08 Prompts

Scenario with time stamps to be followed, describing micro story Magician: 0:00-0:02 seconds: The Magician raises the hand with candle, turns to camera frontally, 0:02-0:04 seconds: camera pulls back, he raises his other hand, 0:04-0:06 seconds: raises palm, makes protective sign, 0:06-0:08 seconds: looking into the camera fearlessly, 0:08-0:09 seconds: he blows the candle off, 0:09-0:10 second, smoke and then dark, fade out.

FORMAT: 15s / 180 BPM / ONE CONTINUOUS SHOT / 360 POV downhill stair run, viral energy, max chaos SUBJECTS: First-person cyclist, handlebars and front wheel flashing low in frame during drops and hard turns. Vendors, laundry, scooters, dogs, chickens, cars, and pedestrians erupt around the rider as sudden obstacles. ENVIRONMENT: Dense Brazilian hillside streets, painted concrete stairs, tight landings, tiled corners, hanging wires, murals, awnings, puddles, hot late afternoon light, deep alley shadows, city sprawling below. MOOD: Adrenaline, max chaos, and nonstop street speed with violent spatial intensity in every direction. COLOR LOGIC: Hyperreal Pop Look CAMERA DETAILS: 360 action-cam POV, horizon-stable but brutal, nonstop forward drive, minimal roll, heavy stair vibration, sharp side and rear parallax, full-sphere chaos, no release. TIMELINE: 0:00-0:03: POV freefalls down a steep stairwell. The front wheel punches over the first steps, bars jackhammer below frame, the whole sphere shuddering with every hit while a child lunges in from the left to yank a rolling soccer ball out of the rider's line and walls, rails, balconies, and faces whip past on both sides. Violent forward descent with brutal stair vibration. SFX: (city hum, distant funk beat, tire chatter, breath, rapid stair hits, frame rattle). Hard sun above, deep shadow pockets below. 0:03-0:05: POV slashes left across a tiny landing, skips a broken crate, and drops again as laundry cracks across the front hemisphere, shoulder missing painted concrete by inches while side-wrap onlookers recoil. Hard lateral shake, immediate snap back into the stair run. SFX: (cloth slap, skid, crowd shout, chain buzz, stair chatter). 0:05-0:08: POV hammers the next staircase as a stray dog cuts center frame and startled chickens burst upward from the side steps, wings flaring across the sphere. The rider flicks the bars, rear wheel skates loose, then needles between a fruit cart and handrail with almost no clearance while the sphere jitters from every stair impact. Fast vibrating continuous-shot chaos. SFX: (tire chirp, crate clack, wings flapping, squawks, paw skitter, stair thuds, bass from window, metal rattle). 0:08-0:10: POV blasts out of one stair run, skips across a short asphalt gap between two stair sections without slowing, slams the opposite curb, and drops straight into the next descending steps. Only once the rider is fully back on the stairs do horns burst behind while passing cars rip through the side wrap. Full-speed crossing with strong lateral parallax and zero release. SFX: (engine idle, tire buzz, chain rattle, curb thump, car horns behind). 0:10-0:13: POV keeps attacking the next stair section immediately after the asphalt gap, machine-gunning through two tight landings and another steep stepped lane, every hit punching a fresh jolt through the sphere as stacked homes, wires, and alley mouths curl around the viewer and the overlook rushes closer. Forward lunge with impact drive and nonstop shake. SFX: (air rush, heavy thump, stair chatter, horn echo fading, chain lash, wind buffeting). 0:13-0:15: POV rips through the final stepped approach to the overlook and throws the rear wheel into a savage sideways skid, dust and gravel spraying across the lower frame while stair-lined drops fall away to both sides and the skyline blooms around the entire sphere in one fast violent sweep. The bike stays hot through the slide as the city fills every direction. SFX: (rear tire screech, gravel spray, freewheel spin, city roar, music drop).

15-second cinematic action-comedy sequence, photorealistic. A massive stone boulder rolls down a steep San Francisco hill during a crowded street flea market, comically absorbing everything in its path. [00:00-00:04] Wide tracking shot alongside the boulder. A 10-foot stone boulder barrels down a steep, sunny San Francisco street lined with colorful flea market tents. Fleeing people get comically stuck to its surface, waving their arms wildly as they are rolled up into the mass. SFX: Rumbling stone and comedic yelps. [00:04-00:08] "Boulder-cam" POV, rotating wildly. The camera is attached directly to the spinning boulder, creating a dizzying, dynamic view of the street ahead and the screaming, flailing people adhered to the surface right alongside the lens. The boulder rapidly accumulates more people and debris, growing to the size of a multi-story building. SFX: Whooshing wind and chaotic, fading screaming. [00:08-00:12] Low-angle dynamic crane shot from the bottom of the hill. The building-sized sphere of people, umbrellas, and market debris rolls over a barricade of parked police cars with flashing lights. The cars are instantly pulled up into the rotating bulk, their red and blue sirens still spinning as they go round and round. SFX: Metal crunching and muffled sirens. [00:12-00:15] Wide establishing shot. The colossal, chaotic ball of screaming people and police cars launches off a wooden pier and crashes perfectly into the San Francisco Bay, sending a gigantic, spectacular water splash into the air. SFX: Massive water splash and seagulls squawking. Style: Photorealistic, Katamari Damacy meets Hollywood blockbuster, bright natural sunlight, vibrant colors, fast-paced slapstick action. Constraints: Comedic tone with absolutely no gore or realistic injuries, keep the rolling momentum continuous and smooth, maintain clear structural physics as the boulder grows, avoid blurry motion.

Format: Fast-paced, hyper-realistic, mouth-watering cinematic reel (16:9 or 9:16) Lighting: Bright, natural sunlight pouring into a warm, lived-in Indian kitchen and dining area. Audio/VFX: The rhythmic clatter of brass plates (thalis), the sizzling sound of mustard oil, and background Bengali chatter fading into an upbeat, nostalgic flute or acoustic folk tune. Scene 1: The Morning Setup (0:00 - 0:03) Visual: Close-up shot of raw, fresh Hilsa fish (Ilish) being sliced, and a mound of fresh red mutton being marinated in yogurt, turmeric, and mustard oil. Details: Sunlight glints off brass and copper utensils on the kitchen counter. Scene 2: The Sizzle & Aroma (0:03 - 0:08) Visual: Macro shot of mustard oil heating up in an iron wok (kadhai). Whole spices (cinnamon, cardamom, cloves, dried red chilies) are tossed in. Details: Golden-brown onions and deep red mutton pieces are tossed in, creating a rich, thick, bubbling gravy. Scene 3: The Masterpieces (0:08 - 0:13) Visual: Quick, dynamic jump-cuts revealing the final spreads: Deep-red Kosha Mangsho (spicy mutton curry). Vibrant yellow Basanti Pulao. Delicate Shorshe Ilish submerged in a rich, pungent mustard gravy. Fluffy, hot Luchis puffing up in hot oil. Scene 4: The Plating (0:13 - 0:18) Visual: A beautiful, round Kansa thali (brass platter) is laid out on a wooden dining table. Action: Basanti Pulao is shaped into a dome. White rice is surrounded by sides—begun bhaja (fried eggplant) and alur dum. Rich gravies are carefully ladled into separate small bowls. Scene 5: The First Bite & Satisfaction (0:18 - 0:25) Visual: A close-up shot of a hand mixing rice, a piece of fried fish, and a drizzle of fragrant ghee. The food is taken to the mouth. Cutaway: The camera pans to a family member closing their eyes in sheer bliss, savoring the flavors, followed by a close-up of soft, syrup-dripping Roshogollas being served in a glass bowl. Text Overlay: "Sunday vibes: Done right.

Format: Fast-paced, hyper-realistic, mouth-watering cinematic reel (16:9 or 9:16) Lighting: Bright, natural sunlight pouring into a warm, lived-in Indian kitchen and dining area. Audio/VFX: The rhythmic clatter of brass plates (thalis), the sizzling sound of mustard oil, and background Bengali chatter fading into an upbeat, nostalgic flute or acoustic folk tune. Scene 1: The Morning Setup (0:00 - 0:03) Visual: Close-up shot of raw, fresh Hilsa fish (Ilish) being sliced, and a mound of fresh red mutton being marinated in yogurt, turmeric, and mustard oil. Details: Sunlight glints off brass and copper utensils on the kitchen counter. Scene 2: The Sizzle & Aroma (0:03 - 0:08) Visual: Macro shot of mustard oil heating up in an iron wok (kadhai). Whole spices (cinnamon, cardamom, cloves, dried red chilies) are tossed in. Details: Golden-brown onions and deep red mutton pieces are tossed in, creating a rich, thick, bubbling gravy. Scene 3: The Masterpieces (0:08 - 0:13) Visual: Quick, dynamic jump-cuts revealing the final spreads: Deep-red Kosha Mangsho (spicy mutton curry). Vibrant yellow Basanti Pulao. Delicate Shorshe Ilish submerged in a rich, pungent mustard gravy. Fluffy, hot Luchis puffing up in hot oil. Scene 4: The Plating (0:13 - 0:18) Visual: A beautiful, round Kansa thali (brass platter) is laid out on a wooden dining table. Action: Basanti Pulao is shaped into a dome. White rice is surrounded by sides—begun bhaja (fried eggplant) and alur dum. Rich gravies are carefully ladled into separate small bowls. Scene 5: The First Bite & Satisfaction (0:18 - 0:25) Visual: A close-up shot of a hand mixing rice, a piece of fried fish, and a drizzle of fragrant ghee. The food is taken to the mouth. Cutaway: The camera pans to a family member closing their eyes in sheer bliss, savoring the flavors, followed by a close-up of soft, syrup-dripping Roshogollas being served in a glass bowl. Text Overlay: "Sunday vibes: Done right.

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Tableau de storyboard professionnel # Temps Image / action Type de plan / caméra Son / voix-off / habillage 1 0:00–0:08 Lever de soleil sur la Côte d’Ivoire : forêt, savane, littoral, lagune. Plans aériens larges, mouvement lent et fluide. Sons naturels seuls : eau, vent, ambiance de marché, voix d’enfants. 2 0:08–0:18 Vie quotidienne : marché, champs, circulation, gestes du quotidien. Travelling doux, plans contemplatifs. Voix-off d’ouverture sur l’histoire longue du pays. 3 0:18–0:30 Archives : inaugurations, rencontres diplomatiques, chantiers. Montage d’archives en fondu enchaîné. Voix-off sur la continuité historique et l’effort dans la durée. 4 0:30–0:45 Passage au présent : route, pont, hôpital, université, électrification rurale. Plans larges, rythme lent, caméras stables. Début discret de la musique, montée très progressive. 5 0:45–0:58 Infrastructures terminées vues en contre-plongée : autoroute, pont, bâtiment public. Caméra fluide, légère grue ou travelling. Insert typographique sobre avec un chiffre clé. 6 0:58–1:12 Agriculteur, étudiante, entrepreneur en activité. Plans moyens, compositions élégantes. Voix-off sur les preuves concrètes du développement. 7 1:12–1:30 Comparaison visuelle “avant / après” sur un chantier ou un site transformé. Montage comparatif, coupes nettes mais sobres. Typographies animées minimalistes sur fond clair ou sombre. 8 1:30–1:45 Vue aérienne d’Abidjan : Plateau, port, nouveaux quartiers. Grand plan cinémascope, travelling aérien. Voix-off : vision d’une Grande Nation Stable, Ambitieuse et Solidaire. 9 1:45–2:05 Agriculture, industrie, capital humain. Trois séquences courtes de 6 à 7 secondes. Insertion d’un titre sobre pour chaque pilier. 10 2:05–2:30 Sécurité, infrastructures, gouvernance digitale, santé, éducation. Plans sobres, composition institutionnelle. Musique plus ample, cordes et kora en progression. 11 2:30–2:45 Fond sombre bleu nuit, apparition des chiffres de financement. Animation graphique épurée. 114 838 milliards FCFA, modèle 70/30, croissance visée, emplois. 12 2:45–3:05 Réunions d’investisseurs, tableaux de bord, poignée de main, documents. Plans serrés puis élargis, style institutionnel. Voix-off plus directe : plan structuré, lisible, mobilisable. 13 3:05–3:20 Retour vers le terrain : chantier, formation pro, solaire rural, startup. Montage fluide orienté vers l’avenir. Montée musicale vers le point culminant. 14 3:20–3:40 Jeunes en mouvement, enfant vers l’école, travailleurs en action. Plans de mouvement, lumière chaleureuse. Voix-off sur l’avenir à construire ensemble. 15 3:40–4:00 Abidjan de nuit vue du ciel, ville lumineuse, puis fondu au noir. Plan fixe final, image ample et majestueuse. Titre du Groupe consultatif, puis logo de la République de Côte d’Ivoire.

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A cinematic ,ultra-realistic transition in to one final image.The sequence must end exactly matching the end frame. The camera performsan in tense continuous FPV flight from the sky into the final scene. 0:00‒0:02 The shot beginshighabovethecloudsatsunrise. Thecameradivesforwardatextremespeed throughmassivevolumetricclouds.Goldenlight, atmospherichaze,cinematicscale.Smooth acceleration,subtlecamerashake,realisticmotion blur. 0:02‒0:03 Thecameraexitsthecloudsandnarrowlypasses besidealargecommercialairplane.Wind turbulenceaffectsthemovementnaturally. Immediatelyafter,thecameraweavesthrougha flockofbirdscrossingframe,avoidingthemby inches.Fast,dynamic,immersivemovement. 0:03‒0:05 Thecityappearsbelow.Thecameradescends aggressivelytowardahugemodernskyline,flying betweenskyscrapersandbuildingsathighvelocity. Reflections,shadows,realisticurbanatmosphere, intensesensationofspeed. 0:05‒0:08 Thecameraentersthestreets,rapidlydodging movingcars,buses,motorcycles,andpedestrians. Nearmisses,tightturns,controlledchaos. Handheldenergybutcinematicprecision.Strong depthoffieldandmotionblurenhancerealism. 0:08‒0:09 Thecameraspotsabuildingaheadandrises quicklytowardanopenwindow.Itthreads perfectlybetweenobstacles,alignswiththeopening,andfliesthroughthewindowintothe interiorspace.Movementbeginstosmoothand decelerate. 0:09‒0:10 Thecamerasettlesnaturallyinsidetheroom. Composition,perspective,framing,andlighting becomeidenticaltotheendframe.Endexactly matchingtheuploadedimage.Hyper-realistic details,seamlesstransition,perfectfinallock-off frame.

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janabr_08609

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