the bartenders squeeze, 1955, pulp, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
A movie scene in the year 1955: The hot afternoon makes little beads of sweat glisten on her tanned skin. She is wearing a figure-hugging, summery dress with a cherry pattern that fits tightly and emphasizes her voluptuous curves. A narrow belt highlights her slim waist, while her red peep-toe heels dangle casually on the garden lounger. She lifts an iced lemonade to her red lips and takes a long sip. A single drop trickles down her collarbone, slowly disappearing between the curves of her décolleté. Her red lipstick leaves a hint of color on the rim of the glass. With a slow movement, she leans back, fans herself with her free hand and casts a seductive glance over the rim of her sunglasses.
the bartenders squeeze, 1955, pulp, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
A movie scene in the year 1955: The hot afternoon makes little beads of sweat glisten on her tanned skin. She is wearing a figure-hugging, summery dress with a cherry pattern that fits tightly and emphasizes her voluptuous curves. A narrow belt highlights her slim waist, while her red peep-toe heels dangle casually on the garden lounger. She lifts an iced lemonade to her red lips and takes a long sip. A single drop trickles down her collarbone, slowly disappearing between the curves of her décolleté. Her red lipstick leaves a hint of color on the rim of the glass. With a slow movement, she leans back, fans herself with her free hand and casts a seductive glance over the rim of her sunglasses.
A movie scene in the year 1955: The hot afternoon makes little beads of sweat glisten on her tanned skin. She is wearing a figure-hugging, summery dress with a cherry pattern that fits tightly and emphasizes her voluptuous curves. A narrow belt highlights her slim waist, while her red peep-toe heels dangle casually on the garden lounger. She lifts an iced lemonade to her red lips and takes a long sip. A single drop trickles down her collarbone, slowly disappearing between the curves of her décolleté. Her red lipstick leaves a hint of color on the rim of the glass. With a slow movement, she leans back, fans herself with her free hand and casts a seductive glance over the rim of her sunglasses.
the bartenders squeeze, 1955, pulp, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
the bartenders squeeze, 1955, pulp, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
A movie scene in the year 1955: The hot afternoon makes little beads of sweat glisten on her tanned skin. She is wearing a figure-hugging, summery dress with a cherry pattern that fits tightly and emphasizes her voluptuous curves. A narrow belt highlights her slim waist, while her red peep-toe heels dangle casually on the garden lounger. She lifts an iced lemonade to her red lips and takes a long sip. A single drop trickles down her collarbone, slowly disappearing between the curves of her décolleté. Her red lipstick leaves a hint of color on the rim of the glass. With a slow movement, she leans back, fans herself with her free hand and casts a seductive glance over the rim of her sunglasses.
A movie scene in the year 1955: The hot afternoon makes little beads of sweat glisten on her tanned skin. She is wearing a figure-hugging, summery dress with a cherry pattern that fits tightly and emphasizes her voluptuous curves. A narrow belt highlights her slim waist, while her red peep-toe heels dangle casually on the garden lounger. She lifts an iced lemonade to her red lips and takes a long sip. A single drop trickles down her collarbone, slowly disappearing between the curves of her décolleté. Her red lipstick leaves a hint of color on the rim of the glass. With a slow movement, she leans back, fans herself with her free hand and casts a seductive glance over the rim of her sunglasses.
the bartenders squeeze, 1955, pulp, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
the bartenders squeeze, 1955, pulp, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
A movie scene in the year 1955: The hot afternoon makes little beads of sweat glisten on her tanned skin. She is wearing a figure-hugging, summery dress with a cherry pattern that fits tightly and emphasizes her voluptuous curves. A narrow belt highlights her slim waist, while her red peep-toe heels dangle casually on the garden lounger. She lifts an iced lemonade to her red lips and takes a long sip. A single drop trickles down her collarbone, slowly disappearing between the curves of her décolleté. Her red lipstick leaves a hint of color on the rim of the glass. With a slow movement, she leans back, fans herself with her free hand and casts a seductive glance over the rim of her sunglasses.