3D format Prompts

make an image, Santa Claus the tomb rider sitting on a rock formation, rock formation is a 3D popup text "XMAS" made of rocks, snowy winters in a moonlit night, in style of artist Eli McMullen, 2022, oil on acrylic, gouache on board, and Josh Adamski, muted soft pastel earthly colours.

Stylized 3D portrait in iPhone 16 Pro format (9:16) of a character [Bugs Bunny]. Standing, confident, in a powerful pose, a smirk, he wears [a black and orange cap turned backward, "police" sunglasses on the tip of his nose, an orange top with a black "Bunny Gang" logo, baggy pants and white Nike Air sneakers.]. He is holding a wad of bills made of sliced ​​carrots. The background represents [a gambling den in Chinatown, at night in front of a gaming table where three other gangster rabbits are sitting playing poker]. The character is designed in a semi-cartoon 3D aesthetic, Pixar style, with exaggerated facial features and expressive gestures. The size of the character should not exceed 3/4 of the image by placing it at the lowest point while viewing it in its entirety, including the feet. The lighting is cinematic, and the highly detailed narrative composition pays homage to the legacy and artistic style of DreamWorks and Pixar characters.

Stylized 3D portrait in iPhone 16 Pro format (9:16) of a character [pato lucas]. Standing, confident, in a powerful pose, a smirk, he wears [a black and yellow cap turned backward, "police" sunglasses on the tip of his nose, an yellow top with a black "Ducky Lucky" logo, baggy pants and red Nike Air sneakers.]. He is holding a wad of bills made of sliced ​​gold. The background represents [a gambling den in mexican town, at night in front of a gaming table where three other gangster ducks are sitting playing poker]. The character is designed in a semi-cartoon 3D aesthetic, Pixar style, with exaggerated facial features and expressive gestures. The size of the character should not exceed 3/4 of the image by placing it at the lowest point while viewing it in its entirety, including the feet. The lighting is cinematic, and the highly detailed narrative composition pays homage to the legacy and artistic style of DreamWorks and Pixar characters

3d dimand

by rue feitner, mashups using silhouettes of women wearing floral pieces, in the style of cellular formations, bryce 3d, sharp/prickly, light black and white, marine biology-inspired, full body, photoillustration --ar 73:90 --s 750 --v 5.2 --style raw

•  Circular Wheel: This is the main component. It likely represents a handle that can be rotated. •  Spokes: The four bars connecting the wheel to the central hub. These reinforce the structure and allow for manual control. •  Central Hub: The part connecting the wheel to the valve. •  Cylindrical Shape and conical end: This might represent the valve body or the actuator that controls the flow or position of something within the system. • The mesh-like representation is showing how the model would look 3D printed, as most 3D models will have a mesh format like this. Possible Context in a Space Setting: •  Valve Control: Could be used to control the flow of fuel, coolant, oxygen, or other vital resources within a spacecraft or space station. •  Hatch or Door Mechanism: Might be part of a locking or sealing system for hatches, doors, or airlocks. •  Mechanical Override: Could represent a manual override for automated systems in case of emergencies.

•  Circular Wheel: This is the main component. It likely represents a handle that can be rotated. •  Spokes: The four bars connecting the wheel to the central hub. These reinforce the structure and allow for manual control. •  Central Hub: The part connecting the wheel to the valve. •  Cylindrical Shape and conical end: This might represent the valve body or the actuator that controls the flow or position of something within the system. • The mesh-like representation is showing how the model would look 3D printed, as most 3D models will have a mesh format like this. Possible Context in a Space Setting: •  Valve Control: Could be used to control the flow of fuel, coolant, oxygen, or other vital resources within a spacecraft or space station. •  Hatch or Door Mechanism: Might be part of a locking or sealing system for hatches, doors, or airlocks. •  Mechanical Override: Could represent a manual override for automated systems in case of emergencies.

•  Circular Wheel: This is the main component. It likely represents a handle that can be rotated. •  Spokes: The four bars connecting the wheel to the central hub. These reinforce the structure and allow for manual control. •  Central Hub: The part connecting the wheel to the valve. •  Cylindrical Shape and conical end: This might represent the valve body or the actuator that controls the flow or position of something within the system. • The mesh-like representation is showing how the model would look 3D printed, as most 3D models will have a mesh format like this. Possible Context in a Space Setting: •  Valve Control: Could be used to control the flow of fuel, coolant, oxygen, or other vital resources within a spacecraft or space station. •  Hatch or Door Mechanism: Might be part of a locking or sealing system for hatches, doors, or airlocks. •  Mechanical Override: Could represent a manual override for automated systems in case of emergencies.

•  Circular Wheel: This is the main component. It likely represents a handle that can be rotated. •  Spokes: The four bars connecting the wheel to the central hub. These reinforce the structure and allow for manual control. •  Central Hub: The part connecting the wheel to the valve. •  Cylindrical Shape and conical end: This might represent the valve body or the actuator that controls the flow or position of something within the system. • The mesh-like representation is showing how the model would look 3D printed, as most 3D models will have a mesh format like this. Possible Context in a Space Setting: •  Valve Control: Could be used to control the flow of fuel, coolant, oxygen, or other vital resources within a spacecraft or space station. •  Hatch or Door Mechanism: Might be part of a locking or sealing system for hatches, doors, or airlocks. •  Mechanical Override: Could represent a manual override for automated systems in case of emergencies.

•  Circular Wheel: This is the main component. It likely represents a handle that can be rotated. •  Spokes: The four bars connecting the wheel to the central hub. These reinforce the structure and allow for manual control. •  Central Hub: The part connecting the wheel to the valve. •  Cylindrical Shape and conical end: This might represent the valve body or the actuator that controls the flow or position of something within the system. • The mesh-like representation is showing how the model would look 3D printed, as most 3D models will have a mesh format like this. Possible Context in a Space Setting: •  Valve Control: Could be used to control the flow of fuel, coolant, oxygen, or other vital resources within a spacecraft or space station. •  Hatch or Door Mechanism: Might be part of a locking or sealing system for hatches, doors, or airlocks. •  Mechanical Override: Could represent a manual override for automated systems in case of emergencies.

recreate image in 3d

isolated objects, 32k --v 5.2 --ar 2:3 --s 700 --q 2

[1] "FLS Atmospheres" written in capital letters in the center of a slightly rusted gearwheel. The gearwheel should be prominently displayed in a vertical, 3D image. [2] The gearwheel should have a warm brown color with shades of old gold and aquamarine green to give the appearance of rust. The words should be clearly visible and written in large, legible letters. [3] The word "Atmospheres" should be written in the bottom part of the gearwheel. [4] Make sure to choose an image that has a clearly visible gearwheel that is presented in a vertical, 3D format.

[1] "FLS Atmospheres" written in capital letters in the center of a slightly rusted gearwheel. The gearwheel should be prominently displayed in a vertical, 3D image. [2] The gearwheel should have a warm brown color with shades of old gold and aquamarine green to give the appearance of rust. The words should be clearly visible and written in large, legible letters. [3] The word "Atmospheres" should be written in the bottom part of the gearwheel. [4] Make sure to choose an image that has a clearly visible gearwheel that is presented in a vertical, 3D format.

3d clay mode

generiere ein Bild von der WM 2026 in USA, Finale Deutschland VS Spanien 5 :1 , Emotionen, Action, surreal, 4 K, detailliert, 3D, Format: 16:9,

A charming bunny grasping a carrot, with eyes reminiscent of exquisite red wine, perched upon a cloud as soft as cotton in a clear, expansive sky. 3D format, cartoon , realism

Generiere ein Bild von der WM 2026 in USA, Finale Deutschland VS Spanien 5 :1 , Emotionen, Action, surreal, 4 K, destailiert, 3D Format: 16:9,

3d，ballon cafe

A premium New Year 2026 celebration poster design, vertical format. Huge 3D golden text reading "HAPPY NEW YEAR 2026" in the center, luxury metallic gold typography with realistic reflections, soft glow, cinematic lighting and depth. Golden fireworks exploding in the night sky, sparkling gold particles floating around the text, glowing bokeh lights, confetti effects. A modern city skyline at night in the background with warm golden lights, slightly blurred for depth and focus. Elegant black and dark navy background with rich contrast. Ultra-high resolution, professional marketing poster, festive luxury style, perfect symmetry, clean composition, no distortion, sharp details. Designed for social media and premium branding.

Lovecraftian singular Hypnotic Mandala | with tentacles, spikes and nebulas | crystal formations around | neon and bioluminiscent vibes | Zbrush isometric 3D model --stylize 180 --v 5.2

Logo design for "ace", 3D style, transparent background, printable vector format.

I want you to create an image based on the one I sent you. Even though it is in pixel art, I need it to be in a 3D format to look like a boss being announced inside the game. Copy and highlight all of its features.

# تصميم الفيديو: الأشقاء المصريون الثلاثة في غرفة اللعب --- ## ملخص التصميم - **هدف الفيديو**: مشهد كرتوني ثلاثي الأبعاد بأسلوب بيكسار/ديزني يصور لحظة مرحة عفوية بين ثلاثة أشقاء مصريين: سليم (8 سنوات)، وكرمة (5 سنوات)، وكندة الرضيعة (سنة ونصف)، حيث تسرق كرمة لعبة سليم وتجري بها بشكل مشاغب بينما يطاردها وكندة تضحك وتصفق. - **الأسلوب البصري**: رسوم متحركة ثلاثية الأبعاد بأسلوب بيكسار/ديزني — ملونة زاهية، إضاءة سينمائية ناعمة، ملامح مصرية أصيلة، تعبيرات وجه عالية الجودة، دقة 4K. - **الإيقاع**: بداية هادئة تمهيدية → تصاعد مرح وديناميكي → لحظة دفء عاطفي في النهاية. --- ## المعاملات التقنية | المعامل | القيمة | |---|---| | generation_unit_count | 1 | | workflow_level | lightweight | | action | t2v | | model | kling-3.0 | | total_duration | 15 ثانية | | aspect_ratio | 16:9 | | audio_switch | true | | asset_strategy | توليد نصي مباشر — لا حاجة لأصول خارجية | --- ## جدول الأصول توليد نصي مباشر (t2v)، لا يوجد مقاطع أو صور يجب توليدها مسبقاً. --- ## وحدات التوليد ### وحدة التوليد 01 — الأشقاء الثلاثة في غرفة اللعب #### تفاصيل المشاهد | المشهد | النطاق الزمني | حجم الإطار | حركة الكاميرا (الفعل + الغرض) | المحتوى البصري | |---|---|---|---|---| | 01 | 0-3 ثانية | لقطة متوسطة — تأسيسية | إطار ثابت، كاميرا طفيفة لأسفل | سليم (8 سنوات) يجلس على السجادة في غرفة اللعب ويمسك لعبة قطار خشبية ملونة؛ كندة (رضيعة 18 شهراً) تجلس بجانبه وتنظر إليه بفضول بعيون واسعة؛ كرمة (5 سنوات) تقترب زاحفة بنظرة مشاغبة | | 02 | 3-8 ثانية | لقطة كاملة + متابعة | كاميرا تتبع جانبية سلسة | كرمة تخطف القطار من يد سليم فجأة وتنطلق بالجري بين الكراسي والألعاب ضاحكة بصوت عالٍ؛ سليم ينهض مستغرباً ويبدأ بملاحقتها بأسلوب مرح؛ كندة تجلس وتصفق وتقهقه بصوت مبهج | | 03 | 8-13 ثانية | لقطة متوسطة + تقريب عاطفي | دفع تدريجي للأمام نحو الأشقاء | كرمة تتعثر برفق في ركن الألعاب وتقع على الوسائد بضحكة مجلجلة؛ سليم يصل إليها ويستعيد اللعبة بابتسامة عريضة بدلاً من الغضب؛ يجلسان معاً ويعطيها القطار طوعاً | | 04 | 13-15 ثانية | لقطة قريبة جماعية | تقريب ناعم على الوجوه الثلاثة | الأشقاء الثلاثة في إطار واحد؛ سليم وكرمة يحملان اللعبة معاً؛ كندة تمد يدها الصغيرة نحوهما؛ ابتسامات ودفء حقيقي؛ لحظة عائلية مُضيئة | --- #### معاملات video_generation | المعامل | القيمة | |---|---| | action | t2v | | title | Egyptian Siblings Joyful Playroom Chase | | model | kling-3.0 | | duration | 15 | | aspect_ratio | 16:9 | | audio_switch | true | | first_frame_image_url | - | | end_frame_image_url | - | | image_urls | - | --- #### البرومبت (Prompt) ``` 3D Pixar/Disney-style cartoon animation, 16:9 cinematic format, vibrant colors, 4K quality. Three Egyptian siblings in a colorful, toy-filled playroom with warm soft lighting, pastel walls, plush rugs, and scattered building blocks. Characters: • Selim — 8-year-old smart Egyptian boy, warm brown skin, dark curly short hair, big expressive brown eyes, wearing a striped navy-and-white T-shirt and shorts, curious and kind expression. • Karma — 5-year-old energetic Egyptian girl, warm tan skin, black curly pigtails tied with red hair ties, bright mischievous dark eyes, wearing a pink dress with a small flower print, cheeky and playful smile. • Kinda — 1.5-year-old Egyptian baby girl, chubby rosy cheeks, short wispy black hair, wide innocent brown eyes, wearing a yellow onesie, sitting on a plush rug. [0s–3s] Medium wide establishing shot. Selim sits cross-legged on the rug holding a colorful wooden toy train, examining it with gentle focus. Kinda sits nearby watching him with wide curious eyes and a soft smile. Karma crouches a short distance away, eyes glinting mischievously, inching slowly toward Selim. Camera holds steady at child's-eye level. [3s–8s] Full body shot with smooth lateral tracking camera. Karma suddenly darts forward, snatches the wooden train from Selim's hands with a triumphant giggle, and sprints between toy shelves and colorful cushions. Her pigtails bounce as she laughs out loud in Egyptian Arabic — "يلا امسكني!" (Yalla imsikni! — Come catch me!). Selim stands up in playful disbelief, laughs, and chases her around the room calling — "كرمة! هاتي القطر!" (Karma! Give back the train!). Kinda claps her chubby hands and squeals with contagious baby laughter, rocking forward with joy. Dynamic handheld-style camera follows the chase with energy and warmth. [8s–13s] Medium shot with slow gentle push-in toward the siblings. Karma tumbles softly onto a pile of plush cushions in the corner, still holding the train and laughing uncontrollably. Selim reaches her, looks at her with a wide warm smile instead of frustration, and says in Egyptian Arabic — "مشيتيش بعيد أوي!" (Meshiteesh be'eed awi! — You didn't get very far!). He takes the train back gently, then pauses, looks at it, and smiles warmly. He holds it out to Karma as a kind gesture. Highly expressive facial animations showing joy, playfulness, and genuine sibling love. [13s–15s] Close-up group shot of all three siblings together on the rug. Selim and Karma hold the toy train between them; Kinda reaches toward them with her tiny hand, babbling happily. Warm golden soft lighting fills the frame. All three faces glowing with authentic happiness and warmth. Camera makes a very gentle smooth push-in landing on their three smiling faces. Style: Pixar/Disney 3D animation quality, authentic Egyptian features for all three characters, soft cinematic lighting with warm golden tones, vibrant saturated colors, shallow depth of field on background toys. Highly expressive facial animations — exaggerated cartoon eyebrows, wide Disney eyes, dynamic mouth shapes. Audio: genuine children's laughter throughout, Karma's playful giggle, Kinda's contagious baby babble and squeals, Selim's warm amused voice, authentic natural Egyptian Arabic dialect dialogue, light cheerful playful background music building through the chase and settling into warm soft tones at the end. Character face stable throughout, normal cartoon human structure, natural smooth cartoon movements. Maintain visual consistency of all three characters across the full duration. Avoid jitter; avoid limb distortion; avoid identity drift. ``` --- #### جدول الحوار | الوقت | الشخصية | الجملة | ملاحظات | |---|---|---|---| | 4-5 ث | كرمة | "يلا امسكني!" | ضحكة مرحة، لهجة مصرية عفوية | | 5-7 ث | سليم | "كرمة! هاتي القطر!" | نبرة لاهية غير غاضبة، مصري أصيل | | 9-11 ث | سليم | "مشيتيش بعيد أوي!" | ابتسامة دافئة، لهجة مصرية | | طوال المقطع | كندة | أصوات مبهجة وضحكات رضيعة | ثرثرة أطفال أصيلة | --- ## ما بعد الإنتاج | النطاق الزمني | العنصر | الموضع | المحتوى/الأصل | |---|---|---|---| | طوال المقطع | بدون نص مكتوب | — | الصوت والحوار مدمج في الفيديو مباشرة | | 0–15 ث | موسيقى خلفية | مضمنة في التوليد | خفيفة مرحة تتصاعد مع المطاردة وتهدأ في النهاية |