[\p_\mu J^{\mu\a} - \frac{1}{2}\e^{\a\ld}\p_{\ld} J^\mu_\mu\right] \left[\p_\nu J^{\nu\b} - \frac{1}{2}\e^{\b\ld}\p_{\ld} J^\nu_\nu\right], \ee %%%%16%%%%%%%23%%%%%25%%%23%%%%20 where $L_{\phi q}$ is given in (7) with the $T(4)$ gauge curvature $C_{\mu\nu\a}$ given by (5). We have included a gauge-fixing term $L_{gf}$ specified by (20) involving ordinary partial derivative to break the $T(4)$ gauge symmetry so that the solution of gauge field equation is well-defined. The reason for including $L_{gf}$ is that field equations with gauge symmetry are known to be not well defined in general and that it is a nuisance to find explicit solutions of such field equations without having a gauge-fixing term. The quark fields play the source for producing a gravitational potential field $\phi_{\mu\nu}$. The $T(4)$ gravitational field equation for symmetric tensor field, $\phi_{\mu\nu}=\phi_{\nu\mu}$ can be derived from (19), \be H^{\mu\nu} + A^{\mu\nu}= \frac{g^2}{2} Sym \ \left[ \overline{q} i\G^\mu D^\nu q - i(D^\nu \overline{q}) \G^\mu q \right]\equiv g^2 T^{\mu\nu} , \ee %%%%%26%%%17%%%%%%%%%24%%%%%%26%%%24%21 $$ H^{\mu\nu} = Sym \left[D_\ld (J^{\ld}_\rho C^{\rho\mu\nu} - J^\ld_\a C^{\a\b}_{ \ \ \ \b}P^{\mu\nu} + C^{\mu\b}_{ \ \ \ \b} J^{\nu\ld}) \right. $$ %%%%%%%%%%%%%%%%%%%%%%%%20%%% \be \left. - C^{\mu\a\b}D^\nu J_{\a\b} + C^{\mu\b}_{ \ \ \ \b} D^\nu J^\a_\a - C^{\ld \b}_{ \ \ \ \b}D^\nu J^\mu _\ld\right], \ee %%%%%%%27 %%%%%%%%%%18%%%%%%%%%25%%%27%%%%25%%522 \be A^{\mu\nu} =Sym \left[ \p^\mu \left(\p^\ld J_\ld{^\nu} - \frac{1}{2} \p^\nu J \right) - \frac{\e^{\mu\nu}}{2} \left(\p^\a \p^\ld J_{\ld\a} - \frac{1}{2} \p^\a \p_\a J \right)\right], \ee %%%19%%%%%%%%%%26%%%%%%%%28%%%%%26%%%523 where $D_{\mu}q=\p_{\mu}q$ and $J= J^\ld_\ld$. The symbol `Sym' in Eqs. (21)-(23) denotes that $\mu$ and $\nu$ should be made symmetric.
040
Stable Diffusion
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
076
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
034
FLUX
A full-body semi-realistic digital illustration, presented in a 9:16 vertical aspect ratio, depicting Chloe Winters (5’2”, Age 24), maintaining her likeness, standing in a dynamic high-tension 'Power-S' pose within a high-end, minimalist luxury penthouse interior at 'golden hour.' Chloe has a distinct hyper-hourglass silhouette and exact 38” (30H) – 24” – 35” stacked proportions, defined by gravity-defying, heavy-set volume. She wears an ultra-thin, high-gloss latex micro-bikini in a soft, frosted lavender sorbet hue. The bikini top is engineered with narrow, high-tension string straps, providing minimal coverage, and wraps tightly over the spherical upper-pole fullness of her high-set 30H bust, emphasizing its prominent 'shelf' shape and forward projection against her short, compressed torso. The latex offers no support but clings pressurized to her form, showcasing the curated, engineered geometry of her physique with smooth, continuous lines and zero athletic leanness. The low-slung micro-bikini bottoms sit tight on her hips, emphasizing her narrow 24-inch waist and the dramatic curve of her 35-inch rear. Her warm ivory skin has a highly reflective Dewy Glass-Skin finish, ultra-smooth and poreless, with soft peach undertones, appearing almost wet. Her Frosted Honey-Butter hair, with piecey, high-volume beach waves, is styled in a high-tension half-pony pulled sleek at the scalp, with long cascading waves flowing over one shoulder. She maintains her signature permanent weighted pout with hyper-pillowed, heavy-set volume and softened Cupid's bow, finished in a High-Satin Lavender gloss with a pearlescent shimmer. Her deep indigo eyes, framed by long, wet-look black lashes, are clean of dark makeup and look confidently forward. Warm, directional golden hour light streams through floor-to-ceiling windows, creating long, brilliant highlights on the lavender latex and her highly reflective skin, defining the precise contours of her physique. A plush cream area rug and a sleek modern marble table are visible in the background. The art style focuses on 'artificial perfection' in high-key editorial photography, with refined 8k resolution.
06
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
035
FLUX
A full-body semi-realistic digital illustration, presented in a 9:16 vertical aspect ratio, depicting Chloe Winters (5’2”, Age 24), maintaining her likeness, standing in a dynamic high-tension 'Power-S' pose within a high-end, minimalist luxury penthouse interior at 'golden hour.' Chloe has a distinct hyper-hourglass silhouette and exact 38” (30H) – 24” – 35” stacked proportions, defined by gravity-defying, heavy-set volume. She wears an ultra-thin, high-gloss latex micro-bikini in a soft, frosted lavender sorbet hue. The bikini top is engineered with narrow, high-tension string straps, providing minimal coverage, and wraps tightly over the spherical upper-pole fullness of her high-set 30H bust, emphasizing its prominent 'shelf' shape and forward projection against her short, compressed torso. The latex offers no support but clings pressurized to her form, showcasing the curated, engineered geometry of her physique with smooth, continuous lines and zero athletic leanness. The low-slung micro-bikini bottoms sit tight on her hips, emphasizing her narrow 24-inch waist and the dramatic curve of her 35-inch rear. Her warm ivory skin has a highly reflective Dewy Glass-Skin finish, ultra-smooth and poreless, with soft peach undertones, appearing almost wet. Her Frosted Honey-Butter hair, with piecey, high-volume beach waves, is styled in a high-tension half-pony pulled sleek at the scalp, with long cascading waves flowing over one shoulder. She maintains her signature permanent weighted pout with hyper-pillowed, heavy-set volume and softened Cupid's bow, finished in a High-Satin Lavender gloss with a pearlescent shimmer. Her deep indigo eyes, framed by long, wet-look black lashes, are clean of dark makeup and look confidently forward. Warm, directional golden hour light streams through floor-to-ceiling windows, creating long, brilliant highlights on the lavender latex and her highly reflective skin, defining the precise contours of her physique. A plush cream area rug and a sleek modern marble table are visible in the background. The art style focuses on 'artificial perfection' in high-key editorial photography, with refined 8k resolution.
06
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
272
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
034
FLUX
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
039
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
07
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
076
FLUX
🎬 CINEMATIC AD PROMPT — DIRECTOR LEVEL (HIGH PRECISION) DURATION: 30 seconds exactly FPS: 24 ASPECT: 16:9 STYLE: ultra-realistic, cinematic, natural Egyptian environment COLOR PROFILE: muted, filmic, soft contrast (no oversaturation) --- CAST: * Boy, 9, Egyptian, short hair, neutral clothes * Mother, 35–40, Egyptian, modest home outfit --- LIGHTING SETUP: * Practical source only SHOT 1–4: phone = cold key light (5600K blue tint) SHOT 5–8: add warm fill (3200K from hallway) Final: balanced 4200K --- CAMERA PACKAGE: * Lens set: 35mm, 50mm, 85mm only * Aperture: f/1.8 – f/2.8 * Movement: slow dolly / minimal handheld فقط عند الحاجة --- SHOT LIST (LOCKED) [SHOT 1 | 0:00–0:03] Lens 85mm — EXTREME CLOSE-UP Boy eyes reflecting phone الضوء Micro eye movement only No head movement SFX: layered notification distortion (-20db) --- [SHOT 2 | 0:03–0:06] Lens 50mm — MEDIUM CLOSE Boy sitting edge of bed Thumb scrolling بسرعة ثابتة (1 swipe/sec) Screen flicker rate ثابت No تغيير في البيئة --- [SHOT 3 | 0:06–0:09] Lens 35mm — WIDE Door opens 30° Warm light spill يدخل frame يسار Mother silhouette ثابتة (no movement) --- [SHOT 4 | 0:09–0:12] Lens 85mm — CLOSE ON MOTHER Eye focus ثابت DIALOGUE: "كفاية يا حبيبي" Tone: calm, controlled, no anger --- [SHOT 5 | 0:12–0:16] Lens 50mm — TWO SHOT SIDE Mother walks 2 steps فقط Stops at 1 meter distance Boy ignores completely (no eye contact) --- [SHOT 6 | 0:16–0:20] Lens 35mm — MEDIUM Mother sits (single smooth motion) Hand reaches phone ببطء 2 seconds NO مقاومت أو سحب DIALOGUE: "الموبايل مش هيسيطر عليك" --- [SHOT 7 | 0:20–0:24] Lens 85mm — INSERT ON HAND + PHONE Mother hand covers top 30% من الشاشة Screen brightness يقل تدريجيًا (linear fade 100% → 60%) DIALOGUE (soft): "إحنا اللي نستخدمه صح" --- [SHOT 8 | 0:24–0:27] MATCH CUT — نفس الكادر Screen content switches ONLY: to drawing / learning UI (static, clean) Boy facial change: neutral → slight eyebrow lift → micro smile --- [SHOT 9 | 0:27–0:30] Lens 35mm — WIDE FINAL Room fully visible Lighting balanced warm Boy shows screen (زاوية 30° للأم) Mother nod + small smile --- VOICE OVER (0:27–0:30): Male Egyptian, soft, neutral EQ: "التكنولوجيا قوة... استخدمها صح" --- END FRAME: Black #000 Centered text: "ابني مستقبلك صح" Font: simple sans-serif, white, medium weight --- HARD CONSTRAINTS: * No إضافات بصرية * No fantasy / effects * No تغيير ترتيب اللقطات * No exaggeration in acting * حركة محدودة جدًا * الواقعية أولًا --- OUTPUT PRIORITY: precision > emotion exaggeration consistency > creativity realism > stylization
09
Hero
20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just get me to the airport, put me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me on a plane Hurry, hurry, hurry before I go insane I can't control my fingers, I can't control my brain Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh 20, 20, 24 hours to go I wanna be sedated Nothin' to do, nowhere to go, oh I wanna be sedated Just put me in a wheelchair, get me to the show Hurry, hurry, hurry, before I go loco I can't control my fingers, I can't control my toes Oh no, oh, oh, oh, oh Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated Bam, bam, ba-bam, ba-bam, bam, ba-bam I wanna be sedated
045
FLUX
We consider the action $S_{\phi q}$ involving only $\phi_{\mu\nu}$ and quark fields $q(x)$ in general frames with Poincar\'e metric tensor $P_{\mu\nu}$: \be S_{\phi q} = \int (L_{\phi q} + L_{gf})d^4 x, \ee %%%%%%%%15%%%%22%%%%%24%%%22%%%19 \be L_{gf}=\frac{1}{2g^2}\e_{\a\b}\left[\p_\mu J^{\mu\a} - \frac{1}{2}\e^{\a\ld}\p_{\ld} J^\mu_\mu\right] \left[\p_\nu J^{\nu\b} - \frac{1}{2}\e^{\b\ld}\p_{\ld} J^\nu_\nu\right], \ee %%%%16%%%%%%%23%%%%%25%%%23%%%%20 where $L_{\phi q}$ is given in (7) with the $T(4)$ gauge curvature $C_{\mu\nu\a}$ given by (5). We have included a gauge-fixing term $L_{gf}$ specified by (20) involving ordinary partial derivative to break the $T(4)$ gauge symmetry so that the solution of gauge field equation is well-defined. The reason for including $L_{gf}$ is that field equations with gauge symmetry are known to be not well defined in general and that it is a nuisance to find explicit solutions of such field equations without having a gauge-fixing term. The quark fields play the source for producing a gravitational potential field $\phi_{\mu\nu}$. The $T(4)$ gravitational field equation for symmetric tensor field, $\phi_{\mu\nu}=\phi_{\nu\mu}$ can be derived from (19), \be H^{\mu\nu} + A^{\mu\nu}= \frac{g^2}{2} Sym \ \left[ \overline{q} i\G^\mu D^\nu q - i(D^\nu \overline{q}) \G^\mu q \right]\equiv g^2 T^{\mu\nu} , \ee %%%%%26%%%17%%%%%%%%%24%%%%%%26%%%24%21 $$ H^{\mu\nu} = Sym \left[D_\ld (J^{\ld}_\rho C^{\rho\mu\nu} - J^\ld_\a C^{\a\b}_{ \ \ \ \b}P^{\mu\nu} + C^{\mu\b}_{ \ \ \ \b} J^{\nu\ld}) \right. $$ %%%%%%%%%%%%%%%%%%%%%%%%20%%% \be \left. - C^{\mu\a\b}D^\nu J_{\a\b} + C^{\mu\b}_{ \ \ \ \b} D^\nu J^\a_\a - C^{\ld \b}_{ \ \ \ \b}D^\nu J^\mu _\ld\right], \ee %%%%%%%27 %%%%%%%%%%18%%%%%%%%%25%%%27%%%%25%%522 \be A^{\mu\nu} =Sym \left[ \p^\mu \left(\p^\ld J_\ld{^\nu} - \frac{1}{2} \p^\nu J \right) - \frac{\e^{\mu\nu}}{2} \left(\p^\a \p^\ld J_{\ld\a} - \frac{1}{2} \p^\a \p_\a J \right)\right], \ee %%%19%%%%%%%%%%26%%%%%%%%28%%%%%26%%%523 where $D_{\mu}q=\p_{\mu}q$ and $J= J^\ld_\ld$. The symbol `Sym' in Eqs. (21)-(23) denotes that $\mu$ and $\nu$ should be made symmetric.
040
Stable Diffusion