You tell me Prompts

You tell me.

Well, no one told me about her, the way she lied Well, no one told me about her, how many people cried But it's too late to say you're sorry How would I know, why should I care? Please don't bother tryin' to find her She's not there Well, let me tell you 'bout the way she looked The way she'd act and the colour of her hair Her voice was soft and cool Her eyes were clear and bright But she's not there Well, no one told me about her, what could I do? Well, no one told me about her, though they all knew But it's too late to say you're sorry How would I know, why should I care? Please don't bother tryin' to find her She's not there Well, let me tell you 'bout the way she looked The way she'd act and the colour of her hair Her voice was soft and cool Her eyes were clear and bright But she's not there But it's too late to say you're sorry How would I know, why should I care? Please don't bother tryin' to find her She's not there Well, let me tell you 'bout the way she looked The way she'd act and the colour of her hair Her voice was soft and cool Her eyes were clear and bright But she's not there

You tell me.

Recommendation of hairstyles,also telling information about hair styles, hair type, facial structure,etc. Also tell me what products should I use to enhance the hairstyle that's suits me the best

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Recommendation of hairstyles,also telling information about hair styles, hair type, facial structure,etc. Also tell me what products should I use to enhance the hairstyle that's suits me the best

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Make me say come here with my finger

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I can't get no satisfaction I can't get no satisfaction 'Cause I try and I try and I try and I try I can't get no, I can't get no When I'm drivin' in my car And the man comes on the radio He's tellin' me more and more About some useless information Supposed to drive my imagination I can't get no, oh no, no, no Hey, hey, hey, that's what I say I can't get no satisfaction I can't get no satisfaction 'Cause I try and I try and I try and I try I can't get no, I can't get no When I'm watchin' my TV And a man comes on and tells me How white my shirts can be But he can't be a man 'cause he doesn't smoke The same cigarettes as me I can't get no, oh no, no, no Hey, hey, hey, that's what I say I can't get no satisfaction I can't get no girl reaction 'Cause I try and I try and I try and I try I can't get no, I can't get no When I'm ridin' 'round the world And I'm doin' this and I'm signing that And I'm tryin' to make some girl Who tells me baby better come back, maybe next week 'Cause you see I'm on a losing streak I can't get no, oh no, no, no Hey, hey, hey, that's what I say I can't get no, I can't get no I can't get no satisfaction, no satisfaction No satisfaction, no satisfaction I can't get no

1. Time + Location + Environment Mid-morning, deep in a misty Pacific Northwest forest. Ferns glisten with dew, birds chirp in the background. Sunbeams pierce through the towering redwoods. Slight breeze rustles leaves. 2. Detailed Scene Action Bigfoot, towering and shaggy, holds a smartphone on a selfie stick. He walks toward camera, deadpan expression, adjusting the mic like a pro. He pauses, then delivers the joke: “Why don’t I go to parties? Because every time I try, someone yells ‘I found him!’” He lets the punchline hang, raises his eyebrows, then chuckles with a deep, guttural laugh. 3. Optional Dialogue/Voiceover [Bigfoot, mock-serious tone] “Look, I’m just tryin’ to live my life, man. I like moss. I like mushrooms. I tell jokes. But every time… boom — blurry photo, viral panic.” 4. Camera Style and Movement Handheld selfie-style from Bigfoot’s POV, with occasional over-the-shoulder drone cuts to show his massive frame amid the trees. Occasional quick zoom-ins for comedic timing. Shaky-cam adds realism. 5. Audio/Musical Elements Lighthearted acoustic guitar plucks. Ambient forest SFX — birds, wind, distant woodpecker. Comedic record-scratch sound when he tells the joke, followed by a short laugh track. 6. Mood, Lighting, Cinematic Style Whimsical mockumentary vibe. Soft natural lighting with mild cinematic grading (slight green-gold tint). Feels like a cross between a National Geographic special and a YouTube skit.

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ALL AI "ART" WILL ME IMMEDIATELY REJECTED AND YOU WILL BE DISQUALIFIED AND REPORTED WITH A POSSIBLE BAN. Demensions: 11 1/4 inches tall (28.575 cm) 8 1/2 inches wide (21.59 cm) Overview: I am creating a tabletop roleplaying game inspired by the world and themes of Avatar: The Last Airbender and The Legend of Korra. The game centers around growth, mastery, balance, and personal struggle through elemental power (NOT becoming the avatar). I’m looking for a high-quality, eye-catching book cover illustration that captures the spirit of the world while remaining original. Core Theme & Tone: This story is about the player's Character's own self-discovery and rising to power. The tone should feel: -Epic, but grounded -Mystical and elemental -Character-driven, not just flashy -A sense of journey and internal struggle Visual Direction: The cover should feature up to 1 non bender and 4 benders (or more) bending their distinctive elements along with their own unique designs (clothes, skin, hair that MAY OR MAY NOT match their nations) and maybe a hybrid animal companion as seen in the Avatar World. These elements can be subtle or dramatic, but should feel alive and in motion, almost responding to the character. And of course, it must have the title on the cover somewhere ("Steps of Courage") (The World of Avatar TTRPG). Setting Ideas (flexible): -A path through varied terrain (mountains, desert, coastline, etc.) -A battlefield shaped by bending -A spiritual or symbolic landscape -A moment of power awakening Style Preferences: Painterly or semi-realistic (not overly cartoony) Clean composition that reads well as a book cover Strong lighting and contrast Dynamic motion in the elements Important Notes: This is INSPIRED by Avatar, not fan art—please keep designs original No use of existing characters, symbols, or direct references Must be suitable for print and digital (front cover format) Deliverables: Final high-resolution book cover illustration Source file preferred (JPG, or equivalent) What I’m Looking For: A piece that immediately communicates “this is an elemental, story-driven adventure” and makes someone want to pick up the book. Feel free to bring your own creative interpretation—I value originality and strong artistic vision. Don’ts (Important): -No AI-generated artwork. All submissions must be fully your OWN WORK. I WILL REJECT ANY AND ALL AI GENERATED WORK. YES I CAN TELL. I WILL NOT BUDGE ON THIS. -No tracing, heavy photobashing, or use of unlicensed assets -No direct copies or likenesses of existing Avatar characters -Avoid cluttered compositions that won’t read well as a cover Extra Credit: The following will get you ranked higher- - Front AND back cover - - extra little side sketches of one or more characters doing bending that I can use inside the book - - Alternative cover for rare / special people - Thank you and good luck! If you are curious, this is what the book says about the people of each nation: ""Cultural and environmental differences often influence physique: Water Tribe members tend to be broader-shouldered and have sharper features. Earth Kingdom citizens are typically shorter and a little chunkier. Think “Strong Man” Physique. Fire Nation natives often have a leaner, athletic build that is more comparable to your typical every day human. Air Nomads are traditionally tall, slim and flexible. They usually have softer facial features as well, though many non-benders transitioned to being airbenders in the harmonic convergence, making them a little harder to pick out by physical features."" -------- WATER ""Northern Water Tribe Northern Water Tribe members are known for their tall, broad builds and sharp features shaped by generations of life in the cold. Their skin tones range from light tan to deep bronze, weathered by harsh arctic winds and the glare of endless snow. Their hair is almost universally dark — black, brown, or very deep auburn — and is often worn long to preserve heat and display heritage. Men typically braid or tie their hair into topknots or warrior braids, while women favor looped braids or ornate buns held by carved bone or shell pins. Blue, gray, or sea-green eyes are most common, reflecting the surrounding ice and sea, though rarely Lilac eyes are seen. Clothing is made of layered furs and thick seal pelts, dyed in shades of blue, white, and gray. Trimmed in white fur, the clothing reflects both practicality and pride — even the simplest outfit is adorned with symmetrical embroidery that resembles waves, snowflakes, or moon phases. Nobles and warriors often wear ceremonial blues and whites, marked with family insignia stitched in silver thread. ""The Southern Water Tribe Southerners share the characteristic blue attire and dark hair of all Water Tribe peoples, but their looks are rougher and the people are shorter as if weathered by spending generations facing the unforgiving polar wilds with little protection. Their skin tones range from bronze to deep copper, and their eyes are most often shades of gray, ocean blue, or teal. While Northern Water Tribe citizens dress in formal layered robes, Southerners favor functional leathers, seal furs, and thick boots designed for constant movement. The furs are often mismatched — remnants of past hunts and scavenged trade — dyed in faded blues and whites. Hair is typically worn tied back with sinew cords, often adorned with small bone beads or sea-glass trinkets that tell family or hunting stories. Scars are worn with pride, not shame — a testament to battles with the sea, the cold, and the spirits themselves. FIRE ""The Fire Nation Fire Nation citizens have the largest array of skin tones ranging from pale to dark brown, dark hair that ranges from black to deep brown, and sharp amber or golden eyes that seem to catch the light even in shadow. Their posture tends to be proud — shoulders squared, chin lifted — a reflection of generations raised under banners of strength and honor. Hair is typically worn in neat, deliberate styles, often tied up with metal clasps or decorative combs that indicate status. Warriors and nobles alike may wear topknots, while commoners favor simple tails or short cuts to keep hair from catching fire. Their clothing reflects both practicality and ceremony. Commoners wear dark reds and burnt oranges, often layered in durable fabrics resistant to heat and ash. Nobles and soldiers favor black and crimson, trimmed with gold to symbolize control over flame. Armor is lacquered and ornate, designed to intimidate as much as protect. ""The Fire Nation Colonies Fire Nation colonials display an extraordinary blend of features drawn from both of their parent cultures. Many have the tan or olive complexions of Earth Kingdom heritage with the sharp eyes and darker hair tones of Fire Nation lineage. Others are more uniform in appearance, but their clothing tells their story — a fusion of fire-red silks and earthen browns, tunics tied with mixed sashes, and practical work garments designed for both farm and forge. Hair is often worn loose or tied back in simple knots — a symbol of practicality over vanity. Jewelry is typically handmade from copper, jade, and iron — a mix of Fire Nation metalwork and Earth Kingdom craftsmanship. EARTH ""Kolau Mountain Range Kolau people often have earth-toned skin — from pale tan to deep brown — weathered by high mountain winds and sun. Their eyes are shades of amber, moss green, or dark slate, often described as “stone-polished.” Hair is typically dark brown or black, though streaks of silver or gray appear early, said to be “the mountain’s mark.” They dress in layered wool, hide, and heavy linens, dyed in greens, browns, and grays for camouflage among the rocks. Jewelry often features carved stone, uncut gems, or fragments of the luminescent crystals that grow in the secret tunnels — gifts believed to bring luck and clarity in love. ""Si Wong Desert Centuries beneath the desert sun have given the Sandbenders bronzed or sun-darkened skin, light eyes ranging from amber to gray-blue, and hair bleached by sun and sand — often sandy brown, golden blonde, or pale black. Their bodies are wiry but strong, built for endurance rather than bulk. They dress in flowing desert robes, head wraps, and goggles to protect against the harsh sunlight and constant sandstorms. Colors tend toward pale tans, faded yellows, and muted reds — practical hues that blend with the dunes. ""Chameleon Bay Chameleon Bay settlers are a blend of coastal hardiness and inland sturdiness. Their skin ranges from olive to golden brown, weathered by sea salt and sun. Hair is most often dark brown or black, sometimes sun-faded at the ends to auburn or chestnut. Eyes are earthy tones — deep greens clay browns — but some families are noted for pale sea-green eyes said to reflect the bay’s shimmer. They favor layered clothing of linen and hemp, dyed in natural greens, browns, and pale blues. Practicality is prized: sand-resistant cloaks, leather belts, and rope sashes are common. Shell or clay jewelry is worn not for wealth, but for sentimental meaning — each bead often represents a journey taken or a storm survived. AIR ""Air Nomadic Temples Air Nomads tend to have fair to tan skin tones, reflecting years spent atop mountain spires. Their eyes are usually gray or brown. Hair color ranges from light brown to black, though many shave their heads completely as a symbol of detachment and focus. Tattoos mark the greatest spiritual and physical accomplishment in their society — mastery of airbending. Upon achieving full control of their bending, Nomads receive blue arrow tattoos representing the flow of chi through the body and the boundless freedom of the wind. Their clothing is simple yet symbolic — orange and yellow robes layered for warmth and motion, with hints of red at the hem. The colors represent flame’s warmth and life’s vibrancy, a recognition that even the wind carries the heat of the sun.

Design a premium 5-card Instagram carousel ad that tells a story. Each card: 1080x1080px. Dark theme. Swipe-worthy design. Overall feeling: Netflix series opening credits meets Forbes magazine. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ CARD 1 — THE HOOK (Stop the Scroll) ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ Background: Pure black. One thin gold diagonal line cutting across. Center — oversized bold text, white: "Your business is great. So why is nobody finding it online?" Bottom small text in gold italics: "Swipe to see what's actually holding you back →" Design note: Minimal. Dramatic. Like a movie teaser poster. The emptiness IS the design — it creates curiosity. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ CARD 2 — THE PROBLEM (Create FOMO) ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ Background: Deep navy blue with faint grid pattern. Left half: A wilting plant (symbolizing a brand not growing) Right half: Text stack, white and gold: BIG TEXT: "RIGHT NOW—" List appears line by line with typewriter effect style: "→ Your competitor is ranking above you on Google" "→ Their ads are showing to YOUR potential customers" "→ Their website loads in 1 sec. Yours takes 6." "→ They got 47 leads today. You got none." Bottom: Red text, urgent: "This isn't bad luck. It's a solvable problem." Gold arrow pointing right: "See how →" ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ CARD 3 — THE SOLUTION (Your Services) ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ Background: Split — left dark navy, right electric blue glow. TOP headline (white, bold): "ONE TEAM. TOTAL DIGITAL CONTROL." 5 service blocks arranged like a dashboard UI: Each block has: Icon + Service Name + One-line power statement ┌─────────────────┐ ┌─────────────────┐ │ 📱 Social Media │ │ 🔍 SEO │ │ Marketing │ │ Own Google #1 │ │ Audiences that │ │ Get found by │ │ buy from you │ │ buyers, daily │ └─────────────────┘ └─────────────────┘ ┌─────────────────┐ ┌─────────────────┐ │ 💰 Paid Ads │ │ 🌐 Website Dev │ │ Meta + Google │ │ Fast. Beautiful │ │ $1 in → $8 out │ │ Converts 24/7 │ └─────────────────┘ └─────────────────┘ ┌─────────────────────┐ │ 📊 SMO │ │ Build authority & │ │ become THE brand │ └─────────────────────┘ Bottom CTA hint: "Real results on next slide →" ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ CARD 4 — THE PROOF (Social Proof) ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ Background: Dark charcoal with gold accents. TOP: Gold badge icon + text: "REAL NUMBERS. REAL CLIENTS. USA." 3 case study cards stacked vertically, each styled like a premium receipt/invoice: ┌────────────────────────────────────┐ │ 🏠 Real Estate Agency — Dallas, TX │ │ Challenge: Zero online leads │ │ What we did: SEO + Google Ads │ │ Result: ✅ 210 leads in 45 days │ │ ✅ Cost per lead: $12 │ └────────────────────────────────────┘ ┌────────────────────────────────────┐ │ 🛍️ Fashion Brand — Miami, FL │ │ Challenge: Low Instagram reach │ │ What we did: SMM + SMO + Reels │ │ Result: ✅ 0 to 28K followers │ │ ✅ 3.8X sales increase │ └────────────────────────────────────┘ ┌────────────────────────────────────┐ │ 🏥 Med Spa — Los Angeles, CA │ │ Challenge: No website traffic │ │ What we did: SEO + Website Rebuild │ │ Result: ✅ Page 1 Google: 60 days │ │ ✅ 5X appointment bookings │ └────────────────────────────────────┘ Bottom text: "Your results could be on this slide. →" ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ CARD 5 — THE CTA (Close the Deal) ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ Background: Bold gold-to-deep-blue diagonal gradient. This card should feel like a CLIMAX — the most designed one. TOP: Small text in white: "You made it this far. That tells us something." CENTER — massive bold text stacked: "READY TO STOP LOSING LEADS ONLINE?" Below — clean white box with dark text inside: "🎯 FREE 30-Minute Strategy Session We'll audit your entire online presence, show you exactly what's broken, and tell you precisely how to fix it. Zero cost. Zero obligation. 100% value." CTA BUTTON (dark navy, rounded corners, gold border): "👉 BOOK MY FREE SESSION NOW" Below button: Website: [yourwebsite.com] 📲 WhatsApp: [your number] 📧 [your email] Very bottom in small text: "⚡ Only 5 free sessions available this week — USA businesses only" (Creates urgency + scarcity)

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A digital painting depicting a person exuding a modern twist on classic Western aesthetics, clothed in a stylish outfit that includes wide-brimmed hat and denim overalls, stands confidently beside an eye-catching vehicle. This figure, marked with tattoos that tell tales of past adventures, holds a map, a symbol of their unquenched thirst for exploration. The background merges the rustic charm of the Wild West with a hint of dystopian intrigue, suggesting a world where the spirit of exploration battles the encroaching shadows of a dystopian reality. The scene is a vibrant tapestry of colors, each hue telling its own story of freedom and resilience.

Can you create a picture about this character based on my prose, following with its artstyle being draw in anime style : The character was a girl. Her characteristics has long hair in a deep violet-black — dark enough to read as black in most lighting but with a visible purple undertone in direct light. She wears it in a style appropriate to her maid persona — partially pinned up with the remainder falling neatly down her back, controlled and professional. Her eyes are a deep violet that occasionally bleeds to red at the outer edges when she is using her Zarikh power or experiencing strong emotion. Her skin tone is warm rather than pale — she does not have the pallor of many dark magic users, which is part of what makes her seem more human than she technically is. Her face defaults to a pleasant professional expression — the specific warmth of someone who has decided that appearing warm is useful. The expression is genuine often enough that people who know her cannot always tell when it is performed, which is exactly the point. When she genuinely cares about something her expression becomes visibly different — less controlled, more unguarded — and the contrast between her performed warmth and her genuine warmth is visible to attentive observers. She wears a maid uniform that is both absolutely correct in every detail and somehow subtly wrong. The uniform is pristine — perfectly pressed, correctly proportioned, the right colour. But something about how she wears it suggests that she chose to wear a maid uniform rather than that she is simply a maid. The apron sits slightly too perfectly. The collar is slightly too neat. The overall impression is of someone wearing a costume they understand completely rather than a person in their natural clothes. In combat or serious situations she does not change her clothing — she simply wears the maid uniform while doing things that maid uniforms have no business being worn for, which is itself a visual statement about who she is. She carries a staff in combat — long, dark wood with a violet crystal element at the tip, the only item she carries that does not match the maid aesthetic. She carries herself with the posture of someone who has been performing competence and pleasantness for so long that it has become natural — upright, attentive, always slightly angled toward whoever she is speaking to in the manner of someone trained to make people feel attended to. The tells that something more complex is happening underneath this are small — a brief hardening around the eyes when she hears something she dislikes, the specific quality of her smile when she is deciding whether to tell the truth.

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

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