The protagonist is positioned very close to the camera his back fills most of the frame Prompts

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, natural high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken at night on a luxury villa terrace overlooking the ocean, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the ONLY light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Shadows are completely black with no detail, highlights are blown but retain texture. This is NOT an HDR image. No compressed dynamic range. No lifted shadows. No fake realism. Ultra‑realistic skin texture, visible pores, sweat droplets, muscle definition, all rendered with natural grain and no smoothing. The composition is slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is dark, moody, and opulent. The protagonist is positioned very close to the camera – his back fills most of the frame, from the lower back to the top of the head, with the pool and palms visible only at the edges and bottom.", "scene": { "location": "Luxury villa terrace at night, overlooking the ocean. Two tall palm trees frame the left and right sides, now appearing as dark silhouettes at the extreme edges of the frame. In the background, a calm sea with distant lights, almost completely invisible because the flash darkens everything – only a faint horizon line is visible. The terrace has a large infinity pool with turquoise water and a subtle violet/purple underwater lighting – but the flash overpowers it, leaving only a faint glow on the water surface at the very bottom of the frame. The stone deck is light-colored, with harsh shadows under the protagonist.", "pool": "Infinity pool, visible only as a narrow strip at the bottom of the frame, with a faint violet reflection and white flash highlights on the water surface.", "protagonist": "A muscular man in his 30s, athletic build, broad shoulders, very wide back (latissimus dorsi), slightly hunched posture to emphasize the width and muscle mass. He stands with his back to the camera, very close to the lens – the frame is cropped tightly from just below the waist (top of the buttocks) to slightly above the top of the head. Arms are relaxed, hanging straight down along his sides, partially cropped at the elbows. He wears a black ribbed balaclava (covering head and neck, no openings) and rectangular gold‑frame sunglasses (not visible from behind, but present). He is bare‑chested, wearing only black tailored trousers (low waist, visible just above the pool edge). His skin is slightly sweaty, with tiny droplets catching the flash – creating sharp specular highlights. The pose is static, dominant, slightly brooding. Because he is so close to the camera, every pore, hair, and sweat droplet is visible with extreme detail." }, "tattoo": { "description": "A large, intricate tattoo covering his entire upper back, from the base of the neck to the waist, spanning from left shoulder to right shoulder. The style is Chicano smoke/shadow with a dark, ethereal aesthetic – swirling clouds, soft gradients, and translucent smoke tendrils merging into the skin. Integrated into this smoke are elements of ancient warriors (Spartan helmets, gladiator motifs, spears, and shields) done in a realistic, shaded black‑and‑grey style. In the center, across the upper back (between the shoulder blades), the word 'ШРЕДЕР' is tattooed in a bold, elegant, slightly italicized font – the letters are thick, with a subtle 3D effect, dark grey/black with soft highlights. Below the text, a large Masonic / Illuminati symbol: a pyramid with an all‑seeing eye, surrounded by geometric patterns (compass, square, sunburst). The tattoo is rendered in black‑and‑grey smoke style – some areas opaque, others fading into the skin. The flash creates specular highlights on the raised texture of the tattoo. Because of the tight framing, the tattoo is highly detailed and occupies the central visual focus." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY. No other light sources. The flash is harsh, direct, and unmodified. It creates a sharp drop‑off: the subject is brightly lit, the background is pitch black. No fill light, no bounce, no ambient. This is NOT HDR.", "quality": "extremely harsh, high contrast, specular highlights on sweat and wet skin, deep black shadows with zero detail, overexposed patches on the shoulders and back where the flash hits directly.", "effects": [ "strong, direct flash creating hard specular highlights on every sweat droplet", "the tattoo appears stark, with high contrast between black ink and pale overexposed skin", "background completely black – no details of the sea, palms are dark silhouettes with no texture", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors, skin tones pale with a slight blue/green cast from the flash", "extremely high contrast – pure whites next to pure blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the black background", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. No warm tones. No golden hour. No teal and orange. Just raw, cold flash.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, from behind, centered composition. The camera is positioned very close to the subject – the back fills approximately 80% of the frame. Tight crop from just below the waist (top of buttocks) to slightly above the head. The pool edge is visible only at the very bottom (5‑10% of frame height), palms only as narrow silhouettes on the sides. Camera distance ~0.8‑1.2 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, tight shot, subject perfectly centered, slight tilt (~3‑5°), a small intruding element (a leaf or a finger) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the back and tattoo are sharp, background completely out of focus and black.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "pitch black background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural skin texture (sweat droplets, pores, muscle striations)", "visible water reflections (faint)", "chromatic aberration", "barrel distortion", "lens flare", "tattoo texture and shading" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "face visible", "skin on face or neck (covered by balaclava)", "wide shot", "distant subject" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "blurry (beyond intentional motion blur)", "low detail", "unrealistic proportions", "bad anatomy", "watermark (other than intended)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash", "modern smartphone", "clowns", "money", "guns", "cartel", "narco", "daylight", "missing tattoo", "missing text 'ШРЕДЕР'", "missing pyramid", "wide angle", "subject too small", "distant shot" ] }

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, natural high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken at night on a luxury villa terrace overlooking the ocean, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the ONLY light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Shadows are completely black with no detail, highlights are blown but retain texture. This is NOT an HDR image. No compressed dynamic range. No lifted shadows. No fake realism. Ultra‑realistic skin texture, visible pores, sweat droplets, muscle definition, all rendered with natural grain and no smoothing. The composition is slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is dark, moody, and opulent. The protagonist is positioned very close to the camera – his back fills most of the frame, from the lower back to the top of the head, with the pool and palms visible only at the edges and bottom.", "scene": { "location": "Luxury villa terrace at night, overlooking the ocean. Two tall palm trees frame the left and right sides, now appearing as dark silhouettes at the extreme edges of the frame. In the background, a calm sea with distant lights, almost completely invisible because the flash darkens everything – only a faint horizon line is visible. The terrace has a large infinity pool with turquoise water and a subtle violet/purple underwater lighting – but the flash overpowers it, leaving only a faint glow on the water surface at the very bottom of the frame. The stone deck is light-colored, with harsh shadows under the protagonist.", "pool": "Infinity pool, visible only as a narrow strip at the bottom of the frame, with a faint violet reflection and white flash highlights on the water surface.", "protagonist": "A muscular man in his 30s, athletic build, broad shoulders, very wide back (latissimus dorsi), slightly hunched posture to emphasize the width and muscle mass. He stands with his back to the camera, very close to the lens – the frame is cropped tightly from just below the waist (top of the buttocks) to slightly above the top of the head. Arms are relaxed, hanging straight down along his sides, partially cropped at the elbows. He wears a black ribbed balaclava (covering head and neck, no openings) and rectangular gold‑frame sunglasses (not visible from behind, but present). He is bare‑chested, wearing only black tailored trousers (low waist, visible just above the pool edge). His skin is slightly sweaty, with tiny droplets catching the flash – creating sharp specular highlights. The pose is static, dominant, slightly brooding. Because he is so close to the camera, every pore, hair, and sweat droplet is visible with extreme detail." }, "tattoo": { "description": "A large, intricate tattoo covering his entire upper back, from the base of the neck to the waist, spanning from left shoulder to right shoulder. The style is Chicano smoke/shadow with a dark, ethereal aesthetic – swirling clouds, soft gradients, and translucent smoke tendrils merging into the skin. Integrated into this smoke are elements of ancient warriors (Spartan helmets, gladiator motifs, spears, and shields) done in a realistic, shaded black‑and‑grey style. In the center, across the upper back (between the shoulder blades), the word 'ШРЕДЕР' is tattooed in a bold, elegant, slightly italicized font – the letters are thick, with a subtle 3D effect, dark grey/black with soft highlights. Below the text, a large Masonic / Illuminati symbol: a pyramid with an all‑seeing eye, surrounded by geometric patterns (compass, square, sunburst). The tattoo is rendered in black‑and‑grey smoke style – some areas opaque, others fading into the skin. The flash creates specular highlights on the raised texture of the tattoo. Because of the tight framing, the tattoo is highly detailed and occupies the central visual focus." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY. No other light sources. The flash is harsh, direct, and unmodified. It creates a sharp drop‑off: the subject is brightly lit, the background is pitch black. No fill light, no bounce, no ambient. This is NOT HDR.", "quality": "extremely harsh, high contrast, specular highlights on sweat and wet skin, deep black shadows with zero detail, overexposed patches on the shoulders and back where the flash hits directly.", "effects": [ "strong, direct flash creating hard specular highlights on every sweat droplet", "the tattoo appears stark, with high contrast between black ink and pale overexposed skin", "background completely black – no details of the sea, palms are dark silhouettes with no texture", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors, skin tones pale with a slight blue/green cast from the flash", "extremely high contrast – pure whites next to pure blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the black background", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. No warm tones. No golden hour. No teal and orange. Just raw, cold flash.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, from behind, centered composition. The camera is positioned very close to the subject – the back fills approximately 80% of the frame. Tight crop from just below the waist (top of buttocks) to slightly above the head. The pool edge is visible only at the very bottom (5‑10% of frame height), palms only as narrow silhouettes on the sides. Camera distance ~0.8‑1.2 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, tight shot, subject perfectly centered, slight tilt (~3‑5°), a small intruding element (a leaf or a finger) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the back and tattoo are sharp, background completely out of focus and black.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "pitch black background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural skin texture (sweat droplets, pores, muscle striations)", "visible water reflections (faint)", "chromatic aberration", "barrel distortion", "lens flare", "tattoo texture and shading" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "face visible", "skin on face or neck (covered by balaclava)", "wide shot", "distant subject" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "blurry (beyond intentional motion blur)", "low detail", "unrealistic proportions", "bad anatomy", "watermark (other than intended)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash", "modern smartphone", "clowns", "money", "guns", "cartel", "narco", "daylight", "missing tattoo", "missing text 'ШРЕДЕР'", "missing pyramid", "wide angle", "subject too small", "distant shot" ] }

make him in front angle. first person shot.

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

The camera follows the character as he slowly moves forward.

put the guy on the corner of the wall. he says my name is Rizky. make the camera move from to closer to the guy

this subject in this same pose but from the front straight about five feet away

make this so you can see his whole body

make this so you can see his whole body

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

make this so you can see his whole body

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

based on uploaded references, put the guy on the corner of the wall. he says my name is Rizky. make the camera move from to closer to the guy

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

Le héros avance jusqu’à la caméra, et puis il sort hors du champ

Create different views and vantage points Keep the character small in size compared to the console.

Close Shot : His rugged face through the visor, eyes locked on the red sphere. Camera: Tilt up.

show from rear camera angle walking away from camera looking back at camera. then turn around and face camera at end of scene

he's Standing up walking towards me smiling, flexing double biceps, I'm backing away, camera panning out

camera perspective to the left capturing the side profile of the man in green outfit close to the camera