The arms are straight down along the body Prompts

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "16:9", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken at night in a vast windswept grass field, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. The background (distant horizon, sky, faint stars) is heavily darkened but faintly visible. Ultra‑realistic textures of grass, fabric, and soil – all rendered with natural grain and no smoothing. The composition is centered, slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, unsettling, with a paranormal, liminal space atmosphere.", "scene": { "location": "Vast open moorland or grass field at night. Tall wild grass (height ~40‑80 cm) bending strongly in the wind, creating flowing waves. The ground is uneven, with natural bumps and dips. The horizon is low (upper third of the frame). The sky is dark, with very faint stars barely visible, completely darkened by the flash. The wind is strong and constant, making the grass lean uniformly to one side.", "subject": { "description": "A tall, slender human figure standing motionless in the center of the frame, facing the camera directly (front view). The figure is completely overexposed by the harsh flash – its entire body glows pure white, with no discernible facial features, clothing details, or texture. The silhouette resembles a long, loose robe or mantle that reaches the ground, with a straight, free‑flowing cut. The arms are straight down along the body, hands at thigh level. The figure appears to be unnaturally bright, as if emitting light, but it's actually the flash blowing out all detail. The outline is sharp against the dark background, with a slight halo effect (halation) from the flash.", "pose": "Standing upright, perfectly centered, weight evenly distributed, head straight, arms relaxed at sides." } }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). No ambient night light is visible. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the figure (pure white, blown out), deep black shadows in the background and under the figure.", "effects": [ "strong, direct flash creating a pure white silhouette of the figure, completely devoid of texture or facial features", "the flash creates a sharp, crisp shadow of the figure on the grass behind it (visible on the ground)", "the grass in the immediate foreground (within 1‑2 meters of the camera) is also overexposed, with bright highlights on individual blades", "background very dark – the horizon line is barely visible as a faint dark band, the sky is pitch black, stars not visible", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass appears pale olive‑green, almost grey; the white figure is pure white; the sky is black", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (figure outline, grass blades)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The grass loses its warm green, appearing pale and cool. The figure is pure white with a slight blue tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, eye level (camera height approx. 1.5‑1.7 m), centered composition. Full‑body shot (figure from head to feet). Camera distance ~15‑20 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35‑50mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 400‑800 with heavy grain.", "framing": "horizontal 16:9, wide shot, subject centered, slight tilt (~2‑3°), a small intruding element (a blade of grass or a strap) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the figure and the immediate grass are relatively sharp, background out of focus and black.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid paranormal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white silhouette)", "harsh shadows with no detail", "pitch black background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, bending in wind, slight motion blur)", "chromatic aberration", "barrel distortion", "lens flare", "halation around the figure" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint horizon)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin (no skin visible)", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible facial features", "any clothing details on the figure", "bloom (except flash halation)", "soft glow (the figure must be pure white overexposed, not a gentle glow)" ] }, "negative_prompt": [ "different composition", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive overexposure that destroys shape? Actually we want blown highlights but the figure's outline must remain clear. So careful: the figure should be pure white but the edges should be visible.", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint horizon)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional motion blur)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky", "detailed background", "HDR look", "saturated colors", "bloom (except flash halation)", "soft glow", "facial recognition" ] }

Hands above head. Model pose. move and swivel.

Show armpits, hands behind the head

can you straigthen arms. and if you can match the head proportions like the reference image just the alignment to match each part.

make side position 90 degree. Make sure it aligns with proportions of reference image. make sure hands have 5 fingers.

Левая рука уходит вниз. остальное - неизменно

the player is moving the arms up and down

animate de arms

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "16:9", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken at night in a vast windswept grass field, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. The background (distant horizon, sky, faint stars) is heavily darkened but faintly visible. Ultra‑realistic textures of grass, fabric, and soil – all rendered with natural grain and no smoothing. The composition is centered, slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, unsettling, with a paranormal, liminal space atmosphere.", "scene": { "location": "Vast open moorland or grass field at night. Tall wild grass (height ~40‑80 cm) bending strongly in the wind, creating flowing waves. The ground is uneven, with natural bumps and dips. The horizon is low (upper third of the frame). The sky is dark, with very faint stars barely visible, completely darkened by the flash. The wind is strong and constant, making the grass lean uniformly to one side.", "subject": { "description": "A tall, slender human figure standing motionless in the center of the frame, facing the camera directly (front view). The figure is completely overexposed by the harsh flash – its entire body glows pure white, with no discernible facial features, clothing details, or texture. The silhouette resembles a long, loose robe or mantle that reaches the ground, with a straight, free‑flowing cut. The arms are straight down along the body, hands at thigh level. The figure appears to be unnaturally bright, as if emitting light, but it's actually the flash blowing out all detail. The outline is sharp against the dark background, with a slight halo effect (halation) from the flash.", "pose": "Standing upright, perfectly centered, weight evenly distributed, head straight, arms relaxed at sides." } }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). No ambient night light is visible. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the figure (pure white, blown out), deep black shadows in the background and under the figure.", "effects": [ "strong, direct flash creating a pure white silhouette of the figure, completely devoid of texture or facial features", "the flash creates a sharp, crisp shadow of the figure on the grass behind it (visible on the ground)", "the grass in the immediate foreground (within 1‑2 meters of the camera) is also overexposed, with bright highlights on individual blades", "background very dark – the horizon line is barely visible as a faint dark band, the sky is pitch black, stars not visible", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass appears pale olive‑green, almost grey; the white figure is pure white; the sky is black", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (figure outline, grass blades)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The grass loses its warm green, appearing pale and cool. The figure is pure white with a slight blue tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, eye level (camera height approx. 1.5‑1.7 m), centered composition. Full‑body shot (figure from head to feet). Camera distance ~15‑20 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35‑50mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 400‑800 with heavy grain.", "framing": "horizontal 16:9, wide shot, subject centered, slight tilt (~2‑3°), a small intruding element (a blade of grass or a strap) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the figure and the immediate grass are relatively sharp, background out of focus and black.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid paranormal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white silhouette)", "harsh shadows with no detail", "pitch black background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, bending in wind, slight motion blur)", "chromatic aberration", "barrel distortion", "lens flare", "halation around the figure" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint horizon)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin (no skin visible)", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible facial features", "any clothing details on the figure", "bloom (except flash halation)", "soft glow (the figure must be pure white overexposed, not a gentle glow)" ] }, "negative_prompt": [ "different composition", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive overexposure that destroys shape? Actually we want blown highlights but the figure's outline must remain clear. So careful: the figure should be pure white but the edges should be visible.", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint horizon)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional motion blur)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky", "detailed background", "HDR look", "saturated colors", "bloom (except flash halation)", "soft glow", "facial recognition" ] }

Arms raised.

Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. ### 1) SCENARIO (Set Designer / Environment Designer) * **Spatial geometry:** Composition in forced central perspective with a vanishing point located to the left, behind the figure. The setting is an outdoor corridor or atrium beneath a mezzanine. * **Planes:** Foreground occupied by the shoe base; midground by the central figure and pillars; background composed of an architectural structure (guard booth/elevator) and stairways. * **Materials:** Pavement made of concrete/stone blocks with a granular texture and geometric joints; circular raw concrete pillars; walls with ceramic cladding or rectangular stone tiles in earthy tones. * **Lighting:** Diffused natural light (coming from an upper/lateral opening of the atrium). Zenithal-lateral direction (upper left). Cast shadows are soft and elongated toward the lower right corner. Neutral color temperature (approx. 5500K). * **Geometric relationships:** Repetition of diagonal lines on the floor converging into the background, creating depth. Contrast between the verticality of the pillars and the tilted camera angle (low-angle shot / contra-plongée). --- ### 2) POSE (Photographer / Pose Stylist) * **Body axes:** Tilted vertical axis (low-angle perspective). Head slightly rotated toward the left profile with chin elevation (cervical extension). Torso with slight twist (contrapposto). * **Weight distribution:** Weight concentrated on the left (rear) leg, with the knee extended. Right (front) leg advanced, with plantar flexion, touching the ground only with the tip/platform. * **Joint angles:** Left arm extended along the body; right arm bent at the elbow (approx. 120°), holding the bag strap. * **Segment relationships:** Strong foreshortening in the legs due to the low camera angle, elongating the lower silhouette relative to the torso. * **Body expression:** Isometric muscle tension in the legs to maintain balance on heels; shoulders slightly pulled back. --- ### 3) HAIR (Hairstylist) She has the exact same hair as in the reference photo; styled as: * **Strand direction:** Vertical downward vectors, with a symmetrical center part. * **Volume:** High density, heavy gravitational fall over shoulders and back. Consistent width from roots to ends. * **Texture:** Completely straight (type 1A), with high light reflectivity (surface specular shine). * **Cut line:** Blunt cut (one-length), below bust line, extending to the waist. * **Light interaction:** Horizontal linear shine crossing the hair mass at temple height. * **Color:** Jet black (**Mandatory:** always preserve the bangs 100% of the time.) --- ### 4) MAKEUP (Professional Makeup Artist) Makeup must be clearly visible in wide framing. (**Mandatory:** always preserve the face 100%.) * **Skin prep:** Matte, full-coverage finish with complete chromatic uniformity. Highlighting on T-zone and cheekbones. * **Contouring:** Technical definition on infra-cheekbone hollows and jawline. * **Eyes:** Blended eyeshadow in neutral/cool tones with emphasis on bold black winged eyeliner. False lashes with high density and increasing length toward the outer corner. * **Lips:** Precisely defined cupid’s bow; fully filled with vibrant red pigment in a creamy/satin finish. * **Eyebrows:** Arched, thin, and densely filled (Instagram-brow style). --- ### 5) NAILS (Nail Designer) * **Length & shape:** Long, stiletto (pointed). * **Color/finish:** Glossy black polish. * **Structure:** Pronounced C-curve and reinforced apex, consistent with gel or acrylic extension techniques. --- ### 6) CLOTHING (Stylist / Tailor / Costume Designer) * **Crop Top:** Black cotton knit, tight fit. Crew neck with ribbed finish. Centered white screen-printed graphic. Short sleeves with tension at the armpits. * **Skirt:** High-waisted skater (A-line) silhouette. Medium-weight synthetic material (structured twill or polyester) maintaining a conical shape. Front closure with exposed metal zipper and ring pull. * **Lower Accessories:** Sheer tights (15–20 denier) with integrated garter belt, featuring satin ribbon bows as structural details at tension points. * **Footwear:** Double platform Mary Jane shoes with chunky heels. Glossy synthetic finish with metal stud applications along the edges and a strap across the instep. * **Gloves/Accessories:** Mesh arm warmers extending from forearm to back of the hand. Black leather/synthetic choker with a central metal ring. --- ### 7) STYLE (Image Editor / Retoucher) * **Sharpness:** Critical selective focus on the human figure; slight peripheral softness (subtle background bokeh). * **Skin treatment:** High-frequency digital smoothing, preserving pore texture while removing chromatic micro-imperfections. * **Color grading:** Desaturated environment palette (beiges and grays) contrasting with highly saturated black and red (lips). * **Quality:** High-resolution image with low digital noise in shadow areas. * **Aspect Ratio:** 3:4 (standard vertical format for social media).

character, seen in profile, only the outlines can be seen, standing, right leg, straight trunk, arms along the body, forearm stretched forward, modern telephone with medium-sized touch screen from which a strong white light emanates on the end of the hands, kyphosis of the fourth type, hypnotized by the telephone

powa, outstretched arms, from below, show her feet soles

Bellybutton stretching arm up

make body phase same position as head. front view.

create slim guyt named bartek ,swap his arms with sticks. he have no diglet in hand

show complete body and turn a little back

PROMPT: POSE "LYING SIDE-TWIST LOOK-BACK" Positive Prompt: (Camera & Perspective) A medium shot captured from a slightly low rear-side angle, looking towards the subject resting on a piece of furniture. The focus emphasizes the curvature of the lower back and hips. (Pose Orientation) The subject is lying down on their left side (lateral decubitus position) on a soft surface like a sofa. The pose involves a distinct twisting of the spine: the hips are stacked sideways, perpendicular to the surface, while the upper torso is rotated slightly downwards towards the front. (Back & Lower Body Action) There is a noticeable arch in the lower back (lordosis), emphasizing the projection of the gluteal muscles which are prominent from this camera perspective. (Leg Position) The legs are positioned asymmetrically. The bottom (left) leg is bent forward comfortably at the knee, resting on the surface. The top (right) leg is extended straight back behind the hip line, also resting on the surface. (Upper Body & Head Interaction) The right arm is extended backward along the side of the torso, with the right hand resting naturally on the upper hip or glute area. The head is turned back over the right shoulder, with the gaze directed at the camera and a gentle expression. Negative Prompt: lying flat on stomach (prone), lying flat on back (supine), sitting upright, standing, kneeling, straight spine without twist, rigid pose, looking away from camera, legs together, both legs bent tightly, obscuring face.

standing, barefoot, opening the arms and revealing the tops of the breasts

Based on the uploaded image, create an High-fidelity photo “High fashion editorial + Helmut Newton” portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. Ultra-realistic, 8k resolution, cinematic lighting, film grain, shot on Canon EOS R5, 85mm f/1.8, ISO 100, highly detailed features, authentic likeness, photorealistic but editorial. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes shape, nose structure, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor terrace/viewpoint setting with whitewashed parapet walls, orthogonal volumes softened by rounded corners. Foreground dominated by a white parapet running diagonally upward from lower left to mid-right; midground with a central human figure; background featuring a dark rocky slope on the left, a blue-gray water plane, and a cluster of white buildings on the right, staggered in depth. High, slightly diffused horizon. Materials: plastered masonry with matte, fine granular texture; opaque, highly rough rock; smooth water with low visible specular reflection; background buildings with matte surfaces. Natural low-angle warm lighting coming from the right side of the image toward the left; moderate intensity, soft elongated shadows, medium contrast, no harsh edges. Repetition of white volumes in rectangular blocks and soft arches; asymmetrical composition with dark mass on the left and bright architectural mass on the right. POSE (Photographer / Pose Stylist) Figure standing upright, framed approximately from the knees up. Head nearly frontal with slight lateral tilt to the right of the image and mild forward inclination. Torso mostly facing the camera with minimal rotation; visually vertical spine with a subtle S-curve induced by the hips. Weight primarily on the left leg (image side); center of gravity subtly shifted. Right shoulder lowered due to the dropped sleeve; left shoulder slightly higher. Left arm relaxed along the body, elbow slightly bent; right arm more extended, hand holding a bag near the thigh. Hips nearly frontal; knees out of frame but suggest slight relaxation. Low muscular tension, controlled posture, abdomen engaged. Gaze directed at the camera. HAIR (Hairstylist) Long hair reaching waist level (approx. 70–80 cm), jet black, center-parted with a straight line. Strand vectors fall downward with broad S-shaped waves, more voluminous on the left side of the image. High density, compact mass at the top with progressive expansion toward mid-lengths and ends. Smooth texture at the roots, wavy along the length. Continuous outer contour, tapered ends. Light interaction: subtle specular highlights on wave crests, high absorption in shadow areas. Static state, gravity-driven fall, no perceptible wind. Ensure the fringe remains consistent in position, thickness, and curvature over the forehead, without smoothing or redesign. MAKEUP (Professional Makeup Artist) Skin with a satin-natural finish, no excessive oil shine. Evened complexion with medium to high coverage; partial preservation of skin texture. Soft contouring on nose sides, under cheekbones, and along the jawline; highlight on nasal bridge center, cheekbone tops, and cupid’s bow. Eyes with warm brown gradient shadow, deeper at the outer corners, eyeliner close to upper lashes, defined lashes. Lips with precise contour, brownish nude tone, creamy/semi-gloss finish. Smooth blending, no harsh edges. Warm lighting enhances golden and rosy undertones. Mandatory: makeup must remain clearly visible even at longer distances (“apply makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails partially visible on both hands, short to medium length. Soft oval/almond shape. Subtle thickness, natural curvature with low apex. Material not clearly identifiable; appearance consistent with gel polish or highly polished finish. Moderate shine. No visible nail art. Functional integration with pose: right hand holds/supports the bag; left hand relaxed at the side. WARDROBE (Stylist / Tailor / Costume Designer) Short structured white dress, corset-style construction on bust and torso, with visible vertical seam lines segmenting the front panel. Straight neckline with slight curvature; off-shoulder sleeves resting on the upper arms. Fitted mini skirt, vertical lines continuing to the hem. Tight fit with high tension across bust, waist, hips, and thighs; minimal looseness. Visually structured synthetic material, smooth surface, moderate elasticity, medium thickness. Subtle horizontal folds on the skirt from fabric compression. Gravity keeps the hem straight with slight adherence to the body. Accessories: dangling earrings with pearl/light drop; thin gold bracelet on the left wrist (image side); small structured white handbag with short strap and gold hardware, positioned near the right thigh (image side). STYLE (Image Editor / Retoucher) Primary focus on the figure; background with moderate to strong blur, simulating shallow depth of field. High sharpness on eyes, front hair, and dress contours; progressive falloff outside the focal plane. Skin softly smoothed in a controlled way, preserving anatomical relief. Warm color grading, medium contrast, restrained saturation, emphasis on golden and cream tones. Possible imperfection cleanup and tonal uniformity on skin and fabric. Low grain, minimal visible compression, high digital quality. Aesthetic signature: sunset editorial/lifestyle portrait with a clean, polished finish. Approximate aspect ratio: 4:5 vertical.

Make her body phase one qourter angle straighten the legs and left hand should be natural pose put down to look like the right hand.

the woman extends her arms occupying the whole composition

create slim guy named bartek ,swap his arms with sticks. he have no diglet in hand

can you straigthen arms. and if you can match the head proportions like the reference image just the alignment to match each part.