cover of magazine "Play Boy", Photograph of a young beautiful latin woman dressed in a white leotard with black lace trim, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
6249
Zimage Turbo by Stable Yogi
RAW photo, 8K, captured with a Sony A1 and lens Sony FE 85mm f/1.4 GM, ISO 100, excellent dynamic range, masterpiece, excellent quality, ultra detailed, subtle lighting, soft focus, detailed shadows, detailed reflections, scenic beauty, Je suis venu te dire que je m'en vais Et tes larmes n'y pourront rien changer Comme dit si bien Verlaine au vent mauvais Je suis venu te dire que je m'en vais Tu t'souviens des jours anciens et tu pleures Tu suffoques, tu blêmis à present qu'a sonné l'heure Des adieux à jamais (Ouais) Je suis au regret De te dire que je m'en vais Oui je t'aimais, oui, mais Je suis venu te dire que je m'en vais
165
FLUX
face is exactly like reference photo. Photograph of a woman naked, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
219
Nano Banana
Fish-eye portrait: Beyonce in oversized XL 1990s urban fashion inspired by adidas culture, leaning on the hood of a white 2009 Suzuki Jimny, driver-side headlight visible. Neon-lit Tokyo streets at night with wet asphalt reflections; cinematic hyperrealism with a surreal, otherworldly mood. Shot as if on a disposable Fujifilm camera with an 8mm fisheye lens; Portra 400 + Cinestill 800 film look; heavy grain, dirty frame, dust, direct flash. Vogue fashion editorial aesthetic, gritty film photography style, dark cinematic tones, photo realism.
11466
Seedream 4
cover of magazine "Play Boy", Photograph of a young beautiful latin woman dressed in a white leotard with black lace trim, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
6249
Zimage Turbo by Stable Yogi
face is exactly like reference photo. Photograph of a woman naked, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
219
Nano Banana
Fish-eye portrait: Beyonce in oversized XL 1990s urban fashion inspired by adidas culture, leaning on the hood of a white 2009 Suzuki Jimny, driver-side headlight visible. Neon-lit Tokyo streets at night with wet asphalt reflections; cinematic hyperrealism with a surreal, otherworldly mood. Shot as if on a disposable Fujifilm camera with an 8mm fisheye lens; Portra 400 + Cinestill 800 film look; heavy grain, dirty frame, dust, direct flash. Vogue fashion editorial aesthetic, gritty film photography style, dark cinematic tones, photo realism.
11466
Seedream 4
RAW photo, 8K, captured with a Sony A1 and lens Sony FE 85mm f/1.4 GM, ISO 100, excellent dynamic range, masterpiece, excellent quality, ultra detailed, subtle lighting, soft focus, detailed shadows, detailed reflections, scenic beauty, Je suis venu te dire que je m'en vais Et tes larmes n'y pourront rien changer Comme dit si bien Verlaine au vent mauvais Je suis venu te dire que je m'en vais Tu t'souviens des jours anciens et tu pleures Tu suffoques, tu blêmis à present qu'a sonné l'heure Des adieux à jamais (Ouais) Je suis au regret De te dire que je m'en vais Oui je t'aimais, oui, mais Je suis venu te dire que je m'en vais
165
FLUX
cover of magazine "Play Boy", Photograph of a young beautiful latin woman dressed in a white leotard with black lace trim, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
6249
Zimage Turbo by Stable Yogi
Fish-eye portrait: Beyonce in oversized XL 1990s urban fashion inspired by adidas culture, leaning on the hood of a white 2009 Suzuki Jimny, driver-side headlight visible. Neon-lit Tokyo streets at night with wet asphalt reflections; cinematic hyperrealism with a surreal, otherworldly mood. Shot as if on a disposable Fujifilm camera with an 8mm fisheye lens; Portra 400 + Cinestill 800 film look; heavy grain, dirty frame, dust, direct flash. Vogue fashion editorial aesthetic, gritty film photography style, dark cinematic tones, photo realism.
11466
Seedream 4
face is exactly like reference photo. Photograph of a woman naked, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
219
Nano Banana
RAW photo, 8K, captured with a Sony A1 and lens Sony FE 85mm f/1.4 GM, ISO 100, excellent dynamic range, masterpiece, excellent quality, ultra detailed, subtle lighting, soft focus, detailed shadows, detailed reflections, scenic beauty, Je suis venu te dire que je m'en vais Et tes larmes n'y pourront rien changer Comme dit si bien Verlaine au vent mauvais Je suis venu te dire que je m'en vais Tu t'souviens des jours anciens et tu pleures Tu suffoques, tu blêmis à present qu'a sonné l'heure Des adieux à jamais (Ouais) Je suis au regret De te dire que je m'en vais Oui je t'aimais, oui, mais Je suis venu te dire que je m'en vais
165
FLUX
cover of magazine "Play Boy", Photograph of a young beautiful latin woman dressed in a white leotard with black lace trim, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
6249
Zimage Turbo by Stable Yogi
RAW photo, 8K, captured with a Sony A1 and lens Sony FE 85mm f/1.4 GM, ISO 100, excellent dynamic range, masterpiece, excellent quality, ultra detailed, subtle lighting, soft focus, detailed shadows, detailed reflections, scenic beauty, Je suis venu te dire que je m'en vais Et tes larmes n'y pourront rien changer Comme dit si bien Verlaine au vent mauvais Je suis venu te dire que je m'en vais Tu t'souviens des jours anciens et tu pleures Tu suffoques, tu blêmis à present qu'a sonné l'heure Des adieux à jamais (Ouais) Je suis au regret De te dire que je m'en vais Oui je t'aimais, oui, mais Je suis venu te dire que je m'en vais
165
FLUX
face is exactly like reference photo. Photograph of a woman naked, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
219
Nano Banana
Fish-eye portrait: Beyonce in oversized XL 1990s urban fashion inspired by adidas culture, leaning on the hood of a white 2009 Suzuki Jimny, driver-side headlight visible. Neon-lit Tokyo streets at night with wet asphalt reflections; cinematic hyperrealism with a surreal, otherworldly mood. Shot as if on a disposable Fujifilm camera with an 8mm fisheye lens; Portra 400 + Cinestill 800 film look; heavy grain, dirty frame, dust, direct flash. Vogue fashion editorial aesthetic, gritty film photography style, dark cinematic tones, photo realism.
11466
Seedream 4
cover of magazine "Play Boy", Photograph of a young beautiful latin woman dressed in a white leotard with black lace trim, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
6249
Zimage Turbo by Stable Yogi
RAW photo, 8K, captured with a Sony A1 and lens Sony FE 85mm f/1.4 GM, ISO 100, excellent dynamic range, masterpiece, excellent quality, ultra detailed, subtle lighting, soft focus, detailed shadows, detailed reflections, scenic beauty, Je suis venu te dire que je m'en vais Et tes larmes n'y pourront rien changer Comme dit si bien Verlaine au vent mauvais Je suis venu te dire que je m'en vais Tu t'souviens des jours anciens et tu pleures Tu suffoques, tu blêmis à present qu'a sonné l'heure Des adieux à jamais (Ouais) Je suis au regret De te dire que je m'en vais Oui je t'aimais, oui, mais Je suis venu te dire que je m'en vais
165
FLUX
face is exactly like reference photo. Photograph of a woman naked, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
219
Nano Banana
Fish-eye portrait: Beyonce in oversized XL 1990s urban fashion inspired by adidas culture, leaning on the hood of a white 2009 Suzuki Jimny, driver-side headlight visible. Neon-lit Tokyo streets at night with wet asphalt reflections; cinematic hyperrealism with a surreal, otherworldly mood. Shot as if on a disposable Fujifilm camera with an 8mm fisheye lens; Portra 400 + Cinestill 800 film look; heavy grain, dirty frame, dust, direct flash. Vogue fashion editorial aesthetic, gritty film photography style, dark cinematic tones, photo realism.
11466
Seedream 4
cover of magazine "Play Boy", Photograph of a young beautiful latin woman dressed in a white leotard with black lace trim, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
6249
Zimage Turbo by Stable Yogi
RAW photo, 8K, captured with a Sony A1 and lens Sony FE 85mm f/1.4 GM, ISO 100, excellent dynamic range, masterpiece, excellent quality, ultra detailed, subtle lighting, soft focus, detailed shadows, detailed reflections, scenic beauty, Je suis venu te dire que je m'en vais Et tes larmes n'y pourront rien changer Comme dit si bien Verlaine au vent mauvais Je suis venu te dire que je m'en vais Tu t'souviens des jours anciens et tu pleures Tu suffoques, tu blêmis à present qu'a sonné l'heure Des adieux à jamais (Ouais) Je suis au regret De te dire que je m'en vais Oui je t'aimais, oui, mais Je suis venu te dire que je m'en vais
165
FLUX
face is exactly like reference photo. Photograph of a woman naked, looking straight ahead, slight head tilt, relaxed posture, soft lighting, eye-level shot, centered framing, projection lighting, low-key lighting, futurism, (from below:1.7), shot on Sony A7R IV with Sony FE 85mm f-1.4 GM
219
Nano Banana
Fish-eye portrait: Beyonce in oversized XL 1990s urban fashion inspired by adidas culture, leaning on the hood of a white 2009 Suzuki Jimny, driver-side headlight visible. Neon-lit Tokyo streets at night with wet asphalt reflections; cinematic hyperrealism with a surreal, otherworldly mood. Shot as if on a disposable Fujifilm camera with an 8mm fisheye lens; Portra 400 + Cinestill 800 film look; heavy grain, dirty frame, dust, direct flash. Vogue fashion editorial aesthetic, gritty film photography style, dark cinematic tones, photo realism.
11466
Seedream 4