Create a rear position Prompts

create a rear position angle one curter side to the right. Make sure every part follows same direction.

Create a rear position. But make sure it aligns with reference image the proportions since it needs to aligned for a character sheet purpose. make sure both head top and shoulders arms and hands and legs and feet align as reference image.

A highly detailed, photorealistic, cinematic medium-full shot of a stunning young Korean woman posing on a high-rise balcony at sunrise. Shot Angle & Pose: The image is captured from a rear-view angle, positioned at hip level. The subject stands with her back turned to the camera, leaning her hips gently against the white metal balcony railing. She twists her upper torso and head to look back over her left shoulder directly at the viewer. The pose emphasizes her curvaceous hourglass figure, particularly the curve of her hips and back. Her right hand is raised, fingers delicately touching her chin or cheek. Subject Appearance: She has a fair, flawless complexion. To ensure a realistic photo look, the prompt emphasizes hyper-realistic skin texture, including natural light diffusion, subtle pores, and fine vellus hair, moving away from the plastic/3D render look of the reference. She has dark brunette hair styled in a voluminous, messy high bun, with loose strands glowing in the backlight. Her expression is soft, sultry, and alluring. Outfit Details: She is wearing a glamorous, tight-fitting white lace mini dress: Style: Off-the-shoulder neckline with scalloped lace trim. Details: A corset-style lace-up detail is visible on her back. The fabric is a mix of sheer floral lace and satin, appearing slightly translucent or wet-look, hugging her body tightly. Accessories: She wears elegant diamond drop earrings and a thin necklace. Setting & Environment: Foreground: A white metal balcony railing. Background: A panoramic cityscape view stretches out behind her. Tall skyscrapers and urban buildings are visible in the distance, intermingled with green treetops. Lighting: The scene is bathed in soft, hazy Golden Hour light (sunrise or sunset). The sun is positioned in the background, creating a beautiful rim-light halo on her hair and profile. The city backdrop is washed in a dreamy, atmospheric blue and orange gradient haze. 8k resolution, raw photo aesthetic.

Make rear position.

Make rear position

Make rear position.

make rear one quarter perspective position from the right side.

Make rear position. Make sure it's aligned when it comes to proportions with the input image alignment.

make a side position

Make rear position. one quarter position from left side.

create rear one quarter perspective from right side

make one quarter perspective angle position from the back.

make a full ront position.

Make rear view position of the character. Make sure to maintain same proportions alignment with reference image.

Create Side position 90 degree. Side position angle.

Create front view position of him.

Make rear one quarter to the right. Make sure every part phase same direction.

Strictly preserve the exact camera angle, floor plan, ceiling height, and spatial boundaries from the reference photo of my kitchen. Modify only the following elements: – Remove completely the back wall, door, and window that separate the kitchen from the terrace, opening the space fully to create a longer, unified interior. The floor and ceiling must extend seamlessly into the former terrace area—no visual break, no frame, no glass. – Replace the central “floating island” or platform with a standard rectangular dining table (not an island): modern design, clean lines, matte black metal legs with a warm wood or black marble top, sized for 4–6 people, placed centrally as in the original layout. – Update cabinetry: flat-panel cabinets in light ash wood with small, recessed or minimalist handles (avoid fully handle-less fronts to prevent smudges). – Countertops: black marble; faucet: modern dark grey; appliances: integrated, high-end, with silver oven and cooktop. – Flooring: matte white terrazzo throughout—continuous from kitchen into the expanded area. – Left wall: add one modern framed artwork, abstract or neutral-toned, modest in size. – Lighting: recessed ceiling spots + soft natural daylight from the expanded rear opening (now without glass), creating gentle highlights on surfaces. Do not alter: – Original left/right wall positions – Ceiling structure or height – Camera perspective or depth of view – Position of existing fixtures (except the removed back wall) Output must look like a realistic renovation of the provided photo—not a new room. Maintain 9:16 aspect ratio.

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

create rear one quarter perspective from right side. Fix leg to phase other side to the left. make them follow the angle of the torso. hands and head.

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

{ "RENDER_PIPELINE": { "optics": "35 mm equivalent smartphone lens (approx. 26 mm actual), f/1.9 aperture, focal plane locked on subject mid-torso at 1.8 m distance, circular bokeh with 7-blade diaphragm emulation visible in background foliage highlights, mild chromatic aberration on high-contrast tree edges, subtle lens flare at 4 o’clock position on right thigh", "film_emulation": "Digital CMOS sensor emulation (Sony IMX sensor equivalent), base ISO 100, zero visible noise, highlight roll-off soft with 2.2 gamma curve, natural daylight LUT with slight teal-orange grading in shadows, 8-bit sRGB output", "atmospherics": "Clear morning air (08:27 timestamp visible top-left), micro-dust particles suspended in volumetric god rays piercing canopy, fog density 0 %, light atmospheric perspective softening distant tree line" }, "LIGHTING_RIG": { "key_light": "Natural sunlight filtered through deciduous canopy, correlated color temperature 5800 K, incident angle 65° from upper camera-right, soft shadow edge transfer (penumbra ~8 cm on asphalt), no hard specular hotspots", "fill_light": "Diffuse sky bounce from open canopy gaps, fill ratio 1:2.5 relative to key, neutral 6500 K, no directional bias", "rim_hair_lights": "Strong rim from rear-right sunlight at 110° azimuth, 6200 K, creating 3 mm wide highlight halo along hair edges and left shoulder contour", "ambient_occlusion": "Deep micro-shadows in skin folds (under buttock crease, inner thigh contact, under bandeau hem), contact occlusion between fingers and face, skirt fabric and gluteal skin" }, "SUBJECT_BIOMETRICS_AND_TOPOLOGY": { "demographics": "Female, visually 19–22 years old, Eastern-European/Slavic phenotype (light Caucasian admixture), ecto-mesomorphic skeletal frame, visual BMI equivalent ~21, long-limbed proportions, pronounced lower-body adiposity with athletic muscle tone", "facial_geometry": "Oval face shape (partially occluded by right hand), high zygomatic prominence (cheekbones projecting 12 mm anteriorly), sharp mandibular angle with defined gonial flare, moderate chin projection (5 mm beyond subnasale vertical), smooth forehead", "nasal_and_ocular_structure": "Nose: straight dorsum with refined supra-tip break, narrow alar base (28 mm width), slightly upturned apex; eyes fully occluded by hand but visible orbital rim suggests almond shape with neutral canthal tilt (~0°), visible lower lash line and tear duct", "aura": "Playful-teasing confidence, deliberate erotic provocation through partial exposure, youthful carefree energy" }, "MICRO_ANATOMY_AND_SHADERS": { "epidermis": "Pore density low (fine on nose bridge, invisible on thighs), uniform light olive-tan tone, zero visible freckles or scars, subtle goosebumps on exposed upper arms from morning air", "dermis_and_vascular": "Subdermal veins faintly visible on inner forearms and dorsal hands (blue-green, 0.3 mm width), no capillary flush except faint pink undertone on cheeks and gluteal skin", "subsurface_scattering": "High SSS on earlobes, nasal tip, and exposed gluteal hemispheres (warm #FFCCAA transmission), moderate on inner thighs where light wraps around fabric edge", "surface_moisture": "Matte skin finish overall, trace sebum sheen on nasal bridge and forehead, single 0.5 mm sweat droplet at left temple hairline, no visible tears", "vellus_hair": "Fine peach-fuzz density on upper arms and outer thighs (0.1 mm length, catching rim light as golden halo)" }, "FACS_AND_MICRO_EXPRESSIONS": { "eyes": "Gaze vector fully occluded by right hand (fingers covering orbits and nasal bridge), inferred forward camera direction, pupil dilation unknown", "brows": "Right brow slightly arched (2 mm superior displacement at lateral tail), micro-tension indicating playful concealment", "mouth": "Lip parting 2 mm at center, upper lip slightly everted, lower lip full and glossy with natural mucosal moisture, teeth not visible, masseter relaxed" }, "HAIR_PHYSICS_AND_GROOMING": { "structure": "Level 6–7 golden-light-brown melanin base, root-to-tip uniform color with subtle sun-bleached highlights, high density (120–140 strands/cm²), individual strand thickness 0.08 mm", "physics": "Gravity-induced cascade over left shoulder and back, gentle S-curve from wind or movement, 18 visible flyaways along crown and right side illuminated by rim light", "styling": "Center-parted, loose natural fall to mid-back length (approx. 65 cm), no visible product stiffness" }, "MAKEUP_AND_BODY_MODS": { "cosmetics": "Natural matte foundation (skin-matched #F5D9C8), soft brown brow pencil, black winged eyeliner on visible lower lash line, nude-pink lip tint, glossy clear topcoat on nails (#FFFFFF with 80 % gloss specular)", "tattoos": "None visible on exposed skin surfaces", "piercings": "None visible" }, "BIOMECHANICS_AND_KINEMATICS": { "spine_pelvis": "Mild lumbar lordosis (approx. 28°), anterior pelvic tilt 12°, creating pronounced gluteal projection", "limbs": "Right shoulder abducted 85°, elbow flexed 110° (hand covering face); left shoulder abducted 35°, elbow flexed 70° (hand on hip); hips rotated 35° camera-left; right knee extended 175°, left knee flexed 165° with weight shifted to left leg; ankles dorsiflexed 10°", "digits": "Right hand: fingers 2–5 extended and slightly spread (covering eyes/nose, 4 mm gaps), thumb tucked under chin, 0.8 kg pressure on face; left hand: fingers 2–5 spread across left gluteal quadrant, thumb on iliac crest, nails pressing 0.3 kg into fabric/skin; all fingernails 12 mm length, square-oval shape" }, "CLOTH_SIMULATION_AND_PHYSICS": { "layer_1_strapless_bandeau_top": { "material": "Matte cotton-elastane jersey, 220 GSM, 4-way stretch, 80 denier opacity", "opacity_map": "100 % opaque on breasts, slight shear at underbust hem revealing 2 mm skin shadow", "tension_physics": "Horizontal stretch lines radiating from side seams under breast weight, 3 mm fabric roll at top edge", "skin_interaction": "Mild skin compression (1 mm indentation) at underbust, no visible nipple protrusion through fabric" }, "layer_2_mini_skirt": { "material": "Lightweight cotton twill, 180 GSM, flared A-line cut with ruffled hem, 60 denier", "opacity_map": "98 % opaque where settled, 0 % where lifted exposing gluteal skin", "tension_physics": "Radial stress wrinkles from left hand grip point, fabric bunching upward 8 cm above natural waist creating exposed lower gluteal crescent", "skin_interaction": "Skirt hem digging 2 mm into upper thigh fat creating soft muffin-top shelf, direct skin-to-fabric contact on right glute with visible fabric lift shadow" }, "layer_3_crew_socks": { "material": "Ribbed cotton, 280 GSM, mid-calf height", "opacity_map": "100 % opaque", "tension_physics": "Slight bunching at ankle fold (3 mm accordion effect)", "skin_interaction": "Mild calf compression creating 1 mm skin bulge above sock cuff" }, "layer_4_chunky_sneakers": { "material": "Synthetic leather upper with rubber sole, 40 mm platform, white laces tied in bow", "opacity_map": "100 % opaque", "tension_physics": "Laces under moderate tension, no creasing on toe box", "skin_interaction": "Sock fabric compressed 2 mm between ankle bone and shoe collar" } }, "SOFT_TISSUE_PHYSICS": { "gravity_impact": "Gluteal hemispheres (right more prominent) hanging 18 mm below natural skirt line due to fabric lift, creating rounded lower pole projection; upper thigh soft tissue slightly dimpled against left leg weight shift", "compression": "Left gluteal flesh compressed 4 mm against left hand palm, mild skin bulging between fingers; right thigh soft tissue flattened 3 mm where skirt hem presses" }, "ENVIRONMENT_AND_PROPS": { "contact_surfaces": "Cracked asphalt pavement (Ra roughness 1.2 mm), dark grey with moss in fissures; subject weight distributed 65 % left foot, 35 % right foot causing 0.5 mm sole compression", "depth_of_field": "Subject sharp from toes to hair tips, background trees blurred starting 4 m behind (bokeh circles 25–40 px diameter on highlights)" } }