Classic Hollywood noir photography: A seductive brunette in sheer lace lingerie and stockings, lounging on a silk-sheeted bed, dimly lit hotel room setting, cigarette smoke curling around her, soft curls framing her sultry gaze, deep shadows and moody lighting, chiaroscuro contrast, eye-level shot, captured with a Hasselblad 500CM, Ilford HP5 Plus film, black and white grainy texture, by Helmut Newton.
8K modern portrait, (mixed-race girl, age 8:1.4), (top-down, extremely high angle view:1.7), (head angled 45 degrees back:1.6), (large glistening eyes gazing upward:1.8), (joking dimpled smile:1.7), slim, straight black hair, (0.1mm razor-sharp strands:1.6), (shine like glass: 1.5), (disconnected micro-flyaways:1.3), (weightless motion frozen in motion:1.4), (Contrast inspired by Ansel Adams:1.6), (real blacks #000000:1.5), (whites crisp #FFFFFF:1.4), (12-stop dynamic range: 1.5), (silky midtones: 1.6 with no banding), (upper left directional softbox:1.7), (hard Rembrandt triangle beneath right eye:1.6), (jawline rim light: 1.5), (neck shadow gradient:1.4), (simulation of film grain:1.5), (Grain structure of Ilford HP5 Plus 400:1.4), (created in D-76 1:1:1.3), (subtle toning effect of selenium:1.2), (Hasselblad 907X + 80mm f/2.8:1.6), (photo taken with a Kodak T-Max 100:1.5), (low-key lighting ratio 1:8:1.4), (8K drum scan: 1.7), (Charcoal rendering of the mustard jacket: 1.5), (white floor is yellow:1.5)
I was a spy for china, 1947, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
Classic Hollywood noir photography: A seductive brunette in sheer lace lingerie and stockings, lounging on a silk-sheeted bed, dimly lit hotel room setting, cigarette smoke curling around her, soft curls framing her sultry gaze, deep shadows and moody lighting, chiaroscuro contrast, eye-level shot, captured with a Hasselblad 500CM, Ilford HP5 Plus film, black and white grainy texture, by Helmut Newton.
I was a spy for china, 1947, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
8K modern portrait, (mixed-race girl, age 8:1.4), (top-down, extremely high angle view:1.7), (head angled 45 degrees back:1.6), (large glistening eyes gazing upward:1.8), (joking dimpled smile:1.7), slim, straight black hair, (0.1mm razor-sharp strands:1.6), (shine like glass: 1.5), (disconnected micro-flyaways:1.3), (weightless motion frozen in motion:1.4), (Contrast inspired by Ansel Adams:1.6), (real blacks #000000:1.5), (whites crisp #FFFFFF:1.4), (12-stop dynamic range: 1.5), (silky midtones: 1.6 with no banding), (upper left directional softbox:1.7), (hard Rembrandt triangle beneath right eye:1.6), (jawline rim light: 1.5), (neck shadow gradient:1.4), (simulation of film grain:1.5), (Grain structure of Ilford HP5 Plus 400:1.4), (created in D-76 1:1:1.3), (subtle toning effect of selenium:1.2), (Hasselblad 907X + 80mm f/2.8:1.6), (photo taken with a Kodak T-Max 100:1.5), (low-key lighting ratio 1:8:1.4), (8K drum scan: 1.7), (Charcoal rendering of the mustard jacket: 1.5), (white floor is yellow:1.5)
Classic Hollywood noir photography: A seductive brunette in sheer lace lingerie and stockings, lounging on a silk-sheeted bed, dimly lit hotel room setting, cigarette smoke curling around her, soft curls framing her sultry gaze, deep shadows and moody lighting, chiaroscuro contrast, eye-level shot, captured with a Hasselblad 500CM, Ilford HP5 Plus film, black and white grainy texture, by Helmut Newton.
I was a spy for china, 1947, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
8K modern portrait, (mixed-race girl, age 8:1.4), (top-down, extremely high angle view:1.7), (head angled 45 degrees back:1.6), (large glistening eyes gazing upward:1.8), (joking dimpled smile:1.7), slim, straight black hair, (0.1mm razor-sharp strands:1.6), (shine like glass: 1.5), (disconnected micro-flyaways:1.3), (weightless motion frozen in motion:1.4), (Contrast inspired by Ansel Adams:1.6), (real blacks #000000:1.5), (whites crisp #FFFFFF:1.4), (12-stop dynamic range: 1.5), (silky midtones: 1.6 with no banding), (upper left directional softbox:1.7), (hard Rembrandt triangle beneath right eye:1.6), (jawline rim light: 1.5), (neck shadow gradient:1.4), (simulation of film grain:1.5), (Grain structure of Ilford HP5 Plus 400:1.4), (created in D-76 1:1:1.3), (subtle toning effect of selenium:1.2), (Hasselblad 907X + 80mm f/2.8:1.6), (photo taken with a Kodak T-Max 100:1.5), (low-key lighting ratio 1:8:1.4), (8K drum scan: 1.7), (Charcoal rendering of the mustard jacket: 1.5), (white floor is yellow:1.5)
Classic Hollywood noir photography: A seductive brunette in sheer lace lingerie and stockings, lounging on a silk-sheeted bed, dimly lit hotel room setting, cigarette smoke curling around her, soft curls framing her sultry gaze, deep shadows and moody lighting, chiaroscuro contrast, eye-level shot, captured with a Hasselblad 500CM, Ilford HP5 Plus film, black and white grainy texture, by Helmut Newton.
8K modern portrait, (mixed-race girl, age 8:1.4), (top-down, extremely high angle view:1.7), (head angled 45 degrees back:1.6), (large glistening eyes gazing upward:1.8), (joking dimpled smile:1.7), slim, straight black hair, (0.1mm razor-sharp strands:1.6), (shine like glass: 1.5), (disconnected micro-flyaways:1.3), (weightless motion frozen in motion:1.4), (Contrast inspired by Ansel Adams:1.6), (real blacks #000000:1.5), (whites crisp #FFFFFF:1.4), (12-stop dynamic range: 1.5), (silky midtones: 1.6 with no banding), (upper left directional softbox:1.7), (hard Rembrandt triangle beneath right eye:1.6), (jawline rim light: 1.5), (neck shadow gradient:1.4), (simulation of film grain:1.5), (Grain structure of Ilford HP5 Plus 400:1.4), (created in D-76 1:1:1.3), (subtle toning effect of selenium:1.2), (Hasselblad 907X + 80mm f/2.8:1.6), (photo taken with a Kodak T-Max 100:1.5), (low-key lighting ratio 1:8:1.4), (8K drum scan: 1.7), (Charcoal rendering of the mustard jacket: 1.5), (white floor is yellow:1.5)
I was a spy for china, 1947, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
Classic Hollywood noir photography: A seductive brunette in sheer lace lingerie and stockings, lounging on a silk-sheeted bed, dimly lit hotel room setting, cigarette smoke curling around her, soft curls framing her sultry gaze, deep shadows and moody lighting, chiaroscuro contrast, eye-level shot, captured with a Hasselblad 500CM, Ilford HP5 Plus film, black and white grainy texture, by Helmut Newton.
I was a spy for china, 1947, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers
8K modern portrait, (mixed-race girl, age 8:1.4), (top-down, extremely high angle view:1.7), (head angled 45 degrees back:1.6), (large glistening eyes gazing upward:1.8), (joking dimpled smile:1.7), slim, straight black hair, (0.1mm razor-sharp strands:1.6), (shine like glass: 1.5), (disconnected micro-flyaways:1.3), (weightless motion frozen in motion:1.4), (Contrast inspired by Ansel Adams:1.6), (real blacks #000000:1.5), (whites crisp #FFFFFF:1.4), (12-stop dynamic range: 1.5), (silky midtones: 1.6 with no banding), (upper left directional softbox:1.7), (hard Rembrandt triangle beneath right eye:1.6), (jawline rim light: 1.5), (neck shadow gradient:1.4), (simulation of film grain:1.5), (Grain structure of Ilford HP5 Plus 400:1.4), (created in D-76 1:1:1.3), (subtle toning effect of selenium:1.2), (Hasselblad 907X + 80mm f/2.8:1.6), (photo taken with a Kodak T-Max 100:1.5), (low-key lighting ratio 1:8:1.4), (8K drum scan: 1.7), (Charcoal rendering of the mustard jacket: 1.5), (white floor is yellow:1.5)
Classic Hollywood noir photography: A seductive brunette in sheer lace lingerie and stockings, lounging on a silk-sheeted bed, dimly lit hotel room setting, cigarette smoke curling around her, soft curls framing her sultry gaze, deep shadows and moody lighting, chiaroscuro contrast, eye-level shot, captured with a Hasselblad 500CM, Ilford HP5 Plus film, black and white grainy texture, by Helmut Newton.
8K modern portrait, (mixed-race girl, age 8:1.4), (top-down, extremely high angle view:1.7), (head angled 45 degrees back:1.6), (large glistening eyes gazing upward:1.8), (joking dimpled smile:1.7), slim, straight black hair, (0.1mm razor-sharp strands:1.6), (shine like glass: 1.5), (disconnected micro-flyaways:1.3), (weightless motion frozen in motion:1.4), (Contrast inspired by Ansel Adams:1.6), (real blacks #000000:1.5), (whites crisp #FFFFFF:1.4), (12-stop dynamic range: 1.5), (silky midtones: 1.6 with no banding), (upper left directional softbox:1.7), (hard Rembrandt triangle beneath right eye:1.6), (jawline rim light: 1.5), (neck shadow gradient:1.4), (simulation of film grain:1.5), (Grain structure of Ilford HP5 Plus 400:1.4), (created in D-76 1:1:1.3), (subtle toning effect of selenium:1.2), (Hasselblad 907X + 80mm f/2.8:1.6), (photo taken with a Kodak T-Max 100:1.5), (low-key lighting ratio 1:8:1.4), (8K drum scan: 1.7), (Charcoal rendering of the mustard jacket: 1.5), (white floor is yellow:1.5)
I was a spy for china, 1947, golden ratio, by Edmund Blair Leighton, Brom, Charlie Bowater, faces by Tom Bagshaw, Sargent, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --no parameter, ugly, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers