UN ENCUADRECINEMATOGRFICO CON POCA PROFUNDIDAD DE CAMPO Prompts

a man ((looking out a window)) at a field, by Franz Cižek, renaissance, lost highway, very very wide shot, guardrail, james dean --q 2 --v 5.1 --ar 3:2

Over-the-Shoulder Shot (Moderate Depth of Field) From the perspective of a warrior standing at the temple’s edge, looking down at the ritual below. The foreground shows the warrior’s beaded arm and the hilt of a ceremonial dagger. The depth leads the viewer’s eyes toward the fire and the figures surrounding it.

A fixed-camera shot (camera does not move), positioned low to the ground in the center of an abandoned field overgrown with wild vegetation, captured during sunset. Foreground: Sharp focus on characteristic plants and tall grasses of an abandoned field, some still green, others dry, gently swaying in the wind. Background: Extremely blurred, far away in the distance, a long table surrounded by a large group of stylish, beautiful people. They are sharing food, talking, laughing, and enjoying themselves in a warm, social atmosphere. Some guests serve food, while others hold wine glasses. Someone is pouring wine from a bottle into another’s glass. Style: Shallow depth of field, strong cinematic look, warm tones from the sunset, with the foreground in sharp focus and the background kept very far away and soft.

haz un zoom out, d emanera que se vea lo mismo pero como si el camará se hechara para atrás, haciendo que la abitación donde está la entantería es mucho más larga

Master Prompt (Layered Depth): A wide-angle cinematic film still, masterpiece quality, shot on a 35mm lens. A lone prophet is standing on a rock looking toward the horizon. Plane 1 (Foreground Focus): The primary figures in the immediate foreground are sharp and highly detailed. They cover the bottom 1/3 of the frame. Their clothing and skin textures are crisp and defined. Plane 2 (The Midground): Directly behind the figures, the midground contains [a distant hill and a silhouetted figure]. This layer is significantly less sharp than the foreground, rendered with a heavy atmospheric haze. CRITICAL: These midground elements must be deeper and darker in tone than the sky, but lighter and softer than the foreground figures, creating clear separation. Plane 3 (The Sky): The top 1/2 of the image is a vast, minimalist golden sky. It is the lightest part of the frame, glowing with a soft, hazy sun that washes out all fine detail. Color & Lighting: A strict, monochromatic sepia-golden palette. The golden atmosphere tints every layer. Strong backlighting creates a subtle rim-light on all figures. Authentic film grain, soft chiaroscuro, cinematic storytelling mood. No text, no watermark.

Master Prompt (Layered Depth): A wide-angle cinematic film still, masterpiece quality, shot on a 35mm lens. A lone prophet is standing on a rock looking toward the horizon. Plane 1 (Foreground Focus): The primary figures in the immediate foreground are sharp and highly detailed. They cover the bottom 1/3 of the frame. Their clothing and skin textures are crisp and defined. Plane 2 (The Midground): Directly behind the figures, the midground contains [a distant hill and a silhouetted figure]. This layer is significantly less sharp than the foreground, rendered with a heavy atmospheric haze. CRITICAL: These midground elements must be deeper and darker in tone than the sky, but lighter and softer than the foreground figures, creating clear separation. Plane 3 (The Sky): The top 1/2 of the image is a vast, minimalist golden sky. It is the lightest part of the frame, glowing with a soft, hazy sun that washes out all fine detail. Color & Lighting: A strict, monochromatic sepia-golden palette. The golden atmosphere tints every layer. Strong backlighting creates a subtle rim-light on all figures. Authentic film grain, soft chiaroscuro, cinematic storytelling mood. No text, no watermark.

Master Prompt (Layered Depth): A wide-angle cinematic film still, masterpiece quality, shot on a 35mm lens. A lone prophet is standing on a rock looking toward the horizon. Plane 1 (Foreground Focus): The primary figures in the immediate foreground are sharp and highly detailed. They cover the bottom 1/3 of the frame. Their clothing and skin textures are crisp and defined. Plane 2 (The Midground): Directly behind the figures, the midground contains [a distant hill and a silhouetted figure]. This layer is significantly less sharp than the foreground, rendered with a heavy atmospheric haze. CRITICAL: These midground elements must be deeper and darker in tone than the sky, but lighter and softer than the foreground figures, creating clear separation. Plane 3 (The Sky): The top 1/2 of the image is a vast, minimalist golden sky. It is the lightest part of the frame, glowing with a soft, hazy sun that washes out all fine detail. Color & Lighting: A strict, monochromatic sepia-golden palette. The golden atmosphere tints every layer. Strong backlighting creates a subtle rim-light on all figures. Authentic film grain, soft chiaroscuro, cinematic storytelling mood. No text, no watermark.

cinematic film still of a woman with a shadow on her face on the side of the frame with many many holes with lights coming out and casting shadows on her face..., casting shadow style couloirs patterned illumination, shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy,

Dolly zoom effect on a woman, she remains the same size in the center of the frame while a dense forest background dramatically expands away from her, her facial expression shows overwhelm and shock, eyes wide, slightly open mouth, disorienting vertigo effect, natural light through trees, cinematic, 16:9

8-second video. Realistic human, a curious person standing in a sunny green field leaning down toward a small anthill on the ground. Camera starts wide showing the person from behind, slowly zooms into their eye as they get closer to the anthill. The eye fills the frame, iris reflecting the anthill, then everything fades to black. Realistic cinematic photography style, warm natural sunlight, shallow depth of field.

windows opening to the cosmos. The photograph employs a 'noctilux 0.95' lens effect for a soft depth of field, and the color grading is distinctly reminiscent of 1970s cinema, adding to the filmic quality of the image.

la camara avanza lentamente

la camara avanza lentamente

The camera performs a slow,cinematic orbit around her (from behind to a side profile),with professional depth of field

Master Prompt (Layered Depth): A wide-angle cinematic film still, masterpiece quality, shot on a 35mm lens. A lone prophet is standing on a rock looking toward the horizon. Plane 1 (Foreground Focus): The primary figures in the immediate foreground are sharp and highly detailed. They cover the bottom 1/3 of the frame. Their clothing and skin textures are crisp and defined. Plane 2 (The Midground): Directly behind the figures, the midground contains [a distant hill and a silhouetted figure]. This layer is significantly less sharp than the foreground, rendered with a heavy atmospheric haze. CRITICAL: These midground elements must be deeper and darker in tone than the sky, but lighter and softer than the foreground figures, creating clear separation. Plane 3 (The Sky): The top 1/2 of the image is a vast, minimalist golden sky. It is the lightest part of the frame, glowing with a soft, hazy sun that washes out all fine detail. Color & Lighting: A strict, monochromatic sepia-golden palette. The golden atmosphere tints every layer. Strong backlighting creates a subtle rim-light on all figures. Authentic film grain, soft chiaroscuro, cinematic storytelling mood. No text, no watermark

Master Prompt (Layered Depth): A wide-angle cinematic film still, masterpiece quality, shot on a 35mm lens. A lone prophet is standing on a rock looking toward the horizon. Plane 1 (Foreground Focus): The primary figures in the immediate foreground are sharp and highly detailed. They cover the bottom 1/3 of the frame. Their clothing and skin textures are crisp and defined. Plane 2 (The Midground): Directly behind the figures, the midground contains [a distant hill and a silhouetted figure]. This layer is significantly less sharp than the foreground, rendered with a heavy atmospheric haze. CRITICAL: These midground elements must be deeper and darker in tone than the sky, but lighter and softer than the foreground figures, creating clear separation. Plane 3 (The Sky): The top 1/2 of the image is a vast, minimalist golden sky. It is the lightest part of the frame, glowing with a soft, hazy sun that washes out all fine detail. Color & Lighting: A strict, monochromatic sepia-golden palette. The golden atmosphere tints every layer. Strong backlighting creates a subtle rim-light on all figures. Authentic film grain, soft chiaroscuro, cinematic storytelling mood. No text, no watermark.

Abstract atmospheric void, vast empty charcoal space with fine drifting dust particles suspended in air + cavernous negative space, no subject, room for text + low-key directional light from one side, deep shadow, soft volumetric fog, single faint shaft of light + desaturated near-monochrome charcoal and slate, one oxblood ember glow (#7A1420) low in frame + anamorphic, shallow depth of field, heavy film grain, fine haze --ar 9:16, cinematic, no text, no logos, no watermark, no visible face

There are no objects on the wall, light from the projector spreading against the ivory wall. There is a little dust on the wall and it is a little dark around the picture. Wes Anderson style, high definition, 8k

Dolly zoom effect on a woman, she remains the same size in the center of the frame while a dense forest background dramatically expands away from her, disorienting vertigo effect, natural light through trees, cinematic, 16:9

cinematic film still woman, long dark-blonde hair, from behind, wearing a form fitting sleeveless minidress, hands at her sides, standing in an open field, sunsetting in the distance, hair blowing in the gentle breeze . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy

A single grain of sand falling through a vast dark hourglass, extreme negative space, isolated and minimal + immense empty atmospheric chamber, sense of scale and silence + low-key directional light from above, deep shadow, drifting haze + desaturated charcoal and bone, one oxblood accent on the falling grain (#7A1420) + anamorphic, shallow depth of field, slow-push framing, film grain --ar 9:16, cinematic, no text, no logos, no watermark, no visible face

mover la cámara en traveling hacia el rostro y poner unas nubes por detrás

high definition black n white - camera shot from top - an old man lying horizontally in a well - shot taken from depth