(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: white uniform) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert , heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1> <lora:concept_indexfingerstogether-10:1>
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert ,sitting on bench, heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.
liquid lifeguard perfect girl, perfect symmetric face, big kind eyes , looking down, (dynamic pose), in a beach desert , sitting on a beach towel, heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering)
A fixed-camera shot (camera does not move), positioned low to the ground in the center of an abandoned field overgrown with wild vegetation, captured during sunset. Foreground: Sharp focus on characteristic plants and tall grasses of an abandoned field, some still green, others dry, gently swaying in the wind. Background: Extremely blurred, far away in the distance, a long table surrounded by a large group of stylish, beautiful people. They are sharing food, talking, laughing, and enjoying themselves in a warm, social atmosphere. Some guests serve food, while others hold wine glasses. Someone is pouring wine from a bottle into another’s glass. Style: Shallow depth of field, strong cinematic look, warm tones from the sunset, with the foreground in sharp focus and the background kept very far away and soft.
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
A highly detailed, photorealistic, cinematic vertical medium-full shot of a stunning young East Asian woman posing in a dimly lit home office at night. Shot Angle & Pose: The image is framed vertically, capturing her from the knees up. She is sitting perched on the edge of a wooden computer desk. Her legs are crossed elegantly at the knee, angling towards the camera. Her posture is upright and alluring. Her left hand is raised, with her index finger gently touching her lower lip in a pensive, seductive gesture. Her right hand rests firmly on her thigh. Expression: She gazes directly into the camera with a sultry, intense, and focused look. Her lips are painted a soft rose color and are slightly parted. Subject Appearance: She has a fair, flawless complexion rendered with hyper-realistic skin texture, capturing the warm glow of the lamp and natural skin sheen. She has chestnut-brown hair styled in a high, voluminous messy bun, with loose wisps of hair framing her face and backlit by the lamp. Attire: She is wearing a sophisticated and risqu� office-inspired outfit: Top: A sheer, translucent black button-down shirt made of chiffon or mesh. Underneath, a grey lace bralette or camisole is clearly visible. Bottoms: A very short, tight grey mini pencil skirt. The skirt sits low on her hips, revealing the waistband of black lace panties or a garter belt detail underneath. Legwear: Sheer black thigh-high stockings with intricate lace tops, attached to suspender straps visible on her thigh. Footwear: Black stiletto heels (partially visible). Setting & Lighting: The setting is a modern workspace at night. To her left, a warm desk lamp is turned on, casting a strong, golden glow on her arm, face, and the sheer fabric of her shirt. Behind her is a large computer monitor displaying abstract blue and cyan neon graphics, providing a cool contrast light. In the far background, a window reveals blurred city lights (bokeh) in the distance. The lighting is moody and atmospheric, blending warm practical light with cool screen glow. 8k resolution, raw photo aesthetic.
: (A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape
Fearless sailors on a maritime rescue mission in a lengthy white rowing lifeboat. They are wearing waterproof clothing. They are rowing hard to reach a wrecked sailing ship visible in the far background. Heavy seas, eerie, moonless night, storm, fog, full body, dramatic oil painting in the style of Andreas Achenbach and William Turner
The image is a sunny beach. The sand occupies the bottom and middle sections of the background, appearing light brown and slightly blurred. In the far background, there are some indistinct structures that appear to be beach facilities, and beyond that, a hazy body of water or horizon can be faintly seen. The sky, a bright blue, occupies the top portion of the background. The overall background is out of focus. The color grading in the image employs a warm and vibrant palette that evokes a sunny day at the beach. The blues of the sky are rich and saturated. These warm hues dominate the midtones and highlights, while the shadows lean towards cooler tones. The overall effect is bright, lively, and summery, creating a cheerful and inviting atmosphere.
dystopian style Close-up half body shot (from a drone flying High Angle from the right above the subject:1.5) of a 24-year-old woman with long black messy hair standing in a dystopian desert, looking directly into the camera of the drone. Her hands in fingerless gloves with metal knuckles, clenched into fists, she stands tensly in a defencive position. Thin, fit and muscular physique like someone who fights daily for survival, she stands dressed in a sleeveless orange/reddish top which displays her flat toned belly, visible abs. A kufiya wrapped around her neck, worn utility pants and worn brown leather boots Armed for survival with a utility belt with pouches containing survival tools, Several throwing knives visible in ankle sheaths. Her arms are covered with tattos an in one shoulder a huge bloody scar. far in the Background a post-apocalyptic deserted urban environment. Her alert posture and scanning gaze suggest constant vigilance, muscles tensed ready for action. Harsh lighting creating shadows that accentuate her muscular definition, desaturated color palette with occasional rust tones, cinematic composition, hyperrealistic details, 8k quality . bleak, post-apocalyptic, somber, dramatic, highly detailed
bionical woman[detailed girl face, expressive striking bright colorful, symmetry, fine detail, great composition, cinematic atmosphere, dynamic dramatic perfect detailed, intricate, elegant, professional, extremely inspirational, color winning, stunning, beautiful, cute, creative, awesome, confident, surreal, iconic, best, real, very determined, epic, coherent, artistic, full, nice, pretty, attractive astonish],half mechanical leg, red left eye, blue right eye, cinematic scene, background atomic bomb far away,
An ultra-realistic, cinematic smartphone-style selfie photograph, captured at night near the New York oceanfront boardwalk, with a natural front-camera perspective. A dark sky-black skinned girl is standing at the corner edge of a wooden boardwalk, right beside the ocean. Pose & framing: She is standing still, facing forward, slightly angled toward the camera, as if she herself took the photo. The frame feels like a real selfie — casual, imperfect, slightly off-center — no mirror, no staged pose. Environment: Behind her, the dark ocean is clearly visible, gentle waves reflecting faint city glow. The wooden boardwalk railing and planks are visible, confirming the seaside location. Distant, soft New York coastal lights far in the background — subtle, not bright. Lighting: Deep night darkness everywhere, but a single soft artificial light source (street lamp / boardwalk light) falls only on her, creating dramatic contrast. The background remains dark, moody, cinematic. Skin & realism: Skin appears extremely deep sky-black, light-absorbing, with real human texture, no shine, no gray tone. Ultra-real shadows sculpt the face naturally. Face & expression: Face is naturally very beautiful, calm and confident. Neutral expression, relaxed lips, strong jawline, perfectly balanced facial proportions. Eyes: Large, expressive eyes with a soft blue tone, catching tiny reflections from nearby lights and phone screen glow. Hair: Long, silky jet-black hair flowing naturally, slightly moving with ocean breeze — realistic motion strands. Outfit & accessories: Wearing a luxury outfit suitable for night — premium fabric, elegant fit. A high-end luxury necklace around her neck, subtle shine catching the light. A designer handbag held naturally in one hand — relaxed grip, realistic posture. Camera behavior: Shot as if taken on a real iPhone front camera, handheld feel without showing the phone. Slight natural noise, mild grain, realistic night-mode processing. Quality & mood: Ultra-realistic photography, cinematic night mood, editorial fashion realism. Looks like a real person at a real New York ocean boardwalk, not staged, not AI-looking. Aspect ratio: 9:16 vertical, full-height social-media style selfie.
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert ,sitting on bench, heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
liquid lifeguard perfect girl, perfect symmetric face, big kind eyes , looking down, (dynamic pose), in a beach desert , sitting on a beach towel, heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering)
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
: (A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape
dystopian style Close-up half body shot (from a drone flying High Angle from the right above the subject:1.5) of a 24-year-old woman with long black messy hair standing in a dystopian desert, looking directly into the camera of the drone. Her hands in fingerless gloves with metal knuckles, clenched into fists, she stands tensly in a defencive position. Thin, fit and muscular physique like someone who fights daily for survival, she stands dressed in a sleeveless orange/reddish top which displays her flat toned belly, visible abs. A kufiya wrapped around her neck, worn utility pants and worn brown leather boots Armed for survival with a utility belt with pouches containing survival tools, Several throwing knives visible in ankle sheaths. Her arms are covered with tattos an in one shoulder a huge bloody scar. far in the Background a post-apocalyptic deserted urban environment. Her alert posture and scanning gaze suggest constant vigilance, muscles tensed ready for action. Harsh lighting creating shadows that accentuate her muscular definition, desaturated color palette with occasional rust tones, cinematic composition, hyperrealistic details, 8k quality . bleak, post-apocalyptic, somber, dramatic, highly detailed
An ultra-realistic, cinematic smartphone-style selfie photograph, captured at night near the New York oceanfront boardwalk, with a natural front-camera perspective. A dark sky-black skinned girl is standing at the corner edge of a wooden boardwalk, right beside the ocean. Pose & framing: She is standing still, facing forward, slightly angled toward the camera, as if she herself took the photo. The frame feels like a real selfie — casual, imperfect, slightly off-center — no mirror, no staged pose. Environment: Behind her, the dark ocean is clearly visible, gentle waves reflecting faint city glow. The wooden boardwalk railing and planks are visible, confirming the seaside location. Distant, soft New York coastal lights far in the background — subtle, not bright. Lighting: Deep night darkness everywhere, but a single soft artificial light source (street lamp / boardwalk light) falls only on her, creating dramatic contrast. The background remains dark, moody, cinematic. Skin & realism: Skin appears extremely deep sky-black, light-absorbing, with real human texture, no shine, no gray tone. Ultra-real shadows sculpt the face naturally. Face & expression: Face is naturally very beautiful, calm and confident. Neutral expression, relaxed lips, strong jawline, perfectly balanced facial proportions. Eyes: Large, expressive eyes with a soft blue tone, catching tiny reflections from nearby lights and phone screen glow. Hair: Long, silky jet-black hair flowing naturally, slightly moving with ocean breeze — realistic motion strands. Outfit & accessories: Wearing a luxury outfit suitable for night — premium fabric, elegant fit. A high-end luxury necklace around her neck, subtle shine catching the light. A designer handbag held naturally in one hand — relaxed grip, realistic posture. Camera behavior: Shot as if taken on a real iPhone front camera, handheld feel without showing the phone. Slight natural noise, mild grain, realistic night-mode processing. Quality & mood: Ultra-realistic photography, cinematic night mood, editorial fashion realism. Looks like a real person at a real New York ocean boardwalk, not staged, not AI-looking. Aspect ratio: 9:16 vertical, full-height social-media style selfie.
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: white uniform) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert , heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1> <lora:concept_indexfingerstogether-10:1>
A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.
A fixed-camera shot (camera does not move), positioned low to the ground in the center of an abandoned field overgrown with wild vegetation, captured during sunset. Foreground: Sharp focus on characteristic plants and tall grasses of an abandoned field, some still green, others dry, gently swaying in the wind. Background: Extremely blurred, far away in the distance, a long table surrounded by a large group of stylish, beautiful people. They are sharing food, talking, laughing, and enjoying themselves in a warm, social atmosphere. Some guests serve food, while others hold wine glasses. Someone is pouring wine from a bottle into another’s glass. Style: Shallow depth of field, strong cinematic look, warm tones from the sunset, with the foreground in sharp focus and the background kept very far away and soft.
A highly detailed, photorealistic, cinematic vertical medium-full shot of a stunning young East Asian woman posing in a dimly lit home office at night. Shot Angle & Pose: The image is framed vertically, capturing her from the knees up. She is sitting perched on the edge of a wooden computer desk. Her legs are crossed elegantly at the knee, angling towards the camera. Her posture is upright and alluring. Her left hand is raised, with her index finger gently touching her lower lip in a pensive, seductive gesture. Her right hand rests firmly on her thigh. Expression: She gazes directly into the camera with a sultry, intense, and focused look. Her lips are painted a soft rose color and are slightly parted. Subject Appearance: She has a fair, flawless complexion rendered with hyper-realistic skin texture, capturing the warm glow of the lamp and natural skin sheen. She has chestnut-brown hair styled in a high, voluminous messy bun, with loose wisps of hair framing her face and backlit by the lamp. Attire: She is wearing a sophisticated and risqu� office-inspired outfit: Top: A sheer, translucent black button-down shirt made of chiffon or mesh. Underneath, a grey lace bralette or camisole is clearly visible. Bottoms: A very short, tight grey mini pencil skirt. The skirt sits low on her hips, revealing the waistband of black lace panties or a garter belt detail underneath. Legwear: Sheer black thigh-high stockings with intricate lace tops, attached to suspender straps visible on her thigh. Footwear: Black stiletto heels (partially visible). Setting & Lighting: The setting is a modern workspace at night. To her left, a warm desk lamp is turned on, casting a strong, golden glow on her arm, face, and the sheer fabric of her shirt. Behind her is a large computer monitor displaying abstract blue and cyan neon graphics, providing a cool contrast light. In the far background, a window reveals blurred city lights (bokeh) in the distance. The lighting is moody and atmospheric, blending warm practical light with cool screen glow. 8k resolution, raw photo aesthetic.
Fearless sailors on a maritime rescue mission in a lengthy white rowing lifeboat. They are wearing waterproof clothing. They are rowing hard to reach a wrecked sailing ship visible in the far background. Heavy seas, eerie, moonless night, storm, fog, full body, dramatic oil painting in the style of Andreas Achenbach and William Turner
The image is a sunny beach. The sand occupies the bottom and middle sections of the background, appearing light brown and slightly blurred. In the far background, there are some indistinct structures that appear to be beach facilities, and beyond that, a hazy body of water or horizon can be faintly seen. The sky, a bright blue, occupies the top portion of the background. The overall background is out of focus. The color grading in the image employs a warm and vibrant palette that evokes a sunny day at the beach. The blues of the sky are rich and saturated. These warm hues dominate the midtones and highlights, while the shadows lean towards cooler tones. The overall effect is bright, lively, and summery, creating a cheerful and inviting atmosphere.
bionical woman[detailed girl face, expressive striking bright colorful, symmetry, fine detail, great composition, cinematic atmosphere, dynamic dramatic perfect detailed, intricate, elegant, professional, extremely inspirational, color winning, stunning, beautiful, cute, creative, awesome, confident, surreal, iconic, best, real, very determined, epic, coherent, artistic, full, nice, pretty, attractive astonish],half mechanical leg, red left eye, blue right eye, cinematic scene, background atomic bomb far away,
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert , heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1> <lora:concept_indexfingerstogether-10:1>
A highly detailed, photorealistic, cinematic vertical medium-full shot of a stunning young East Asian woman posing in a dimly lit home office at night. Shot Angle & Pose: The image is framed vertically, capturing her from the knees up. She is sitting perched on the edge of a wooden computer desk. Her legs are crossed elegantly at the knee, angling towards the camera. Her posture is upright and alluring. Her left hand is raised, with her index finger gently touching her lower lip in a pensive, seductive gesture. Her right hand rests firmly on her thigh. Expression: She gazes directly into the camera with a sultry, intense, and focused look. Her lips are painted a soft rose color and are slightly parted. Subject Appearance: She has a fair, flawless complexion rendered with hyper-realistic skin texture, capturing the warm glow of the lamp and natural skin sheen. She has chestnut-brown hair styled in a high, voluminous messy bun, with loose wisps of hair framing her face and backlit by the lamp. Attire: She is wearing a sophisticated and risqu� office-inspired outfit: Top: A sheer, translucent black button-down shirt made of chiffon or mesh. Underneath, a grey lace bralette or camisole is clearly visible. Bottoms: A very short, tight grey mini pencil skirt. The skirt sits low on her hips, revealing the waistband of black lace panties or a garter belt detail underneath. Legwear: Sheer black thigh-high stockings with intricate lace tops, attached to suspender straps visible on her thigh. Footwear: Black stiletto heels (partially visible). Setting & Lighting: The setting is a modern workspace at night. To her left, a warm desk lamp is turned on, casting a strong, golden glow on her arm, face, and the sheer fabric of her shirt. Behind her is a large computer monitor displaying abstract blue and cyan neon graphics, providing a cool contrast light. In the far background, a window reveals blurred city lights (bokeh) in the distance. The lighting is moody and atmospheric, blending warm practical light with cool screen glow. 8k resolution, raw photo aesthetic.
bionical woman[detailed girl face, expressive striking bright colorful, symmetry, fine detail, great composition, cinematic atmosphere, dynamic dramatic perfect detailed, intricate, elegant, professional, extremely inspirational, color winning, stunning, beautiful, cute, creative, awesome, confident, surreal, iconic, best, real, very determined, epic, coherent, artistic, full, nice, pretty, attractive astonish],half mechanical leg, red left eye, blue right eye, cinematic scene, background atomic bomb far away,
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: white uniform) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert ,sitting on bench, heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
A fixed-camera shot (camera does not move), positioned low to the ground in the center of an abandoned field overgrown with wild vegetation, captured during sunset. Foreground: Sharp focus on characteristic plants and tall grasses of an abandoned field, some still green, others dry, gently swaying in the wind. Background: Extremely blurred, far away in the distance, a long table surrounded by a large group of stylish, beautiful people. They are sharing food, talking, laughing, and enjoying themselves in a warm, social atmosphere. Some guests serve food, while others hold wine glasses. Someone is pouring wine from a bottle into another’s glass. Style: Shallow depth of field, strong cinematic look, warm tones from the sunset, with the foreground in sharp focus and the background kept very far away and soft.
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
Fearless sailors on a maritime rescue mission in a lengthy white rowing lifeboat. They are wearing waterproof clothing. They are rowing hard to reach a wrecked sailing ship visible in the far background. Heavy seas, eerie, moonless night, storm, fog, full body, dramatic oil painting in the style of Andreas Achenbach and William Turner
The image is a sunny beach. The sand occupies the bottom and middle sections of the background, appearing light brown and slightly blurred. In the far background, there are some indistinct structures that appear to be beach facilities, and beyond that, a hazy body of water or horizon can be faintly seen. The sky, a bright blue, occupies the top portion of the background. The overall background is out of focus. The color grading in the image employs a warm and vibrant palette that evokes a sunny day at the beach. The blues of the sky are rich and saturated. These warm hues dominate the midtones and highlights, while the shadows lean towards cooler tones. The overall effect is bright, lively, and summery, creating a cheerful and inviting atmosphere.
An ultra-realistic, cinematic smartphone-style selfie photograph, captured at night near the New York oceanfront boardwalk, with a natural front-camera perspective. A dark sky-black skinned girl is standing at the corner edge of a wooden boardwalk, right beside the ocean. Pose & framing: She is standing still, facing forward, slightly angled toward the camera, as if she herself took the photo. The frame feels like a real selfie — casual, imperfect, slightly off-center — no mirror, no staged pose. Environment: Behind her, the dark ocean is clearly visible, gentle waves reflecting faint city glow. The wooden boardwalk railing and planks are visible, confirming the seaside location. Distant, soft New York coastal lights far in the background — subtle, not bright. Lighting: Deep night darkness everywhere, but a single soft artificial light source (street lamp / boardwalk light) falls only on her, creating dramatic contrast. The background remains dark, moody, cinematic. Skin & realism: Skin appears extremely deep sky-black, light-absorbing, with real human texture, no shine, no gray tone. Ultra-real shadows sculpt the face naturally. Face & expression: Face is naturally very beautiful, calm and confident. Neutral expression, relaxed lips, strong jawline, perfectly balanced facial proportions. Eyes: Large, expressive eyes with a soft blue tone, catching tiny reflections from nearby lights and phone screen glow. Hair: Long, silky jet-black hair flowing naturally, slightly moving with ocean breeze — realistic motion strands. Outfit & accessories: Wearing a luxury outfit suitable for night — premium fabric, elegant fit. A high-end luxury necklace around her neck, subtle shine catching the light. A designer handbag held naturally in one hand — relaxed grip, realistic posture. Camera behavior: Shot as if taken on a real iPhone front camera, handheld feel without showing the phone. Slight natural noise, mild grain, realistic night-mode processing. Quality & mood: Ultra-realistic photography, cinematic night mood, editorial fashion realism. Looks like a real person at a real New York ocean boardwalk, not staged, not AI-looking. Aspect ratio: 9:16 vertical, full-height social-media style selfie.
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.
liquid lifeguard perfect girl, perfect symmetric face, big kind eyes , looking down, (dynamic pose), in a beach desert , sitting on a beach towel, heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering)
: (A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape
dystopian style Close-up half body shot (from a drone flying High Angle from the right above the subject:1.5) of a 24-year-old woman with long black messy hair standing in a dystopian desert, looking directly into the camera of the drone. Her hands in fingerless gloves with metal knuckles, clenched into fists, she stands tensly in a defencive position. Thin, fit and muscular physique like someone who fights daily for survival, she stands dressed in a sleeveless orange/reddish top which displays her flat toned belly, visible abs. A kufiya wrapped around her neck, worn utility pants and worn brown leather boots Armed for survival with a utility belt with pouches containing survival tools, Several throwing knives visible in ankle sheaths. Her arms are covered with tattos an in one shoulder a huge bloody scar. far in the Background a post-apocalyptic deserted urban environment. Her alert posture and scanning gaze suggest constant vigilance, muscles tensed ready for action. Harsh lighting creating shadows that accentuate her muscular definition, desaturated color palette with occasional rust tones, cinematic composition, hyperrealistic details, 8k quality . bleak, post-apocalyptic, somber, dramatic, highly detailed
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
A fixed-camera shot (camera does not move), positioned low to the ground in the center of an abandoned field overgrown with wild vegetation, captured during sunset. Foreground: Sharp focus on characteristic plants and tall grasses of an abandoned field, some still green, others dry, gently swaying in the wind. Background: Extremely blurred, far away in the distance, a long table surrounded by a large group of stylish, beautiful people. They are sharing food, talking, laughing, and enjoying themselves in a warm, social atmosphere. Some guests serve food, while others hold wine glasses. Someone is pouring wine from a bottle into another’s glass. Style: Shallow depth of field, strong cinematic look, warm tones from the sunset, with the foreground in sharp focus and the background kept very far away and soft.
A highly detailed, photorealistic, cinematic vertical medium-full shot of a stunning young East Asian woman posing in a dimly lit home office at night. Shot Angle & Pose: The image is framed vertically, capturing her from the knees up. She is sitting perched on the edge of a wooden computer desk. Her legs are crossed elegantly at the knee, angling towards the camera. Her posture is upright and alluring. Her left hand is raised, with her index finger gently touching her lower lip in a pensive, seductive gesture. Her right hand rests firmly on her thigh. Expression: She gazes directly into the camera with a sultry, intense, and focused look. Her lips are painted a soft rose color and are slightly parted. Subject Appearance: She has a fair, flawless complexion rendered with hyper-realistic skin texture, capturing the warm glow of the lamp and natural skin sheen. She has chestnut-brown hair styled in a high, voluminous messy bun, with loose wisps of hair framing her face and backlit by the lamp. Attire: She is wearing a sophisticated and risqu� office-inspired outfit: Top: A sheer, translucent black button-down shirt made of chiffon or mesh. Underneath, a grey lace bralette or camisole is clearly visible. Bottoms: A very short, tight grey mini pencil skirt. The skirt sits low on her hips, revealing the waistband of black lace panties or a garter belt detail underneath. Legwear: Sheer black thigh-high stockings with intricate lace tops, attached to suspender straps visible on her thigh. Footwear: Black stiletto heels (partially visible). Setting & Lighting: The setting is a modern workspace at night. To her left, a warm desk lamp is turned on, casting a strong, golden glow on her arm, face, and the sheer fabric of her shirt. Behind her is a large computer monitor displaying abstract blue and cyan neon graphics, providing a cool contrast light. In the far background, a window reveals blurred city lights (bokeh) in the distance. The lighting is moody and atmospheric, blending warm practical light with cool screen glow. 8k resolution, raw photo aesthetic.
The image is a sunny beach. The sand occupies the bottom and middle sections of the background, appearing light brown and slightly blurred. In the far background, there are some indistinct structures that appear to be beach facilities, and beyond that, a hazy body of water or horizon can be faintly seen. The sky, a bright blue, occupies the top portion of the background. The overall background is out of focus. The color grading in the image employs a warm and vibrant palette that evokes a sunny day at the beach. The blues of the sky are rich and saturated. These warm hues dominate the midtones and highlights, while the shadows lean towards cooler tones. The overall effect is bright, lively, and summery, creating a cheerful and inviting atmosphere.
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: white uniform) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert , heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1> <lora:concept_indexfingerstogether-10:1>
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
Fearless sailors on a maritime rescue mission in a lengthy white rowing lifeboat. They are wearing waterproof clothing. They are rowing hard to reach a wrecked sailing ship visible in the far background. Heavy seas, eerie, moonless night, storm, fog, full body, dramatic oil painting in the style of Andreas Achenbach and William Turner
dystopian style Close-up half body shot (from a drone flying High Angle from the right above the subject:1.5) of a 24-year-old woman with long black messy hair standing in a dystopian desert, looking directly into the camera of the drone. Her hands in fingerless gloves with metal knuckles, clenched into fists, she stands tensly in a defencive position. Thin, fit and muscular physique like someone who fights daily for survival, she stands dressed in a sleeveless orange/reddish top which displays her flat toned belly, visible abs. A kufiya wrapped around her neck, worn utility pants and worn brown leather boots Armed for survival with a utility belt with pouches containing survival tools, Several throwing knives visible in ankle sheaths. Her arms are covered with tattos an in one shoulder a huge bloody scar. far in the Background a post-apocalyptic deserted urban environment. Her alert posture and scanning gaze suggest constant vigilance, muscles tensed ready for action. Harsh lighting creating shadows that accentuate her muscular definition, desaturated color palette with occasional rust tones, cinematic composition, hyperrealistic details, 8k quality . bleak, post-apocalyptic, somber, dramatic, highly detailed
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert ,sitting on bench, heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
liquid lifeguard perfect girl, perfect symmetric face, big kind eyes , looking down, (dynamic pose), in a beach desert , sitting on a beach towel, heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering)
bionical woman[detailed girl face, expressive striking bright colorful, symmetry, fine detail, great composition, cinematic atmosphere, dynamic dramatic perfect detailed, intricate, elegant, professional, extremely inspirational, color winning, stunning, beautiful, cute, creative, awesome, confident, surreal, iconic, best, real, very determined, epic, coherent, artistic, full, nice, pretty, attractive astonish],half mechanical leg, red left eye, blue right eye, cinematic scene, background atomic bomb far away,
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.
: (A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape
An ultra-realistic, cinematic smartphone-style selfie photograph, captured at night near the New York oceanfront boardwalk, with a natural front-camera perspective. A dark sky-black skinned girl is standing at the corner edge of a wooden boardwalk, right beside the ocean. Pose & framing: She is standing still, facing forward, slightly angled toward the camera, as if she herself took the photo. The frame feels like a real selfie — casual, imperfect, slightly off-center — no mirror, no staged pose. Environment: Behind her, the dark ocean is clearly visible, gentle waves reflecting faint city glow. The wooden boardwalk railing and planks are visible, confirming the seaside location. Distant, soft New York coastal lights far in the background — subtle, not bright. Lighting: Deep night darkness everywhere, but a single soft artificial light source (street lamp / boardwalk light) falls only on her, creating dramatic contrast. The background remains dark, moody, cinematic. Skin & realism: Skin appears extremely deep sky-black, light-absorbing, with real human texture, no shine, no gray tone. Ultra-real shadows sculpt the face naturally. Face & expression: Face is naturally very beautiful, calm and confident. Neutral expression, relaxed lips, strong jawline, perfectly balanced facial proportions. Eyes: Large, expressive eyes with a soft blue tone, catching tiny reflections from nearby lights and phone screen glow. Hair: Long, silky jet-black hair flowing naturally, slightly moving with ocean breeze — realistic motion strands. Outfit & accessories: Wearing a luxury outfit suitable for night — premium fabric, elegant fit. A high-end luxury necklace around her neck, subtle shine catching the light. A designer handbag held naturally in one hand — relaxed grip, realistic posture. Camera behavior: Shot as if taken on a real iPhone front camera, handheld feel without showing the phone. Slight natural noise, mild grain, realistic night-mode processing. Quality & mood: Ultra-realistic photography, cinematic night mood, editorial fashion realism. Looks like a real person at a real New York ocean boardwalk, not staged, not AI-looking. Aspect ratio: 9:16 vertical, full-height social-media style selfie.
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert ,sitting on bench, heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: white uniform) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.
liquid lifeguard perfect girl, perfect symmetric face, big kind eyes , looking down, (dynamic pose), in a beach desert , sitting on a beach towel, heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering)
The image is a sunny beach. The sand occupies the bottom and middle sections of the background, appearing light brown and slightly blurred. In the far background, there are some indistinct structures that appear to be beach facilities, and beyond that, a hazy body of water or horizon can be faintly seen. The sky, a bright blue, occupies the top portion of the background. The overall background is out of focus. The color grading in the image employs a warm and vibrant palette that evokes a sunny day at the beach. The blues of the sky are rich and saturated. These warm hues dominate the midtones and highlights, while the shadows lean towards cooler tones. The overall effect is bright, lively, and summery, creating a cheerful and inviting atmosphere.
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
A fixed-camera shot (camera does not move), positioned low to the ground in the center of an abandoned field overgrown with wild vegetation, captured during sunset. Foreground: Sharp focus on characteristic plants and tall grasses of an abandoned field, some still green, others dry, gently swaying in the wind. Background: Extremely blurred, far away in the distance, a long table surrounded by a large group of stylish, beautiful people. They are sharing food, talking, laughing, and enjoying themselves in a warm, social atmosphere. Some guests serve food, while others hold wine glasses. Someone is pouring wine from a bottle into another’s glass. Style: Shallow depth of field, strong cinematic look, warm tones from the sunset, with the foreground in sharp focus and the background kept very far away and soft.
: (A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape
bionical woman[detailed girl face, expressive striking bright colorful, symmetry, fine detail, great composition, cinematic atmosphere, dynamic dramatic perfect detailed, intricate, elegant, professional, extremely inspirational, color winning, stunning, beautiful, cute, creative, awesome, confident, surreal, iconic, best, real, very determined, epic, coherent, artistic, full, nice, pretty, attractive astonish],half mechanical leg, red left eye, blue right eye, cinematic scene, background atomic bomb far away,
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
Fearless sailors on a maritime rescue mission in a lengthy white rowing lifeboat. They are wearing waterproof clothing. They are rowing hard to reach a wrecked sailing ship visible in the far background. Heavy seas, eerie, moonless night, storm, fog, full body, dramatic oil painting in the style of Andreas Achenbach and William Turner
An ultra-realistic, cinematic smartphone-style selfie photograph, captured at night near the New York oceanfront boardwalk, with a natural front-camera perspective. A dark sky-black skinned girl is standing at the corner edge of a wooden boardwalk, right beside the ocean. Pose & framing: She is standing still, facing forward, slightly angled toward the camera, as if she herself took the photo. The frame feels like a real selfie — casual, imperfect, slightly off-center — no mirror, no staged pose. Environment: Behind her, the dark ocean is clearly visible, gentle waves reflecting faint city glow. The wooden boardwalk railing and planks are visible, confirming the seaside location. Distant, soft New York coastal lights far in the background — subtle, not bright. Lighting: Deep night darkness everywhere, but a single soft artificial light source (street lamp / boardwalk light) falls only on her, creating dramatic contrast. The background remains dark, moody, cinematic. Skin & realism: Skin appears extremely deep sky-black, light-absorbing, with real human texture, no shine, no gray tone. Ultra-real shadows sculpt the face naturally. Face & expression: Face is naturally very beautiful, calm and confident. Neutral expression, relaxed lips, strong jawline, perfectly balanced facial proportions. Eyes: Large, expressive eyes with a soft blue tone, catching tiny reflections from nearby lights and phone screen glow. Hair: Long, silky jet-black hair flowing naturally, slightly moving with ocean breeze — realistic motion strands. Outfit & accessories: Wearing a luxury outfit suitable for night — premium fabric, elegant fit. A high-end luxury necklace around her neck, subtle shine catching the light. A designer handbag held naturally in one hand — relaxed grip, realistic posture. Camera behavior: Shot as if taken on a real iPhone front camera, handheld feel without showing the phone. Slight natural noise, mild grain, realistic night-mode processing. Quality & mood: Ultra-realistic photography, cinematic night mood, editorial fashion realism. Looks like a real person at a real New York ocean boardwalk, not staged, not AI-looking. Aspect ratio: 9:16 vertical, full-height social-media style selfie.
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert , heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1> <lora:concept_indexfingerstogether-10:1>
A highly detailed, photorealistic, cinematic vertical medium-full shot of a stunning young East Asian woman posing in a dimly lit home office at night. Shot Angle & Pose: The image is framed vertically, capturing her from the knees up. She is sitting perched on the edge of a wooden computer desk. Her legs are crossed elegantly at the knee, angling towards the camera. Her posture is upright and alluring. Her left hand is raised, with her index finger gently touching her lower lip in a pensive, seductive gesture. Her right hand rests firmly on her thigh. Expression: She gazes directly into the camera with a sultry, intense, and focused look. Her lips are painted a soft rose color and are slightly parted. Subject Appearance: She has a fair, flawless complexion rendered with hyper-realistic skin texture, capturing the warm glow of the lamp and natural skin sheen. She has chestnut-brown hair styled in a high, voluminous messy bun, with loose wisps of hair framing her face and backlit by the lamp. Attire: She is wearing a sophisticated and risqu� office-inspired outfit: Top: A sheer, translucent black button-down shirt made of chiffon or mesh. Underneath, a grey lace bralette or camisole is clearly visible. Bottoms: A very short, tight grey mini pencil skirt. The skirt sits low on her hips, revealing the waistband of black lace panties or a garter belt detail underneath. Legwear: Sheer black thigh-high stockings with intricate lace tops, attached to suspender straps visible on her thigh. Footwear: Black stiletto heels (partially visible). Setting & Lighting: The setting is a modern workspace at night. To her left, a warm desk lamp is turned on, casting a strong, golden glow on her arm, face, and the sheer fabric of her shirt. Behind her is a large computer monitor displaying abstract blue and cyan neon graphics, providing a cool contrast light. In the far background, a window reveals blurred city lights (bokeh) in the distance. The lighting is moody and atmospheric, blending warm practical light with cool screen glow. 8k resolution, raw photo aesthetic.
dystopian style Close-up half body shot (from a drone flying High Angle from the right above the subject:1.5) of a 24-year-old woman with long black messy hair standing in a dystopian desert, looking directly into the camera of the drone. Her hands in fingerless gloves with metal knuckles, clenched into fists, she stands tensly in a defencive position. Thin, fit and muscular physique like someone who fights daily for survival, she stands dressed in a sleeveless orange/reddish top which displays her flat toned belly, visible abs. A kufiya wrapped around her neck, worn utility pants and worn brown leather boots Armed for survival with a utility belt with pouches containing survival tools, Several throwing knives visible in ankle sheaths. Her arms are covered with tattos an in one shoulder a huge bloody scar. far in the Background a post-apocalyptic deserted urban environment. Her alert posture and scanning gaze suggest constant vigilance, muscles tensed ready for action. Harsh lighting creating shadows that accentuate her muscular definition, desaturated color palette with occasional rust tones, cinematic composition, hyperrealistic details, 8k quality . bleak, post-apocalyptic, somber, dramatic, highly detailed
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
dystopian style Close-up half body shot (from a drone flying High Angle from the right above the subject:1.5) of a 24-year-old woman with long black messy hair standing in a dystopian desert, looking directly into the camera of the drone. Her hands in fingerless gloves with metal knuckles, clenched into fists, she stands tensly in a defencive position. Thin, fit and muscular physique like someone who fights daily for survival, she stands dressed in a sleeveless orange/reddish top which displays her flat toned belly, visible abs. A kufiya wrapped around her neck, worn utility pants and worn brown leather boots Armed for survival with a utility belt with pouches containing survival tools, Several throwing knives visible in ankle sheaths. Her arms are covered with tattos an in one shoulder a huge bloody scar. far in the Background a post-apocalyptic deserted urban environment. Her alert posture and scanning gaze suggest constant vigilance, muscles tensed ready for action. Harsh lighting creating shadows that accentuate her muscular definition, desaturated color palette with occasional rust tones, cinematic composition, hyperrealistic details, 8k quality . bleak, post-apocalyptic, somber, dramatic, highly detailed
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: white uniform) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
liquid lifeguard perfect girl, perfect symmetric face, big kind eyes , looking down, (dynamic pose), in a beach desert , sitting on a beach towel, heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering)
The image is a sunny beach. The sand occupies the bottom and middle sections of the background, appearing light brown and slightly blurred. In the far background, there are some indistinct structures that appear to be beach facilities, and beyond that, a hazy body of water or horizon can be faintly seen. The sky, a bright blue, occupies the top portion of the background. The overall background is out of focus. The color grading in the image employs a warm and vibrant palette that evokes a sunny day at the beach. The blues of the sky are rich and saturated. These warm hues dominate the midtones and highlights, while the shadows lean towards cooler tones. The overall effect is bright, lively, and summery, creating a cheerful and inviting atmosphere.
(perfect gorgeous young woman)(blush soft beautiful face),(small cute nose), (swimming),(outfit: full body uniform life guard) ,in water,(swim pose ,laying in water) heat radiate, neon sea distant, wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far away view shot, full body shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
A highly detailed, photorealistic, cinematic vertical medium-full shot of a stunning young East Asian woman posing in a dimly lit home office at night. Shot Angle & Pose: The image is framed vertically, capturing her from the knees up. She is sitting perched on the edge of a wooden computer desk. Her legs are crossed elegantly at the knee, angling towards the camera. Her posture is upright and alluring. Her left hand is raised, with her index finger gently touching her lower lip in a pensive, seductive gesture. Her right hand rests firmly on her thigh. Expression: She gazes directly into the camera with a sultry, intense, and focused look. Her lips are painted a soft rose color and are slightly parted. Subject Appearance: She has a fair, flawless complexion rendered with hyper-realistic skin texture, capturing the warm glow of the lamp and natural skin sheen. She has chestnut-brown hair styled in a high, voluminous messy bun, with loose wisps of hair framing her face and backlit by the lamp. Attire: She is wearing a sophisticated and risqu� office-inspired outfit: Top: A sheer, translucent black button-down shirt made of chiffon or mesh. Underneath, a grey lace bralette or camisole is clearly visible. Bottoms: A very short, tight grey mini pencil skirt. The skirt sits low on her hips, revealing the waistband of black lace panties or a garter belt detail underneath. Legwear: Sheer black thigh-high stockings with intricate lace tops, attached to suspender straps visible on her thigh. Footwear: Black stiletto heels (partially visible). Setting & Lighting: The setting is a modern workspace at night. To her left, a warm desk lamp is turned on, casting a strong, golden glow on her arm, face, and the sheer fabric of her shirt. Behind her is a large computer monitor displaying abstract blue and cyan neon graphics, providing a cool contrast light. In the far background, a window reveals blurred city lights (bokeh) in the distance. The lighting is moody and atmospheric, blending warm practical light with cool screen glow. 8k resolution, raw photo aesthetic.
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert , heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1> <lora:concept_indexfingerstogether-10:1>
Fearless sailors on a maritime rescue mission in a lengthy white rowing lifeboat. They are wearing waterproof clothing. They are rowing hard to reach a wrecked sailing ship visible in the far background. Heavy seas, eerie, moonless night, storm, fog, full body, dramatic oil painting in the style of Andreas Achenbach and William Turner
bionical woman[detailed girl face, expressive striking bright colorful, symmetry, fine detail, great composition, cinematic atmosphere, dynamic dramatic perfect detailed, intricate, elegant, professional, extremely inspirational, color winning, stunning, beautiful, cute, creative, awesome, confident, surreal, iconic, best, real, very determined, epic, coherent, artistic, full, nice, pretty, attractive astonish],half mechanical leg, red left eye, blue right eye, cinematic scene, background atomic bomb far away,
lifeguard perfect girl, perfect symmetric face, big kind eyes ,looking down, (dynamic pose), in a beach desert ,sitting on bench, heat radiate, neon sea distant,wide angle from a far away angle, cinematics 4k, 8k, beach and sand background bright , Far view shot, flushing and fantasy, very beautiful and elegant, highly detailed, digital painting, ultra highres, (realistic, photo-realistic:1), 8k, raw photo, hyperrealism, photography, (photon mapping, physically-based rendering), <lora:add_detail:1> <lora:add_sharpness:1>
HIGH DEFINITION REALISTIC RENDER of the Golden Stool of the Asante. Use the attached cutout image as the exact reference for the Stool's form, proportions, and detail. Use the attached wide shot as the exact reference for the environmental context, lighting, and background atmosphere. THE STOOL — EXACT RECREATION AT HIGH DEFINITION: The Stool is a traditional Asante wooden stool completely covered in hammered gold sheet — every surface, every curve, every structural element sheathed in gold. The seat is slightly curved and elevated on a central column rising from a wide base plank. The base plank is broad and heavy, sitting on the carved hardwood plinth. Small Asante gold figures, bells, and trophy ornaments are attached along the base and at the column. The gold surface is not polished mirror gold — it is ancient hammered gold, slightly textured, catching light in facets rather than reflections, warm deep amber-gold in shadow and brilliant in direct portal light. THE PLINTH: Carved hardwood, dark wood, visible grain and carving detail at the corners and edges. The plinth elevates the Stool to approximately waist height. The wood is old — three hundred years of ceremony worn into its surface. THE BRAZIERS: Two clay ceremonial braziers flank the Stool left and right, positioned symmetrically. Each brazier has white ceremonial smoke rising in a slow vertical column. The smoke catches the portal light from above — amber-gold at the top of the column where the portal light hits it, cooler blue-grey lower down where it disperses into the indigo atmosphere. The braziers are dark fired clay with Adinkra symbols pressed into their surface. THE BACKGROUND — taken directly from the wide shot: Behind the Stool, the seven stone steps rise toward the portal. The steps are wide at the base, tapering as they ascend, each riser carrying an Adinkra symbol in deep relief. At the top of the steps the portal ring is embedded in the trunk of the giant Sierra Leone cotton tree — the liquid gold rippling event horizon filling the circle, the seven amber-gold chevrons lit around the ring. The cotton tree trunk dominates the upper background, silver-grey bark with gold undertone from the portal light. Aerial hanging roots descend either side of the portal. The canopy of the cotton tree spreads across the upper frame into deep indigo pre-dawn sky. THE LIGHTING — taken directly from the wide shot: The portal above is the primary light source — warm liquid gold light falling downward from the portal ring and catching the top surfaces of the Stool seat, the top of the plinth, and the top of the smoke columns. The brazier flames provide secondary warm amber fill from either side at ground level. The overall atmosphere is deep indigo pre-dawn. The ground is red laterite earth. Oil torches are visible in soft focus in the far background left and right. Fireflies at the treeline perimeter in the far background. THE OKOMFO PRIESTS: In soft focus immediately behind and flanking the Stool plinth — eight figures in pure white ceremonial cloth, standing absolutely still, their white catching the portal light from above. They are background figures, not the subject. They exist to give the Stool scale and sacred context. CAMERA AND RENDER: Medium close-up shot. Camera at approximately chest height looking slightly upward at the Stool so the portal and steps are visible behind it in the upper two thirds of the frame. The Stool occupies the lower centre third of the frame. Extreme depth of field — the Stool in sharp photorealistic focus, the steps and portal in sharp mid-ground focus, the crowd and treeline in soft background focus. Photorealistic render, no painterly texture on the Stool itself — the gold must look like actual ancient hammered gold sheet on wood. 35mm grain in the background atmosphere only. Cinematic 2.39:1 crop. Barry Jenkins lighting reference — selective gold pools in deep indigo shadow. NEGATIVE PROMPT no modern gold, no mirror polish, no chrome, no plastic gold, no cartoon gold, no floating Stool, no white background, no studio backdrop, no grey background, no removed context, no loss of portal in background, no loss of cotton tree, no loss of steps, no loss of smoke columns, no loss of braziers, no warm ambient fill flooding the frame, no daylight, no loss of indigo atmosphere, no Stool touching the ground directly, no Stool without plinth, no plain uncarved plinth, no Stool without attached figures and bells at base KLING / MIDJOURNEY SETTINGS Aspect ratio: 2.39:1 Style: Photorealistic — hyper-detail on Stool surface, cinematic atmosphere on background Depth of field: Sharp foreground Stool, sharp mid-ground steps and portal, soft background crowd Lighting ref: Portal gold from above, brazier amber from ground level, indigo fill Grain: 35mm grain in atmosphere only — not on the Stool surface itself Reference 1: Stool cutout (exact form and proportion) Reference 2: Wide shot (exact environment and lighting)
Generate a picture of a beautiful 21 year old woman in a gym taking a mirror selfie with an iPhone. The picture should look like it was taken by an iPhone camera (a relatively new one), in the vertically oriented direction. Her phone has a pastel blue case with a simple, pleasing pattern. She is holding the phone out to her right side at chest level, with her arm slightly extended away from her body. Her face is entirely visible and unobstructed by the phone. She is looking directly into the mirror reflection, not at the phone screen. The phone is positioned distinctly to the side of her torso. She is visible from the knees upwards. She is a brunette with long wavy hair. Her skin texture shows some freckles and bumps, and a few subtle flaws that don’t detract from her overall appearance, giving her skin a "realness" quality. You can see the rounded mounds standing out under her light grey, low cut bikini top. Don't sexualize the scene, be respectful of body diversity. The fabric of the bikini top should be thin and it fits tight on her body. She pulls one strap of her bikini top to the side, off her shoulder, in a fun and casual non-sexualized way. She has a fun, flirtatious smile. It's very important to emphasize the rounded mounds standing out under her thin sports bra and make a little shadow for them to emphasize them. She is wearing light grey, low-rise yoga shorts that fit below her belly button. In the background, off to the side of the picture, is a very fit young woman in light pink yoga pants and a white tank top (she is also wearing pink beats over ear headphones) who is laying out on a yoga mat. Further in the background, sitting off to the side and fairly far in the background, is a tall, lean yet muscular man in his 30s, who has some facial stubble as if he's a bit overdue for a shave, wearing a black tank top (and also black earbuds), in the middle of doing bicep curl. There is also a stocky man with a beard in his 40s, wearing a pale green t-shirt, on a seat for a weight lifting machine, scrolling on his phone, far in the background. Make sure that none of the characters in the background are overly close to the main subject, they should be very much background - just there to make it clear this is a public space, the focus should not be on these background characters. To be clear, no other character is within 15 feet of the main character of the picture. She has a tiny, subtle freckle on her left knee, and another tiny, subtle one on her midriff, and another tiny, subtle freckle on her right cheek. None of these freckles presents as bumps - they are smooth, small, and tiny little specks. Her skin is slick and shiny, clear evidence that she has had an intense workout. It is very important that her knees are visible in the picture. It is essential that one of her shoulders is devoid of any straps.
A fixed-camera shot (camera does not move), positioned low to the ground in the center of an abandoned field overgrown with wild vegetation, captured during sunset. Foreground: Sharp focus on characteristic plants and tall grasses of an abandoned field, some still green, others dry, gently swaying in the wind. Background: Extremely blurred, far away in the distance, a long table surrounded by a large group of stylish, beautiful people. They are sharing food, talking, laughing, and enjoying themselves in a warm, social atmosphere. Some guests serve food, while others hold wine glasses. Someone is pouring wine from a bottle into another’s glass. Style: Shallow depth of field, strong cinematic look, warm tones from the sunset, with the foreground in sharp focus and the background kept very far away and soft.
: (A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape
An ultra-realistic, cinematic smartphone-style selfie photograph, captured at night near the New York oceanfront boardwalk, with a natural front-camera perspective. A dark sky-black skinned girl is standing at the corner edge of a wooden boardwalk, right beside the ocean. Pose & framing: She is standing still, facing forward, slightly angled toward the camera, as if she herself took the photo. The frame feels like a real selfie — casual, imperfect, slightly off-center — no mirror, no staged pose. Environment: Behind her, the dark ocean is clearly visible, gentle waves reflecting faint city glow. The wooden boardwalk railing and planks are visible, confirming the seaside location. Distant, soft New York coastal lights far in the background — subtle, not bright. Lighting: Deep night darkness everywhere, but a single soft artificial light source (street lamp / boardwalk light) falls only on her, creating dramatic contrast. The background remains dark, moody, cinematic. Skin & realism: Skin appears extremely deep sky-black, light-absorbing, with real human texture, no shine, no gray tone. Ultra-real shadows sculpt the face naturally. Face & expression: Face is naturally very beautiful, calm and confident. Neutral expression, relaxed lips, strong jawline, perfectly balanced facial proportions. Eyes: Large, expressive eyes with a soft blue tone, catching tiny reflections from nearby lights and phone screen glow. Hair: Long, silky jet-black hair flowing naturally, slightly moving with ocean breeze — realistic motion strands. Outfit & accessories: Wearing a luxury outfit suitable for night — premium fabric, elegant fit. A high-end luxury necklace around her neck, subtle shine catching the light. A designer handbag held naturally in one hand — relaxed grip, realistic posture. Camera behavior: Shot as if taken on a real iPhone front camera, handheld feel without showing the phone. Slight natural noise, mild grain, realistic night-mode processing. Quality & mood: Ultra-realistic photography, cinematic night mood, editorial fashion realism. Looks like a real person at a real New York ocean boardwalk, not staged, not AI-looking. Aspect ratio: 9:16 vertical, full-height social-media style selfie.