Be the same alignment as reference image Prompts

“Rear three-quarter view” Must be aligned perfectly when it comes to proportions. Be the same alignment as reference image. Make sure his pants from back align with the reference image the ends and jacket area

can you straigthen arms. and if you can match the head proportions like the reference image just the alignment to match each part.

Use 100% face as an reference image

make 90s degree side position but not fully. But retain alignment with reference image when it comes to proportions.

“Rear three-quarter view” Must be aligned perfectly when it comes to proportions. Be the same alignment as reference image.

BASE IMAGE: Use the FIRST image as the locked base image. Camera angle, distance, perspective, and framing must not change Environment, road, background, lighting, people, shadows, and atmosphere must remain unchanged Only the existing car in the scene is to be replaced REFERENCE IMAGE: Use the SECOND image as a visual reference for: car model body shape and proportions color and paint finish details (lights, trim, wheels, etc.) Do NOT use the reference for environment, lighting, composition, or perspective. TASK (STRICT) Replace the existing car in the base image with a fully re-rendered car based on the reference. Only the car changes. The new car must be exactly aligned with the original car’s position, scale, and orientation. The new car must sit naturally on the road, with correct shadows, reflections, and lighting. Do not move or modify the road, background, people, or other objects. Do not change camera angle, crop, zoom, or perspective. INTEGRATION RULES Re-draw the car completely — do not copy, cut, paste, or overlay pixels from the reference Lighting must match the base image precisely Shadows must fall naturally on the road surface Reflections must include the environment, nearby objects, and lights Color temperature and brightness must match the base image Wheels must touch the road naturally The car must look like it was originally photographed in this exact scene NEGATIVE PROMPT / PROHIBITIONS No camera changes No perspective changes No cropping or reframing No moving or altering people, props, or environment No scene regeneration No stylized or CGI look No copying pixels from the reference image

Create a perspective position angle (3/4) view But make sure it aligns with reference image the proportions since it needs to aligned for a character sheet purpose. make sure both head top and shoulders arms and hands and legs and feet align as reference image.

Create a rear position. But make sure it aligns with reference image the proportions since it needs to aligned for a character sheet purpose. make sure both head top and shoulders arms and hands and legs and feet align as reference image.

can you straigthen arms. and if you can match the head proportions like the reference image just the alignment to match each part.

make side position 90 degree. Make sure it aligns with proportions of reference image.

90-degree view. Make it aligns when it comes to proportions with reference image.

Use 100% face as an reference image

use my reference image

make 80 degree angle position. But retain alignment with reference image when it comes to proportions.

Create a 90 degree side position. But make sure it aligns with reference image the proportions since it needs to aligned for a character sheet purpose.

Pahle bheje gaye image ki tarah is image ko parfect bano original ke saath

BASE IMAGE: Use the FIRST image as the locked base image. Camera angle, distance, perspective, and framing must not change Environment, road, background, lighting, people, shadows, and atmosphere must remain unchanged Only the existing car in the scene is to be replaced REFERENCE IMAGE: Use the SECOND image as a visual reference for: car model body shape and proportions color and paint finish details (lights, trim, wheels, etc.) Do NOT use the reference for environment, lighting, composition, or perspective. TASK (STRICT) Replace the existing car in the base image with a fully re-rendered car based on the reference. Only the car changes. The new car must be exactly aligned with the original car’s position, scale, and orientation. The new car must sit naturally on the road, with correct shadows, reflections, and lighting. Do not move or modify the road, background, people, or other objects. Do not change camera angle, crop, zoom, or perspective. INTEGRATION RULES Re-draw the car completely — do not copy, cut, paste, or overlay pixels from the reference Lighting must match the base image precisely Shadows must fall naturally on the road surface Reflections must include the environment, nearby objects, and lights Color temperature and brightness must match the base image Wheels must touch the road naturally The car must look like it was originally photographed in this exact scene NEGATIVE PROMPT / PROHIBITIONS No camera changes No perspective changes No cropping or reframing No moving or altering people, props, or environment No scene regeneration No stylized or CGI look No copying pixels from the reference image

Make rear position. Make sure it's aligned when it comes to proportions with the input image alignment.

make a 0 degree front view position of this character. Make sure it proportionally aligned with reference image.

Recreate reference image

Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environment Designer) Small indoor space, framed in a vertical medium shot, with a background formed by two light-colored walls with a smooth, matte finish, joined at an obtuse angle visible on the left side. Foreground occupied by a bed with white bedding, soft, low-reflective fabric, featuring broad, irregular folds radiating outward from the body’s weight. Midground dominated by the central seated figure; clean background with no decorative objects. Shallow depth, low spatial compression. Diffuse lighting from the upper front, slightly left, neutral to cool temperature, moderate intensity, with soft shadows under the chin, neck, arms, and fabric folds. High-contrast color relationship: white background and bed versus black clothing. Approximately symmetrical composition along the body’s vertical axis, disrupted by the wall vertex and the natural asymmetry of the bed folds. POSE (Photographer / Pose Stylist) Body seated on a soft surface, pelvis centered on the bed, torso upright with a slight backward lean compensated by support from the upper limbs. Spine vertically aligned, head centered with minimal lateral tilt. Shoulders in moderate abduction with slight depression; arms extended laterally and backward, hands outside the visual center, acting as support points stabilizing the center of gravity. Elbows slightly flexed. Hips flexed; knees open in moderate abduction, forming a triangular base in the lower frame. Thighs shortened by shallow frontal perspective. Body expression with low overall tension, with postural restraint at the neck and waist due to garment compression. Gaze directed straight toward the camera; head in neutral rotation. HAIR (Hairstylist) She has the same hair as in the reference image; styled as jet-black hair with high visual density, gathered into a voluminous high bun at the upper rear vertex of the head. Hair vectors converge from the frontal hairline and temporal regions toward the top. Two long front strands fall vertically alongside the face, with a slight inward curve. Texture predominantly straight with localized frizz at the ends of the bun. Irregular top contour due to loose strands. Light interaction shows subtle specular highlights on convex areas, with high light absorption in the main volume. Static movement governed by gravity and bun fixation. (Mandatory: apply the hairstyle while preserving the bangs 100% in all cases.) MAKEUP (Professional Makeup Artist) Skin with an even finish, without excessive shine, between natural and soft-matte. Subtle structural correction in the center of the face, with highlights on the forehead, nasal bridge, infraorbital area, and chin. Eyes with high-contrast makeup: black eyeshadow expanded around the orbital area, thick elongated eyeliner, darkened waterline, defined lashes; light irises emphasized by contrast. Eyebrows dark, narrow, and arched. Lips in a neutral rosy-beige tone, soft contour, satin texture. Blending concentrated on the eyes, with defined, non-diffuse transitions. Neutral lighting preserves contrast between light skin and black elements. Makeup must remain clearly visible in close-cropped shots. (Mandatory: apply the makeup while preserving the face 100% in all cases.) NAILS (Nail Designer) Nails not visible with sufficient resolution for precise technical analysis. Hands appear partially at the edges of the frame, without clear definition of length, curvature, material, or finish. Functional integration with the pose as lateral body support. WARDROBE (Stylist / Tailor / Costume Designer) Black long-sleeve, high-neck dress, tight construction, made of thin, highly elastic fabric. Close-fitting drape over torso, waist, and hips, with visible compression and horizontal wrinkles on the lower abdomen and hips due to seated flexion. Overlay of a harness/corset composed of multiple black belts with metal eyelets and silver buckles, wrapping the waist in horizontal bands; vertical straps extend to the shoulders. Material appears to be semi-gloss synthetic leather with medium rigidity. Fishnet stockings with large mesh create a diamond pattern on the thighs; an opaque black thigh-high partially covers one leg. STYLE (Image Editor / Retoucher) Sharpness focused on face and torso; background and bed naturally softened by moderate depth of field. Skin treated with light smoothing while preserving anatomical contours. Cool-neutral color grading, restrained saturation, medium-high contrast. Imperfections minimized; skin surface uniformed. Low grain, subtle digital compression. Clean editorial aesthetic with alternative gothic influence. Approximate aspect ratio: 4:5.

Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Indoor bar/lounge environment with longitudinal depth extending to the left and a massive counter occupying the right plane. The space is narrow and elongated, with a relatively low ceiling clad in dark satin-finished wood. Foreground: a leg and sandal projected forward in strong perspective, a dark bar stool, and the front face of the counter in wood with molded rectangular panels. Midground: the woman’s body positioned between the stool and the counter. Background: backlit shelves displaying glass bottles of varying heights and spherical-oval pendant lights with exposed filaments. Predominant materials: varnished wood with diffuse reflection and specular highlights; smooth translucent glass in bottles and glasses; subtle metal in supports; dark leather seating on stools. Warm lighting dominated by amber/tungsten tones (~2700–3200K), coming from overhead pendants and shelf backlighting on the right; medium-to-high intensity in the background, lower overall ambient light. Soft shadows with gradual falloff; highlights concentrated on hair, satin dress, sandals, and the edge of the counter. Balanced asymmetrical composition: luminous mass on the right/background, figure slightly right-centered. Rhythmic repetition of pendants and stools along the left axis. POSE (Photographer / Pose Stylist) Woman seated on a high stool, torso upright with a slight backward lean and subtle rotation to the right side of the image. Head aligned forward with a minimal lateral tilt, gaze directed at the camera axis. Shoulders in gentle rotation: right shoulder elevated due to forearm support on the counter; left shoulder lower and relaxed. Right upper limb flexed, elbow supported; hand relaxed on the edge. Left upper limb extended downward, hand resting on the stool for stabilization. Pelvis partially supported on the seat, center of gravity balanced between the stool and right arm. Right lower limb projected forward with extreme perspective foreshortening; knee moderately flexed, ankle in plantar flexion due to the heel. Left lower limb tucked under the body, knee bent. Overall body expression conveys low tension with stable postural control. HAIR (Hairstylist) She has the same hair as in the reference image; styled as long, waist-length, straight, dense jet-black hair with a thick blunt fringe covering the forehead down to the supraorbital line. Hair vectors are predominantly vertical due to gravity, falling parallel along the sides of the face and beyond the shoulders. Volume concentrated in the back mass and lateral sections, with a more compressed top and polished surface. Smooth texture with low visible grain. Precise cut line in the fringe; straight lateral lengths. Light interaction: continuous linear specular highlights on the front strands, high controlled reflection with low dispersion. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with a finish between natural and soft-matte, with subtle luminosity on high points. Discreet structural correction: highlights on the center of the face, nasal bridge, and upper cheekbones; soft contouring on the sides of the nose and beneath the cheekbones. Eyes with medium definition, neutral low-saturation eyeshadow, defined lashes, and subtle eyeliner close to the upper lash line. Eyebrows dense and well-defined without graphic exaggeration. Lips with clean contour, nude pink/beige tone, satin finish. Smooth blending with seamless transitions and no harsh edges. Warm ambient lighting is balanced by preserving facial skin neutrality. Mandatory: makeup must remain clearly visible in close-up shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails partially visible on both hands, short to medium length, rounded/short oval shape. Subtle thickness, natural curvature, no pronounced apex. Material appears natural or thin gel polish. Low-shine/neutral finish; no discernible nail art. Functional integration with the pose, fingers relaxed without excessive spread. WARDROBE (Stylist / Tailor / Costume Designer) Black slip dress in satin/synthetic silk fabric, thin straps, V-neckline with black floral lace trim along the bust edges and lower/side hem. Lightweight construction with no rigid structure. Fluid drape with localized adherence at the bust and hips, forming compression folds at the abdomen and upper thigh when seated. Broad specular reflections on convex areas, indicating a smooth, low-roughness surface. Asymmetrical hem due to posture, lifting over the right thigh. Black patent strappy sandals with thin high heels and open toes; strong specular reflections on the straps. No visible jewelry. STYLE (Image Editor / Retoucher) Selective focus: maximum sharpness on the face, torso, and part of the forward lower limb; progressive blur in the background and at the extreme of the extended foot due to shallow depth of field. Skin treated with moderate smoothing while preserving anatomical contours and some texture. Color grading oriented toward warm environmental contrast and deep blacks in clothing and hair. Controlled saturation with emphasis on amber and wood tones. Possible subtle skin cleanup and tonal uniformity. Low apparent grain, minimal compression artifacts, clean editorial aesthetic with a fashion portrait language in a low-light environment. Aspect_ratio: 1:1.

Create the second image with reference to the first image

create refrence image