She is standing in a crowd Prompts

A woman is sitting on middle of streat. Crowds of people very close to her look at her.

A woman in a crowded nightclub walks towards the camera, everyone is blurred around her

A woman is sitting on middle of streat. Crowds of people very close to her look at her. Low-Angle Shot.

crowded place in London, woman stands in the middle, keep the woman's face, body, pose and clothing identical, ensure the lighting is perfectly blended

girl in stadium

a racially diverse crowd of women stand together facing the viewer. it is the 1930's. Our crowd is well behaved however and they face front dispassionately though their eyes are beginning to wander. The background is a dystopian scene of a ruined city though the crowd is well dressed. it has a flair of the work of Edward Hopper or Rene' Magritte.

change the scenario, put her in the crowd with a football team shirt watching a match

════════════════════════════════════ CORRECTION ONE — AKUA ════════════════════════════════════ The figure on the far right of the frame is wrong. Rebuild her as follows. She is nineteen years old. She wears plain undyed unbleached cloth — no gold, no kente, no ceremony costume, no elaborate robes, no jewellery, nothing that catches light. The cloth is the same dark tone as the forest behind her. She is standing at the precise point where the light from the last oil torch dies. From the waist down she is in complete darkness. From the chest up she is in complete darkness. The only light on her body is a single sliver — the very edge of her left cheekbone and the outer corner of her left eye — where the absolute furthest reach of the nearest torch catches her face at a near-horizontal angle. That sliver of warm amber light is the only proof she is there. She is the same physical scale as the crowd figures standing near her. She is not in the foreground. She is not elevated. She is standing at the crowd margin where the crowd ends and the treeline begins, pressed slightly back so the forest shadow falls across her. She is facing the portal. Her body is turned toward the portal ring. Every other figure in the right half of the frame is facing the centre of the clearing or facing the Stool. She is the only one facing the portal directly. She is not dramatic. She is not posed. She is watching with the stillness of someone who has been watching this same ceremony for nine years and has learned to make no movement that would cause anyone to notice her. She should be invisible on first viewing. A viewer watching for the first time should not see her. A viewer watching for the second time should find her and feel the discovery. ════════════════════════════════════ CORRECTION TWO — SEVEN ADINKRA STEPS ════════════════════════════════════ The seven stone steps currently show a repeated decorative motif running down the centre line of the risers. This is wrong. Replace with the following. Each of the seven steps has one Adinkra symbol. Each symbol is different from all the others. No two steps share the same symbol. Each symbol is carved in deep relief — not engraved, not painted, not inlaid. Carved. The carving is deep enough that the torch light catches the upper edge of each carved line and throws a shadow into the recessed groove below it, making the symbol readable from the processional axis at ground level. Each symbol spans the full horizontal width of its step riser — from the left edge of the step to the right edge. The symbol is centred vertically on the riser height. It is large. It is meant to be read. The seven symbols ascend in complexity from bottom to top. The symbol on the lowest step — the first step from the ground — is the simplest geometric form. The symbol on the seventh step — the step immediately below the portal ring — is the most complex, the most dense with line and meaning. These are not decoration. These are seven keys. The portal ring above has seven chevrons. The steps below have seven symbols. The correspondence is exact and intentional and must be visually legible — a viewer who counts the chevrons and then counts the step symbols must arrive at the same number. ════════════════════════════════════ CORRECTION THREE — CROWD DEPTH ════════════════════════════════════ The crowd on both sides of the processional axis needs greater depth. Currently the crowd reads as two or three rows of figures on each side. It should read as eight to ten rows deep — figures extending from the foreground all the way back toward the treeline on both sides, the rear figures in near-complete darkness, only the front rows catching any torch light. The weight of two hundred bodies must be felt. The clearing must feel full. The ceremony must feel attended by an entire community, not a small gathering. ════════════════════════════════════ NEGATIVE PROMPT ════════════════════════════════════ no lit face on the right margin figure, no gold costume on Akua, no elaborate robes on Akua, no kente on Akua, no ceremony dress on Akua, no figure larger than crowd scale at right margin, no repeated single Adinkra motif on steps, no decorative chain pattern on step risers, no identical symbols on any two steps, no steps without full-width carving, no thin crowd, no shallow crowd, no fewer than seven steps, no fewer than seven chevrons, no step count that does not match chevron count, no warm ambient fill light, no daytime atmosphere, no changes to the tree, portal, Stool, smoke columns, or foreground roots

════════════════════════════════════ CORRECTION ONE — AKUA ════════════════════════════════════ The figure on the far right of the frame is wrong. Rebuild her as follows. She is nineteen years old. She wears plain undyed unbleached cloth — no gold, no kente, no ceremony costume, no elaborate robes, no jewellery, nothing that catches light. The cloth is the same dark tone as the forest behind her. She is standing at the precise point where the light from the last oil torch dies. From the waist down she is in complete darkness. From the chest up she is in complete darkness. The only light on her body is a single sliver — the very edge of her left cheekbone and the outer corner of her left eye — where the absolute furthest reach of the nearest torch catches her face at a near-horizontal angle. That sliver of warm amber light is the only proof she is there. She is the same physical scale as the crowd figures standing near her. She is not in the foreground. She is not elevated. She is standing at the crowd margin where the crowd ends and the treeline begins, pressed slightly back so the forest shadow falls across her. She is facing the portal. Her body is turned toward the portal ring. Every other figure in the right half of the frame is facing the centre of the clearing or facing the Stool. She is the only one facing the portal directly. She is not dramatic. She is not posed. She is watching with the stillness of someone who has been watching this same ceremony for nine years and has learned to make no movement that would cause anyone to notice her. She should be invisible on first viewing. A viewer watching for the first time should not see her. A viewer watching for the second time should find her and feel the discovery. ════════════════════════════════════ CORRECTION TWO — SEVEN ADINKRA STEPS ════════════════════════════════════ The seven stone steps currently show a repeated decorative motif running down the centre line of the risers. This is wrong. Replace with the following. Each of the seven steps has one Adinkra symbol. Each symbol is different from all the others. No two steps share the same symbol. Each symbol is carved in deep relief — not engraved, not painted, not inlaid. Carved. The carving is deep enough that the torch light catches the upper edge of each carved line and throws a shadow into the recessed groove below it, making the symbol readable from the processional axis at ground level. Each symbol spans the full horizontal width of its step riser — from the left edge of the step to the right edge. The symbol is centred vertically on the riser height. It is large. It is meant to be read. The seven symbols ascend in complexity from bottom to top. The symbol on the lowest step — the first step from the ground — is the simplest geometric form. The symbol on the seventh step — the step immediately below the portal ring — is the most complex, the most dense with line and meaning. These are not decoration. These are seven keys. The portal ring above has seven chevrons. The steps below have seven symbols. The correspondence is exact and intentional and must be visually legible — a viewer who counts the chevrons and then counts the step symbols must arrive at the same number. ════════════════════════════════════ CORRECTION THREE — CROWD DEPTH ════════════════════════════════════ The crowd on both sides of the processional axis needs greater depth. Currently the crowd reads as two or three rows of figures on each side. It should read as eight to ten rows deep — figures extending from the foreground all the way back toward the treeline on both sides, the rear figures in near-complete darkness, only the front rows catching any torch light. The weight of two hundred bodies must be felt. The clearing must feel full. The ceremony must feel attended by an entire community, not a small gathering. ════════════════════════════════════ NEGATIVE PROMPT ════════════════════════════════════ no lit face on the right margin figure, no gold costume on Akua, no elaborate robes on Akua, no kente on Akua, no ceremony dress on Akua, no figure larger than crowd scale at right margin, no repeated single Adinkra motif on steps, no decorative chain pattern on step risers, no identical symbols on any two steps, no steps without full-width carving, no thin crowd, no shallow crowd, no fewer than seven steps, no fewer than seven chevrons, no step count that does not match chevron count, no warm ambient fill light, no daytime atmosphere, no changes to the tree, portal, Stool, smoke columns, or foreground roots

change the scenario, put her in the crowd with a football team shirt on a empty stadium

A woman walking quickly, breaking through the crowd , panoramic

crowded subway in New York, woman stands in the middle, keep the woman's face, body, pose and clothing identical, ensure the lighting is perfectly blended

A woman is sitting on middle of streat. Crowd of people are watching her.

A woman who walks fast and leaves others behind, crowded ,camera angle looking from top left

A woman walking quickly, breaking through the crowd , panoramic

A woman walking quickly, breaking through the crowd , camera angle looking from top left

A woman walking quickly, breaking through the reckless crowd , panoramic

A woman walking quickly, breaking through the crowd , panoramic

A woman walking quickly, breaking through the crowd , camera angle looking from top left

A woman walking quickly, breaking through the reckless crowd , panoramic

crowded place in Paris, woman stands in the middle, keep the woman's face, body, pose and clothing identical, ensure the lighting is perfectly blended

{ "reference_source": "Use the uploaded reference image as the single source of truth", "identity_lock": { "face": "100% identical to reference image — same facial structure, eyes, nose, lips, jawline, skin texture, expression", "body": "Same body proportions, height, posture, shoulder width, waist, hips, limbs", "hair": "Same hairstyle, hairline, length, color, volume", "age": "Exact same apparent age as reference", "ethnicity": "Unchanged from reference" }, "consistency_rules": [ "Do NOT modify face shape", "Do NOT beautify, stylize, or alter facial features", "No AI face swap artifacts", "No face blending with other identities", "No body reshaping", "No weight gain or loss", "No added or removed tattoos, scars, or marks" ], "wardrobe": { "instruction": "Only change clothing if explicitly specified", "fit": "Clothing fits naturally and accurately to the same body", "fabric_behavior": "Realistic folds, tension, and shadows" }, "pose_and_scene": { "pose": "Preserve the same pose unless explicitly changed", "camera_angle": "Same camera height, distance, and lens perspective", "lighting": "Match original lighting direction, softness, and intensity", "environment": "Realistic environment with consistent scale and depth" }, "image_quality": { "realism": "Photorealistic, natural skin texture", "clarity": "Sharp focus on face and eyes", "resolution": "High-definition, clean details", "artifacts": "No blur, distortion, double face, broken anatomy" }, "negative_prompt": [ "different face", "face drift", "face mutation", "body distortion", "incorrect anatomy", "extra limbs", "blurred face", "plastic skin", "AI-generated look", "over-smoothing", "unreal lighting" ], "final_instruction": "The generated image must look like the SAME PERSON photographed again, not a variation or look-alike." } { "prompt": "Intimate full-body mirror selfie portrait of a young woman in bedroom, standing in front of large ornate gold-framed mirror, back turned slightly to show rear view while taking selfie with phone in one hand, long dark brown hair tied in high messy bun with loose strands, fair tan skin with natural glow and subtle texture, wearing ultra-sheer black lace lingerie set with intricate mesh panels, high-cut thong bottoms, garter straps connected to thigh-high stockings, thin spaghetti straps on bra top, silver metallic high-heel mules visible on feet, arched back and hips emphasized for seductive pose, one arm extended holding phone, other hand on mirror or hip, bedroom background with beige walls, white bed sheets, scattered books/candles, soft warm golden lamp light from side creating rim glow on body curves lace texture and hair, subtle blue LED accent from device, shallow depth of field, strong cinematic bokeh on mirror reflection and background, photorealistic sensual lingerie fashion selfie, high detail lace transparency skin pores hair strands garter straps heel shine and natural imperfections, shot on smartphone with slight wide-angle distortion typical for mirror shots, ultra detailed, 8k resolution", "negative_prompt": "cartoon, anime, illustration, painting, deformed, blurry, lowres, plastic skin, doll-like, heavy makeup overload, thick eyeliner, false lashes, filters, beauty filter, airbrushed skin, extra limbs, distorted proportions, asymmetrical face, harsh flash, cold lighting, day time, fully clothed, short hair, blonde hair, standing straight, no mirror, no phone, crowded room, text watermark, logo, ugly, bad anatomy, overexposed, underexposed, low contrast", "reference_image": { "enabled": true, "strength": 0.92, "description": "Extremely strong reference for exact composition and pose: young woman taking mirror selfie showing back/rear view, long dark hair in messy bun, sheer black lace lingerie with garter straps and high-cut bottoms, arched back emphasizing curves, phone in hand, ornate gold mirror frame, soft warm bedroom light with blue accent, seductive intimate vibe, high detail lace and skin texture" }, "style": "photorealistic intimate mirror selfie, sensual lingerie boudoir, warm golden bedroom lighting", "aspect_ratio": "3:4", "lighting": "soft warm golden lamp light from side, gentle rim light on back curves hair and lace, subtle blue LED fill from phone, realistic soft shadows and highlights", "camera": "smartphone mirror selfie (iPhone style), slight wide-angle distortion, natural low-key indoor light, minor grain for realism", "additional_details": [ "hair: dark brown-black, long, tied in high messy bun with loose flyaways and strands down back", "outfit: sheer black mesh lace bra and high-cut thong bottoms, garter straps with metal rings, thin straps, semi-transparent fabric clinging to body See less Nano Banana Recent Generating… { "reference_source": "Use the uploaded reference image as the single source of truth", "identity_lock": { "face": "100% identical to reference image — same facial structure, eyes, nose, lips, jawline, skin texture, expression", "body": "Same body proportions, height, posture, shoulder width, waist, hips, limbs", "hair": "Same hairstyle, hairline, length, color, volume", "age": "Exact same apparent age as reference", "ethnicity": "Unchanged from reference" }, "consistency_rules": [ "Do NOT modify face shape", "Do NOT beautify, stylize, or alter facial features", "No AI face swap artifacts", "No face blending with other identities", "No body reshaping", "No weight gain or loss", "No added or removed tattoos, scars, or marks" ], "wardrobe": { "instruction": "Only change clothing if explicitly specified", "fit": "Clothing fits naturally and accurately to the same body", "fabric_behavior": "Realistic folds, tension, and shadows" }, "pose_and_scene": { "pose": "Preserve the same pose unless explicitly changed", "camera_angle": "Same camera height, distance, and lens perspective", "lighting": "Match original lighting direction, softness, and intensity", "environment": "Realistic environment with consistent scale and depth" }, "image_quality": { "realism": "Photorealistic, natural skin texture", "clarity": "Sharp focus on face and eyes", "resolution": "High-definition, clean details", "artifacts": "No blur, distortion, double face, broken anatomy" }, "negative_prompt": [ "different face", "face drift", "face mutation", "body distortion", "incorrect anatomy", "extra limbs", "blurred face", "plastic skin", "AI-generated look", "over-smoothing", "unreal lighting" ], "final_instruction": "The generated image must look like the SAME PERSON photographed again, not a variation or look-alike." } { "prompt": "Intimate full-body mirror selfie portrait of a young woman in bedroom, standing in front of large ornate gold-framed mirror, back turned slightly to show rear view while taking selfie with phone in one hand, long dark brown hair tied in high messy bun with loose strands, fair tan skin with natural glow and subtle texture, wearing ultra-sheer black lace lingerie set with intricate mesh panels, high-cut thong bottoms, garter straps connected to thigh-high stockings, thin spaghetti straps on bra top, silver metallic high-heel mules visible on feet, arched back and hips emphasized for seductive pose, one arm extended holding phone, other hand on mirror or hip, bedroom background with beige walls, white bed sheets, scattered books/candles, soft warm golden lamp light from side creating rim glow on body curves lace texture and hair, subtle blue LED accent from device, shallow depth of field, strong cinematic bokeh on mirror reflection and background, photorealistic sensual lingerie fashion selfie, high detail lace transparency skin pores hair strands garter straps heel shine and natural imperfections, shot on smartphone with slight wide-angle distortion typical for mirror shots, ultra detailed, 8k resolution", "negative_prompt": "cartoon, anime, illustration, painting, deformed, blurry, lowres, plastic skin, doll-like, heavy makeup overload, thick eyeliner, false lashes, filters, beauty filter, airbrushed skin, extra limbs, distorted proportions, asymmetrical face, harsh flash, cold lighting, day time, fully clothed, short hair, blonde hair, standing straight, no mirror, no phone, crowded room, text watermark, logo, ugly, bad anatomy, overexposed, underexposed, low contrast", "reference_image": { "enabled": true, "strength": 0.92, "description": "Extremely strong reference for exact composition and pose: young woman taking mirror selfie showing back/rear view, long dark hair in messy bun, sheer black lace lingerie with garter straps and high-cut bottoms, arched back emphasizing curves, phone in hand, ornate gold mirror frame, soft warm bedroom light with blue accent, seductive intimate vibe, high detail lace and skin texture" }, "style": "photorealistic intimate mirror selfie, sensual lingerie boudoir, warm golden bedroom lighting", "aspect_ratio": "3:4", "lighting": "soft warm golden lamp light from side, gentle rim light on back curves hair and lace, subtle blue LED fill from phone, realistic soft shadows and highlights", "camera": "smartphone mirror selfie (iPhone style), slight wide-angle distortion, natural low-key indoor light, minor grain for realism", "additional_details": [ "hair: dark brown-black, long, tied in high messy bun with loose flyaways and strands down back", "outfit: sheer black mesh lace bra and high-cut thong bottoms, garter straps with metal rings, thin straps, semi-transparent fabric clinging to body  EDIT PROMPT (CLEAR & STRICT): Replace only the bikini she is currently wearing with the provided reference bikini. The new bikini must fit her perfectly and tightly, matching the reference exactly in color, fabric, cut, straps, and details. Do NOT change anything else. Preserve the same woman, same body, same proportions Keep the exact pose, angle, expression, lighting, background, and camera framing No changes to face, hair, skin tone, or body shape She remains default/slim as she already is (not fat, not obese, no body exaggeration) This is a wardrobe-only replacement. Everything except the bikini stays 100% identical to the original image. Negative instructions: No resizing or reshaping of the body No stylization or artistic changes No added accessories No changes to posture or anatomy No distortion or blur Result: Photorealistic, natural-looking bikini replacement that appears originally worn by her, with realistic fabric tension and clean edges.

inside a crowded church in Rome, woman stands in the middle, keep the woman's face, body, pose and clothing identical, ensure the lighting is perfectly blended

lady bayamah asian dress walking in the center of parkour city at market place lot of people and police