IN A DISTOPIC WORLD Prompts

If you're going to try to COPY ME and my work, at least get inspiration from my ideas and learn something, Not just a straight prompt copy me word for word! It's called being creative for a reason. Try to Come up with your own ORIGINAL work or go and do something else that's actually useful rather than try to regurgitate MY WORK or someone else's, which you're failing miserably at btw. "YOU KNOW WHO YOU ARE" For anyone else actually doing original work as i am, keep doing what you're doing cause that's what it's all about, people bringing different creative ideas together and shared art....Keep On Creating

An African-American youth girl in dystopian attire, steampunk style, dreadlocks hairstyle, hyperrealism, photorealistic, 8k, unreal engine --ar 9:16 --niji 5 --style expressive --s 400

In 2154, Earth is overpopulated, diseased, and heavily polluted. In a run down shanty town are the planet's citizens live in extreme poverty. Secretly, in the shanty towns, Juanco, a Latino rebel, has built a massive computer room. With its vast digital screens and displays, Juanco plots the overthrow of Elysium's Government. The Government is based on an orbiting space station just outside Earth's atmosphere, Epic cinematic dramatic dystopian futuristic nightmare scenario. Juanco is muscular with mant tattoos. He has cold blue eyes.

dystopian style Fit young woman with disheveled short natural hair in a torn Victorian blouse revealing her midriff, fixing a mechanical arm attachment in a candle-lit laboratory, making direct eye contact in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

dystopia

zero trust on distopic world

In 2154, Earth is overpopulated, diseased, and heavily polluted. In a run down shanty town are the planet's citizens live in extreme poverty. Secretly, in the shanty towns, Juanco, a Latino rebel, has built a massive computer room. With its vast digital screens and displays, Juanco plots the overthrow of Elysium's Government. The Government is based on an orbiting space station just outside Earth's atmosphere, Epic cinematic dramatic dystopian futuristic nightmare scenario. Juanco is muscular with mant tattoos. He has cold blue eyes.

anime style world controled by rich people and poor are killed

dystopian style Mid-twenties woman with messy short hair operating a mechanical printing press, her brass-buckled vest open to reveal her flat toned stomach, in an underground newspaper office, looking confidently at camera in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

In 2154, Earth is overpopulated, diseased, and heavily polluted. In a run down shanty town are the planet's citizens live in extreme poverty. Create animage depicting how, secretly, in the shanty towns, Juanco, a Latino rebel, has built a massive computer room. With its vast digital screens and displays, Juanco plots the overthrow of Elysium's Government. The Government is based on an orbiting space station just outside Earth's atmosphere, Epic cinematic dramatic dystopian futuristic nightmare scenario. Juanco is muscular with many tattoos. He has cold blue eyes. Show Juanco's hot computer room. He is staring coldly at the camera.

"Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression , to adore the technologies that undo their capabilities to think." by Edi Rama, cg society, neo-primitivism, dystopian art, fractalism, official art, style of tin tin comics, pen and ink, Vintage 90's anime style. .

A CHURCH, GOTHIC, IN A DISTOPIC WORLD, WITH WARRIOR INSIDE

A portrait poster of a Future punk metal tech zombie emerging from a future utopian world, zombie virus stage nuclear, volumetric lighting, real life, highly detailed, low contrast --ar 9:16 --s 750

A CHURCH, GOTHIC, IN A DISTOPIC WORLD, WITHTEN WARRIORS INSIDE, TOO MUCH BLOOD

dystopian style Mid-twenties woman with windblown short natural hair in brass-adorned leather crop top and utility belt, repairing mechanical wings strapped to her back, in a sunset-lit workshop, staring intensely at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

drawing this passage as a parallel comic scene : "Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression , to adore the technologies that undo their capabilities to think." by Edi Rama, cg society, neo-primitivism, dystopian art, fractalism, official art, style of tin tin comics, pen and ink, Vintage 90's anime style. .

dystopian style Slim young woman with tousled short hair adjusting brass gadgets on her utility belt, wearing a cropped waistcoat showing her flat stomach, in an inventor's cluttered laboratory, looking directly at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

Minimalist sci-fi scene depicting a bleak future. Everything is lost. Memories and our souls are granulated for use in the Recycling Plant where old men are studied to access their deepest experiences. But there is secret new weapon, a powerful new toxin which can destroy Droids who work in the Recycling Plant. The strange Doctor administers the toxin. The Droids begin to crumble into dust and bone. Subdued colour pallete.

Her days were a relentless cycle of hardship, but Dina refused to yield to despair. With grit and determination, she honed her skills, becoming a master scavenger who could discern the valuable remnants of a bygone era from the detritus of destruction. In the midst of the desolation, she found moments of solace in the quiet solitude, a stark contrast to the chaos that had brought the world to ruin. Dina's unwavering spirit and resourcefulness served as a testament to the resilience of the human spirit in the face of an unforgiving world. depth of field, 3d, unreal engine 5, 3d render with octane render, art style in artstation, anime 3d, 8k, unreal engine --ar 9:16 --niji 5 --style expressive --s 400

Minimalist sci-fi scene depicting a bleak future. Everything is lost. Memories and our souls are granulated for use in the Recycling Plant where old men are torn apart to access their deepest experiences. But there is secret new weapon, a powerful new toxin which can destroy Droids who work in the Recycling Plant. The strange Doctor administers the toxin. The Droids begin to crumble into dust and blood. Subdued colour pallete of blues and greys. Highly dystopian disturbing scene.

dystopian style Black and white fashion photography of a young Taiwanese-Circassian woman in her mid-twenties in powerful stride, coat billowing dramatically, wearing Cropped bomber with urban print revealing A sculpted belly with visible upper and lower abs, the muscles casting minimal shadows for a refined and understated appearance. and Black cotton jersey palazzo pants with flowing legs and comfortable stretch knit, across windswept plaza with water fountains and geometric paving patterns in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

thailan, dystopia

thailan, dystopia

dystopian style Mid-twenties woman with messy short natural hair and fit physique wearing Cropped shirt with an oversized collar and a knotted front revealing Tightly toned abs with a soft, natural curve and Low-rise corduroy pants with a mix of lace and buckles and a wide cuff, suspended in a brass diving bell exploring the deepest ocean trenches, bioluminescent mechanical creatures swimming past crystalline viewing ports while she operates pressure controls with scientific precision, the abyss glowing with impossible underwater cities, making eye contact through the sphere's transparent aluminum as she discovers aquatic civilizations in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity