Ikan besar bah Prompts

A full-length photograph of two female fishermen on a fishing boat with a giant tuna. The giant tunais huge,The giant tuna is hanging on. Two female fishermen are standing around the giant tuna, and one of them is taking a selfie. Fishing gear is in the background. sun sun shines.

((masterpiece,)),((bestquality,)),extremelydetailedcg8kwallpaper,brightcolors,Dramaticlight,Thickacrylicillustrationonpixiv,illustration,over,cover_page,ultra-detailed,(masterpiece:1.4),bestquality,ultrahighres,english_text,virtual_youtuber,detailedbackground,bokehchiaroscuro,wlop,Doubleexposure,line,badge,pattern,ultrarealistic8kcg,clean,masterpiece,professionalartwork,famousartwork,cinematiclighting,cinematicbloom,Advancedsense,,(kun:1.1),cloud,(Openyourmouth:1.3),(Sharpteeth:1.4),whale,,loong,(Bodycoveredinmoss:1.3),

A full-length photograph of two female fishermen on a fishing boat with a giant tuna. The giant tuna is huge,The giant tuna is hanging on. Two female fishermen are standing around the giant tuna, and one of them is taking a selfie. Fishing gear is in the background. sun sun shines.

A full-length photograph of two female fishermen on a fishing boat with a giant tuna. The giant tunais huge,The giant tuna is hanging on. Two female fishermen are standing around the giant tuna, and one of them is taking a selfie. Fishing gear is in the background. sun sun shines.

Many middle size fishes wearing ancient bright red and gold Roman helmet and armor, whole body swimming in the water of disaster war zone, full body picture, in the style of xu beihong, appropriation artist, moosa al halyan, realistic, cyan, arabesque/scroll, wimmelbilder, 8k, high render

Color ink style ,Azuma Kiyohiko,illustration of a Chinese fish, Flooding away the city,Upshot, Full body, Shading, Flooding the Village, winged, beautiful creature, unconquered nature, shimmering scales, mystery, destruction, eery gaze, wuguanzhong,The Classic of Mountains and Seas,detailed CG, Game concept art, First person view, upshot, Wide Angle lens, Extreme Panorama, Extreme Low Angle View --ar 3:4，(photorealistic, photorealism), (8k, RAW photo, highest quality, masterpiece, ultra-high resolution, physics-based rendering), <lora:add_detail:1>

A full-length photograph of two female fishermen on a fishing boat with a giant tuna. The giant tuna is huge,The giant tuna is hanging on. Two female fishermen are standing around the giant tuna, and one of them is taking a selfie. Fishing gear is in the background. sun sun shines.

Color ink style ,Azuma Kiyohiko,illustration of a Chinese fish, Flooding away the city,Upshot, Full body, Shading, Flooding the Village, winged, beautiful creature, unconquered nature, shimmering scales, mystery, destruction, eery gaze, wuguanzhong,The Classic of Mountains and Seas,detailed CG, Game concept art, First person view, upshot, Wide Angle lens, Extreme Panorama, Extreme Low Angle View --ar 3:4, (8k, RAW photo, highest quality, masterpiece, ultra-high resolution, physics-based rendering), <lora:add_detail:1>

video filem berdialog (Sabah slang) kekalkan wajah & suasana asal Gunakan imej rujukan sebagai frame pembuka dan identity reference sahaja. Kekalkan wajah subjek seperti asal, pakaian, umur, tona kulit, gaya tudung, dan suasana dapur kayu kampung seperti dalam gambar. Jangan ubah layout rumah, dapur tanah liat, periuk, papan pemotong, bawang merah dan cili, tikar, pencahayaan natural petang, dan mood kampung sederhana Nota penting untuk konsistensi muka & suasana 1. Letakkan imej rujukan sebagai first frame identity reference jika platform menyokongnya. 2. Tambah frasa preserve original faces, wardrobe, hut layout, and lighting from reference image di hujung prompt jika model cenderung mengubah subjek. 3. Elakkan arahan seperti change outfit, beautify, younger, different angle identity, new hairstyle, kerana itu sering merosakkan konsistensi wajah. 4. Untuk hasil lebih stabil, jana 3 shot clips (dapur sungai balik bawa buaya) kemudian sambung di editor video. 5. Jika model video menyokong seed, gunakan seed yang sama untuk semua shot. Cadangan dialog yang lebih natural dalam lohgat Sabah (opsyen) Watak Dialog asal Versi lebih natural (opsyen) Nenek “Dawiya pergi kau tangkap ikan di sungai bah, Sudah Nenek Siapkan api ni……“Dawiya, pergi kau tangkap ikan di sungai bah. Sudah nenek siapkan api ni…” Cucu : “oyekkk...nek ... Boleh bah kalau kau !!” “Oyekkk… nek… boleh bah kalau kau!” Saya kekalkan maksud dan nada komedi; perubahan hanya untuk kelancaran sebutan dan lip-sync. Tip akhir: jika model menghasilkan buaya yang terlalu agresif, tambah crocodile remains calm, stationary, comedic, no attack, no chase, no gore untuk memastikan adegan kekal lucu dan selamat. video filem berdialog (Bahasa Sabah) kekalkan wajah & suasana asal Selamat digunakan untuk model video AI Kekalkan identiti visual subjek seperti dalam gambar asal; jangan ubah wajah, umur, pakaian, atau suasana pondok kayu desa Sabah. Jangan tambah orang baru. Fokus pada nenek dan cucu sahaja. Pastikan loghat/intonasi Sabah kedengaran natural dan mesra. Catatan penting tentang “buaya” Jika model video terlalu literal atau menghasilkan adegan berbahaya, tukar frasa “seekor buaya” kepada “seekor anak buaya kecil yang tidak agresif” dan tambah arahan “strictly comedic, no threat, no chase, no attack”. Tip sync dialog & timing 1. 0–6s: establishing shot, fire crackling, grandmother starts speaking. 2. 6–10s: close-up child chopping; child replies. 3. 10–60s: playful river-catching montage (no new characters needed; keep shots on the child). 4. 60–70s: child returns with the small crocodile; grandmother’s shocked reaction. 5. 70–75s: child proudly says, “Ikan besar bah, nek!” and freeze-frame for comedic ending. Cadangan TTS voice direction Nenek: suara wanita tua Sabah, tenang dan sedikit serak, tempo perlahan. Cucu: suara kanak-kanak perempuan Sabah, ceria, sedikit nakal, tempo cepat dan natural. Reaksi akhir nenek: tarik nafas pendek, bunyi terkejut spontan (“Aduh! Buaya bah tu!”) boleh ditambah jika model membenarkan ad-lib. See less Recent

High resolution pecheur au gros en pleine action marlin tentant de se sauver

Color ink style ,Azuma Kiyohiko,illustration of a Chinese fish, Flooding away the city,Upshot, Full body, Shading, Flooding the Village, winged, beautiful creature, unconquered nature, shimmering scales, mystery, destruction, eery gaze, wuguanzhong,The Classic of Mountains and Seas,detailed CG, Game concept art, First person view, upshot, Wide Angle lens, Extreme Panorama, Extreme Low Angle View --ar 3:4, (8k, RAW photo, highest quality, masterpiece, ultra-high resolution, physics-based rendering), <lora:add_detail:1>

top down photography, a small wooden row boat floating on deep water with monsterously large koi swimming beneath, hauntingly beautiful, fantasy, meticulous detail --s 750 --v 6.0

Bah

a man standing on top of a wave holding a fish, a hyperrealistic painting, fantasy art, mobile wallpaper, with a very large mouth, realistic pictures, amazing composition, jaws, key art, intricate and epic composition, profile pic, churning, Pisces, award-winning, 4k 3D

video filem berdialog (Sabah slang) kekalkan wajah & suasana asal Gunakan imej rujukan sebagai frame pembuka dan identity reference sahaja. Kekalkan wajah subjek seperti asal, pakaian, umur, tona kulit, gaya tudung, dan suasana dapur kayu kampung seperti dalam gambar. Jangan ubah layout rumah, dapur tanah liat, periuk, papan pemotong, bawang merah dan cili, tikar, pencahayaan natural petang, dan mood kampung sederhana Nota penting untuk konsistensi muka & suasana 1. Letakkan imej rujukan sebagai first frame identity reference jika platform menyokongnya. 2. Tambah frasa preserve original faces, wardrobe, hut layout, and lighting from reference image di hujung prompt jika model cenderung mengubah subjek. 3. Elakkan arahan seperti change outfit, beautify, younger, different angle identity, new hairstyle, kerana itu sering merosakkan konsistensi wajah. 4. Untuk hasil lebih stabil, jana 3 shot clips (dapur sungai balik bawa buaya) kemudian sambung di editor video. 5. Jika model video menyokong seed, gunakan seed yang sama untuk semua shot. Cadangan dialog yang lebih natural dalam lohgat Sabah (opsyen) Watak Dialog asal Versi lebih natural (opsyen) Nenek “Dawiya pergi kau tangkap ikan di sungai bah, Sudah Nenek Siapkan api ni……“Dawiya, pergi kau tangkap ikan di sungai bah. Sudah nenek siapkan api ni…” Cucu : “oyekkk...nek ... Boleh bah kalau kau !!” “Oyekkk… nek… boleh bah kalau kau!” Saya kekalkan maksud dan nada komedi; perubahan hanya untuk kelancaran sebutan dan lip-sync. Tip akhir: jika model menghasilkan buaya yang terlalu agresif, tambah crocodile remains calm, stationary, comedic, no attack, no chase, no gore untuk memastikan adegan kekal lucu dan selamat. video filem berdialog (Bahasa Sabah) kekalkan wajah & suasana asal Selamat digunakan untuk model video AI Kekalkan identiti visual subjek seperti dalam gambar asal; jangan ubah wajah, umur, pakaian, atau suasana pondok kayu desa Sabah. Jangan tambah orang baru. Fokus pada nenek dan cucu sahaja. Pastikan loghat/intonasi Sabah kedengaran natural dan mesra. Catatan penting tentang “buaya” Jika model video terlalu literal atau menghasilkan adegan berbahaya, tukar frasa “seekor buaya” kepada “seekor anak buaya kecil yang tidak agresif” dan tambah arahan “strictly comedic, no threat, no chase, no attack”. Tip sync dialog & timing 1. 0–6s: establishing shot, fire crackling, grandmother starts speaking. 2. 6–10s: close-up child chopping; child replies. 3. 10–60s: playful river-catching montage (no new characters needed; keep shots on the child). 4. 60–70s: child returns with the small crocodile; grandmother’s shocked reaction. 5. 70–75s: child proudly says, “Ikan besar bah, nek!” and freeze-frame for comedic ending. Cadangan TTS voice direction Nenek: suara wanita tua Sabah, tenang dan sedikit serak, tempo perlahan. Cucu: suara kanak-kanak perempuan Sabah, ceria, sedikit nakal, tempo cepat dan natural. Reaksi akhir nenek: tarik nafas pendek, bunyi terkejut spontan (“Aduh! Buaya bah tu!”) boleh ditambah jika model membenarkan ad-lib.

Huge xl breast, beautiful Indian woman under the sea, playing very small fish, glowing small Jellyfish, wearing glowing swim suit, full body view

A full-length photograph of two female fishermen on a fishing boat with a giant worm. The worm is huge, spanning the entire width of the boat. The head of the worm looks like a shrimp. The worm is hanging on a fishing net. Two female fishermen are standing around the worm, and one of them is taking a selfie. Fishing gear is in the background.

strongest fish

juan pescando un pescado grande

a fishing service that is pulling in a huge tuna

A full-length photograph of two female fishermen on a fishing boat with a giant worm. The worm is huge, spanning the entire width of the boat. The head of the worm looks like a shrimp. The worm is hanging on a fishing net. Two female fishermen are standing around the worm, and one of them is taking a selfie. Fishing gear is in the background.

High resolution king mackerel drawn in a cartoony style.

A full-length photograph of two female fishermen on a fishing boat with a giant squid. The giant squid is huge, spanning the entire width of the boat. The head of the giant squid looks like a person. The giant squid is hanging on a fishing net. Two female fishermen are standing around the giant squid, and one of them is taking a selfie. Fishing gear is in the background. many dead squid on the floor of the boat

A surrealistic underwater scene with a carp fish and a fishing hook in vibrant colors. Rendered in a high-resolution surrealistic style. ":: chromatic::1 coral::1 dusk::1 fluorescent::1 satellite imagery::1 francis bacon::1 garald brom::1 --v 4