ARRI ALEXA 65 Prompts

analog photo, a cute girl, 22 years old, goth, black hair, choker, leather corsette, tits out, dominant, Porta 160 color, shot on ARRI ALEXA 65, bokeh, sharp focus on subject, shot by Don McCullin,

anger --ar 68:128 --s 750 --v 5.2

"title": "Rural Serenity", "intent": "A high-fidelity cinematic medium shot capturing an intimate moment of quiet confidence in a rustic environment.", "subjects": [ { "role": "person", "gender": "female", "age": "25", "skin": "sunkissed complexion with natural pores, subtle freckles across the bridge of the nose, and visible fine lines around the eyes.", "focus_area": "waist up medium shot", "expression": "confident yet serene expression with a slight, knowing smirk", "gaze": "direct gaze into lens", "pose": "leaning casually against a weathered wooden fence; left hand resting on splintered wood, right hand tucked in jean pocket.", "details": { "eye_color": "piercing sapphire blue with detailed irises", "hair": "long wavy chestnut brown hair catching stray highlights from dappled sunlight", "skin_texture": "subsurface scattering, realistic skin oils and natural texture without smoothing." } } ], "clothing": { "top": "triangle bikini top", "style": "minimalist tie-back design", "color": "deep crimson red", "material_detail": "matte nylon blend with subtle fabric weave visible in close-up" }, "environment": { "setting": "rural field under an ancient tree canopy during mid-day overcast lighting", "lighting": "diffused natural daylight filtered through leaves, creating a dappled light pattern; soft volumetric shadows.", "color_palette": ["earthy sienna", "sage green", "deep crimson", "muted sky blue"], "background": "vast open fields with rolling terrain extending to the horizon under an overcast sky; shallow bokeh blur." }, "camera": { "type": "cinematic lens", "lens": "85mm prime", "aperture": "f/1.8", "focus": "subject's eyes", "film_reference": "Shot on Arri Alexa 65, anamorphic optics", "cinematographer": "Roger Deakins style lighting" }, "style": { "look": "hyperrealistic cinematic film still, naturalistic color palette", "mood": "serene and contemplative with an intimate atmosphere", "post_processing": "gentle contrast enhancement, Kodak Portra 400 color grading, fine organic film grain." }, "output": { "aspect_ratio": "9:16", "format": "cinematic photo-realistic", "quality": "ultra high resolution" } }Natural skin texture with visible pores, subtle subsurface scattering, photorealistic, sharp focus, high resolution.

“Hyperrealistic miniature corn mage, knee-high, standing in a misty field at dawn, surrounded by withered corn stalks. His face is formed entirely from the natural structure of an ancient ear of maize — golden-yellow kernels weathered to amber, some missing or cracked, husk leaves dry and frayed like tattered robes. His eyes are large, deep-set, and intensely human — dark brown irises with soft white highlights, framed by thick, furrowed brows formed by the natural ridges of the cob. His mouth is a subtle, firm line suggested by a gentle crease between kernels, conveying quiet wisdom and weary power. He wears layered robes of dried corn husks and burlap, stained with soil, ash, and herbal stains, cinched with a belt of braided roots. On his head: a ceremonial iron circlet — rusted, thin, wrapped in faded silk cords — resting gently over his husk crown. In his hands, he cradles a glowing seed pod pulsing with soft amber light. Mist curls around his feet; dew clings to every fiber. Background: abandoned cornfield, broken scarecrow, distant storm clouds, golden light piercing through fog. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated golden-hour lighting, ultra-detailed textures (kernel pores, husk fibers, rust flakes, mud splatter, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

high fashion photo of a middle-aged woman with fair skin and a friendly smile, striking tattoos, holding a bouquet of flowers, interacting with nature, High angle view, inside a cozy cabin with a roaring fireplace, Golden hour light casting a warm glow, Dutch angle, ARRI ALEXA 65, in style of by Helmut Newton,8K

gorgeous female,a beautiful college girl, mixed girl, girl next door, baggy clothes, sitting, lecture hall, interior, messy hair, film grain, retro, (bokeh:1.3), Porta 160 color, shot on ARRI ALEXA 65, sharp focus on subject, Fujifilm XT-3,

gorgeous female,a beautiful college girl, mixed girl, girl next door, baggy clothes, sitting, lecture hall, interior, messy hair, film grain, retro, (bokeh:1.3), Porta 160 color, shot on ARRI ALEXA 65, sharp focus on subject, Fujifilm XT-3,

black and white photography masterpiece photo of a supermodel, Thin and slender with a subtle hourglass figure,small breast, Oversized graphic tee, distressed jeans, sneakers, bomber jacket., Holding a garment's fabric and pulling slightly for movement, full body, Enchanted forest with moss-covered trees, Light through a lace or patterned fabric backdrop, Framed angle, ARRI ALEXA 65, in style of George Hurrell, <lora:Breasts_Helper_Trail_v2:0.6>

a beautiful college girl, mixed girl, girl next door, baggy clothes, sitting, lecture hall, interior, messy hair, film grain, retro, (bokeh:1.3), Porta 160 color, shot on ARRI ALEXA 65, sharp focus on subject, Fujifilm XT-3

Night rain pounds a starship landing deck as Thor steps out from her craft. Keep a waist-up, three-quarter composition—she advances one measured pace into the rain, turns toward camera, and stops. Lightning forks behind her; droplets bead and stream over crystalline armor; neon-blue tattoos pulse once beneath the sternum and collarbone panels. Hair moves in wet strands; pores, freckles, and moisture remain lifelike. She lifts her wrist slightly; the bracelet blooms a small, tasteful hologram centered in frame reading “Created by Alex”, then retracts. Eyes stay natural (no glow); she sets her jaw with calm resolve as the storm roars around her. Do not widen beyond the waist-up crop; no other characters in frame. 2:3 vertical; slow, subtle dolly-in (very gentle, no hunting) or locked tripod with micro-parallax; ARRI ALEXA 65 look, 80 mm prime, T2.8, ISO 800, 180° shutter angle. Natural shallow DOF on eyes; restrained anamorphic-style halation; rain deflector on lens. Keep face tack-sharp; allow background rain bokeh. Cold white deck practicals + intermittent lightning backlight; wet steel speculars; volumetric steam; true photoreal skin (no smoothing). Maintain high micro-contrast, crisp hair strands, and precise iris refractions. No neon city colors—just storm whites and desaturated steel, with her bioluminescent blue as the only strong color. ACES pipeline, neutral white balance with slight cool bias; gentle filmic contrast; highlight roll-off; no toon/CG look, no over-sharpening halos, no plastic skin. Preserve natural grain and rain streak detail. Heavy rain, distant thunder, ship hydraulics, soft HUD beep from bracelet during hologram. No fabric/capes/skirts; no gore; no jump cuts; no eye glow (unless explicitly requested); do not alter face, eyeliner, or eye color; do not widen to full body; avoid “cartoon/AI/animation” aesthetics.

fear --ar 68:128 --s 750 --v 5.2

in style of trap music video grainy closeup still of glowing bokeh, focus on his face extreme bokeh, shot of black hooded man dancing in front neon string shaped as a heart , (purple floatin liquid particles:1.3) as his vomit like impossible purple caramel liquid scarf, very dynamic focused and provoking shot, very attractive personalities, sharp, high detail, Porta 160 color, shot on ARRI ALEXA 65, bokeh, sharp focus on subject, shot by Don McCullin

A stunning depiction of a 12-year-old girl, captured in ultra-high definition 8k resolution with unparalleled detail and precision, accentuated by life-like skin textures that amplify the realism. The lighting enhances every contour of her body, creating a striking and ethereal visual experience. This portrait sets a new standard for realism,truly showcasing the natural realistic picture, drawing viewers into a face-to-face encounter with the subject. An ultra-detailed,ultra-realistic,best quality portrait of a 13-year-old girl with striking red hair. The level of realism and detail in her face and features is truly unparalleled, showcasing intricate textures life-like skin with visible pores, detailed eyes, and a youthful, angelic expression. Captured with a Arri Alexa 65 XST Plus camera with a 105mm lens,optimal aperture settings for insanely realistic details, ultra-high resolution ensuring impeccable quality and clarity in this breathtaking image.

high fashion photo of a elderly man with a beard and glasses, intricate jewelry, wearing a sundress, smiling excitedly, High angle view, on a serene beach at golden hour, Bounced lighting, From above in a high angle, ARRI ALEXA 65, in style of by Diane Arbusr,8K

fear --ar 68:128 --s 750 --v 5.2

"Beautiful 25-year-old nude woman sitting on cold marble floor in an abandoned luxurious bathroom, knees hugged to chest, tears running down cheeks, soft morning window light caressing her bare skin, wet hair stuck to neck and breasts, raw emotion in eyes, visible goosebumps, realistic skin texture with tiny imperfections, subtle stretch marks, hyperrealistic tears, cinematic color grading, shot on ARRI Alexa 65, shallow depth of field, emotional vulnerability, in the exact style of [ Ø ≡ P H ℵ R ], 16k, masterpiece, trending on artstation and twitter"

“Hyperrealistic miniature potato knight as Lancelot, knee-high, standing alone on a rain-drenched hill at twilight, overlooking the ruins of a fallen kingdom. His body is a single, massive russet potato — rough, deeply pitted skin covered in mud, dried sap, and old battle scars, some cracks sealed with hardened resin like scars of honor. His face emerges from the natural form: large, sorrowful human eyes — deep brown irises with soft golden highlights, framed by thick brows formed by ridges in his skin. His expression is noble, weary, and burdened by silent guilt — the look of a man who loved too loyally, and lost everything. He wears a tattered surcoat of faded blue linen (once the color of loyalty), torn at the edges, over leaf-plate armor reinforced with seed-shell pauldrons. Around his waist: a wide, weathered leather belt with a rusted iron buckle. On his head: a dented, ancient iron helmet — once polished, now oxidized — resting slightly askew, revealing one haunted eye. In his hand, he grips a broken lance of petrified rootwood, its tip shattered, yet held with unwavering resolve. At his feet, a single white flower grows through the cracks in the stone. Background: stormy sky, distant lightning, ruined castle spires swallowed by ivy, crows circling in the wind. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated twilight lighting with dramatic chiaroscuro, ultra-detailed textures (potato pores, mud grit, linen weave, rust flakes, water droplets, leaf veins), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

Anamorphic 2.39:1 widescreen, ARRI Alexa 65 look, shot in the visual language of Andrew Lesnie and Fabian Wagner — desaturated steel-blue palette, volumetric moonlight, atmospheric haze, painterly chiaroscuro on faces. Camera: Single continuous drone shot — no cuts. Smooth, deliberate FPV cinematic glide. Beat 1 — Approach (0–5s): Aerial drone descends through storm clouds toward a battle-scarred ancient citadel at night. The colossal wooden Trojan Horse looms in silhouette against a bruised, cloud-torn sky — eighty feet of blackened oak bound in oxidized bronze, rain-slick and steaming. Moonlight breaks in cold silver shafts. Drone glides past sleeping Trojan sentries on the battlements, embers from a dying victory pyre drifting across frame. Distant thunder rolls. Beat 2 — Ascent to the Mouth (5–9s): Camera spirals upward along the horse's massive neck, passing carved war-runes and Athena's sigil branded into the timber. Rain beads roll down the grain. Drone reaches the great carved head and pivots to face the wooden jaw, cracked slightly ajar. A single shaft of moonlight cuts across the opening. Wind moans low through hollow timber. Beat 3 — Threshold (9–11s): Drone glides through the horse's open mouth. Total darkness swallows the lens for one held heartbeat. Faint sounds bleed through: the creak of leather, a whetstone on bronze, a muttered prayer in ancient Greek. Beat 4 — Interior Reveal (11–15s): Camera emerges into the cavernous belly of the horse, lit only by a single shielded oil lamp swaying from a beam. Twenty Achaean warriors crouch along the timber ribs — Odysseus at center, finger pressed to his lips. Bronze hoplite helms with horsehair crests. Lambda-emblazoned shields. Iron xiphos blades drawn across knees. Faces streaked with soot, eyes glinting with cold resolve. One warrior kisses an amulet of Ares. The lamp flickers across their faces — Caravaggio chiaroscuro. Final frame holds on Odysseus's eyes, hard and unreadable. Lighting: Cold moonlight exterior, warm flickering oil-lamp interior. High contrast. Volumetric god-rays through cloud breaks and timber gaps. Color Grade: Desaturated cyan-blue shadows, deep crushed blacks, amber highlights only from firelight. Teal-and-bronze cinematic palette. Sound Design: Low sub-bass drone, distant thunder, wind through wood, rope creak, single distant horn note, breath held in darkness, leather and metal whispers in the reveal. Mood: Ominous, sacred, the silence before annihilation. The calm of men who know they will not see another sunrise the same way. Negative prompt: No modern elements, no CGI sheen, no cartoonish proportions, no bright daylight, no fast cuts, no shaky cam, no lens flares from artificial sources.

Pictorialist photo of a man in his late 50s, in a designer racing attire, beside a sleek sports car on a racing circuit, taken under bright daylight with an ARRI ALEXA 65, reminiscent of the work by Steven Meisel

hyperrealistic cinematic photo, a magical forest where trees are made of smooth, polished geode stone. The bark is a dark basalt that cracks open to reveal vast, shimmering cavities of giant amethyst and clear quartz crystals. Sunlight filters through the canopy and refracts into thousands of tiny, sharp rainbows that dance on the mossy forest floor. The air is crisp and clear, with a few particles of dust illuminated in the light beams. Shot on Arri Alexa 65, anamorphic lens, epic scale, breathtaking detail.

Ecstasy --ar 68:128 --s 750 --v 5.2

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anger --ar 68:128 --s 750 --v 5.2

Hyperrealistic wide-angle cinematic photograph of Vigo, Spain, reimagined as a dystopian cyberpunk metropolis during Christmas. The city glows under perpetual twilight: rain-slicked streets reflect neon signs in Galician and Spanish, tangled webs of exposed power cables hang between brutalist apartment blocks, and holographic nativity scenes flicker above abandoned plazas. Giant LED Christmas trees pulse with corrupted data streams, while drones disguised as angels hover silently, dropping digital snowflakes that dissolve into static. In the distance, the Ría de Vigo shimmers with oil-slick reflections of orbital elevators and derelict cargo ships. Atmosphere thick with fog, steam from underground vents, and drifting embers from illegal tech-burn pits. Lighting: deep cinematic contrast with vibrant neon magenta, electric blue, and warm gold accents—shot on ARRI Alexa 65, 14mm lens, f/2.8, 8K resolution, photorealistic textures (wet concrete, rusted metal, frosted glass), volumetric lighting, no people, no vehicles, pure atmospheric storytelling.