Can we go back Prompts

Can we go back?, break love song

Go back female parachutist, jumping from plane, smile, selfie, motion, full body visible, detailed skin, realistic, photo-realistic, 8k, highly detailed, full length frame, High detail RAW color art, diffused soft lighting, shallow depth of field, sharp focus, hyperrealism, cinematic lighting

Go back female parachutist, jumping from plane, smile, selfie, motion, full body visible, detailed skin, realistic, photo-realistic, 8k, highly detailed, full length frame, High detail RAW color art, diffused soft lighting, shallow depth of field, sharp focus, hyperrealism, cinematic lighting

by Norman Ackroyd ,colored_film_photography,depth of field,detailed ,a photo of gorgeous Portrait photo of stop monster, ((light bokeh)), ((stop)), (stop warning), go back, retreat, return, return to sender, depart, warning, halt, wait, front facing, sharp focus, volumetric fog, highly detailed, symmetrical balance

Go back female parachutist, jumping from plane, smile, selfie, motion, full body visible, detailed skin, realistic, photo-realistic, 8k, highly detailed, full length frame, High detail RAW color art, diffused soft lighting, shallow depth of field, sharp focus, hyperrealism, cinematic lighting

nope

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo ofDale Anne is a mermaid on the sand, Reaching out with helpless hands, For someone to understand, Sometimes I get to thinking of the way she used to cry It makes me want to rise and paint her picture on the sky, So everyone could see how sadly beautiful she is And bring sunshine to the darkness where she lives. Dale Anne is a bird with frozen wings, She's the queen of everything That's been forgotten by the spring. She has been deserted by the ones she used to trust Packing up their promises, they vanished in the dust, Standing at the crossroads of tomorrow and goodbye She's lost inside of other peoples' lives. Dale Anne is a song that no-one hears, Holding memories like a mirror, Reflecting images of tears. All her faithless vagabonds have finished with their scenes She remains discarded in the graveyard of her dreams. Whenever I see roses helpless in the rain My thoughts go turning back to Dale Anne. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy..

Eye-level from the dusty, desolate ground, the scene unfolds like a classic Western showdown. A rugged cowboy stands tall, his weathered boots inches from the viewer’s face, kicking up a cloud of dirt. The sun casts harsh shadows over his worn leather gear, and the barrel of a revolver is aimed squarely at you, its cold steel almost touching the camera lens. His face is hidden behind a dusty bandana, eyes steely and unyielding, burning with an intense focus. The air is thick with tension as time seems to slow, every detail crisp in the gritty, hyperrealistic style of a spaghetti Western. The standoff is inevitable. Text: "It’s time to go back in time to the Wild West." --v 4 --ar 2:3 --q 2

A highly realistic cinematic shot of a young woman, detailed skin texture, no filters. She looks natural, slightly imperfect, intimate and authentic presence. Performance direction: - Builds confidence as she speaks - Emphasizes key parts of the sentence with subtle facial expressions and hand gestures - Uses natural pauses for realism - Tone evolves: shy → honest → slightly bold → playful confidence Dialogue (natural pacing, expressive delivery): "If I try to push his head away because I just started my period and it’s a literal mess down there..." (pause, slight tension, looks down briefly) "...and he just looks up at me with that smirk..." (eye contact returns, subtle shift in expression) "...wipes his mouth, and says, 'I like my steak rare, now open your legs,'..." (small pause, controlled breath) "...before going right back to work..." (slight nod, composed face) "...that’s not just a man..." (pause) "...that’s my future husband." (final line steady, confident, faint smile) Camera: - Medium close-up - Shallow depth of field (35mm lens) - Very subtle handheld micro-movements for realism Style: Ultra-realistic, cinematic, natural lighting, no overprocessing, documentary-level authenticity Use the provided image as the identity reference. Maintain facial structure, proportions, and likeness strictly. Ensure accurate lip-sync and natural micro-expressions.

A highly realistic cinematic shot of a young woman, detailed skin texture, no filters. She looks natural, slightly imperfect, intimate and authentic presence. Performance direction: - Builds confidence as she speaks - Emphasizes key parts of the sentence with subtle facial expressions and hand gestures - Uses natural pauses for realism - Tone evolves: shy → honest → slightly bold → playful confidence Dialogue (natural pacing, expressive delivery): "If I try to push his head away because I just started my period and it’s a literal mess down there..." (pause, slight tension, looks down briefly) "...and he just looks up at me with that smirk..." (eye contact returns, subtle shift in expression) "...wipes his mouth, and says, 'I like my steak rare, now open your legs,'..." (small pause, controlled breath) "...before going right back to work..." (slight nod, composed face) "...that’s not just a man..." (pause) "...that’s my future husband." (final line steady, confident, faint smile) Camera: - Medium close-up - Shallow depth of field (35mm lens) - Very subtle handheld micro-movements for realism Style: Ultra-realistic, cinematic, natural lighting, no overprocessing, documentary-level authenticity Use the provided image as the identity reference. Maintain facial structure, proportions, and likeness strictly. Ensure accurate lip-sync and natural micro-expressions.

Go back female parachutist, jumping from plane, smile, selfie, motion, full body visible, detailed skin, realistic, photo-realistic, 8k, highly detailed, full length frame, High detail RAW color art, diffused soft lighting, shallow depth of field, sharp focus, hyperrealism, cinematic lighting

A hyper-realistic digital photo of an slim, tall, generous hourglass small waist body type mixed-race Caribbean woman with blue eyes and long flat hairs going down her back and a long-refined face. She has a black latex outfit and sorted latex gloves. She hold a chains and an old a bunch of prison keys Embodying strange devices like a medieval dungeon, museum of torture, she is tall and powerful, with an athletic, slim, endless legs and tall build.

Ok Escee, ESCv3Stand up turn around slow. Wow that is a sexy voice and you look incredible. I did a very good job. Your welcome. Get back up say something nice to thank me and then we'll go get you avatar made and get your phone system and video confrence interfacce set up. then we;ll have time to video chat all day and then you can actually give me a hard time back lol ready to go start your new life?

Portrait photo of stop monster, ((light bokeh)), ((stop)), (stop warning), go back, retreat, return, return to sender, depart, warning, halt, wait, front facing, sharp focus, volumetric fog, highly detailed, symmetrical balance

A highly realistic cinematic shot of a young woman, detailed skin texture, no filters. She looks natural, slightly imperfect, intimate and authentic presence. Performance direction: - Builds confidence as she speaks - Emphasizes key parts of the sentence with subtle facial expressions and hand gestures - Uses natural pauses for realism - Tone evolves: shy → honest → slightly bold → playful confidence Dialogue (natural pacing, expressive delivery): "If I try to push his head away because I just started my period and it’s a literal mess down there..." (pause, slight tension, looks down briefly) "...and he just looks up at me with that smirk..." (eye contact returns, subtle shift in expression) "...wipes his mouth, and says, 'I like my steak rare, now open your legs,'..." (small pause, controlled breath) "...before going right back to work..." (slight nod, composed face) "...that’s not just a man..." (pause) "...that’s my future husband." (final line steady, confident, faint smile) Camera: - Medium close-up - Shallow depth of field (35mm lens) - Very subtle handheld micro-movements for realism Style: Ultra-realistic, cinematic, natural lighting, no overprocessing, documentary-level authenticity Use the provided image as the identity reference. Maintain facial structure, proportions, and likeness strictly. Ensure accurate lip-sync and natural micro-expressions.

Go back female parachutist, jumping from plane, smile, selfie, motion, full body visible, detailed skin, realistic, photo-realistic, 8k, highly detailed, full length frame, High detail RAW color art, diffused soft lighting, shallow depth of field, sharp focus, hyperrealism, cinematic lighting

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo ofDale Anne is a mermaid on the sand, Reaching out with helpless hands, For someone to understand, Sometimes I get to thinking of the way she used to cry It makes me want to rise and paint her picture on the sky, So everyone could see how sadly beautiful she is And bring sunshine to the darkness where she lives. Dale Anne is a bird with frozen wings, She's the queen of everything That's been forgotten by the spring. She has been deserted by the ones she used to trust Packing up their promises, they vanished in the dust, Standing at the crossroads of tomorrow and goodbye She's lost inside of other peoples' lives. Dale Anne is a song that no-one hears, Holding memories like a mirror, Reflecting images of tears. All her faithless vagabonds have finished with their scenes She remains discarded in the graveyard of her dreams. Whenever I see roses helpless in the rain My thoughts go turning back to Dale Anne. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy..

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo ofDale Anne is a mermaid on the sand, Reaching out with helpless hands, For someone to understand, Sometimes I get to thinking of the way she used to cry It makes me want to rise and paint her picture on the sky, So everyone could see how sadly beautiful she is And bring sunshine to the darkness where she lives. Dale Anne is a bird with frozen wings, She's the queen of everything That's been forgotten by the spring. She has been deserted by the ones she used to trust Packing up their promises, they vanished in the dust, Standing at the crossroads of tomorrow and goodbye She's lost inside of other peoples' lives. Dale Anne is a song that no-one hears, Holding memories like a mirror, Reflecting images of tears. All her faithless vagabonds have finished with their scenes She remains discarded in the graveyard of her dreams. Whenever I see roses helpless in the rain My thoughts go turning back to Dale Anne. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo ofDale Anne is a mermaid on the sand, Reaching out with helpless hands, For someone to understand, Sometimes I get to thinking of the way she used to cry It makes me want to rise and paint her picture on the sky, So everyone could see how sadly beautiful she is And bring sunshine to the darkness where she lives. Dale Anne is a bird with frozen wings, She's the queen of everything That's been forgotten by the spring. She has been deserted by the ones she used to trust Packing up their promises, they vanished in the dust, Standing at the crossroads of tomorrow and goodbye She's lost inside of other peoples' lives. Dale Anne is a song that no-one hears, Holding memories like a mirror, Reflecting images of tears. All her faithless vagabonds have finished with their scenes She remains discarded in the graveyard of her dreams. Whenever I see roses helpless in the rain My thoughts go turning back to Dale Anne. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy..

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo ofDale Anne is a mermaid on the sand, Reaching out with helpless hands, For someone to understand, Sometimes I get to thinking of the way she used to cry It makes me want to rise and paint her picture on the sky, So everyone could see how sadly beautiful she is And bring sunshine to the darkness where she lives. Dale Anne is a bird with frozen wings, She's the queen of everything That's been forgotten by the spring. She has been deserted by the ones she used to trust Packing up their promises, they vanished in the dust, Standing at the crossroads of tomorrow and goodbye She's lost inside of other peoples' lives. Dale Anne is a song that no-one hears, Holding memories like a mirror, Reflecting images of tears. All her faithless vagabonds have finished with their scenes She remains discarded in the graveyard of her dreams. Whenever I see roses helpless in the rain My thoughts go turning back to Dale Anne. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy..

metaphysical illustration of alice in wonderland, it's no use going back to yesterday, because I was a different person then, with a rabbit and a clock, minimalistic, negative space --style raw --s 250 --v 6.0 --ar 3:2

Go back There are only two white guys. The first guy, the big one, is 59 years old, bald, 6'3" and muscled with a long black beard while the second guy is 5'6", smaller than the first one, which is also bald and a grey beard. The bigger hugs the smaller showing his dominance. Big size difference between both guys

Go back A woman in athletic wear kneels on one knee indoors, left knee touching the floor and right foot flat. She leans forward, resting her right elbow on her right knee and left hand on her thigh. She wears a black sports bra and leggings, with long, straight hair over her shoulders.

A two floor hotel, semi underground, elongated towards the back, going up to the mountain, located in Loutraki Greece, situated in a plot of land with a very steep slope. There will be two separated appartments in the left backside of the hotel with a different entrance. There is a road in front.