Anamorphic flare Prompts

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 73:108 --stylize 750 --v 6

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 1:2 --personalize yruxpc2 --stylize 750 --v 6.1

End-of-day rush hour on a Los Angeles freeway, POV from the driver’s seat; lower frame shows a slightly out-of-focus steering wheel and a man’s hands; multi-lane red taillights form streams of light extending into the distance, with the Los Angeles skyline as a hazy silhouette; the sky transitions from warm dusk to blue hour; subtle directional motion smear resembling a 1/30s shutter; fine windshield reflections with a faint dashboard glow. Lighting: mixed tungsten cabin spill with sodium/LED streetlights; optional heat-shimmer-like wet specular highlights (not rain). Lens/Focus: 24-28mm wide; deep focus on traffic, foreground interior slightly soft. Composition: the brightest taillight streams stack along the vertical axis; overhead freeway signs present but unreadable. Look: desaturated neons, anamorphic-style flares, anxious and tense atmosphere.

a girl with long straight platinum blonde hair laying in bed, bangs, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 1:2 --personalize yruxpc2 --stylize 750 --v 6.1

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 1:2 --personalize yruxpc2 --stylize 750 --v 6.1

a woman in a colorful dress sitting on the ground, spirit photography, huge highly detailed wings, lindsay adler, flowing fabric, ethereal soft and fuzzy glow, awarded photograph, by Jemima Blackburn, digital photograph, flares anamorphic, color photo, world press photo, by Colin Middleton, silks --v 5 --ar 3:4

a woman in a colorful dress sitting on the ground, spirit photography, huge highly detailed wings, lindsay adler, flowing fabric, ethereal soft and fuzzy glow, awarded photograph, by Jemima Blackburn, digital photograph, flares anamorphic, color photo, world press photo, by Colin Middleton, silks --v 5 --ar 3:4

Interior, dark sci-fi bio-lab, glowing green bioreactor tanks filled with swirling algae and bioengineered plants, dense mist curling across metallic floors, neon reflections shimmering in the green liquid, overhead industrial lights casting cold highlights, pipes and cables weaving across the ceiling, wet surfaces glinting, futuristic hydroponics meets eerie biotech facility, cinematic cyberpunk mood, high detail, volumetric lighting, shallow depth of field, 35mm anamorphic, subtle lens flare, cool green and teal color palette with hints of orange highlights, realistic textures, atmospheric fog, high contrast shadows, cinematic composition, hyperreal Sora style

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 73:108 --stylize 750 --v 6

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 73:108 --stylize 750 --v 6

shattered mirror, reflect, girl's face, cinematic shot + dynamic composition, incredibly detailed, sharpen, details + intricate detail + professional lighting, film lighting + 35mm + anamorphic + lightroom + cinematography + bokeh + lens flare + film grain + HDR10 + 8K + Roger Deakins, ((cinematic)), elegant, sharp

cinematic film still from the John Wick franchise, neo-noir aesthetic, hyper-detailed 8K --ar 16:9 SUBJECT: A hyperrealistic portrait of a stylish young man with a lean, toned physique (around 57 kg, 5'6 tall) —. [subject: use uploaded reference photo for *exact facial features, bone structure, and unique characteristics], exuding an aura of intense focus and dangerous calm. He is posed stoically against his classic American muscle car (a 1969 Ford Mustang). He wears a impeccably sharp, all-black tailored suit and a black shirt. **Crucially, the face and hairstyle must retain 100% fidelity to the provided reference photo, ensuring no deviation in distinct facial markings, eye shape, or overall likeness.* SCENE: A rain-slicked, dark city alleyway at night, drenched in the glow of vibrant Japanese and Cyrillic neon signs. Puddles on the asphalt reflect the electric blues, deep purples, and crimson reds of the background. LIGHTING: Dramatic, high-contrast lighting. The car's headlights act as a harsh key light, sculpting the subject's features and creating long, hard shadows. The ambient neon lights cast a saturated, colorful rim light. Prominent anamorphic lens flares streak horizontally from the light sources. ATMOSPHERE & COLOR: Moody, gritty, and atmospheric, with visible mist and fog diffusing the light. The color grade is heavily stylized with deep, crushed blacks, and a saturated palette of electric blue, magenta, and warm amber. CAMERA: Shot on an anamorphic lens, shallow depth of field, low-angle shot. Subtle, realistic cinematic film grain.

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 73:108 --stylize 750 --v 6

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 1:2 --personalize yruxpc2 --stylize 750 --v 6.1

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 1:2 --personalize yruxpc2 --stylize 750 --v 6.1

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 73:108 --stylize 750 --v 6

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 1:2 --personalize yruxpc2 --stylize 750 --v 6.1

a man in a superman suit standing next to a DJ in a dark room, a hologram by Zack Snyder, featured on cg society, superflat, reimagined by industrial light and magic, dc comics, anamorphic lens flare

a woman with long hair laying in bed, in the style of yigal ozeri, anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 1:2 --personalize yruxpc2 --stylize 750 --v 6.1

metamorphosis --chaos 75 --ar 1:2 --sref 641129313 --profile x3fq9up --stylize 750

A cinematic 30 second World Cup 2026 inspired short film set in Los Angeles stadium at night between Argentina and Portugal. The atmosphere is electric with packed crowds waving flags, flashing lights, giant holographic scoreboards, smoke effects, and cinematic rain reflections on the pitch. Opening scene starts with Cristiano Ronaldo walking through the stadium tunnel in slow motion while hearing the deafening roar of fans. Close up shots of boots touching the wet ground, tense faces, jerseys moving in the wind, and dramatic eye contact between rival teams. Ultra realistic cinematic camera movement, emotional tension, dynamic lighting, realistic crowd reactions, premium sports commercial quality. As the beat intensifies, transition into fast paced World Cup action. Explosive dribbling sequences, impossible skill moves, aggressive tackles, synchronized team movement, dramatic goalkeeper saves, and cinematic slow motion shots of the ball flying across the field. Final hero shot begins at the climax of the match. Cristiano Ronaldo performs a gravity defying bicycle kick from outside the box while multiple defenders from Team Argentina leap in slow motion. Stadium lights flicker, rain particles freeze mid air, crowds erupt, camera rotates around the player in ultra cinematic style as the ball curves perfectly into the top corner of the net. Massive fireworks explode above the stadium while Portugal teammates rush in celebration. Hyper realistic visuals, emotional storytelling, cinematic sports trailer pacing, high energy World Cup atmosphere, multi character consistency, smooth action choreography, realistic physics, premium blockbuster film quality, anamorphic lens flare, dramatic sound design, epic final frame with trophy reflection and roaring crowd.

A gorgerous fat woman professional photography with delicate features, black, curly hair, kind and very cute smile, very thick and full lips, shiny lips, dark brown skin, in a fashion dress and colorful fun intricate embellishments and geometric patterns and designs, with a minimalist style of painting, only Chelsea Yellow as the background, the color matching is mainly Chelsea Yellow, white black and red, flat illustrations, minimalist fashion illustration in Memphis --ar 3:4 --niji 5 (curvy body), (Beautiful, high quality very detailed defined face, wonderful, fat lips), (her pose exudes confidence and attractiveness, softly body). Muse wearing light colored robes, bold bright colors, rainbowish colors, flowery, flat colors, dynamic ink lines, art by MSchiffer, high saturation, high contrast. Ethnic Guatemalan adorn in traditional Chichicastenango costume, Fat, Muscular, Dark skin, Thick thighs, Large hips, Big hips, Rounded hips, Thick eyebrows, Big eyes, Beauty face, wonderful face, Open mouth, Long eyelashes, Makeup, Black hair, Curly hair, Long hair. Super-Resolution --q 2 --ar 1:2 (masterpiece of the highest quality:1.4), perfect blue depicted with artistic brilliance (by junji ito and dave mckean and bridget riley), cel animation, vivid colors, 16K, UHD, HDR, (Masterpiece, best quality:1.5) anamorphic lens flare, bella kotak, video, close up, jagged edges, light beige and blue --ar 73:108 --styl

Create a seamless cinematic AI film (single continuous shot, no cuts) representing Yemen, designed as a high-end 3D broadcast motion graphics opener. GLOBAL STYLE: 8K, ultra-realistic, ray-traced global illumination, sunset lighting (3800K), anamorphic lens flares, volumetric god rays, glowing particles, HDRI environment, soft shadows, cinematic depth of field, smooth motion blur. FILM MODE: Single continuous camera movement, no cuts, no scene breaks. All environments morph and transition fluidly into each other using cinematic transitions (match cuts, morphing geometry, light transitions, particle dissolves). SEQUENCE FLOW (CONTINUOUS): Start above Socotra island coastline at golden hour. The camera flies forward slowly over dragon blood trees. Glowing orbs float in the air, while doves cross the frame. Without cutting, the camera pushes into one glowing orb → it transforms into a macro tunnel of ancient Yemeni columns inspired by the Throne of Bilqis. Walls reveal intricate zellige patterns with displacement. The camera continues forward → columns stretch and morph into abstract 3D Yemeni coffee plants. Yellow glowing ribbons wrap around them dynamically with subsurface scattering. The camera dives into the center of a coffee plant → transitions into an extreme macro shot of a copper dallah pouring dark coffee into a silver cup. Liquid motion is smooth and cinematic. The flowing coffee surface becomes a transition → morphs into a photobashed field of flowers (chrysanthemums, lilies, roses). Flowers gradually reorganize → transform into a low-poly grape tree on a soft green hill. The camera orbits slightly while continuing forward motion. The tree branches stretch and reshape → become elegant 3D typography forming "هذا الصباح / This Morning" with glossy reflective surfaces. A light sweep reveals the title. The text dissolves into particles → reform into a Yemeni architectural corridor (Bab Al-Yemen). The camera enters a smooth flythrough. At the end of the corridor, Dar Al-Hajar appears in the distance. The ground liquifies into الماء. The camera glides فوق الماء → transitions إلى مشهد minimal low-poly dhow boat surrounded by fog. Fog particles rise → تتحول إلى بذور هندباء تطير في الهواء. The camera passes through seeds → depth of field shifts to reveal blue glass refractive 3D forms. These refractive forms stretch vertically → تتحول إلى ناطحات سحاب شبام حضرموت. The camera rises للأعلى → الضوء الذهبي يشتد → كل العناصر تبدأ تتفكك إلى جسيمات ضوئية. Final transformation: All particles converge smoothly → forming the final 3D logo: "صباحك يا يمن" MATERIAL: Blue dielectric glass with dispersion + intersecting oxidized gold ribbons. FINAL FRAME: Soft HDRI Yemeni city with water reflections, light leaks, chromatic aberration, elegant cinematic finish. OUTPUT: One continuous cinematic shot, seamless transitions, no cuts, emotionally powerful, broadcast quality, smooth camera choreography.

Automotive editorial featuring a woman in full body tight denim jeans and cropped leather jacket, Squatting with weight on the balls of the feet, torso upright but chest aggressively forward, pelvis tilted up, hands forcing knees wider. Face: Eyebrows furrowed in concentration, eyes burning with impatient lust, mouth twisted in a fierce half-snarl — pure aggressive hunger that echoes the body’s bold, demanding stance. against a heavily modified racing wrapped Nissan Skyline R34 GT-R. Extreme widebody kit, aggressive carbon fiber canards, large rear wing, complex sponsor livery decals. No plain colors. Full body composition emphasizing silhouette and stance. Low angle shot. Chiaroscuro lighting from neon street lamps, 3200K color temp, rim lighting highlighting curves and metallic paint. Shot on Phase One XF IQ4 150MP with 35mm f/1.4 Summilux lens, ISO 100. Surface micro-textures include carbon fiber weave on spoiler, condensation on cold metal, fabric weave on denim. Suit tension across body, fabric strain visible. Atmospheric physics involve volumetric exhaust smoke, Rayleigh scattering through urban humidity, refracted light on polished clear coat. Optical mechanics simulate Leica M10-R chromatic aberration at edges, specific sensor noise at ISO 800 equivalent, anamorphic lens flare streaks. Environmental narrative includes wet asphalt reflecting neon signs, exotic industrial track underpass, steam vents, global illumination bouncing off car body. Hasselblad X2D 100C color depth for accurate skin tones. Fujifilm GFX 100 II Eterna Bleach Bypass simulation for high contrast cinematic grade. Sharp focus on subject, shallow depth of field blurring city background. Raw photography aesthetic, unpolished look, natural imperfections. Authentic raw file data. High fidelity capture. Street photography context. Aggressive atmosphere.