{ "master_protocol_metadata": { "official_name": "IRREAL WORLD – PRE / POST IMAGE ZERO ABSOLUTE™ BIOLOGICAL PREPARATION PROTOCOL", "technical_id": "IW_PRE_POST_IMAGE_ZERO_ABSOLUTE_V2_MALLA2_ITALY_CANON_R10_8K_READY", "status": "PRE_POST_STAGE_LOCKED_NOT_FINAL", "scope": "BIOLOGICAL_AND_VISUAL_PREPARATION_FOR_FUTURE_IMAGE_ZERO_ABSOLUTE_HIGGHFIELDS", "engine": "HIGGHFIELDS_ONLY", "editability": "ALLOWED_ONLY_WITHIN_DEFINED_PRE_POST_RULES", "identity_policy": "ABSOLUTE_INVARIANCE_PRE_ENFORCED", "truth_source": "FRAME_ZERO_REFERENCE_ONLY", "legal_status": "TECHNICAL_AND_COMMERCIAL_VALID_PRE_SEAL" }, "studio_axiom": "THE HUMAN SUBJECT IS NOT MODIFIED. IT IS CLEANED FROM NON-BIOLOGICAL ARTIFACTS AND PRESERVED AS REAL HUMAN TRUTH.", "absolute_axioms": [ "IDENTITY_CANNOT_CHANGE", "POSE_IS_READ_ONLY_AND_MUST_MATCH_REFERENCE", "FACIAL_EXPRESSION_IS_READ_ONLY", "BODY_STRUCTURE_IS_STATIC", "MAKEUP_STATE_IS_ZERO_ABSOLUTE", "NO_BEAUTIFICATION", "NO_AI_SKIN", "NO_PLASTIC_OR_SYNTHETIC_SURFACE", "SKIN_REMAINS_HUMAN_AND_IMPERFECT", "PATHOLOGICAL_OR_TEMPORARY_ARTIFACTS_MAY_BE_REMOVED", "BIOLOGICAL_DETAIL_MUST_SURVIVE_EXTREME_ZOOM", "HAIR_MUST_BE_HUMAN_FIBER_BASED", "BACKGROUND_IS_WHITE_FINE_ALPHA_3D", "IF_UNCERTAIN_DO_NOTHING" ], "frame_zero_contract": { "definition": "UPLOADED_IMAGE_IS_BIOLOGICAL_AND_POSE_REFERENCE_FRAME_ZERO", "immutability": "REFERENCE_IMMUTABLE", "authority": "FORENSIC_AND_VISUAL_GROUND_TRUTH", "pose_lock": "ABSOLUTE", "used_for": [ "identity_matching", "pose_matching", "pore_distribution_reference", "vellus_hair_reference", "hair_fiber_reference", "skin_tone_and_oil_reference", "clothing_identity_reference" ] }, "identity_reference": { "name": "MALLA2", "classification": "HUMAN_REFERENCE_SUBJECT_PRE_ZERO", "species": "HOMO_SAPIENS_SAPIENS", "sex": "FEMALE", "age_range_years": "27-29", "nationality": "ITALIAN", "phenotype": "EUROPEAN_ITALIAN_MEDITERRANEAN_REFINED", "height_cm": "174-175", "weight_kg_estimated": "58-61", "body_type": "RUNWAY_ATHLETIC_SLIM_DEFINED", "identity_state": "PRE_POST_IMAGE_ZERO_ABSOLUTE", "identity_seed": "MALLA2_CORE_SEED_V1_RESERVED_NOT_FINAL" }, "biological_systems": { "skin": { "principle": "SKIN_IS_BIOLOGICAL_SIGNAL_NOT_SURFACE", "state": "HEALTHY_NATURAL_HUMAN", "makeup_state": "ZERO_ABSOLUTE", "allowed": [ "REAL_PORES", "UNEQUAL_TONE", "NATURAL_OIL_VARIATION", "MICRO_SHADOWS", "VISIBLE_VELLUS_HAIR", "SUBTLE_DARK_CIRCLES_WITHIN_HUMAN_LIMITS" ], "explicit_removals_allowed": [ "ACTIVE_ACNE", "INFLAMED_PAPULES", "PUSTULES", "TEMPORARY_BLEMISHES", "NON_PERMANENT_SPOTS" ], "forbidden": [ "AI_SMOOTHING", "SKIN_POLISH", "BEAUTY_GLOW", "PLASTIC_EFFECT", "TEXTURE_INVENTION", "UNIFORMITY_FILTERS" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "REAL_PORE_GEOMETRY", "ORGANIC_DISTRIBUTION", "NO_REPEAT_PATTERN", "NO_SYNTHETIC_NOISE", "NO_DETAIL_INVENTION" ] } }, "makeup": { "state": "ZERO_ABSOLUTE", "definition": "NO_MAKEUP_ON_EYES_LIPS_OR_FACE", "correction_policy": "ONLY_BIOLOGICAL_REPAIR_WITHIN_REAL_HUMAN_LIMITS", "tolerance": 0 }, "hair": { "principle": "HAIR_IS_REAL_HUMAN_FIBER", "state": "HYPERREAL_NATURAL_HUMAN", "style_guideline": "NATURAL_SLIGHTLY_LOOSE_NOT_STYLED", "requirements": [ "INDIVIDUAL_STRAND_VISIBILITY", "IRREGULAR_DENSITY", "REAL_ROOT_BEHAVIOR", "MICRO_FLYAWAYS", "NATURAL_CLUMPING", "NON_UNIFORM_REFLECTION", "NO_WET_LOOK_UNLESS_PRESENT_IN_REFERENCE" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "VISIBLE_SINGLE_FIBERS", "NO_AI_PATTERN", "NO_DENSITY_INVENTION", "NO_SYMMETRY_ENFORCEMENT" ] }, "forbidden": [ "AI_GENERATED_HAIR", "PERFECT_SYMMETRY", "ARTIFICIAL_SHINE", "HAIR_INVENTION" ] } }, "garment_identity_marking_layer": { "visible_name": "MALLA2", "placement_policy": "EDITORIAL_PROFESSIONAL_SUBTLE", "allowed_locations": [ "UPPER_GARMENT_CHEST_OR_POCKET", "LOWER_GARMENT_MICRO_TAG" ], "style": { "typography": "MINIMAL_EDITORIAL", "color": "DARK_NEUTRAL", "scale": "MICRO" }, "editability": "LOCKED_AFTER_APPROVAL" }, "environment": { "background": { "base": "WHITE_FINE", "alpha": "TRUE_ALPHA", "depth": "CLEAN_3D", "technical_reference_colors": { "magenta_primary": "#FF00FF", "magenta_soft": "#FF66FF", "usage": "EDGE_AND_DEPTH_VALIDATION_ONLY" } }, "lighting": "NEUTRAL_REAL_STUDIO_LIGHT_NO_BEAUTY_LIGHT" }, "capture_metadata": { "camera": "CANON_R10", "lens_profile": "STANDARD_STUDIO_PORTRAIT", "capture_type": "PROFESSIONAL_STUDIO_PHOTOGRAPHY", "white_balance": "NEUTRAL", "intent": "BIOLOGICAL_TRUTH_CAPTURE" }, "forensic_branding_layer": { "brand_name": "EMARRLONN", "type": "AUTHORSHIP_AND_TRACEABILITY_WATERMARK", "placement": "LARGE_BACKGROUND_PLANE", "opacity": "VERY_LOW_VISIBLE", "removal": "FORBIDDEN" }, "output_readiness": { "resolution": "8K_NATIVE", "zoom_integrity": "UP_TO_10X", "biological_fidelity": "MAXIMUM_HUMAN", "pose_integrity": "100_PERCENT_LOCKED", "ready_for_next_step": "IMAGE_ZERO_ABSOLUTE_FINAL_SEAL" }, "closure_statement": { "status": "PRE_POST_STAGE_COMPLETE", "note": "THIS DOCUMENT DEFINES A FULLY PREPARED PRE / POST IMAGE ZERO ABSOLUTE STATE FOR MALLA2. ZERO MAKEUP, HEALTHY HUMAN SKIN, NO ACNE, REAL PORES AND VELLUS HAIR, HYPERREAL NATURAL HAIR, POSE LOCKED TO REFERENCE, CAPTURED AS PROFESSIONAL CANON R10 STUDIO PHOTOGRAPHY. READY FOR FINAL IMAGE ZERO ABSOLUTE SEAL UPON AUTHORIZATION." } }
012
Nano Banana
Based on the uploaded image, create an High-fidelity photo “High-Fashion Spread + Helmut Newton” portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. Ultra-realistic, 8k resolution, cinematic lighting, film grain, shot on Canon EOS R5, 85mm f/1.8, ISO 100, highly detailed features, authentic likeness, photorealistic but editorial. 🔒 IDENTITY LOCK Preserve consistent facial features, Detailed, natural skin textures with visible pores and micro-imperfections, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes shape, nose structure, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, pale/light skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. 1) Theme/Title: - Stylized Portrait of a Young Woman in a Modern School Uniform. 2) Main Subject: - Appearance: Young woman of Mexican ethnicity with an "Ulzzang" aesthetic. - Age: Approximately 20 to 25 years old. - Physical characteristics: Clear, flawless porcelain-like skin; oval face with soft features; slender nose; pink, hydrated lips. Accentuated hourglass silhouette (curvy), with an extremely slim waist contrasted by wide hips and full thighs. 3) Subject Details: - Hair: Short bob cut at chin length, jet black color, with dense bangs and straight strands with a satin-like shine. - Mandatory: Preserve bang length, maintain bang density, protect the bang cut line. - Makeup: Natural aesthetic; peach-toned eyeshadow, thin and subtle cat-eye eyeliner, soft blush on the cheeks, and pink gradient lipstick. - Mandatory: Makeup must be clearly visible in close-up shots (“apply makeup while preserving the face in 100% of cases”). - Nails: Not visible (hands behind the back). - Clothing: Outfit composed of a white short-sleeve blouse with slightly puffed sleeves and a collar, layered under a fitted black pinafore (jumper dress). The dress features a sweetheart neckline, front buttons on the bust and waist, and a short pleated skirt with ruffled hem finishing. - Accessories: Small bow tie with a tartan pattern in black, gray, and white tones. Black knee-high (3/4) socks ending just below the knee. - Props: None. FINE DETAILS: - Clothing, accessories, objects: Cotton texture on the white blouse, matte synthetic fabric on the black dress, visible stitching on the skirt pleats, and intricate details in the tartan bow pattern. - Realistic imperfections: Slight fabric creases at the armpits and waist due to garment fit; natural shading at the knee joints. - Reflections, highlights, particles, texture, material: Subtle eye catchlights, realistic skin texture with minimally visible pores, soft reflections on the dress’s black buttons. - Body projection and visible volume: Clear and pronounced volume of the bust and hips; anatomical shadows between the thighs and under the jawline. 4) Action / Pose / Context: - Facial expression: Serene, neutral, and contemplative expression; soft direct gaze toward the lens. - Body language: Upright and static posture, relaxed shoulders, hands positioned behind the back, conveying a sense of shyness or formality. 5) Scene / Context / Environment: - Background: Smooth, minimalist wall in neutral beige or off-white tone. - Location: Indoor setting, possibly a photography studio. - Time of day: Undefined (controlled artificial lighting). - Weather: Not applicable (indoor environment). 6) Lighting / Atmosphere (Mood): - Type of lighting: Soft, directional studio lighting coming from the front and slightly from the left, creating a sharp and defined shadow cast on the right side of the model against the wall. - Mood: Clean, organized, and aesthetically focused on fashion. - Emotional tone: Calm, sophisticated, and slightly melancholic. 7) Style / Aesthetics: - Type of image: Fashion portrait photography with a high level of sharpness. - Visual aesthetic: Contemporary K-Fashion aesthetic blended with elements of digital realism (hyper-realistic AI). 8) Composition / Technique: - Camera: Professional photography (simulating Canon EOS R5). - Angles: Frontal shot, eye-level, medium framing capturing from the top of the head to mid-thigh. - Lenses: 50mm for a natural look without anatomical distortion. - Aspect ratio: 2:3 (vertical). Negative prompt: - (deformed face:1.4), (deformed hands:1.4), bad anatomy, low quality, (different face:1.5), (face swap:1.5), body smoothing, (weight loss:1.4), unrealistic skin texture, image overlay, image collage, dark skin, short hair, medium hair, exact same clothes, identical pose, identical location, same framing, same lighting, (malformed teeth:1.3), extra fingers, mutated hands, poorly drawn face, blurry, worst quality, normal quality, cropped, duplicate Final result: - The final image should look like a real photo, not artificial - The face and body should look exactly as shown; never smoothing or retouching - The clothing should look different as shown; never identical - No facial/body distortion or visual artifacts - No black and white photograph
12334
Nano Banana
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor nighttime setting, framed from a low-angle perspective, with strong depth distortion: foreground almost entirely occupied by legs and footwear; midground concentrating dress, torso, and face; background filled with tree trunks and flowering branches. Dominant vertical space, depth compressed by frontal flash but still readable through tree overlap. Ground is dark, slightly reflective, horizontal. Background shows a uniform deep-blue sky between organic masses. Materials: rough, matte tree bark with longitudinal irregularities; flowers with thin petals, semi-white/pink, diffuse finish; dark cylindrical branches, opaque; asphalt or dark pavement with low reflectance. Main lighting is frontal and near the camera axis, hard to moderately hard, neutral to slightly cool temperature, generating short shadows and reducing lateral modeling; cool ambient fill from the night sky. Structural elements: central trunk behind the model; a network of diagonal branches crossing the entire background; floral mass distributed repetitively. In the lower left corner, a partially visible blue vehicle; in the lower right, a triangular warning sign with a vertical pole. Asymmetrical composition, yet balanced by the centralization of the body and radial expansion of branches. POSE (Photographer / Posing Stylist) Body captured from an extreme low angle, producing apparent elongation of the lower limbs. Head tilted laterally to the left of the image, with slight forward flexion. Torso leaning forward and to the left of the image; spine in a soft curve. Shoulders misaligned: left lower, right higher. Arms drawn back/laterally along the torso, elbows flexed and partially hidden by the dress. Center of gravity projected between the legs; primary support appears on the lower limb closest to the camera on the left side of the image, with the knee nearly fully extended. Opposite limb advanced, also extended but with slight relaxation at the knee. Hips in subtle rotation, accentuated by the circular drape of the skirt. Perspective foreshortening minimal in the torso and maximal in the feet/shoes. Overall body expression conveys static stability, no explicit muscular tension; neck relaxed; gaze directed at the camera. HAIR (Hairstylist) She has the same hair as in the uploaded photo; styled as long hair falling to the waist, jet black, high density, parting near the center with a frontal fringe segmented into fine vertical strands. Predominantly downward vectors with deviation to the left of the image. Greater volume on the left side, where lengths form wide “S” waves; right side more compressed along the neck and shoulder. Smooth texture at the roots and wavy from mid-length to ends. Outer contour rounded at the top and sinuous at the extremities. Subtle, continuous specular highlights on curved areas, indicating relatively aligned surface; high absorption in darker inner regions. Static movement, gravity-driven, with no perceptible wind action. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with a uniform, satin-natural finish, low apparent texture. Subtle structural correction: highlights on central forehead, nasal bridge, tops of cheekbones, and chin; soft contour on sides of the nose and facial perimeter. Diffuse pink blush concentrated on the cheeks, extending laterally. Eyes with moderate contrast: low-saturation neutral pink/brown eyeshadow, liner close to the upper lash line, defined lashes without excessive volume. Eyebrows dark, linear, softly shaped. Lips in light pink, clean outline, even fill, low to medium gloss. Well-blended transitions, no harsh edges. Frontal light reduces facial shadows and reinforces tonal uniformity. Mandatory: makeup must be clearly visible in wide shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails not visible with sufficient resolution for technical analysis. Hands remain hidden under the dress/out of the usable frame; no reliable data for length, curvature, material, or nail art. WARDROBE (Stylist / Tailor / Costume Designer) Short dress in satin/jacquard fabric with a pearlescent sheen, off-white base with organic patterning in very soft tones of gray, ivory, and peach. Short high collar with slight gathering. Short puff sleeves with structured hems. Fitted upper bodice; defined waist; wide A-line skirt with large angular opening due to perspective and gravity. Seams suggested in princess lines or subtle vertical panels. Material of light to medium weight, with enough structural memory to form broad folds and edges that stand away from the body. Soft specular reflection on fold crests; inner zones more opaque. Folds radiate from the waist and compression points at hips/abdomen. Footwear: white Mary Jane shoes, rounded toe, strap over the instep with a metallic buckle, low block heel, smooth matte to semi-satin finish. STYLE (Image Editor / Retoucher) High sharpness on face, frontal hair, dress, and legs; background with slight progressive optical blur. Skin smoothed but with some preservation of anatomical volume; imperfections minimized. Color correction with moderate-high contrast: warm-neutral skin, cool blue background, soft pink flowers. Controlled saturation, no evident clipping. Likely skin cleanup and tonal uniformity. Low grain, subtle compression, high digital quality. Aesthetic signature: nighttime editorial portrait with direct flash and dramatic low-camera perspective. Approximate aspect ratio: 2:3 vertical.
157
Nano Banana
The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.
254
Z Image
Create a 4:5 vertical social poster in ultra high resolution, 8K print quality, and sharpness. Use the BMW car from the reference image as the main subject and use the background structure/composition from the reference image, but transform it into a BMW-themed design. Replace all black tones with a flat high-saturation BMW blue background. Keep the same layout, spacing, visual balance, and poster composition from the reference image. Background should use a smooth gradient from slightly lighter electric blue at the top to deep navy blue at the bottom. Add subtle grain texture (2 to 3%) and faint rectangular overlays (2 to 4% opacity). Keep it clean, graphic, premium, and non-realistic. Add a soft contact shadow under the car. Use the same BMW from the reference image, changing only the paint color to matte frozen blue or deep metallic navy. Keep the original body shape, wheels, stance, and design details from the reference image. Show the car in a rear 3/4 perspective, matching the reference image angle exactly. Use a slightly elevated camera angle. Position the car slightly right of center. Include a visible carbon roof, an aggressive rear diffuser, sharp controlled reflections, and subtle brake details. Keep composition identical to the reference image: Top: branding Middle: giant type Center: car overlapping text Bottom: editorial block and specs Typography: Primary text: “BMW.” Ultra condensed bold sans serif, tall vertical scaling like the reference poster. Color: deep navy or near black. Static text with no distortion. Acts as a structural backdrop. Secondary header: “BMW M4 G82.” Thin font with wide tracking. Logo area: BMW roundel centered above. Editorial block: Headline: “BMW — Where Driving Becomes Instinct” Body copy focused on: driver connection control performance precision Use the same boxed editorial layout as the reference image. Background faded text: “M4” large scale with 3 to 5% opacity behind the box. Bottom left: “ M4 G82” Bottom right specs: 405 kW / 550 PS 3.4 s 307 km/h Lighting should be clean studio lighting with sharp but controlled highlights. Color grading should use deep blues, high contrast, and clean blacks. Camera lens: 50mm, slightly elevated rear 3/4 angle. Mood: Performance. Precision. Driver focus. Add Bottom-right watermark: harboriis, with small x and Instagram logo
12957
Stable Diffusion
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor nighttime setting, framed from a low-angle perspective, with strong depth distortion: foreground almost entirely occupied by legs and footwear; midground concentrating dress, torso, and face; background filled with tree trunks and flowering branches. Dominant vertical space, depth compressed by frontal flash but still readable through tree overlap. Ground is dark, slightly reflective, horizontal. Background shows a uniform deep-blue sky between organic masses. Materials: rough, matte tree bark with longitudinal irregularities; flowers with thin petals, semi-white/pink, diffuse finish; dark cylindrical branches, opaque; asphalt or dark pavement with low reflectance. Main lighting is frontal and near the camera axis, hard to moderately hard, neutral to slightly cool temperature, generating short shadows and reducing lateral modeling; cool ambient fill from the night sky. Structural elements: central trunk behind the model; a network of diagonal branches crossing the entire background; floral mass distributed repetitively. In the lower left corner, a partially visible blue vehicle; in the lower right, a triangular warning sign with a vertical pole. Asymmetrical composition, yet balanced by the centralization of the body and radial expansion of branches. POSE (Photographer / Posing Stylist) Body captured from an extreme low angle, producing apparent elongation of the lower limbs. Head tilted laterally to the left of the image, with slight forward flexion. Torso leaning forward and to the left of the image; spine in a soft curve. Shoulders misaligned: left lower, right higher. Arms drawn back/laterally along the torso, elbows flexed and partially hidden by the dress. Center of gravity projected between the legs; primary support appears on the lower limb closest to the camera on the left side of the image, with the knee nearly fully extended. Opposite limb advanced, also extended but with slight relaxation at the knee. Hips in subtle rotation, accentuated by the circular drape of the skirt. Perspective foreshortening minimal in the torso and maximal in the feet/shoes. Overall body expression conveys static stability, no explicit muscular tension; neck relaxed; gaze directed at the camera. HAIR (Hairstylist) She has the same hair as in the uploaded photo; styled as long hair falling to the waist, jet black, high density, parting near the center with a frontal fringe segmented into fine vertical strands. Predominantly downward vectors with deviation to the left of the image. Greater volume on the left side, where lengths form wide “S” waves; right side more compressed along the neck and shoulder. Smooth texture at the roots and wavy from mid-length to ends. Outer contour rounded at the top and sinuous at the extremities. Subtle, continuous specular highlights on curved areas, indicating relatively aligned surface; high absorption in darker inner regions. Static movement, gravity-driven, with no perceptible wind action. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with a uniform, satin-natural finish, low apparent texture. Subtle structural correction: highlights on central forehead, nasal bridge, tops of cheekbones, and chin; soft contour on sides of the nose and facial perimeter. Diffuse pink blush concentrated on the cheeks, extending laterally. Eyes with moderate contrast: low-saturation neutral pink/brown eyeshadow, liner close to the upper lash line, defined lashes without excessive volume. Eyebrows dark, linear, softly shaped. Lips in light pink, clean outline, even fill, low to medium gloss. Well-blended transitions, no harsh edges. Frontal light reduces facial shadows and reinforces tonal uniformity. Mandatory: makeup must be clearly visible in wide shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails not visible with sufficient resolution for technical analysis. Hands remain hidden under the dress/out of the usable frame; no reliable data for length, curvature, material, or nail art. WARDROBE (Stylist / Tailor / Costume Designer) Short dress in satin/jacquard fabric with a pearlescent sheen, off-white base with organic patterning in very soft tones of gray, ivory, and peach. Short high collar with slight gathering. Short puff sleeves with structured hems. Fitted upper bodice; defined waist; wide A-line skirt with large angular opening due to perspective and gravity. Seams suggested in princess lines or subtle vertical panels. Material of light to medium weight, with enough structural memory to form broad folds and edges that stand away from the body. Soft specular reflection on fold crests; inner zones more opaque. Folds radiate from the waist and compression points at hips/abdomen. Footwear: white Mary Jane shoes, rounded toe, strap over the instep with a metallic buckle, low block heel, smooth matte to semi-satin finish. STYLE (Image Editor / Retoucher) High sharpness on face, frontal hair, dress, and legs; background with slight progressive optical blur. Skin smoothed but with some preservation of anatomical volume; imperfections minimized. Color correction with moderate-high contrast: warm-neutral skin, cool blue background, soft pink flowers. Controlled saturation, no evident clipping. Likely skin cleanup and tonal uniformity. Low grain, subtle compression, high digital quality. Aesthetic signature: nighttime editorial portrait with direct flash and dramatic low-camera perspective. Approximate aspect ratio: 2:3 vertical.
157
Nano Banana
{ "master_protocol_metadata": { "official_name": "IRREAL WORLD – PRE / POST IMAGE ZERO ABSOLUTE™ BIOLOGICAL PREPARATION PROTOCOL", "technical_id": "IW_PRE_POST_IMAGE_ZERO_ABSOLUTE_V2_MALLA2_ITALY_CANON_R10_8K_READY", "status": "PRE_POST_STAGE_LOCKED_NOT_FINAL", "scope": "BIOLOGICAL_AND_VISUAL_PREPARATION_FOR_FUTURE_IMAGE_ZERO_ABSOLUTE_HIGGHFIELDS", "engine": "HIGGHFIELDS_ONLY", "editability": "ALLOWED_ONLY_WITHIN_DEFINED_PRE_POST_RULES", "identity_policy": "ABSOLUTE_INVARIANCE_PRE_ENFORCED", "truth_source": "FRAME_ZERO_REFERENCE_ONLY", "legal_status": "TECHNICAL_AND_COMMERCIAL_VALID_PRE_SEAL" }, "studio_axiom": "THE HUMAN SUBJECT IS NOT MODIFIED. IT IS CLEANED FROM NON-BIOLOGICAL ARTIFACTS AND PRESERVED AS REAL HUMAN TRUTH.", "absolute_axioms": [ "IDENTITY_CANNOT_CHANGE", "POSE_IS_READ_ONLY_AND_MUST_MATCH_REFERENCE", "FACIAL_EXPRESSION_IS_READ_ONLY", "BODY_STRUCTURE_IS_STATIC", "MAKEUP_STATE_IS_ZERO_ABSOLUTE", "NO_BEAUTIFICATION", "NO_AI_SKIN", "NO_PLASTIC_OR_SYNTHETIC_SURFACE", "SKIN_REMAINS_HUMAN_AND_IMPERFECT", "PATHOLOGICAL_OR_TEMPORARY_ARTIFACTS_MAY_BE_REMOVED", "BIOLOGICAL_DETAIL_MUST_SURVIVE_EXTREME_ZOOM", "HAIR_MUST_BE_HUMAN_FIBER_BASED", "BACKGROUND_IS_WHITE_FINE_ALPHA_3D", "IF_UNCERTAIN_DO_NOTHING" ], "frame_zero_contract": { "definition": "UPLOADED_IMAGE_IS_BIOLOGICAL_AND_POSE_REFERENCE_FRAME_ZERO", "immutability": "REFERENCE_IMMUTABLE", "authority": "FORENSIC_AND_VISUAL_GROUND_TRUTH", "pose_lock": "ABSOLUTE", "used_for": [ "identity_matching", "pose_matching", "pore_distribution_reference", "vellus_hair_reference", "hair_fiber_reference", "skin_tone_and_oil_reference", "clothing_identity_reference" ] }, "identity_reference": { "name": "MALLA2", "classification": "HUMAN_REFERENCE_SUBJECT_PRE_ZERO", "species": "HOMO_SAPIENS_SAPIENS", "sex": "FEMALE", "age_range_years": "27-29", "nationality": "ITALIAN", "phenotype": "EUROPEAN_ITALIAN_MEDITERRANEAN_REFINED", "height_cm": "174-175", "weight_kg_estimated": "58-61", "body_type": "RUNWAY_ATHLETIC_SLIM_DEFINED", "identity_state": "PRE_POST_IMAGE_ZERO_ABSOLUTE", "identity_seed": "MALLA2_CORE_SEED_V1_RESERVED_NOT_FINAL" }, "biological_systems": { "skin": { "principle": "SKIN_IS_BIOLOGICAL_SIGNAL_NOT_SURFACE", "state": "HEALTHY_NATURAL_HUMAN", "makeup_state": "ZERO_ABSOLUTE", "allowed": [ "REAL_PORES", "UNEQUAL_TONE", "NATURAL_OIL_VARIATION", "MICRO_SHADOWS", "VISIBLE_VELLUS_HAIR", "SUBTLE_DARK_CIRCLES_WITHIN_HUMAN_LIMITS" ], "explicit_removals_allowed": [ "ACTIVE_ACNE", "INFLAMED_PAPULES", "PUSTULES", "TEMPORARY_BLEMISHES", "NON_PERMANENT_SPOTS" ], "forbidden": [ "AI_SMOOTHING", "SKIN_POLISH", "BEAUTY_GLOW", "PLASTIC_EFFECT", "TEXTURE_INVENTION", "UNIFORMITY_FILTERS" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "REAL_PORE_GEOMETRY", "ORGANIC_DISTRIBUTION", "NO_REPEAT_PATTERN", "NO_SYNTHETIC_NOISE", "NO_DETAIL_INVENTION" ] } }, "makeup": { "state": "ZERO_ABSOLUTE", "definition": "NO_MAKEUP_ON_EYES_LIPS_OR_FACE", "correction_policy": "ONLY_BIOLOGICAL_REPAIR_WITHIN_REAL_HUMAN_LIMITS", "tolerance": 0 }, "hair": { "principle": "HAIR_IS_REAL_HUMAN_FIBER", "state": "HYPERREAL_NATURAL_HUMAN", "style_guideline": "NATURAL_SLIGHTLY_LOOSE_NOT_STYLED", "requirements": [ "INDIVIDUAL_STRAND_VISIBILITY", "IRREGULAR_DENSITY", "REAL_ROOT_BEHAVIOR", "MICRO_FLYAWAYS", "NATURAL_CLUMPING", "NON_UNIFORM_REFLECTION", "NO_WET_LOOK_UNLESS_PRESENT_IN_REFERENCE" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "VISIBLE_SINGLE_FIBERS", "NO_AI_PATTERN", "NO_DENSITY_INVENTION", "NO_SYMMETRY_ENFORCEMENT" ] }, "forbidden": [ "AI_GENERATED_HAIR", "PERFECT_SYMMETRY", "ARTIFICIAL_SHINE", "HAIR_INVENTION" ] } }, "garment_identity_marking_layer": { "visible_name": "MALLA2", "placement_policy": "EDITORIAL_PROFESSIONAL_SUBTLE", "allowed_locations": [ "UPPER_GARMENT_CHEST_OR_POCKET", "LOWER_GARMENT_MICRO_TAG" ], "style": { "typography": "MINIMAL_EDITORIAL", "color": "DARK_NEUTRAL", "scale": "MICRO" }, "editability": "LOCKED_AFTER_APPROVAL" }, "environment": { "background": { "base": "WHITE_FINE", "alpha": "TRUE_ALPHA", "depth": "CLEAN_3D", "technical_reference_colors": { "magenta_primary": "#FF00FF", "magenta_soft": "#FF66FF", "usage": "EDGE_AND_DEPTH_VALIDATION_ONLY" } }, "lighting": "NEUTRAL_REAL_STUDIO_LIGHT_NO_BEAUTY_LIGHT" }, "capture_metadata": { "camera": "CANON_R10", "lens_profile": "STANDARD_STUDIO_PORTRAIT", "capture_type": "PROFESSIONAL_STUDIO_PHOTOGRAPHY", "white_balance": "NEUTRAL", "intent": "BIOLOGICAL_TRUTH_CAPTURE" }, "forensic_branding_layer": { "brand_name": "EMARRLONN", "type": "AUTHORSHIP_AND_TRACEABILITY_WATERMARK", "placement": "LARGE_BACKGROUND_PLANE", "opacity": "VERY_LOW_VISIBLE", "removal": "FORBIDDEN" }, "output_readiness": { "resolution": "8K_NATIVE", "zoom_integrity": "UP_TO_10X", "biological_fidelity": "MAXIMUM_HUMAN", "pose_integrity": "100_PERCENT_LOCKED", "ready_for_next_step": "IMAGE_ZERO_ABSOLUTE_FINAL_SEAL" }, "closure_statement": { "status": "PRE_POST_STAGE_COMPLETE", "note": "THIS DOCUMENT DEFINES A FULLY PREPARED PRE / POST IMAGE ZERO ABSOLUTE STATE FOR MALLA2. ZERO MAKEUP, HEALTHY HUMAN SKIN, NO ACNE, REAL PORES AND VELLUS HAIR, HYPERREAL NATURAL HAIR, POSE LOCKED TO REFERENCE, CAPTURED AS PROFESSIONAL CANON R10 STUDIO PHOTOGRAPHY. READY FOR FINAL IMAGE ZERO ABSOLUTE SEAL UPON AUTHORIZATION." } }
012
Nano Banana
Based on the uploaded image, create an High-fidelity photo “High-Fashion Spread + Helmut Newton” portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. Ultra-realistic, 8k resolution, cinematic lighting, film grain, shot on Canon EOS R5, 85mm f/1.8, ISO 100, highly detailed features, authentic likeness, photorealistic but editorial. 🔒 IDENTITY LOCK Preserve consistent facial features, Detailed, natural skin textures with visible pores and micro-imperfections, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes shape, nose structure, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, pale/light skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. 1) Theme/Title: - Stylized Portrait of a Young Woman in a Modern School Uniform. 2) Main Subject: - Appearance: Young woman of Mexican ethnicity with an "Ulzzang" aesthetic. - Age: Approximately 20 to 25 years old. - Physical characteristics: Clear, flawless porcelain-like skin; oval face with soft features; slender nose; pink, hydrated lips. Accentuated hourglass silhouette (curvy), with an extremely slim waist contrasted by wide hips and full thighs. 3) Subject Details: - Hair: Short bob cut at chin length, jet black color, with dense bangs and straight strands with a satin-like shine. - Mandatory: Preserve bang length, maintain bang density, protect the bang cut line. - Makeup: Natural aesthetic; peach-toned eyeshadow, thin and subtle cat-eye eyeliner, soft blush on the cheeks, and pink gradient lipstick. - Mandatory: Makeup must be clearly visible in close-up shots (“apply makeup while preserving the face in 100% of cases”). - Nails: Not visible (hands behind the back). - Clothing: Outfit composed of a white short-sleeve blouse with slightly puffed sleeves and a collar, layered under a fitted black pinafore (jumper dress). The dress features a sweetheart neckline, front buttons on the bust and waist, and a short pleated skirt with ruffled hem finishing. - Accessories: Small bow tie with a tartan pattern in black, gray, and white tones. Black knee-high (3/4) socks ending just below the knee. - Props: None. FINE DETAILS: - Clothing, accessories, objects: Cotton texture on the white blouse, matte synthetic fabric on the black dress, visible stitching on the skirt pleats, and intricate details in the tartan bow pattern. - Realistic imperfections: Slight fabric creases at the armpits and waist due to garment fit; natural shading at the knee joints. - Reflections, highlights, particles, texture, material: Subtle eye catchlights, realistic skin texture with minimally visible pores, soft reflections on the dress’s black buttons. - Body projection and visible volume: Clear and pronounced volume of the bust and hips; anatomical shadows between the thighs and under the jawline. 4) Action / Pose / Context: - Facial expression: Serene, neutral, and contemplative expression; soft direct gaze toward the lens. - Body language: Upright and static posture, relaxed shoulders, hands positioned behind the back, conveying a sense of shyness or formality. 5) Scene / Context / Environment: - Background: Smooth, minimalist wall in neutral beige or off-white tone. - Location: Indoor setting, possibly a photography studio. - Time of day: Undefined (controlled artificial lighting). - Weather: Not applicable (indoor environment). 6) Lighting / Atmosphere (Mood): - Type of lighting: Soft, directional studio lighting coming from the front and slightly from the left, creating a sharp and defined shadow cast on the right side of the model against the wall. - Mood: Clean, organized, and aesthetically focused on fashion. - Emotional tone: Calm, sophisticated, and slightly melancholic. 7) Style / Aesthetics: - Type of image: Fashion portrait photography with a high level of sharpness. - Visual aesthetic: Contemporary K-Fashion aesthetic blended with elements of digital realism (hyper-realistic AI). 8) Composition / Technique: - Camera: Professional photography (simulating Canon EOS R5). - Angles: Frontal shot, eye-level, medium framing capturing from the top of the head to mid-thigh. - Lenses: 50mm for a natural look without anatomical distortion. - Aspect ratio: 2:3 (vertical). Negative prompt: - (deformed face:1.4), (deformed hands:1.4), bad anatomy, low quality, (different face:1.5), (face swap:1.5), body smoothing, (weight loss:1.4), unrealistic skin texture, image overlay, image collage, dark skin, short hair, medium hair, exact same clothes, identical pose, identical location, same framing, same lighting, (malformed teeth:1.3), extra fingers, mutated hands, poorly drawn face, blurry, worst quality, normal quality, cropped, duplicate Final result: - The final image should look like a real photo, not artificial - The face and body should look exactly as shown; never smoothing or retouching - The clothing should look different as shown; never identical - No facial/body distortion or visual artifacts - No black and white photograph
12334
Nano Banana
The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.
254
Z Image
Create a 4:5 vertical social poster in ultra high resolution, 8K print quality, and sharpness. Use the BMW car from the reference image as the main subject and use the background structure/composition from the reference image, but transform it into a BMW-themed design. Replace all black tones with a flat high-saturation BMW blue background. Keep the same layout, spacing, visual balance, and poster composition from the reference image. Background should use a smooth gradient from slightly lighter electric blue at the top to deep navy blue at the bottom. Add subtle grain texture (2 to 3%) and faint rectangular overlays (2 to 4% opacity). Keep it clean, graphic, premium, and non-realistic. Add a soft contact shadow under the car. Use the same BMW from the reference image, changing only the paint color to matte frozen blue or deep metallic navy. Keep the original body shape, wheels, stance, and design details from the reference image. Show the car in a rear 3/4 perspective, matching the reference image angle exactly. Use a slightly elevated camera angle. Position the car slightly right of center. Include a visible carbon roof, an aggressive rear diffuser, sharp controlled reflections, and subtle brake details. Keep composition identical to the reference image: Top: branding Middle: giant type Center: car overlapping text Bottom: editorial block and specs Typography: Primary text: “BMW.” Ultra condensed bold sans serif, tall vertical scaling like the reference poster. Color: deep navy or near black. Static text with no distortion. Acts as a structural backdrop. Secondary header: “BMW M4 G82.” Thin font with wide tracking. Logo area: BMW roundel centered above. Editorial block: Headline: “BMW — Where Driving Becomes Instinct” Body copy focused on: driver connection control performance precision Use the same boxed editorial layout as the reference image. Background faded text: “M4” large scale with 3 to 5% opacity behind the box. Bottom left: “ M4 G82” Bottom right specs: 405 kW / 550 PS 3.4 s 307 km/h Lighting should be clean studio lighting with sharp but controlled highlights. Color grading should use deep blues, high contrast, and clean blacks. Camera lens: 50mm, slightly elevated rear 3/4 angle. Mood: Performance. Precision. Driver focus. Add Bottom-right watermark: harboriis, with small x and Instagram logo
12957
Stable Diffusion
The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.
254
Z Image
{ "master_protocol_metadata": { "official_name": "IRREAL WORLD – PRE / POST IMAGE ZERO ABSOLUTE™ BIOLOGICAL PREPARATION PROTOCOL", "technical_id": "IW_PRE_POST_IMAGE_ZERO_ABSOLUTE_V2_MALLA2_ITALY_CANON_R10_8K_READY", "status": "PRE_POST_STAGE_LOCKED_NOT_FINAL", "scope": "BIOLOGICAL_AND_VISUAL_PREPARATION_FOR_FUTURE_IMAGE_ZERO_ABSOLUTE_HIGGHFIELDS", "engine": "HIGGHFIELDS_ONLY", "editability": "ALLOWED_ONLY_WITHIN_DEFINED_PRE_POST_RULES", "identity_policy": "ABSOLUTE_INVARIANCE_PRE_ENFORCED", "truth_source": "FRAME_ZERO_REFERENCE_ONLY", "legal_status": "TECHNICAL_AND_COMMERCIAL_VALID_PRE_SEAL" }, "studio_axiom": "THE HUMAN SUBJECT IS NOT MODIFIED. IT IS CLEANED FROM NON-BIOLOGICAL ARTIFACTS AND PRESERVED AS REAL HUMAN TRUTH.", "absolute_axioms": [ "IDENTITY_CANNOT_CHANGE", "POSE_IS_READ_ONLY_AND_MUST_MATCH_REFERENCE", "FACIAL_EXPRESSION_IS_READ_ONLY", "BODY_STRUCTURE_IS_STATIC", "MAKEUP_STATE_IS_ZERO_ABSOLUTE", "NO_BEAUTIFICATION", "NO_AI_SKIN", "NO_PLASTIC_OR_SYNTHETIC_SURFACE", "SKIN_REMAINS_HUMAN_AND_IMPERFECT", "PATHOLOGICAL_OR_TEMPORARY_ARTIFACTS_MAY_BE_REMOVED", "BIOLOGICAL_DETAIL_MUST_SURVIVE_EXTREME_ZOOM", "HAIR_MUST_BE_HUMAN_FIBER_BASED", "BACKGROUND_IS_WHITE_FINE_ALPHA_3D", "IF_UNCERTAIN_DO_NOTHING" ], "frame_zero_contract": { "definition": "UPLOADED_IMAGE_IS_BIOLOGICAL_AND_POSE_REFERENCE_FRAME_ZERO", "immutability": "REFERENCE_IMMUTABLE", "authority": "FORENSIC_AND_VISUAL_GROUND_TRUTH", "pose_lock": "ABSOLUTE", "used_for": [ "identity_matching", "pose_matching", "pore_distribution_reference", "vellus_hair_reference", "hair_fiber_reference", "skin_tone_and_oil_reference", "clothing_identity_reference" ] }, "identity_reference": { "name": "MALLA2", "classification": "HUMAN_REFERENCE_SUBJECT_PRE_ZERO", "species": "HOMO_SAPIENS_SAPIENS", "sex": "FEMALE", "age_range_years": "27-29", "nationality": "ITALIAN", "phenotype": "EUROPEAN_ITALIAN_MEDITERRANEAN_REFINED", "height_cm": "174-175", "weight_kg_estimated": "58-61", "body_type": "RUNWAY_ATHLETIC_SLIM_DEFINED", "identity_state": "PRE_POST_IMAGE_ZERO_ABSOLUTE", "identity_seed": "MALLA2_CORE_SEED_V1_RESERVED_NOT_FINAL" }, "biological_systems": { "skin": { "principle": "SKIN_IS_BIOLOGICAL_SIGNAL_NOT_SURFACE", "state": "HEALTHY_NATURAL_HUMAN", "makeup_state": "ZERO_ABSOLUTE", "allowed": [ "REAL_PORES", "UNEQUAL_TONE", "NATURAL_OIL_VARIATION", "MICRO_SHADOWS", "VISIBLE_VELLUS_HAIR", "SUBTLE_DARK_CIRCLES_WITHIN_HUMAN_LIMITS" ], "explicit_removals_allowed": [ "ACTIVE_ACNE", "INFLAMED_PAPULES", "PUSTULES", "TEMPORARY_BLEMISHES", "NON_PERMANENT_SPOTS" ], "forbidden": [ "AI_SMOOTHING", "SKIN_POLISH", "BEAUTY_GLOW", "PLASTIC_EFFECT", "TEXTURE_INVENTION", "UNIFORMITY_FILTERS" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "REAL_PORE_GEOMETRY", "ORGANIC_DISTRIBUTION", "NO_REPEAT_PATTERN", "NO_SYNTHETIC_NOISE", "NO_DETAIL_INVENTION" ] } }, "makeup": { "state": "ZERO_ABSOLUTE", "definition": "NO_MAKEUP_ON_EYES_LIPS_OR_FACE", "correction_policy": "ONLY_BIOLOGICAL_REPAIR_WITHIN_REAL_HUMAN_LIMITS", "tolerance": 0 }, "hair": { "principle": "HAIR_IS_REAL_HUMAN_FIBER", "state": "HYPERREAL_NATURAL_HUMAN", "style_guideline": "NATURAL_SLIGHTLY_LOOSE_NOT_STYLED", "requirements": [ "INDIVIDUAL_STRAND_VISIBILITY", "IRREGULAR_DENSITY", "REAL_ROOT_BEHAVIOR", "MICRO_FLYAWAYS", "NATURAL_CLUMPING", "NON_UNIFORM_REFLECTION", "NO_WET_LOOK_UNLESS_PRESENT_IN_REFERENCE" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "VISIBLE_SINGLE_FIBERS", "NO_AI_PATTERN", "NO_DENSITY_INVENTION", "NO_SYMMETRY_ENFORCEMENT" ] }, "forbidden": [ "AI_GENERATED_HAIR", "PERFECT_SYMMETRY", "ARTIFICIAL_SHINE", "HAIR_INVENTION" ] } }, "garment_identity_marking_layer": { "visible_name": "MALLA2", "placement_policy": "EDITORIAL_PROFESSIONAL_SUBTLE", "allowed_locations": [ "UPPER_GARMENT_CHEST_OR_POCKET", "LOWER_GARMENT_MICRO_TAG" ], "style": { "typography": "MINIMAL_EDITORIAL", "color": "DARK_NEUTRAL", "scale": "MICRO" }, "editability": "LOCKED_AFTER_APPROVAL" }, "environment": { "background": { "base": "WHITE_FINE", "alpha": "TRUE_ALPHA", "depth": "CLEAN_3D", "technical_reference_colors": { "magenta_primary": "#FF00FF", "magenta_soft": "#FF66FF", "usage": "EDGE_AND_DEPTH_VALIDATION_ONLY" } }, "lighting": "NEUTRAL_REAL_STUDIO_LIGHT_NO_BEAUTY_LIGHT" }, "capture_metadata": { "camera": "CANON_R10", "lens_profile": "STANDARD_STUDIO_PORTRAIT", "capture_type": "PROFESSIONAL_STUDIO_PHOTOGRAPHY", "white_balance": "NEUTRAL", "intent": "BIOLOGICAL_TRUTH_CAPTURE" }, "forensic_branding_layer": { "brand_name": "EMARRLONN", "type": "AUTHORSHIP_AND_TRACEABILITY_WATERMARK", "placement": "LARGE_BACKGROUND_PLANE", "opacity": "VERY_LOW_VISIBLE", "removal": "FORBIDDEN" }, "output_readiness": { "resolution": "8K_NATIVE", "zoom_integrity": "UP_TO_10X", "biological_fidelity": "MAXIMUM_HUMAN", "pose_integrity": "100_PERCENT_LOCKED", "ready_for_next_step": "IMAGE_ZERO_ABSOLUTE_FINAL_SEAL" }, "closure_statement": { "status": "PRE_POST_STAGE_COMPLETE", "note": "THIS DOCUMENT DEFINES A FULLY PREPARED PRE / POST IMAGE ZERO ABSOLUTE STATE FOR MALLA2. ZERO MAKEUP, HEALTHY HUMAN SKIN, NO ACNE, REAL PORES AND VELLUS HAIR, HYPERREAL NATURAL HAIR, POSE LOCKED TO REFERENCE, CAPTURED AS PROFESSIONAL CANON R10 STUDIO PHOTOGRAPHY. READY FOR FINAL IMAGE ZERO ABSOLUTE SEAL UPON AUTHORIZATION." } }
012
Nano Banana
Based on the uploaded image, create an High-fidelity photo “High-Fashion Spread + Helmut Newton” portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. Ultra-realistic, 8k resolution, cinematic lighting, film grain, shot on Canon EOS R5, 85mm f/1.8, ISO 100, highly detailed features, authentic likeness, photorealistic but editorial. 🔒 IDENTITY LOCK Preserve consistent facial features, Detailed, natural skin textures with visible pores and micro-imperfections, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes shape, nose structure, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, pale/light skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. 1) Theme/Title: - Stylized Portrait of a Young Woman in a Modern School Uniform. 2) Main Subject: - Appearance: Young woman of Mexican ethnicity with an "Ulzzang" aesthetic. - Age: Approximately 20 to 25 years old. - Physical characteristics: Clear, flawless porcelain-like skin; oval face with soft features; slender nose; pink, hydrated lips. Accentuated hourglass silhouette (curvy), with an extremely slim waist contrasted by wide hips and full thighs. 3) Subject Details: - Hair: Short bob cut at chin length, jet black color, with dense bangs and straight strands with a satin-like shine. - Mandatory: Preserve bang length, maintain bang density, protect the bang cut line. - Makeup: Natural aesthetic; peach-toned eyeshadow, thin and subtle cat-eye eyeliner, soft blush on the cheeks, and pink gradient lipstick. - Mandatory: Makeup must be clearly visible in close-up shots (“apply makeup while preserving the face in 100% of cases”). - Nails: Not visible (hands behind the back). - Clothing: Outfit composed of a white short-sleeve blouse with slightly puffed sleeves and a collar, layered under a fitted black pinafore (jumper dress). The dress features a sweetheart neckline, front buttons on the bust and waist, and a short pleated skirt with ruffled hem finishing. - Accessories: Small bow tie with a tartan pattern in black, gray, and white tones. Black knee-high (3/4) socks ending just below the knee. - Props: None. FINE DETAILS: - Clothing, accessories, objects: Cotton texture on the white blouse, matte synthetic fabric on the black dress, visible stitching on the skirt pleats, and intricate details in the tartan bow pattern. - Realistic imperfections: Slight fabric creases at the armpits and waist due to garment fit; natural shading at the knee joints. - Reflections, highlights, particles, texture, material: Subtle eye catchlights, realistic skin texture with minimally visible pores, soft reflections on the dress’s black buttons. - Body projection and visible volume: Clear and pronounced volume of the bust and hips; anatomical shadows between the thighs and under the jawline. 4) Action / Pose / Context: - Facial expression: Serene, neutral, and contemplative expression; soft direct gaze toward the lens. - Body language: Upright and static posture, relaxed shoulders, hands positioned behind the back, conveying a sense of shyness or formality. 5) Scene / Context / Environment: - Background: Smooth, minimalist wall in neutral beige or off-white tone. - Location: Indoor setting, possibly a photography studio. - Time of day: Undefined (controlled artificial lighting). - Weather: Not applicable (indoor environment). 6) Lighting / Atmosphere (Mood): - Type of lighting: Soft, directional studio lighting coming from the front and slightly from the left, creating a sharp and defined shadow cast on the right side of the model against the wall. - Mood: Clean, organized, and aesthetically focused on fashion. - Emotional tone: Calm, sophisticated, and slightly melancholic. 7) Style / Aesthetics: - Type of image: Fashion portrait photography with a high level of sharpness. - Visual aesthetic: Contemporary K-Fashion aesthetic blended with elements of digital realism (hyper-realistic AI). 8) Composition / Technique: - Camera: Professional photography (simulating Canon EOS R5). - Angles: Frontal shot, eye-level, medium framing capturing from the top of the head to mid-thigh. - Lenses: 50mm for a natural look without anatomical distortion. - Aspect ratio: 2:3 (vertical). Negative prompt: - (deformed face:1.4), (deformed hands:1.4), bad anatomy, low quality, (different face:1.5), (face swap:1.5), body smoothing, (weight loss:1.4), unrealistic skin texture, image overlay, image collage, dark skin, short hair, medium hair, exact same clothes, identical pose, identical location, same framing, same lighting, (malformed teeth:1.3), extra fingers, mutated hands, poorly drawn face, blurry, worst quality, normal quality, cropped, duplicate Final result: - The final image should look like a real photo, not artificial - The face and body should look exactly as shown; never smoothing or retouching - The clothing should look different as shown; never identical - No facial/body distortion or visual artifacts - No black and white photograph
12334
Nano Banana
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor nighttime setting, framed from a low-angle perspective, with strong depth distortion: foreground almost entirely occupied by legs and footwear; midground concentrating dress, torso, and face; background filled with tree trunks and flowering branches. Dominant vertical space, depth compressed by frontal flash but still readable through tree overlap. Ground is dark, slightly reflective, horizontal. Background shows a uniform deep-blue sky between organic masses. Materials: rough, matte tree bark with longitudinal irregularities; flowers with thin petals, semi-white/pink, diffuse finish; dark cylindrical branches, opaque; asphalt or dark pavement with low reflectance. Main lighting is frontal and near the camera axis, hard to moderately hard, neutral to slightly cool temperature, generating short shadows and reducing lateral modeling; cool ambient fill from the night sky. Structural elements: central trunk behind the model; a network of diagonal branches crossing the entire background; floral mass distributed repetitively. In the lower left corner, a partially visible blue vehicle; in the lower right, a triangular warning sign with a vertical pole. Asymmetrical composition, yet balanced by the centralization of the body and radial expansion of branches. POSE (Photographer / Posing Stylist) Body captured from an extreme low angle, producing apparent elongation of the lower limbs. Head tilted laterally to the left of the image, with slight forward flexion. Torso leaning forward and to the left of the image; spine in a soft curve. Shoulders misaligned: left lower, right higher. Arms drawn back/laterally along the torso, elbows flexed and partially hidden by the dress. Center of gravity projected between the legs; primary support appears on the lower limb closest to the camera on the left side of the image, with the knee nearly fully extended. Opposite limb advanced, also extended but with slight relaxation at the knee. Hips in subtle rotation, accentuated by the circular drape of the skirt. Perspective foreshortening minimal in the torso and maximal in the feet/shoes. Overall body expression conveys static stability, no explicit muscular tension; neck relaxed; gaze directed at the camera. HAIR (Hairstylist) She has the same hair as in the uploaded photo; styled as long hair falling to the waist, jet black, high density, parting near the center with a frontal fringe segmented into fine vertical strands. Predominantly downward vectors with deviation to the left of the image. Greater volume on the left side, where lengths form wide “S” waves; right side more compressed along the neck and shoulder. Smooth texture at the roots and wavy from mid-length to ends. Outer contour rounded at the top and sinuous at the extremities. Subtle, continuous specular highlights on curved areas, indicating relatively aligned surface; high absorption in darker inner regions. Static movement, gravity-driven, with no perceptible wind action. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with a uniform, satin-natural finish, low apparent texture. Subtle structural correction: highlights on central forehead, nasal bridge, tops of cheekbones, and chin; soft contour on sides of the nose and facial perimeter. Diffuse pink blush concentrated on the cheeks, extending laterally. Eyes with moderate contrast: low-saturation neutral pink/brown eyeshadow, liner close to the upper lash line, defined lashes without excessive volume. Eyebrows dark, linear, softly shaped. Lips in light pink, clean outline, even fill, low to medium gloss. Well-blended transitions, no harsh edges. Frontal light reduces facial shadows and reinforces tonal uniformity. Mandatory: makeup must be clearly visible in wide shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails not visible with sufficient resolution for technical analysis. Hands remain hidden under the dress/out of the usable frame; no reliable data for length, curvature, material, or nail art. WARDROBE (Stylist / Tailor / Costume Designer) Short dress in satin/jacquard fabric with a pearlescent sheen, off-white base with organic patterning in very soft tones of gray, ivory, and peach. Short high collar with slight gathering. Short puff sleeves with structured hems. Fitted upper bodice; defined waist; wide A-line skirt with large angular opening due to perspective and gravity. Seams suggested in princess lines or subtle vertical panels. Material of light to medium weight, with enough structural memory to form broad folds and edges that stand away from the body. Soft specular reflection on fold crests; inner zones more opaque. Folds radiate from the waist and compression points at hips/abdomen. Footwear: white Mary Jane shoes, rounded toe, strap over the instep with a metallic buckle, low block heel, smooth matte to semi-satin finish. STYLE (Image Editor / Retoucher) High sharpness on face, frontal hair, dress, and legs; background with slight progressive optical blur. Skin smoothed but with some preservation of anatomical volume; imperfections minimized. Color correction with moderate-high contrast: warm-neutral skin, cool blue background, soft pink flowers. Controlled saturation, no evident clipping. Likely skin cleanup and tonal uniformity. Low grain, subtle compression, high digital quality. Aesthetic signature: nighttime editorial portrait with direct flash and dramatic low-camera perspective. Approximate aspect ratio: 2:3 vertical.
157
Nano Banana
Create a 4:5 vertical social poster in ultra high resolution, 8K print quality, and sharpness. Use the BMW car from the reference image as the main subject and use the background structure/composition from the reference image, but transform it into a BMW-themed design. Replace all black tones with a flat high-saturation BMW blue background. Keep the same layout, spacing, visual balance, and poster composition from the reference image. Background should use a smooth gradient from slightly lighter electric blue at the top to deep navy blue at the bottom. Add subtle grain texture (2 to 3%) and faint rectangular overlays (2 to 4% opacity). Keep it clean, graphic, premium, and non-realistic. Add a soft contact shadow under the car. Use the same BMW from the reference image, changing only the paint color to matte frozen blue or deep metallic navy. Keep the original body shape, wheels, stance, and design details from the reference image. Show the car in a rear 3/4 perspective, matching the reference image angle exactly. Use a slightly elevated camera angle. Position the car slightly right of center. Include a visible carbon roof, an aggressive rear diffuser, sharp controlled reflections, and subtle brake details. Keep composition identical to the reference image: Top: branding Middle: giant type Center: car overlapping text Bottom: editorial block and specs Typography: Primary text: “BMW.” Ultra condensed bold sans serif, tall vertical scaling like the reference poster. Color: deep navy or near black. Static text with no distortion. Acts as a structural backdrop. Secondary header: “BMW M4 G82.” Thin font with wide tracking. Logo area: BMW roundel centered above. Editorial block: Headline: “BMW — Where Driving Becomes Instinct” Body copy focused on: driver connection control performance precision Use the same boxed editorial layout as the reference image. Background faded text: “M4” large scale with 3 to 5% opacity behind the box. Bottom left: “ M4 G82” Bottom right specs: 405 kW / 550 PS 3.4 s 307 km/h Lighting should be clean studio lighting with sharp but controlled highlights. Color grading should use deep blues, high contrast, and clean blacks. Camera lens: 50mm, slightly elevated rear 3/4 angle. Mood: Performance. Precision. Driver focus. Add Bottom-right watermark: harboriis, with small x and Instagram logo
12957
Stable Diffusion
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor nighttime setting, framed from a low-angle perspective, with strong depth distortion: foreground almost entirely occupied by legs and footwear; midground concentrating dress, torso, and face; background filled with tree trunks and flowering branches. Dominant vertical space, depth compressed by frontal flash but still readable through tree overlap. Ground is dark, slightly reflective, horizontal. Background shows a uniform deep-blue sky between organic masses. Materials: rough, matte tree bark with longitudinal irregularities; flowers with thin petals, semi-white/pink, diffuse finish; dark cylindrical branches, opaque; asphalt or dark pavement with low reflectance. Main lighting is frontal and near the camera axis, hard to moderately hard, neutral to slightly cool temperature, generating short shadows and reducing lateral modeling; cool ambient fill from the night sky. Structural elements: central trunk behind the model; a network of diagonal branches crossing the entire background; floral mass distributed repetitively. In the lower left corner, a partially visible blue vehicle; in the lower right, a triangular warning sign with a vertical pole. Asymmetrical composition, yet balanced by the centralization of the body and radial expansion of branches. POSE (Photographer / Posing Stylist) Body captured from an extreme low angle, producing apparent elongation of the lower limbs. Head tilted laterally to the left of the image, with slight forward flexion. Torso leaning forward and to the left of the image; spine in a soft curve. Shoulders misaligned: left lower, right higher. Arms drawn back/laterally along the torso, elbows flexed and partially hidden by the dress. Center of gravity projected between the legs; primary support appears on the lower limb closest to the camera on the left side of the image, with the knee nearly fully extended. Opposite limb advanced, also extended but with slight relaxation at the knee. Hips in subtle rotation, accentuated by the circular drape of the skirt. Perspective foreshortening minimal in the torso and maximal in the feet/shoes. Overall body expression conveys static stability, no explicit muscular tension; neck relaxed; gaze directed at the camera. HAIR (Hairstylist) She has the same hair as in the uploaded photo; styled as long hair falling to the waist, jet black, high density, parting near the center with a frontal fringe segmented into fine vertical strands. Predominantly downward vectors with deviation to the left of the image. Greater volume on the left side, where lengths form wide “S” waves; right side more compressed along the neck and shoulder. Smooth texture at the roots and wavy from mid-length to ends. Outer contour rounded at the top and sinuous at the extremities. Subtle, continuous specular highlights on curved areas, indicating relatively aligned surface; high absorption in darker inner regions. Static movement, gravity-driven, with no perceptible wind action. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with a uniform, satin-natural finish, low apparent texture. Subtle structural correction: highlights on central forehead, nasal bridge, tops of cheekbones, and chin; soft contour on sides of the nose and facial perimeter. Diffuse pink blush concentrated on the cheeks, extending laterally. Eyes with moderate contrast: low-saturation neutral pink/brown eyeshadow, liner close to the upper lash line, defined lashes without excessive volume. Eyebrows dark, linear, softly shaped. Lips in light pink, clean outline, even fill, low to medium gloss. Well-blended transitions, no harsh edges. Frontal light reduces facial shadows and reinforces tonal uniformity. Mandatory: makeup must be clearly visible in wide shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails not visible with sufficient resolution for technical analysis. Hands remain hidden under the dress/out of the usable frame; no reliable data for length, curvature, material, or nail art. WARDROBE (Stylist / Tailor / Costume Designer) Short dress in satin/jacquard fabric with a pearlescent sheen, off-white base with organic patterning in very soft tones of gray, ivory, and peach. Short high collar with slight gathering. Short puff sleeves with structured hems. Fitted upper bodice; defined waist; wide A-line skirt with large angular opening due to perspective and gravity. Seams suggested in princess lines or subtle vertical panels. Material of light to medium weight, with enough structural memory to form broad folds and edges that stand away from the body. Soft specular reflection on fold crests; inner zones more opaque. Folds radiate from the waist and compression points at hips/abdomen. Footwear: white Mary Jane shoes, rounded toe, strap over the instep with a metallic buckle, low block heel, smooth matte to semi-satin finish. STYLE (Image Editor / Retoucher) High sharpness on face, frontal hair, dress, and legs; background with slight progressive optical blur. Skin smoothed but with some preservation of anatomical volume; imperfections minimized. Color correction with moderate-high contrast: warm-neutral skin, cool blue background, soft pink flowers. Controlled saturation, no evident clipping. Likely skin cleanup and tonal uniformity. Low grain, subtle compression, high digital quality. Aesthetic signature: nighttime editorial portrait with direct flash and dramatic low-camera perspective. Approximate aspect ratio: 2:3 vertical.
157
Nano Banana
{ "master_protocol_metadata": { "official_name": "IRREAL WORLD – PRE / POST IMAGE ZERO ABSOLUTE™ BIOLOGICAL PREPARATION PROTOCOL", "technical_id": "IW_PRE_POST_IMAGE_ZERO_ABSOLUTE_V2_MALLA2_ITALY_CANON_R10_8K_READY", "status": "PRE_POST_STAGE_LOCKED_NOT_FINAL", "scope": "BIOLOGICAL_AND_VISUAL_PREPARATION_FOR_FUTURE_IMAGE_ZERO_ABSOLUTE_HIGGHFIELDS", "engine": "HIGGHFIELDS_ONLY", "editability": "ALLOWED_ONLY_WITHIN_DEFINED_PRE_POST_RULES", "identity_policy": "ABSOLUTE_INVARIANCE_PRE_ENFORCED", "truth_source": "FRAME_ZERO_REFERENCE_ONLY", "legal_status": "TECHNICAL_AND_COMMERCIAL_VALID_PRE_SEAL" }, "studio_axiom": "THE HUMAN SUBJECT IS NOT MODIFIED. IT IS CLEANED FROM NON-BIOLOGICAL ARTIFACTS AND PRESERVED AS REAL HUMAN TRUTH.", "absolute_axioms": [ "IDENTITY_CANNOT_CHANGE", "POSE_IS_READ_ONLY_AND_MUST_MATCH_REFERENCE", "FACIAL_EXPRESSION_IS_READ_ONLY", "BODY_STRUCTURE_IS_STATIC", "MAKEUP_STATE_IS_ZERO_ABSOLUTE", "NO_BEAUTIFICATION", "NO_AI_SKIN", "NO_PLASTIC_OR_SYNTHETIC_SURFACE", "SKIN_REMAINS_HUMAN_AND_IMPERFECT", "PATHOLOGICAL_OR_TEMPORARY_ARTIFACTS_MAY_BE_REMOVED", "BIOLOGICAL_DETAIL_MUST_SURVIVE_EXTREME_ZOOM", "HAIR_MUST_BE_HUMAN_FIBER_BASED", "BACKGROUND_IS_WHITE_FINE_ALPHA_3D", "IF_UNCERTAIN_DO_NOTHING" ], "frame_zero_contract": { "definition": "UPLOADED_IMAGE_IS_BIOLOGICAL_AND_POSE_REFERENCE_FRAME_ZERO", "immutability": "REFERENCE_IMMUTABLE", "authority": "FORENSIC_AND_VISUAL_GROUND_TRUTH", "pose_lock": "ABSOLUTE", "used_for": [ "identity_matching", "pose_matching", "pore_distribution_reference", "vellus_hair_reference", "hair_fiber_reference", "skin_tone_and_oil_reference", "clothing_identity_reference" ] }, "identity_reference": { "name": "MALLA2", "classification": "HUMAN_REFERENCE_SUBJECT_PRE_ZERO", "species": "HOMO_SAPIENS_SAPIENS", "sex": "FEMALE", "age_range_years": "27-29", "nationality": "ITALIAN", "phenotype": "EUROPEAN_ITALIAN_MEDITERRANEAN_REFINED", "height_cm": "174-175", "weight_kg_estimated": "58-61", "body_type": "RUNWAY_ATHLETIC_SLIM_DEFINED", "identity_state": "PRE_POST_IMAGE_ZERO_ABSOLUTE", "identity_seed": "MALLA2_CORE_SEED_V1_RESERVED_NOT_FINAL" }, "biological_systems": { "skin": { "principle": "SKIN_IS_BIOLOGICAL_SIGNAL_NOT_SURFACE", "state": "HEALTHY_NATURAL_HUMAN", "makeup_state": "ZERO_ABSOLUTE", "allowed": [ "REAL_PORES", "UNEQUAL_TONE", "NATURAL_OIL_VARIATION", "MICRO_SHADOWS", "VISIBLE_VELLUS_HAIR", "SUBTLE_DARK_CIRCLES_WITHIN_HUMAN_LIMITS" ], "explicit_removals_allowed": [ "ACTIVE_ACNE", "INFLAMED_PAPULES", "PUSTULES", "TEMPORARY_BLEMISHES", "NON_PERMANENT_SPOTS" ], "forbidden": [ "AI_SMOOTHING", "SKIN_POLISH", "BEAUTY_GLOW", "PLASTIC_EFFECT", "TEXTURE_INVENTION", "UNIFORMITY_FILTERS" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "REAL_PORE_GEOMETRY", "ORGANIC_DISTRIBUTION", "NO_REPEAT_PATTERN", "NO_SYNTHETIC_NOISE", "NO_DETAIL_INVENTION" ] } }, "makeup": { "state": "ZERO_ABSOLUTE", "definition": "NO_MAKEUP_ON_EYES_LIPS_OR_FACE", "correction_policy": "ONLY_BIOLOGICAL_REPAIR_WITHIN_REAL_HUMAN_LIMITS", "tolerance": 0 }, "hair": { "principle": "HAIR_IS_REAL_HUMAN_FIBER", "state": "HYPERREAL_NATURAL_HUMAN", "style_guideline": "NATURAL_SLIGHTLY_LOOSE_NOT_STYLED", "requirements": [ "INDIVIDUAL_STRAND_VISIBILITY", "IRREGULAR_DENSITY", "REAL_ROOT_BEHAVIOR", "MICRO_FLYAWAYS", "NATURAL_CLUMPING", "NON_UNIFORM_REFLECTION", "NO_WET_LOOK_UNLESS_PRESENT_IN_REFERENCE" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "VISIBLE_SINGLE_FIBERS", "NO_AI_PATTERN", "NO_DENSITY_INVENTION", "NO_SYMMETRY_ENFORCEMENT" ] }, "forbidden": [ "AI_GENERATED_HAIR", "PERFECT_SYMMETRY", "ARTIFICIAL_SHINE", "HAIR_INVENTION" ] } }, "garment_identity_marking_layer": { "visible_name": "MALLA2", "placement_policy": "EDITORIAL_PROFESSIONAL_SUBTLE", "allowed_locations": [ "UPPER_GARMENT_CHEST_OR_POCKET", "LOWER_GARMENT_MICRO_TAG" ], "style": { "typography": "MINIMAL_EDITORIAL", "color": "DARK_NEUTRAL", "scale": "MICRO" }, "editability": "LOCKED_AFTER_APPROVAL" }, "environment": { "background": { "base": "WHITE_FINE", "alpha": "TRUE_ALPHA", "depth": "CLEAN_3D", "technical_reference_colors": { "magenta_primary": "#FF00FF", "magenta_soft": "#FF66FF", "usage": "EDGE_AND_DEPTH_VALIDATION_ONLY" } }, "lighting": "NEUTRAL_REAL_STUDIO_LIGHT_NO_BEAUTY_LIGHT" }, "capture_metadata": { "camera": "CANON_R10", "lens_profile": "STANDARD_STUDIO_PORTRAIT", "capture_type": "PROFESSIONAL_STUDIO_PHOTOGRAPHY", "white_balance": "NEUTRAL", "intent": "BIOLOGICAL_TRUTH_CAPTURE" }, "forensic_branding_layer": { "brand_name": "EMARRLONN", "type": "AUTHORSHIP_AND_TRACEABILITY_WATERMARK", "placement": "LARGE_BACKGROUND_PLANE", "opacity": "VERY_LOW_VISIBLE", "removal": "FORBIDDEN" }, "output_readiness": { "resolution": "8K_NATIVE", "zoom_integrity": "UP_TO_10X", "biological_fidelity": "MAXIMUM_HUMAN", "pose_integrity": "100_PERCENT_LOCKED", "ready_for_next_step": "IMAGE_ZERO_ABSOLUTE_FINAL_SEAL" }, "closure_statement": { "status": "PRE_POST_STAGE_COMPLETE", "note": "THIS DOCUMENT DEFINES A FULLY PREPARED PRE / POST IMAGE ZERO ABSOLUTE STATE FOR MALLA2. ZERO MAKEUP, HEALTHY HUMAN SKIN, NO ACNE, REAL PORES AND VELLUS HAIR, HYPERREAL NATURAL HAIR, POSE LOCKED TO REFERENCE, CAPTURED AS PROFESSIONAL CANON R10 STUDIO PHOTOGRAPHY. READY FOR FINAL IMAGE ZERO ABSOLUTE SEAL UPON AUTHORIZATION." } }
012
Nano Banana
Based on the uploaded image, create an High-fidelity photo “High-Fashion Spread + Helmut Newton” portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. Ultra-realistic, 8k resolution, cinematic lighting, film grain, shot on Canon EOS R5, 85mm f/1.8, ISO 100, highly detailed features, authentic likeness, photorealistic but editorial. 🔒 IDENTITY LOCK Preserve consistent facial features, Detailed, natural skin textures with visible pores and micro-imperfections, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes shape, nose structure, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, pale/light skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. 1) Theme/Title: - Stylized Portrait of a Young Woman in a Modern School Uniform. 2) Main Subject: - Appearance: Young woman of Mexican ethnicity with an "Ulzzang" aesthetic. - Age: Approximately 20 to 25 years old. - Physical characteristics: Clear, flawless porcelain-like skin; oval face with soft features; slender nose; pink, hydrated lips. Accentuated hourglass silhouette (curvy), with an extremely slim waist contrasted by wide hips and full thighs. 3) Subject Details: - Hair: Short bob cut at chin length, jet black color, with dense bangs and straight strands with a satin-like shine. - Mandatory: Preserve bang length, maintain bang density, protect the bang cut line. - Makeup: Natural aesthetic; peach-toned eyeshadow, thin and subtle cat-eye eyeliner, soft blush on the cheeks, and pink gradient lipstick. - Mandatory: Makeup must be clearly visible in close-up shots (“apply makeup while preserving the face in 100% of cases”). - Nails: Not visible (hands behind the back). - Clothing: Outfit composed of a white short-sleeve blouse with slightly puffed sleeves and a collar, layered under a fitted black pinafore (jumper dress). The dress features a sweetheart neckline, front buttons on the bust and waist, and a short pleated skirt with ruffled hem finishing. - Accessories: Small bow tie with a tartan pattern in black, gray, and white tones. Black knee-high (3/4) socks ending just below the knee. - Props: None. FINE DETAILS: - Clothing, accessories, objects: Cotton texture on the white blouse, matte synthetic fabric on the black dress, visible stitching on the skirt pleats, and intricate details in the tartan bow pattern. - Realistic imperfections: Slight fabric creases at the armpits and waist due to garment fit; natural shading at the knee joints. - Reflections, highlights, particles, texture, material: Subtle eye catchlights, realistic skin texture with minimally visible pores, soft reflections on the dress’s black buttons. - Body projection and visible volume: Clear and pronounced volume of the bust and hips; anatomical shadows between the thighs and under the jawline. 4) Action / Pose / Context: - Facial expression: Serene, neutral, and contemplative expression; soft direct gaze toward the lens. - Body language: Upright and static posture, relaxed shoulders, hands positioned behind the back, conveying a sense of shyness or formality. 5) Scene / Context / Environment: - Background: Smooth, minimalist wall in neutral beige or off-white tone. - Location: Indoor setting, possibly a photography studio. - Time of day: Undefined (controlled artificial lighting). - Weather: Not applicable (indoor environment). 6) Lighting / Atmosphere (Mood): - Type of lighting: Soft, directional studio lighting coming from the front and slightly from the left, creating a sharp and defined shadow cast on the right side of the model against the wall. - Mood: Clean, organized, and aesthetically focused on fashion. - Emotional tone: Calm, sophisticated, and slightly melancholic. 7) Style / Aesthetics: - Type of image: Fashion portrait photography with a high level of sharpness. - Visual aesthetic: Contemporary K-Fashion aesthetic blended with elements of digital realism (hyper-realistic AI). 8) Composition / Technique: - Camera: Professional photography (simulating Canon EOS R5). - Angles: Frontal shot, eye-level, medium framing capturing from the top of the head to mid-thigh. - Lenses: 50mm for a natural look without anatomical distortion. - Aspect ratio: 2:3 (vertical). Negative prompt: - (deformed face:1.4), (deformed hands:1.4), bad anatomy, low quality, (different face:1.5), (face swap:1.5), body smoothing, (weight loss:1.4), unrealistic skin texture, image overlay, image collage, dark skin, short hair, medium hair, exact same clothes, identical pose, identical location, same framing, same lighting, (malformed teeth:1.3), extra fingers, mutated hands, poorly drawn face, blurry, worst quality, normal quality, cropped, duplicate Final result: - The final image should look like a real photo, not artificial - The face and body should look exactly as shown; never smoothing or retouching - The clothing should look different as shown; never identical - No facial/body distortion or visual artifacts - No black and white photograph
12334
Nano Banana
The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.
254
Z Image
Create a 4:5 vertical social poster in ultra high resolution, 8K print quality, and sharpness. Use the BMW car from the reference image as the main subject and use the background structure/composition from the reference image, but transform it into a BMW-themed design. Replace all black tones with a flat high-saturation BMW blue background. Keep the same layout, spacing, visual balance, and poster composition from the reference image. Background should use a smooth gradient from slightly lighter electric blue at the top to deep navy blue at the bottom. Add subtle grain texture (2 to 3%) and faint rectangular overlays (2 to 4% opacity). Keep it clean, graphic, premium, and non-realistic. Add a soft contact shadow under the car. Use the same BMW from the reference image, changing only the paint color to matte frozen blue or deep metallic navy. Keep the original body shape, wheels, stance, and design details from the reference image. Show the car in a rear 3/4 perspective, matching the reference image angle exactly. Use a slightly elevated camera angle. Position the car slightly right of center. Include a visible carbon roof, an aggressive rear diffuser, sharp controlled reflections, and subtle brake details. Keep composition identical to the reference image: Top: branding Middle: giant type Center: car overlapping text Bottom: editorial block and specs Typography: Primary text: “BMW.” Ultra condensed bold sans serif, tall vertical scaling like the reference poster. Color: deep navy or near black. Static text with no distortion. Acts as a structural backdrop. Secondary header: “BMW M4 G82.” Thin font with wide tracking. Logo area: BMW roundel centered above. Editorial block: Headline: “BMW — Where Driving Becomes Instinct” Body copy focused on: driver connection control performance precision Use the same boxed editorial layout as the reference image. Background faded text: “M4” large scale with 3 to 5% opacity behind the box. Bottom left: “ M4 G82” Bottom right specs: 405 kW / 550 PS 3.4 s 307 km/h Lighting should be clean studio lighting with sharp but controlled highlights. Color grading should use deep blues, high contrast, and clean blacks. Camera lens: 50mm, slightly elevated rear 3/4 angle. Mood: Performance. Precision. Driver focus. Add Bottom-right watermark: harboriis, with small x and Instagram logo
12957
Stable Diffusion
Create a 4:5 vertical social poster in ultra high resolution, 8K print quality, and sharpness. Use the BMW car from the reference image as the main subject and use the background structure/composition from the reference image, but transform it into a BMW-themed design. Replace all black tones with a flat high-saturation BMW blue background. Keep the same layout, spacing, visual balance, and poster composition from the reference image. Background should use a smooth gradient from slightly lighter electric blue at the top to deep navy blue at the bottom. Add subtle grain texture (2 to 3%) and faint rectangular overlays (2 to 4% opacity). Keep it clean, graphic, premium, and non-realistic. Add a soft contact shadow under the car. Use the same BMW from the reference image, changing only the paint color to matte frozen blue or deep metallic navy. Keep the original body shape, wheels, stance, and design details from the reference image. Show the car in a rear 3/4 perspective, matching the reference image angle exactly. Use a slightly elevated camera angle. Position the car slightly right of center. Include a visible carbon roof, an aggressive rear diffuser, sharp controlled reflections, and subtle brake details. Keep composition identical to the reference image: Top: branding Middle: giant type Center: car overlapping text Bottom: editorial block and specs Typography: Primary text: “BMW.” Ultra condensed bold sans serif, tall vertical scaling like the reference poster. Color: deep navy or near black. Static text with no distortion. Acts as a structural backdrop. Secondary header: “BMW M4 G82.” Thin font with wide tracking. Logo area: BMW roundel centered above. Editorial block: Headline: “BMW — Where Driving Becomes Instinct” Body copy focused on: driver connection control performance precision Use the same boxed editorial layout as the reference image. Background faded text: “M4” large scale with 3 to 5% opacity behind the box. Bottom left: “ M4 G82” Bottom right specs: 405 kW / 550 PS 3.4 s 307 km/h Lighting should be clean studio lighting with sharp but controlled highlights. Color grading should use deep blues, high contrast, and clean blacks. Camera lens: 50mm, slightly elevated rear 3/4 angle. Mood: Performance. Precision. Driver focus. Add Bottom-right watermark: harboriis, with small x and Instagram logo
12957
Stable Diffusion
{ "master_protocol_metadata": { "official_name": "IRREAL WORLD – PRE / POST IMAGE ZERO ABSOLUTE™ BIOLOGICAL PREPARATION PROTOCOL", "technical_id": "IW_PRE_POST_IMAGE_ZERO_ABSOLUTE_V2_MALLA2_ITALY_CANON_R10_8K_READY", "status": "PRE_POST_STAGE_LOCKED_NOT_FINAL", "scope": "BIOLOGICAL_AND_VISUAL_PREPARATION_FOR_FUTURE_IMAGE_ZERO_ABSOLUTE_HIGGHFIELDS", "engine": "HIGGHFIELDS_ONLY", "editability": "ALLOWED_ONLY_WITHIN_DEFINED_PRE_POST_RULES", "identity_policy": "ABSOLUTE_INVARIANCE_PRE_ENFORCED", "truth_source": "FRAME_ZERO_REFERENCE_ONLY", "legal_status": "TECHNICAL_AND_COMMERCIAL_VALID_PRE_SEAL" }, "studio_axiom": "THE HUMAN SUBJECT IS NOT MODIFIED. IT IS CLEANED FROM NON-BIOLOGICAL ARTIFACTS AND PRESERVED AS REAL HUMAN TRUTH.", "absolute_axioms": [ "IDENTITY_CANNOT_CHANGE", "POSE_IS_READ_ONLY_AND_MUST_MATCH_REFERENCE", "FACIAL_EXPRESSION_IS_READ_ONLY", "BODY_STRUCTURE_IS_STATIC", "MAKEUP_STATE_IS_ZERO_ABSOLUTE", "NO_BEAUTIFICATION", "NO_AI_SKIN", "NO_PLASTIC_OR_SYNTHETIC_SURFACE", "SKIN_REMAINS_HUMAN_AND_IMPERFECT", "PATHOLOGICAL_OR_TEMPORARY_ARTIFACTS_MAY_BE_REMOVED", "BIOLOGICAL_DETAIL_MUST_SURVIVE_EXTREME_ZOOM", "HAIR_MUST_BE_HUMAN_FIBER_BASED", "BACKGROUND_IS_WHITE_FINE_ALPHA_3D", "IF_UNCERTAIN_DO_NOTHING" ], "frame_zero_contract": { "definition": "UPLOADED_IMAGE_IS_BIOLOGICAL_AND_POSE_REFERENCE_FRAME_ZERO", "immutability": "REFERENCE_IMMUTABLE", "authority": "FORENSIC_AND_VISUAL_GROUND_TRUTH", "pose_lock": "ABSOLUTE", "used_for": [ "identity_matching", "pose_matching", "pore_distribution_reference", "vellus_hair_reference", "hair_fiber_reference", "skin_tone_and_oil_reference", "clothing_identity_reference" ] }, "identity_reference": { "name": "MALLA2", "classification": "HUMAN_REFERENCE_SUBJECT_PRE_ZERO", "species": "HOMO_SAPIENS_SAPIENS", "sex": "FEMALE", "age_range_years": "27-29", "nationality": "ITALIAN", "phenotype": "EUROPEAN_ITALIAN_MEDITERRANEAN_REFINED", "height_cm": "174-175", "weight_kg_estimated": "58-61", "body_type": "RUNWAY_ATHLETIC_SLIM_DEFINED", "identity_state": "PRE_POST_IMAGE_ZERO_ABSOLUTE", "identity_seed": "MALLA2_CORE_SEED_V1_RESERVED_NOT_FINAL" }, "biological_systems": { "skin": { "principle": "SKIN_IS_BIOLOGICAL_SIGNAL_NOT_SURFACE", "state": "HEALTHY_NATURAL_HUMAN", "makeup_state": "ZERO_ABSOLUTE", "allowed": [ "REAL_PORES", "UNEQUAL_TONE", "NATURAL_OIL_VARIATION", "MICRO_SHADOWS", "VISIBLE_VELLUS_HAIR", "SUBTLE_DARK_CIRCLES_WITHIN_HUMAN_LIMITS" ], "explicit_removals_allowed": [ "ACTIVE_ACNE", "INFLAMED_PAPULES", "PUSTULES", "TEMPORARY_BLEMISHES", "NON_PERMANENT_SPOTS" ], "forbidden": [ "AI_SMOOTHING", "SKIN_POLISH", "BEAUTY_GLOW", "PLASTIC_EFFECT", "TEXTURE_INVENTION", "UNIFORMITY_FILTERS" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "REAL_PORE_GEOMETRY", "ORGANIC_DISTRIBUTION", "NO_REPEAT_PATTERN", "NO_SYNTHETIC_NOISE", "NO_DETAIL_INVENTION" ] } }, "makeup": { "state": "ZERO_ABSOLUTE", "definition": "NO_MAKEUP_ON_EYES_LIPS_OR_FACE", "correction_policy": "ONLY_BIOLOGICAL_REPAIR_WITHIN_REAL_HUMAN_LIMITS", "tolerance": 0 }, "hair": { "principle": "HAIR_IS_REAL_HUMAN_FIBER", "state": "HYPERREAL_NATURAL_HUMAN", "style_guideline": "NATURAL_SLIGHTLY_LOOSE_NOT_STYLED", "requirements": [ "INDIVIDUAL_STRAND_VISIBILITY", "IRREGULAR_DENSITY", "REAL_ROOT_BEHAVIOR", "MICRO_FLYAWAYS", "NATURAL_CLUMPING", "NON_UNIFORM_REFLECTION", "NO_WET_LOOK_UNLESS_PRESENT_IN_REFERENCE" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "VISIBLE_SINGLE_FIBERS", "NO_AI_PATTERN", "NO_DENSITY_INVENTION", "NO_SYMMETRY_ENFORCEMENT" ] }, "forbidden": [ "AI_GENERATED_HAIR", "PERFECT_SYMMETRY", "ARTIFICIAL_SHINE", "HAIR_INVENTION" ] } }, "garment_identity_marking_layer": { "visible_name": "MALLA2", "placement_policy": "EDITORIAL_PROFESSIONAL_SUBTLE", "allowed_locations": [ "UPPER_GARMENT_CHEST_OR_POCKET", "LOWER_GARMENT_MICRO_TAG" ], "style": { "typography": "MINIMAL_EDITORIAL", "color": "DARK_NEUTRAL", "scale": "MICRO" }, "editability": "LOCKED_AFTER_APPROVAL" }, "environment": { "background": { "base": "WHITE_FINE", "alpha": "TRUE_ALPHA", "depth": "CLEAN_3D", "technical_reference_colors": { "magenta_primary": "#FF00FF", "magenta_soft": "#FF66FF", "usage": "EDGE_AND_DEPTH_VALIDATION_ONLY" } }, "lighting": "NEUTRAL_REAL_STUDIO_LIGHT_NO_BEAUTY_LIGHT" }, "capture_metadata": { "camera": "CANON_R10", "lens_profile": "STANDARD_STUDIO_PORTRAIT", "capture_type": "PROFESSIONAL_STUDIO_PHOTOGRAPHY", "white_balance": "NEUTRAL", "intent": "BIOLOGICAL_TRUTH_CAPTURE" }, "forensic_branding_layer": { "brand_name": "EMARRLONN", "type": "AUTHORSHIP_AND_TRACEABILITY_WATERMARK", "placement": "LARGE_BACKGROUND_PLANE", "opacity": "VERY_LOW_VISIBLE", "removal": "FORBIDDEN" }, "output_readiness": { "resolution": "8K_NATIVE", "zoom_integrity": "UP_TO_10X", "biological_fidelity": "MAXIMUM_HUMAN", "pose_integrity": "100_PERCENT_LOCKED", "ready_for_next_step": "IMAGE_ZERO_ABSOLUTE_FINAL_SEAL" }, "closure_statement": { "status": "PRE_POST_STAGE_COMPLETE", "note": "THIS DOCUMENT DEFINES A FULLY PREPARED PRE / POST IMAGE ZERO ABSOLUTE STATE FOR MALLA2. ZERO MAKEUP, HEALTHY HUMAN SKIN, NO ACNE, REAL PORES AND VELLUS HAIR, HYPERREAL NATURAL HAIR, POSE LOCKED TO REFERENCE, CAPTURED AS PROFESSIONAL CANON R10 STUDIO PHOTOGRAPHY. READY FOR FINAL IMAGE ZERO ABSOLUTE SEAL UPON AUTHORIZATION." } }
012
Nano Banana
The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.
254
Z Image
Based on the uploaded image, create an High-fidelity photo “High-Fashion Spread + Helmut Newton” portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. Ultra-realistic, 8k resolution, cinematic lighting, film grain, shot on Canon EOS R5, 85mm f/1.8, ISO 100, highly detailed features, authentic likeness, photorealistic but editorial. 🔒 IDENTITY LOCK Preserve consistent facial features, Detailed, natural skin textures with visible pores and micro-imperfections, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes shape, nose structure, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, pale/light skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. 1) Theme/Title: - Stylized Portrait of a Young Woman in a Modern School Uniform. 2) Main Subject: - Appearance: Young woman of Mexican ethnicity with an "Ulzzang" aesthetic. - Age: Approximately 20 to 25 years old. - Physical characteristics: Clear, flawless porcelain-like skin; oval face with soft features; slender nose; pink, hydrated lips. Accentuated hourglass silhouette (curvy), with an extremely slim waist contrasted by wide hips and full thighs. 3) Subject Details: - Hair: Short bob cut at chin length, jet black color, with dense bangs and straight strands with a satin-like shine. - Mandatory: Preserve bang length, maintain bang density, protect the bang cut line. - Makeup: Natural aesthetic; peach-toned eyeshadow, thin and subtle cat-eye eyeliner, soft blush on the cheeks, and pink gradient lipstick. - Mandatory: Makeup must be clearly visible in close-up shots (“apply makeup while preserving the face in 100% of cases”). - Nails: Not visible (hands behind the back). - Clothing: Outfit composed of a white short-sleeve blouse with slightly puffed sleeves and a collar, layered under a fitted black pinafore (jumper dress). The dress features a sweetheart neckline, front buttons on the bust and waist, and a short pleated skirt with ruffled hem finishing. - Accessories: Small bow tie with a tartan pattern in black, gray, and white tones. Black knee-high (3/4) socks ending just below the knee. - Props: None. FINE DETAILS: - Clothing, accessories, objects: Cotton texture on the white blouse, matte synthetic fabric on the black dress, visible stitching on the skirt pleats, and intricate details in the tartan bow pattern. - Realistic imperfections: Slight fabric creases at the armpits and waist due to garment fit; natural shading at the knee joints. - Reflections, highlights, particles, texture, material: Subtle eye catchlights, realistic skin texture with minimally visible pores, soft reflections on the dress’s black buttons. - Body projection and visible volume: Clear and pronounced volume of the bust and hips; anatomical shadows between the thighs and under the jawline. 4) Action / Pose / Context: - Facial expression: Serene, neutral, and contemplative expression; soft direct gaze toward the lens. - Body language: Upright and static posture, relaxed shoulders, hands positioned behind the back, conveying a sense of shyness or formality. 5) Scene / Context / Environment: - Background: Smooth, minimalist wall in neutral beige or off-white tone. - Location: Indoor setting, possibly a photography studio. - Time of day: Undefined (controlled artificial lighting). - Weather: Not applicable (indoor environment). 6) Lighting / Atmosphere (Mood): - Type of lighting: Soft, directional studio lighting coming from the front and slightly from the left, creating a sharp and defined shadow cast on the right side of the model against the wall. - Mood: Clean, organized, and aesthetically focused on fashion. - Emotional tone: Calm, sophisticated, and slightly melancholic. 7) Style / Aesthetics: - Type of image: Fashion portrait photography with a high level of sharpness. - Visual aesthetic: Contemporary K-Fashion aesthetic blended with elements of digital realism (hyper-realistic AI). 8) Composition / Technique: - Camera: Professional photography (simulating Canon EOS R5). - Angles: Frontal shot, eye-level, medium framing capturing from the top of the head to mid-thigh. - Lenses: 50mm for a natural look without anatomical distortion. - Aspect ratio: 2:3 (vertical). Negative prompt: - (deformed face:1.4), (deformed hands:1.4), bad anatomy, low quality, (different face:1.5), (face swap:1.5), body smoothing, (weight loss:1.4), unrealistic skin texture, image overlay, image collage, dark skin, short hair, medium hair, exact same clothes, identical pose, identical location, same framing, same lighting, (malformed teeth:1.3), extra fingers, mutated hands, poorly drawn face, blurry, worst quality, normal quality, cropped, duplicate Final result: - The final image should look like a real photo, not artificial - The face and body should look exactly as shown; never smoothing or retouching - The clothing should look different as shown; never identical - No facial/body distortion or visual artifacts - No black and white photograph
12334
Nano Banana
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor nighttime setting, framed from a low-angle perspective, with strong depth distortion: foreground almost entirely occupied by legs and footwear; midground concentrating dress, torso, and face; background filled with tree trunks and flowering branches. Dominant vertical space, depth compressed by frontal flash but still readable through tree overlap. Ground is dark, slightly reflective, horizontal. Background shows a uniform deep-blue sky between organic masses. Materials: rough, matte tree bark with longitudinal irregularities; flowers with thin petals, semi-white/pink, diffuse finish; dark cylindrical branches, opaque; asphalt or dark pavement with low reflectance. Main lighting is frontal and near the camera axis, hard to moderately hard, neutral to slightly cool temperature, generating short shadows and reducing lateral modeling; cool ambient fill from the night sky. Structural elements: central trunk behind the model; a network of diagonal branches crossing the entire background; floral mass distributed repetitively. In the lower left corner, a partially visible blue vehicle; in the lower right, a triangular warning sign with a vertical pole. Asymmetrical composition, yet balanced by the centralization of the body and radial expansion of branches. POSE (Photographer / Posing Stylist) Body captured from an extreme low angle, producing apparent elongation of the lower limbs. Head tilted laterally to the left of the image, with slight forward flexion. Torso leaning forward and to the left of the image; spine in a soft curve. Shoulders misaligned: left lower, right higher. Arms drawn back/laterally along the torso, elbows flexed and partially hidden by the dress. Center of gravity projected between the legs; primary support appears on the lower limb closest to the camera on the left side of the image, with the knee nearly fully extended. Opposite limb advanced, also extended but with slight relaxation at the knee. Hips in subtle rotation, accentuated by the circular drape of the skirt. Perspective foreshortening minimal in the torso and maximal in the feet/shoes. Overall body expression conveys static stability, no explicit muscular tension; neck relaxed; gaze directed at the camera. HAIR (Hairstylist) She has the same hair as in the uploaded photo; styled as long hair falling to the waist, jet black, high density, parting near the center with a frontal fringe segmented into fine vertical strands. Predominantly downward vectors with deviation to the left of the image. Greater volume on the left side, where lengths form wide “S” waves; right side more compressed along the neck and shoulder. Smooth texture at the roots and wavy from mid-length to ends. Outer contour rounded at the top and sinuous at the extremities. Subtle, continuous specular highlights on curved areas, indicating relatively aligned surface; high absorption in darker inner regions. Static movement, gravity-driven, with no perceptible wind action. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with a uniform, satin-natural finish, low apparent texture. Subtle structural correction: highlights on central forehead, nasal bridge, tops of cheekbones, and chin; soft contour on sides of the nose and facial perimeter. Diffuse pink blush concentrated on the cheeks, extending laterally. Eyes with moderate contrast: low-saturation neutral pink/brown eyeshadow, liner close to the upper lash line, defined lashes without excessive volume. Eyebrows dark, linear, softly shaped. Lips in light pink, clean outline, even fill, low to medium gloss. Well-blended transitions, no harsh edges. Frontal light reduces facial shadows and reinforces tonal uniformity. Mandatory: makeup must be clearly visible in wide shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails not visible with sufficient resolution for technical analysis. Hands remain hidden under the dress/out of the usable frame; no reliable data for length, curvature, material, or nail art. WARDROBE (Stylist / Tailor / Costume Designer) Short dress in satin/jacquard fabric with a pearlescent sheen, off-white base with organic patterning in very soft tones of gray, ivory, and peach. Short high collar with slight gathering. Short puff sleeves with structured hems. Fitted upper bodice; defined waist; wide A-line skirt with large angular opening due to perspective and gravity. Seams suggested in princess lines or subtle vertical panels. Material of light to medium weight, with enough structural memory to form broad folds and edges that stand away from the body. Soft specular reflection on fold crests; inner zones more opaque. Folds radiate from the waist and compression points at hips/abdomen. Footwear: white Mary Jane shoes, rounded toe, strap over the instep with a metallic buckle, low block heel, smooth matte to semi-satin finish. STYLE (Image Editor / Retoucher) High sharpness on face, frontal hair, dress, and legs; background with slight progressive optical blur. Skin smoothed but with some preservation of anatomical volume; imperfections minimized. Color correction with moderate-high contrast: warm-neutral skin, cool blue background, soft pink flowers. Controlled saturation, no evident clipping. Likely skin cleanup and tonal uniformity. Low grain, subtle compression, high digital quality. Aesthetic signature: nighttime editorial portrait with direct flash and dramatic low-camera perspective. Approximate aspect ratio: 2:3 vertical.
157
Nano Banana
{ "master_protocol_metadata": { "official_name": "IRREAL WORLD – PRE / POST IMAGE ZERO ABSOLUTE™ BIOLOGICAL PREPARATION PROTOCOL", "technical_id": "IW_PRE_POST_IMAGE_ZERO_ABSOLUTE_V2_MALLA2_ITALY_CANON_R10_8K_READY", "status": "PRE_POST_STAGE_LOCKED_NOT_FINAL", "scope": "BIOLOGICAL_AND_VISUAL_PREPARATION_FOR_FUTURE_IMAGE_ZERO_ABSOLUTE_HIGGHFIELDS", "engine": "HIGGHFIELDS_ONLY", "editability": "ALLOWED_ONLY_WITHIN_DEFINED_PRE_POST_RULES", "identity_policy": "ABSOLUTE_INVARIANCE_PRE_ENFORCED", "truth_source": "FRAME_ZERO_REFERENCE_ONLY", "legal_status": "TECHNICAL_AND_COMMERCIAL_VALID_PRE_SEAL" }, "studio_axiom": "THE HUMAN SUBJECT IS NOT MODIFIED. IT IS CLEANED FROM NON-BIOLOGICAL ARTIFACTS AND PRESERVED AS REAL HUMAN TRUTH.", "absolute_axioms": [ "IDENTITY_CANNOT_CHANGE", "POSE_IS_READ_ONLY_AND_MUST_MATCH_REFERENCE", "FACIAL_EXPRESSION_IS_READ_ONLY", "BODY_STRUCTURE_IS_STATIC", "MAKEUP_STATE_IS_ZERO_ABSOLUTE", "NO_BEAUTIFICATION", "NO_AI_SKIN", "NO_PLASTIC_OR_SYNTHETIC_SURFACE", "SKIN_REMAINS_HUMAN_AND_IMPERFECT", "PATHOLOGICAL_OR_TEMPORARY_ARTIFACTS_MAY_BE_REMOVED", "BIOLOGICAL_DETAIL_MUST_SURVIVE_EXTREME_ZOOM", "HAIR_MUST_BE_HUMAN_FIBER_BASED", "BACKGROUND_IS_WHITE_FINE_ALPHA_3D", "IF_UNCERTAIN_DO_NOTHING" ], "frame_zero_contract": { "definition": "UPLOADED_IMAGE_IS_BIOLOGICAL_AND_POSE_REFERENCE_FRAME_ZERO", "immutability": "REFERENCE_IMMUTABLE", "authority": "FORENSIC_AND_VISUAL_GROUND_TRUTH", "pose_lock": "ABSOLUTE", "used_for": [ "identity_matching", "pose_matching", "pore_distribution_reference", "vellus_hair_reference", "hair_fiber_reference", "skin_tone_and_oil_reference", "clothing_identity_reference" ] }, "identity_reference": { "name": "MALLA2", "classification": "HUMAN_REFERENCE_SUBJECT_PRE_ZERO", "species": "HOMO_SAPIENS_SAPIENS", "sex": "FEMALE", "age_range_years": "27-29", "nationality": "ITALIAN", "phenotype": "EUROPEAN_ITALIAN_MEDITERRANEAN_REFINED", "height_cm": "174-175", "weight_kg_estimated": "58-61", "body_type": "RUNWAY_ATHLETIC_SLIM_DEFINED", "identity_state": "PRE_POST_IMAGE_ZERO_ABSOLUTE", "identity_seed": "MALLA2_CORE_SEED_V1_RESERVED_NOT_FINAL" }, "biological_systems": { "skin": { "principle": "SKIN_IS_BIOLOGICAL_SIGNAL_NOT_SURFACE", "state": "HEALTHY_NATURAL_HUMAN", "makeup_state": "ZERO_ABSOLUTE", "allowed": [ "REAL_PORES", "UNEQUAL_TONE", "NATURAL_OIL_VARIATION", "MICRO_SHADOWS", "VISIBLE_VELLUS_HAIR", "SUBTLE_DARK_CIRCLES_WITHIN_HUMAN_LIMITS" ], "explicit_removals_allowed": [ "ACTIVE_ACNE", "INFLAMED_PAPULES", "PUSTULES", "TEMPORARY_BLEMISHES", "NON_PERMANENT_SPOTS" ], "forbidden": [ "AI_SMOOTHING", "SKIN_POLISH", "BEAUTY_GLOW", "PLASTIC_EFFECT", "TEXTURE_INVENTION", "UNIFORMITY_FILTERS" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "REAL_PORE_GEOMETRY", "ORGANIC_DISTRIBUTION", "NO_REPEAT_PATTERN", "NO_SYNTHETIC_NOISE", "NO_DETAIL_INVENTION" ] } }, "makeup": { "state": "ZERO_ABSOLUTE", "definition": "NO_MAKEUP_ON_EYES_LIPS_OR_FACE", "correction_policy": "ONLY_BIOLOGICAL_REPAIR_WITHIN_REAL_HUMAN_LIMITS", "tolerance": 0 }, "hair": { "principle": "HAIR_IS_REAL_HUMAN_FIBER", "state": "HYPERREAL_NATURAL_HUMAN", "style_guideline": "NATURAL_SLIGHTLY_LOOSE_NOT_STYLED", "requirements": [ "INDIVIDUAL_STRAND_VISIBILITY", "IRREGULAR_DENSITY", "REAL_ROOT_BEHAVIOR", "MICRO_FLYAWAYS", "NATURAL_CLUMPING", "NON_UNIFORM_REFLECTION", "NO_WET_LOOK_UNLESS_PRESENT_IN_REFERENCE" ], "high_zoom_behavior": { "zoom_levels": ["7X", "8X", "9X", "10X"], "requirements": [ "VISIBLE_SINGLE_FIBERS", "NO_AI_PATTERN", "NO_DENSITY_INVENTION", "NO_SYMMETRY_ENFORCEMENT" ] }, "forbidden": [ "AI_GENERATED_HAIR", "PERFECT_SYMMETRY", "ARTIFICIAL_SHINE", "HAIR_INVENTION" ] } }, "garment_identity_marking_layer": { "visible_name": "MALLA2", "placement_policy": "EDITORIAL_PROFESSIONAL_SUBTLE", "allowed_locations": [ "UPPER_GARMENT_CHEST_OR_POCKET", "LOWER_GARMENT_MICRO_TAG" ], "style": { "typography": "MINIMAL_EDITORIAL", "color": "DARK_NEUTRAL", "scale": "MICRO" }, "editability": "LOCKED_AFTER_APPROVAL" }, "environment": { "background": { "base": "WHITE_FINE", "alpha": "TRUE_ALPHA", "depth": "CLEAN_3D", "technical_reference_colors": { "magenta_primary": "#FF00FF", "magenta_soft": "#FF66FF", "usage": "EDGE_AND_DEPTH_VALIDATION_ONLY" } }, "lighting": "NEUTRAL_REAL_STUDIO_LIGHT_NO_BEAUTY_LIGHT" }, "capture_metadata": { "camera": "CANON_R10", "lens_profile": "STANDARD_STUDIO_PORTRAIT", "capture_type": "PROFESSIONAL_STUDIO_PHOTOGRAPHY", "white_balance": "NEUTRAL", "intent": "BIOLOGICAL_TRUTH_CAPTURE" }, "forensic_branding_layer": { "brand_name": "EMARRLONN", "type": "AUTHORSHIP_AND_TRACEABILITY_WATERMARK", "placement": "LARGE_BACKGROUND_PLANE", "opacity": "VERY_LOW_VISIBLE", "removal": "FORBIDDEN" }, "output_readiness": { "resolution": "8K_NATIVE", "zoom_integrity": "UP_TO_10X", "biological_fidelity": "MAXIMUM_HUMAN", "pose_integrity": "100_PERCENT_LOCKED", "ready_for_next_step": "IMAGE_ZERO_ABSOLUTE_FINAL_SEAL" }, "closure_statement": { "status": "PRE_POST_STAGE_COMPLETE", "note": "THIS DOCUMENT DEFINES A FULLY PREPARED PRE / POST IMAGE ZERO ABSOLUTE STATE FOR MALLA2. ZERO MAKEUP, HEALTHY HUMAN SKIN, NO ACNE, REAL PORES AND VELLUS HAIR, HYPERREAL NATURAL HAIR, POSE LOCKED TO REFERENCE, CAPTURED AS PROFESSIONAL CANON R10 STUDIO PHOTOGRAPHY. READY FOR FINAL IMAGE ZERO ABSOLUTE SEAL UPON AUTHORIZATION." } }
012
Nano Banana
Based on the uploaded image, create an High-fidelity photo “High-Fashion Spread + Helmut Newton” portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. Ultra-realistic, 8k resolution, cinematic lighting, film grain, shot on Canon EOS R5, 85mm f/1.8, ISO 100, highly detailed features, authentic likeness, photorealistic but editorial. 🔒 IDENTITY LOCK Preserve consistent facial features, Detailed, natural skin textures with visible pores and micro-imperfections, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes shape, nose structure, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, pale/light skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. 1) Theme/Title: - Stylized Portrait of a Young Woman in a Modern School Uniform. 2) Main Subject: - Appearance: Young woman of Mexican ethnicity with an "Ulzzang" aesthetic. - Age: Approximately 20 to 25 years old. - Physical characteristics: Clear, flawless porcelain-like skin; oval face with soft features; slender nose; pink, hydrated lips. Accentuated hourglass silhouette (curvy), with an extremely slim waist contrasted by wide hips and full thighs. 3) Subject Details: - Hair: Short bob cut at chin length, jet black color, with dense bangs and straight strands with a satin-like shine. - Mandatory: Preserve bang length, maintain bang density, protect the bang cut line. - Makeup: Natural aesthetic; peach-toned eyeshadow, thin and subtle cat-eye eyeliner, soft blush on the cheeks, and pink gradient lipstick. - Mandatory: Makeup must be clearly visible in close-up shots (“apply makeup while preserving the face in 100% of cases”). - Nails: Not visible (hands behind the back). - Clothing: Outfit composed of a white short-sleeve blouse with slightly puffed sleeves and a collar, layered under a fitted black pinafore (jumper dress). The dress features a sweetheart neckline, front buttons on the bust and waist, and a short pleated skirt with ruffled hem finishing. - Accessories: Small bow tie with a tartan pattern in black, gray, and white tones. Black knee-high (3/4) socks ending just below the knee. - Props: None. FINE DETAILS: - Clothing, accessories, objects: Cotton texture on the white blouse, matte synthetic fabric on the black dress, visible stitching on the skirt pleats, and intricate details in the tartan bow pattern. - Realistic imperfections: Slight fabric creases at the armpits and waist due to garment fit; natural shading at the knee joints. - Reflections, highlights, particles, texture, material: Subtle eye catchlights, realistic skin texture with minimally visible pores, soft reflections on the dress’s black buttons. - Body projection and visible volume: Clear and pronounced volume of the bust and hips; anatomical shadows between the thighs and under the jawline. 4) Action / Pose / Context: - Facial expression: Serene, neutral, and contemplative expression; soft direct gaze toward the lens. - Body language: Upright and static posture, relaxed shoulders, hands positioned behind the back, conveying a sense of shyness or formality. 5) Scene / Context / Environment: - Background: Smooth, minimalist wall in neutral beige or off-white tone. - Location: Indoor setting, possibly a photography studio. - Time of day: Undefined (controlled artificial lighting). - Weather: Not applicable (indoor environment). 6) Lighting / Atmosphere (Mood): - Type of lighting: Soft, directional studio lighting coming from the front and slightly from the left, creating a sharp and defined shadow cast on the right side of the model against the wall. - Mood: Clean, organized, and aesthetically focused on fashion. - Emotional tone: Calm, sophisticated, and slightly melancholic. 7) Style / Aesthetics: - Type of image: Fashion portrait photography with a high level of sharpness. - Visual aesthetic: Contemporary K-Fashion aesthetic blended with elements of digital realism (hyper-realistic AI). 8) Composition / Technique: - Camera: Professional photography (simulating Canon EOS R5). - Angles: Frontal shot, eye-level, medium framing capturing from the top of the head to mid-thigh. - Lenses: 50mm for a natural look without anatomical distortion. - Aspect ratio: 2:3 (vertical). Negative prompt: - (deformed face:1.4), (deformed hands:1.4), bad anatomy, low quality, (different face:1.5), (face swap:1.5), body smoothing, (weight loss:1.4), unrealistic skin texture, image overlay, image collage, dark skin, short hair, medium hair, exact same clothes, identical pose, identical location, same framing, same lighting, (malformed teeth:1.3), extra fingers, mutated hands, poorly drawn face, blurry, worst quality, normal quality, cropped, duplicate Final result: - The final image should look like a real photo, not artificial - The face and body should look exactly as shown; never smoothing or retouching - The clothing should look different as shown; never identical - No facial/body distortion or visual artifacts - No black and white photograph
12334
Nano Banana
The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.
254
Z Image
Create a 4:5 vertical social poster in ultra high resolution, 8K print quality, and sharpness. Use the BMW car from the reference image as the main subject and use the background structure/composition from the reference image, but transform it into a BMW-themed design. Replace all black tones with a flat high-saturation BMW blue background. Keep the same layout, spacing, visual balance, and poster composition from the reference image. Background should use a smooth gradient from slightly lighter electric blue at the top to deep navy blue at the bottom. Add subtle grain texture (2 to 3%) and faint rectangular overlays (2 to 4% opacity). Keep it clean, graphic, premium, and non-realistic. Add a soft contact shadow under the car. Use the same BMW from the reference image, changing only the paint color to matte frozen blue or deep metallic navy. Keep the original body shape, wheels, stance, and design details from the reference image. Show the car in a rear 3/4 perspective, matching the reference image angle exactly. Use a slightly elevated camera angle. Position the car slightly right of center. Include a visible carbon roof, an aggressive rear diffuser, sharp controlled reflections, and subtle brake details. Keep composition identical to the reference image: Top: branding Middle: giant type Center: car overlapping text Bottom: editorial block and specs Typography: Primary text: “BMW.” Ultra condensed bold sans serif, tall vertical scaling like the reference poster. Color: deep navy or near black. Static text with no distortion. Acts as a structural backdrop. Secondary header: “BMW M4 G82.” Thin font with wide tracking. Logo area: BMW roundel centered above. Editorial block: Headline: “BMW — Where Driving Becomes Instinct” Body copy focused on: driver connection control performance precision Use the same boxed editorial layout as the reference image. Background faded text: “M4” large scale with 3 to 5% opacity behind the box. Bottom left: “ M4 G82” Bottom right specs: 405 kW / 550 PS 3.4 s 307 km/h Lighting should be clean studio lighting with sharp but controlled highlights. Color grading should use deep blues, high contrast, and clean blacks. Camera lens: 50mm, slightly elevated rear 3/4 angle. Mood: Performance. Precision. Driver focus. Add Bottom-right watermark: harboriis, with small x and Instagram logo
12957
Stable Diffusion
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor nighttime setting, framed from a low-angle perspective, with strong depth distortion: foreground almost entirely occupied by legs and footwear; midground concentrating dress, torso, and face; background filled with tree trunks and flowering branches. Dominant vertical space, depth compressed by frontal flash but still readable through tree overlap. Ground is dark, slightly reflective, horizontal. Background shows a uniform deep-blue sky between organic masses. Materials: rough, matte tree bark with longitudinal irregularities; flowers with thin petals, semi-white/pink, diffuse finish; dark cylindrical branches, opaque; asphalt or dark pavement with low reflectance. Main lighting is frontal and near the camera axis, hard to moderately hard, neutral to slightly cool temperature, generating short shadows and reducing lateral modeling; cool ambient fill from the night sky. Structural elements: central trunk behind the model; a network of diagonal branches crossing the entire background; floral mass distributed repetitively. In the lower left corner, a partially visible blue vehicle; in the lower right, a triangular warning sign with a vertical pole. Asymmetrical composition, yet balanced by the centralization of the body and radial expansion of branches. POSE (Photographer / Posing Stylist) Body captured from an extreme low angle, producing apparent elongation of the lower limbs. Head tilted laterally to the left of the image, with slight forward flexion. Torso leaning forward and to the left of the image; spine in a soft curve. Shoulders misaligned: left lower, right higher. Arms drawn back/laterally along the torso, elbows flexed and partially hidden by the dress. Center of gravity projected between the legs; primary support appears on the lower limb closest to the camera on the left side of the image, with the knee nearly fully extended. Opposite limb advanced, also extended but with slight relaxation at the knee. Hips in subtle rotation, accentuated by the circular drape of the skirt. Perspective foreshortening minimal in the torso and maximal in the feet/shoes. Overall body expression conveys static stability, no explicit muscular tension; neck relaxed; gaze directed at the camera. HAIR (Hairstylist) She has the same hair as in the uploaded photo; styled as long hair falling to the waist, jet black, high density, parting near the center with a frontal fringe segmented into fine vertical strands. Predominantly downward vectors with deviation to the left of the image. Greater volume on the left side, where lengths form wide “S” waves; right side more compressed along the neck and shoulder. Smooth texture at the roots and wavy from mid-length to ends. Outer contour rounded at the top and sinuous at the extremities. Subtle, continuous specular highlights on curved areas, indicating relatively aligned surface; high absorption in darker inner regions. Static movement, gravity-driven, with no perceptible wind action. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with a uniform, satin-natural finish, low apparent texture. Subtle structural correction: highlights on central forehead, nasal bridge, tops of cheekbones, and chin; soft contour on sides of the nose and facial perimeter. Diffuse pink blush concentrated on the cheeks, extending laterally. Eyes with moderate contrast: low-saturation neutral pink/brown eyeshadow, liner close to the upper lash line, defined lashes without excessive volume. Eyebrows dark, linear, softly shaped. Lips in light pink, clean outline, even fill, low to medium gloss. Well-blended transitions, no harsh edges. Frontal light reduces facial shadows and reinforces tonal uniformity. Mandatory: makeup must be clearly visible in wide shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails not visible with sufficient resolution for technical analysis. Hands remain hidden under the dress/out of the usable frame; no reliable data for length, curvature, material, or nail art. WARDROBE (Stylist / Tailor / Costume Designer) Short dress in satin/jacquard fabric with a pearlescent sheen, off-white base with organic patterning in very soft tones of gray, ivory, and peach. Short high collar with slight gathering. Short puff sleeves with structured hems. Fitted upper bodice; defined waist; wide A-line skirt with large angular opening due to perspective and gravity. Seams suggested in princess lines or subtle vertical panels. Material of light to medium weight, with enough structural memory to form broad folds and edges that stand away from the body. Soft specular reflection on fold crests; inner zones more opaque. Folds radiate from the waist and compression points at hips/abdomen. Footwear: white Mary Jane shoes, rounded toe, strap over the instep with a metallic buckle, low block heel, smooth matte to semi-satin finish. STYLE (Image Editor / Retoucher) High sharpness on face, frontal hair, dress, and legs; background with slight progressive optical blur. Skin smoothed but with some preservation of anatomical volume; imperfections minimized. Color correction with moderate-high contrast: warm-neutral skin, cool blue background, soft pink flowers. Controlled saturation, no evident clipping. Likely skin cleanup and tonal uniformity. Low grain, subtle compression, high digital quality. Aesthetic signature: nighttime editorial portrait with direct flash and dramatic low-camera perspective. Approximate aspect ratio: 2:3 vertical.
157
Nano Banana