Burne-jones Prompts

cinematic film still (extremely detailed CG unity 8k wallpaper) full body portrait of an enigmatic, mesmerizing goth woman, darkly poetic and alluring ((Extreme close up:1. 4)), ((medium shot:1. 2)), goth woman with a black raven perched on her shoulder, ((holding a spellbook)), ((lace corset:1. 3)), (black choker) (long jet-black hair:1. 2), (voluminous curls hair:1. 2), ((pale blue eyes)), entrancing eyes, (dark eyeliner), (purple lipstick), (ivory skin), (white sclera), (sharp jaw), mysterious expression, (silver rings), detailed lighting, moonlight, ambient gothic lighting, enigmatic shadows, ((velvet skirt)), (platform boots), ((ancient crypt)), crescent moon, whispering winds, (slim:1. 2), haunting, (delicate fingers), (holding a raven:1. 2), (from front view:1. 4), (professional majestic impressionism oil painting by James Whistler:0. 75), Edward Burne-Jones, Amedeo Modigliani, by Victoria Frances, Nene Thomas, Gerald Brom, trending on ArtStation, trending on GothicArt, Enigmatic, High Contrast, alluring, trending on artstation, ((trending on TikTok)), <lora:more_details:1. 2> <lora:add-detail-xl:1. 2> <lora:GothicMystery_V3:1. 2> <lora:offset_0. 2:1. 2>, shallow depth of field, vignette, highly detailed, high budget Hollywood film, bokeh, cinemascope, moody, epic, gorgeous, film grain, RAW candid cinema, 16mm, color graded portra 400 film, remarkable color, ultra realistic, textured skin, remarkable detailed pupils, realistic dull skin noise, visible skin detail, skin fuzz, dry skin, shot with cinematic camera

futuristic woman, angry, crying blood insipired by Days of Creation (Third) Edward Burne-Jones and and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

woman crying insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

full woman, angry, crying blood insipired by Days of Creation (Third) Edward Burne-Jones and and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic, full shot

woman crying insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

woman in the field, insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic

knights and peacocks by rené gers de la corte, from 'the fairy tale' series, in the style of mechanical realism, burne-jones, light red and yellow, hyper-detailed illustrations, narrative paneling, action paintings, tondo --ar 10:7 --s 750

Highly detailed oil on canvas of a woman with long brown curly hair, standing in a wheat field, windy, cinematic lighting, low angle, trending on artstation, 8k, focused, extreme details, cinematic, masterpiece, art by Edward Burne-Jones, intricate artwork by Annie Leibowitz.

woman insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic

woman crying insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

woman crying insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

a woman covered in purple paint insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic

woman in the field, insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic

In this stunning hyperrealist painterly oil painting, the artist skillfully merges styles reminiscent of Vermeer, Dante Gabriel Rossetti, HR Giger, Julie Bell, Michael Whelan, Anne Stokes, Edward Burne-Jones, and Dean Cornwell. The painting depicts a poignant moment of a woman in a simple, linen dress, exuding quiet reflection and introspective melancholy. Her long, auburn hair is styled in loose, flowing waves, with each strand meticulously rendered to capture its soft, ethereal texture. Her gentle gaze invites viewers into her inner world, creating a deep sense of empathy and connection with the scene. The subtle interplay of light and shadow emphasizes the delicate lines of her form and the soft texture of her dress, emphasizing

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nick cave by rené gers de la corte, from 'the fairy tale' series, in the style of mechanical realism, burne-jones, light red and yellow, hyper-detailed illustrations, narrative paneling, action paintings, tondo --ar 10:7 --s 750

nick cave by rené gers de la corte, from 'the fairy tale' series, in the style of mechanical realism, burne-jones, light red and yellow, hyper-detailed illustrations, narrative paneling, action paintings, tondo --ar 10:7 --s 750

woman in the field, insipired by Lucien Lévy-Dhurmer "Le Silence" 1895 and Albert-Émile Artigue "Fleurs de Printemps" 1900 and ‘Days of Creation (Third)’, Edward Burne-Jones, 1870-1876, beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic

woman screaming insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

woman crying insipired by Days of Creation (Third) Edward Burne-Jones and and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

woman in the field, insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic

futuristic woman, angry, crying blood insipired by Days of Creation (Third) Edward Burne-Jones and and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, very detailed face, very detailed eyes, very detailed eyes mouth, realistic, hyperrealistic

woman screaming insipired by Lucien Lévy-DhurmerLe Silence and Albert-Émile Artigue Fleurs de Printemps and Days of Creation (Third) Edward Burne-Jones and Albert Lynch The last rays and Edouard Bisson The Three Grace's and Il canto dell'allodola, Sophie Anderson beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic

woman in the field, insipired by Lucien Lévy-Dhurmer "Le Silence" 1895 and Albert-Émile Artigue "Fleurs de Printemps" 1900 and ‘Days of Creation (Third)’, Edward Burne-Jones, 1870-1876, unreal engine render, beautiful and detailed artwork, detailed face, no blur, very detailed face, very detailed eyes, realistic, hyperrealistic