1997 Prompts

1984

(masterpiece), best quality, expressive eyes, perfect face, shoulder armor, sleeveless turtleneck, suspenders, belt, baggy pants, gloves, bracer, boots, shoulder armor, sleeveless turtleneck, suspenders, belt, baggy pants, gloves, bracer, boots, cloud strife, 1997, <lora:cloudstrife-nvwls-v1-final:0.7>, full body, <lora:tachie:0.7>

woman 1986

1984

1999 Rapper and his girlfriends

1984

(masterpiece), best quality, expressive eyes, perfect face, shoulder armor, sleeveless turtleneck, suspenders, belt, baggy pants, gloves, bracer, boots, shoulder armor, sleeveless green color, suspenders, belt, baggy pants, gloves, bracer, boots, cloud strife, 1997, <lora:cloudstrife-nvwls-v1-final:0.7>, full body, <lora:tachie:0.7>

(masterpiece), best quality, expressive eyes, dark hair, perfect face, shoulder armor, sleeveless, belt, baggy pants, gloves, bracer, boots, shoulder armor, sleeveless, green color, belt, gloves, bracer, boots, cloud strife, 1997,

(masterpiece), best quality, expressive eyes, dark hair, perfect face, shoulder armor, sleeveless, belt, baggy pants, gloves, bracer, boots, shoulder armor, sleeveless, green color, belt, gloves, bracer, boots, cloud strife, 1997,

Spring 1997. A 48 years old Lebanese father, sitting on the carpeted floor of a mezzanine, copies a CD of Noir Désir's album 666.667 Club onto a K7 tape. The man looks younger than his age: clean shave, black hair, wearing light blue jeans, a light pink summer shirt, and sand coloured suede boots. He sits with one leg bent and one spread open. He is seen from three quarters back, from a slightly high angle. The room is dimly lit by an out of frame balcony door on his right, it's a blueish morning light, the carpet is grey. The ceiling is low and shows the tilted edge of the white concrete roof beam.

a funky background in a complex bone frame a intimidating Xenomorph rfktrstyle 4d headshot looking at the viewer, a masterwork feature by H.R Giger from the movie Alien, The algorithm employed brings forth intricate details and realism, creating a terrifying portrayal. laser painted with vibrant transparent ruby red oils, realistic art by Maciej Kuciara,hajime sorayama, rich cinematic lighting, smooth crisp vibrant textures, the final product is a H.R Giger(Alien (1979), Aliens (1986), Alien 3 (1992), Alien Resurrection (1997), AVP:Alien vs. Predator(2004), Aliens vs Predator:Requiem(2007), Prometheus (2012), Alien:Covenant (2017)) masterpiece the best ever. with a gloss finish for that extra professional look.

Medium close-up of an 18-year-old woman seated on a wooden stool in a sunlit dressing room — faded floral wallpaper, a half-open drawer spilling silk scarves like fallen petals. Late afternoon light pools around her like honey. She is not alone. From the air around her shoulders, delicate, translucent threads — not fabric, not smoke — drift upward, each one glowing faintly gold, as if spun from memory. They curl around her fingers, her collarbone, the edge of her bra strap — the same simple lace, slightly stretched, one strap now loose and sliding down her arm. The other still holds. The cups still cover. No skin exposed. Her eyes are closed. Lips parted — not in breath, but in wonder. A single silver strand of hair clings to her temple. Beneath her bare foot, the wooden floor is no longer wood — it is moss, soft and glowing, tiny white flowers blooming where her toes press. Behind her, in the mirror: the reflection shows not her face, but a child — same posture, same bra, same stillness — smiling faintly, holding a dandelion puff. The child’s hand is reaching, but the adult’s hand does not turn. The bra’s lace is stitched with faint, fading initials: “M.L. 1997”. Shot on Canon EOS R5, 50mm f/1.2 — shallow depth, focus on the floating threads and the texture of the lace. Natural light only. Film grain: Kodak Portra 400. Style: Documentary surrealism — tender, quiet, haunting. Think: Hayao Miyazaki’s quiet magic meets Sally Mann’s intimacy. She is not performing. She is remembering what she forgot she loved. —ar 3:4 —style raw —v 6.0 —sref REF_IMAGE_URL —sw 80 —cfg_scale 6 —noise 0.15 —clip_skip 2 —steps 45 —emotional_tone serene —distortion 0.08

a funky background in a complex bone frame a intimidating Xenomorph rfktrstyle 4d headshot looking at the viewer, a masterwork feature by H.R Giger from the movie Alien, The algorithm employed brings forth intricate details and realism, creating a terrifying portrayal. laser painted with vibrant transparent ruby red oils, realistic art by Maciej Kuciara,hajime sorayama, rich cinematic lighting, smooth crisp vibrant textures, the final product is a H.R Giger(Alien (1979), Aliens (1986), Alien 3 (1992), Alien Resurrection (1997), AVP:Alien vs. Predator(2004), Aliens vs Predator:Requiem(2007), Prometheus (2012), Alien:Covenant (2017)) masterpiece the best ever. with a gloss finish for that extra professional look.

hyper realistic, maximum detail, correct details, cinematic lighting, cinematic composition, 30-megapixel, 85-mm-lens, sharp-focus, mdjrny-v5 style, raytraced, Photorealism, Sony Alpha α7, ISO1900, Unreal Engine, raytraced, Octane render, HD, 12k, --ar 9:16 --chaos 30 The crew of the USS Enterprise enters the portal to hell from Event Horizon (1997) and are immediately tormented by demons thirsty for their blood.

a funky background in a complex bone frame a intimidating Xenomorph rfktrstyle 4d headshot looking at the viewer, a masterwork feature by H.R Giger from the movie Alien, The algorithm employed brings forth intricate details and realism, creating a terrifying portrayal. laser painted with vibrant transparent ruby red oils, realistic art by Maciej Kuciara,hajime sorayama, rich cinematic lighting, smooth crisp vibrant textures, the final product is a H.R Giger(Alien (1979), Aliens (1986), Alien 3 (1992), Alien Resurrection (1997), AVP:Alien vs. Predator(2004), Aliens vs Predator:Requiem(2007), Prometheus (2012), Alien:Covenant (2017)) masterpiece the best ever. with a gloss finish for that extra professional look.

a funky background in a complex bone frame a intimidating Xenomorph rfktrstyle 4d headshot looking at the viewer, a masterwork feature by H.R Giger from the movie Alien, The algorithm employed brings forth intricate details and realism, creating a terrifying portrayal. laser painted with vibrant transparent ruby red oils, realistic art by Maciej Kuciara,hajime sorayama, rich cinematic lighting, smooth crisp vibrant textures, the final product is a H.R Giger(Alien (1979), Aliens (1986), Alien 3 (1992), Alien Resurrection (1997), AVP:Alien vs. Predator(2004), Aliens vs Predator:Requiem(2007), Prometheus (2012), Alien:Covenant (2017)) masterpiece the best ever. with a gloss finish for that extra professional look.

1984

Medium close-up of an 18-year-old woman seated on a wooden stool in a sunlit dressing room — faded floral wallpaper, a half-open drawer spilling silk scarves like fallen petals. Late afternoon light pools around her like honey. She is not alone. From the air around her shoulders, delicate, translucent threads — not fabric, not smoke — drift upward, each one glowing faintly gold, as if spun from memory. They curl around her fingers, her collarbone, the edge of her bra strap — the same simple lace, slightly stretched, one strap now loose and sliding down her arm. The other still holds. The cups still cover. No skin exposed. Her eyes are closed. Lips parted — not in breath, but in wonder. A single silver strand of hair clings to her temple. Beneath her bare foot, the wooden floor is no longer wood — it is moss, soft and glowing, tiny white flowers blooming where her toes press. Behind her, in the mirror: the reflection shows not her face, but a child — same posture, same bra, same stillness — smiling faintly, holding a dandelion puff. The child’s hand is reaching, but the adult’s hand does not turn. The bra’s lace is stitched with faint, fading initials: “M.L. 1997”. Shot on Canon EOS R5, 50mm f/1.2 — shallow depth, focus on the floating threads and the texture of the lace. Natural light only. Film grain: Kodak Portra 400. Style: Documentary surrealism — tender, quiet, haunting. Think: Hayao Miyazaki’s quiet magic meets Sally Mann’s intimacy. She is not performing. She is remembering what she forgot she loved. —ar 3:4 —style raw —v 6.0 —sref REF_IMAGE_URL —sw 80 —cfg_scale 6 —noise 0.15 —clip_skip 2 —steps 45 —emotional_tone serene —distortion 0.08

hyper realistic, maximum detail, correct details, cinematic lighting, cinematic composition, 30-megapixel, 85-mm-lens, sharp-focus, mdjrny-v5 style, raytraced, Photorealism, Sony Alpha α7, ISO1900, Unreal Engine, raytraced, Octane render, HD, 12k, --ar 9:16 --chaos 30 The crew of the USS Enterprise enters the portal to hell from Event Horizon (1997) and are immediately tormented by demons thirsty for their blood.

a funky background in a complex bone frame a intimidating Xenomorph rfktrstyle 4d headshot looking at the viewer, a masterwork feature by H.R Giger from the movie Alien, The algorithm employed brings forth intricate details and realism, creating a terrifying portrayal. laser painted with vibrant transparent ruby red oils, realistic art by Maciej Kuciara,hajime sorayama, rich cinematic lighting, smooth crisp vibrant textures, the final product is a H.R Giger(Alien (1979), Aliens (1986), Alien 3 (1992), Alien Resurrection (1997), AVP:Alien vs. Predator(2004), Aliens vs Predator:Requiem(2007), Prometheus (2012), Alien:Covenant (2017)) masterpiece the best ever. with a gloss finish for that extra professional look.

1993, camera flash, --ph

hyper realistic, maximum detail, correct details, cinematic lighting, cinematic composition, 30-megapixel, 85-mm-lens, sharp-focus, mdjrny-v5 style, raytraced, Photorealism, Sony Alpha α7, ISO1900, Unreal Engine, raytraced, Octane render, HD, 12k, --ar 9:16 --chaos 30 The crew of the USS Enterprise enters the portal to hell from Event Horizon (1997) and are immediately tormented by demons thirsty for their blood.

a funky background in a complex bone frame a intimidating Xenomorph rfktrstyle 4d headshot looking at the viewer from the side, a masterwork feature by H.R Giger from the movie Alien, The algorithm employed brings forth intricate details and realism, creating a terrifying portrayal. laser painted with vibrant transparent ruby red oils, realistic art by Maciej Kuciara,hajime sorayama, rich cinematic lighting, smooth crisp vibrant textures, the final product is a H.R Giger(Alien (1979), Aliens (1986), Alien 3 (1992), Alien Resurrection (1997), AVP:Alien vs. Predator(2004), Aliens vs Predator:Requiem(2007), Prometheus (2012), Alien:Covenant (2017)) masterpiece the best ever. with a gloss finish for that extra professional look.

Photo of a ultra realistic sailing ship, dramatic light, pale sunrise, cinematic lighting, battered, low angle, trending on artstation, 4k, hyper realistic, focused, extreme details, unreal engine 5, cinematic, masterpiece, art by studio ghibli, intricate artwork by john william turner; the crew of the USS Enterprise enters the portal to hell from Event Horizon (1997) and has to deal with unfathomable terror the whole time.